
Tokyo's 'shibari' master turns Japanese bondage into art
Kinoko teaches the knot-tying techniques of Japanese bondage, untangling the practice from its associations with kink and emphasising instead art and aesthetics.
"I see attaching not only people, but also objects or spaces ... as a form of painting on canvas," said the 48-year-old at his studio in central Tokyo.
"It's simply another type of expression."
Kinoko discovered shibari – the art of ropes – in the 2000s while managing an S&M joint in Roppongi, an area of Tokyo known for its nightclubs and bars.
"I wasn't particularly drawn to fetishism at first," he said.
"At the time, the focus of BDSM was often on the dirty or degrading side, but I didn't see that part of it as necessary," he said.
A pedestrian passes Kinoko's blue rope–wrapped egg-shaped home 'Natural Eclipse' in Shibuya, Tokyo. Photo: AFP
Kinoko learned how to tie a woman's body by watching others before establishing his own style "based on beauty".
He started staging performances with a more artistic perspective, and attracted a growing audience.
"My goal is not to hurt ... I don't place myself in a hierarchical relationship," he said.
Criminal beginnings
The roots of shibari date back to the Edo period (1603-1868) when feudal lords used "hojojutsu" to tie up criminals.
The practice took an erotic turn in the 20th century through Ito Seiu's illustrations and books by Dan Oniroku, many of which became pornographic movies.
Another word for this in Japanese is "kinbaku" but this "refers to precise and restrictive techniques, such as wrists tied behind the back", Kinoko explained.
"Shibari is a broader, freer term. There is no single definition," he said.
The artist enjoys marrying the traditional heritage with an avant-garde approach and employing it in novel settings.
In Tokyo's Shibuya district, he enveloped an egg-shaped house called the "Natural Eclipse" in blue rope like a spider's web, transforming it into a living sculpture.
Kinoko, one of Japan's leading shibari (rope art) artists, poses beside a rope-sculpted human figure in his Tokyo studio. Photo: AFP
"It was the missing piece," said the owner of the building, who agreed to the project after seeing another of Kinoko's works.
"Today, passersby stop to photograph it. It has become a place of interaction," he added, declining to give his name.
Kinoko installed large cubes of red rope on top of a Tokyo shopping mall and erected a "shibari sanctuary" at the Burning Man festival in the United States in 2017.
"Why not stretch networks of ropes around the Eiffel Tower?" he said with a smile.
Create connections
Kinoko began offering workshops in London 20 years ago, before inviting fellow Japanese shibari masters to introduce their art to the European public.
"Shibari then spread very quickly," he says.
But international success has not been without risk.
The roots of 'shibari' date back to the Edo period (1603-1868) when feudal lords used 'hojojutsu' to tie up criminals. Photo: AFP
"When I saw people tying without knowing what they were doing, I realised it was necessary to teach. Shibari can be dangerous," he said.
Reputed to be a hard taskmaster, he founded his own shibari school, Ichinawakai, where he trains a new generation of students, around 40 percent of them women.
One of them, Sen, travelled from France to learn the techniques.
"I discovered him in Paris during a performance. He has freed himself from the original dynamics," said the 25-year-old.
Kinoko offers "certification", although this is not an official licence.
Students must pass a 10-stage course, master a variety of knots and guarantee the safety of those they are tying up.
"You have to know how to communicate, make things beautiful and not hurt. That's what I try to convey. I feel responsible," said Kinoko.
"I want shibari to transform society," he added.
"Because, deep down, shibari is a way to create connections." – AFP

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Sun
6 hours ago
- The Sun
Hong Kong Fabric Innovator Comfiknit Supports The Unified Diversity Fashion Show - SOROYURU in Osaka・Kansai Expo
HONG KONG SAR - Media OutReach Newswire - 11 August 2025 - Hong Kong fabric innovator Comfiknit is proud to support the Unified Diversity Fashion Show - SOROYURU, which was held on August 8, 2025 at Expo2025 Osaka, Kansai, Japan. Adults and children from around the world gathered to showcase their respective cultures and -promoting textile technology in celebration of cultural diversity, sustainability, and inclusiveness. 'SOROYURU' - Transforming the Future of Fashion The Unified Diversity Fashion Show - SOROYURU took place at the Wasse Exhibition Hall, Expo 2025 Osaka. Models from Japan, Indonesia, Australia, Brazil, Italy, France, Jordan, Canada, and Liberia were dressed in fashionable ethnic costumes made of Comfiknit's fabrics, showcasing the beauty of SOROYURU. The pieces designed for the nine nations are diverse when some of the elements on one piece are partially matched with those on another, creating a subtle sense of interconnection. The collection channels the 'SOROYURU' concept, which extends beyond colours and patterns to encompass the resonance of thoughts, ideas, and directions, fostering a harmonious balance and showcasing the linkage/unity of diversity and empathy beyond race, gender, and culture from different parts of the world. The Japanese word 'soro' (soroeru) means 'gentle coordination' while 'yuru' refers to 'something loosened, relaxed, laid-back, or unpretentious'. Comfiknit has engaged in a collaboration with Japan's innovative SteAm Design House to promote the 'SOROYURU' concept, which is envisioned to lead the development of a future-proof sustainable fashion business. SteAm was founded by Sachiko Nakajima, the curator of the Jellyfish Pavilion. A SOROYURU Executive Committee has been formed to advance the mission, with the Unified Diversity Fashion Show as the kick-off event. Comfiknit: Clothing as A Means to Enhancing Wellbeing Hiroyuki Akahori ( 赤堀宏之), Co-founder of Comfiknit, said the fabric innovator is very proud to take part in the Expo2025 as a Hong Kong company, and sponsor the meaningful fashion show, which aligns with the company's endeavor to redefine the standards of well fashion for the next generation and beyond. 'Comfiknit takes a future-proof approach to clothing in response to the growing concern for wellbeing and sustainability. The patented proprietary technology of the Comfiknit multi-layer fabrics provides wearers with the ability to manage the micro-climate on their skin, offering supreme comfort and protection without compromising style. ' Comfiknit has been working with top-notch institutions, including the Massachusetts Institute of Technology (MIT) in the US and Nagasaki University, Japan, to research the cooling properties of activewear fabrics and eczema-friendly fabrics. The event producer Sachiko Nakajima ( 中島幸子)remarked, 'The event is about co-creation with shared values, visions, and joint efforts in the selection and combination process. The process itself is a great experience in promoting empathy and connections. ' Official Uniform Supplier of Jellyfish Pavilion Comfiknit is the official apparel supplier of the Jellyfish Pavilion of the Expo 2025 Osaka. The colorful uniform with varying, vibrant graphics is designed by a renowned Japanese fashion designer, Shinshiro Mizuno (水野 信四郎), and made of Comfiknit's sweat management fabric. Shinshiro Mizuno and Indonesian designer Thresia Mareta are the fashion show designers. Mizuno has worked with Givenchy, Hanaemori, Yuki Tori, John Galliano and Alexander McQueen, and owner of his brand[fuse] and a Givenchy-licensed wedding gown brand. Mareta, an architect-turned-fashion designer, is the founder of sustainable design brand LAKON, with a mission to cultivate an ecosystem for craftspeople to transform and sustain their craftsmanship. Special Offering to Expo2025 Kansai Visitors A limited-edition SOROYURU T-shirt collection is featured at the pavilion. Visitors to Osaka can buy Comfiknit's Activewear and Daily wear, including the SOROYURU collection at: E Salon, 5/F Lucua Osaka ( 7-26 Aug ) 〒530-8558 Osaka, Kita Ward, Umeda, 3 Chome−1−3


The Star
14 hours ago
- The Star
Tokyo's 'shibari' master turns Japanese bondage into art
In Tokyo, a man watches a woman slowly bind another with ropes attached to chains hanging from the ceiling. But this is no S&M bar, it's a workshop led by "shibari" master Hajime Kinoko. Kinoko teaches the knot-tying techniques of Japanese bondage, untangling the practice from its associations with kink and emphasising instead art and aesthetics. "I see attaching not only people, but also objects or spaces ... as a form of painting on canvas," said the 48-year-old at his studio in central Tokyo. "It's simply another type of expression." Kinoko discovered shibari – the art of ropes – in the 2000s while managing an S&M joint in Roppongi, an area of Tokyo known for its nightclubs and bars. "I wasn't particularly drawn to fetishism at first," he said. "At the time, the focus of BDSM was often on the dirty or degrading side, but I didn't see that part of it as necessary," he said. A pedestrian passes Kinoko's blue rope–wrapped egg-shaped home 'Natural Eclipse' in Shibuya, Tokyo. Photo: AFP Kinoko learned how to tie a woman's body by watching others before establishing his own style "based on beauty". He started staging performances with a more artistic perspective, and attracted a growing audience. "My goal is not to hurt ... I don't place myself in a hierarchical relationship," he said. Criminal beginnings The roots of shibari date back to the Edo period (1603-1868) when feudal lords used "hojojutsu" to tie up criminals. The practice took an erotic turn in the 20th century through Ito Seiu's illustrations and books by Dan Oniroku, many of which became pornographic movies. Another word for this in Japanese is "kinbaku" but this "refers to precise and restrictive techniques, such as wrists tied behind the back", Kinoko explained. "Shibari is a broader, freer term. There is no single definition," he said. The artist enjoys marrying the traditional heritage with an avant-garde approach and employing it in novel settings. In Tokyo's Shibuya district, he enveloped an egg-shaped house called the "Natural Eclipse" in blue rope like a spider's web, transforming it into a living sculpture. Kinoko, one of Japan's leading shibari (rope art) artists, poses beside a rope-sculpted human figure in his Tokyo studio. Photo: AFP "It was the missing piece," said the owner of the building, who agreed to the project after seeing another of Kinoko's works. "Today, passersby stop to photograph it. It has become a place of interaction," he added, declining to give his name. Kinoko installed large cubes of red rope on top of a Tokyo shopping mall and erected a "shibari sanctuary" at the Burning Man festival in the United States in 2017. "Why not stretch networks of ropes around the Eiffel Tower?" he said with a smile. Create connections Kinoko began offering workshops in London 20 years ago, before inviting fellow Japanese shibari masters to introduce their art to the European public. "Shibari then spread very quickly," he says. But international success has not been without risk. The roots of 'shibari' date back to the Edo period (1603-1868) when feudal lords used 'hojojutsu' to tie up criminals. Photo: AFP "When I saw people tying without knowing what they were doing, I realised it was necessary to teach. Shibari can be dangerous," he said. Reputed to be a hard taskmaster, he founded his own shibari school, Ichinawakai, where he trains a new generation of students, around 40 percent of them women. One of them, Sen, travelled from France to learn the techniques. "I discovered him in Paris during a performance. He has freed himself from the original dynamics," said the 25-year-old. Kinoko offers "certification", although this is not an official licence. Students must pass a 10-stage course, master a variety of knots and guarantee the safety of those they are tying up. "You have to know how to communicate, make things beautiful and not hurt. That's what I try to convey. I feel responsible," said Kinoko. "I want shibari to transform society," he added. "Because, deep down, shibari is a way to create connections." – AFP


Malay Mail
a day ago
- Malay Mail
From Bombardino Crocodilo to Tung Tung Sahur, Italian Brainrot is the AI meme chaos kids love — and adults just don't get (VIDEO)
TOKYO, Aug 11 — In a Japanese shop selling pocket-money trinkets, there is a rack of toys, stickers and keyrings based on a global crew of AI-generated characters that almost every child knows about — and very few adults. A walking shark in oversized sneakers, an orange with muscular arms and a twirling 'Ballerina Cappuccina' with a mug for a head are among the strange stars of the online phenomenon called Italian Brainrot. 'At first it's not funny at all, but it kind of grows on you,' 16-year-old Yoshi Yamanaka-Nebesney from New York told AFP. 'You might use it to annoy someone and find that funny.' The name nods to the stupefying effect of scrolling through mindless social media posts, especially over-the-top images created with artificial intelligence tools. Shouty, crude and often nonsensical Italian voiceovers feature in many of the clips made by people in various countries that began to spread this year on platforms such as TikTok, embraced by young Gen Z and Gen Alpha members. The dozen-plus cartoonish AI creatures have fast become memes, inspiring a stream of new content such as 'Brainrot Rap', viewed 116 million times on YouTube. A YouTube Short titled 'Learn to Draw 5 Crazy Italian Brainrot Animals' — including a cactus-elephant crossover named 'Lirili Larila' — has also been watched 320 million times. 'There's a whole bunch of phrases that all these characters have,' said Yamanaka-Nebesney, in Tokyo with his mother Chinami, who had no idea what he was talking about. School-age Italian Brainrot fans can be found from Kenya to Spain and South Korea, while some of the most popular videos reference Indonesia's language and culture instead. 'I went on trips with my boys to Mexico' and people would 'crack jokes about it' there too, Yamanaka-Nebesney said. 'Melodic language' Internet trends move fast, and Italian Brainrot 'hit its peak maybe two months ago or a month ago', said Idil Galip, a University of Amsterdam lecturer in new media and digital culture. Italian — a 'melodic language that has opportunities for jokes' — has appeared in other memes before. And 'there are just so many people in Indonesia' sharing posts which have potential for global reach, Galip said. A 'multi-level marketing economy' has even emerged, with AI video-makers targeting Italian Brainrot's huge audience through online ads or merchandise sales, she added. Nurina, a 41-year-old Indonesian NGO worker, said her seven-year-old loves the mashed-up brainrot world. 'Sometimes when I pick him up from school, or when I'm working from home, he shouts, 'Mommy! Bombardino Crocodilo!'' — a bomber plane character with a crocodile head. 'I know it's fun to watch,' said Nurina, who like many Indonesians goes by one name. 'I just need to make him understand that this is not real.' Some videos have been criticised for containing offensive messages that go over young viewers' heads, such as rambling references in Italian to 'Bombardino Crocodilo' bombing children in Gaza. 'The problem is that these characters are put into adult content' and 'many parents are not tech-savvy' enough to spot the dangers, warned Oriza Sativa, a Jakarta-based clinical psychologist. This photo illustration taken on August 7, 2025 shows a small bag of novelty merchandise for the online phenomenon called Italian Brainrot, containing collectable cards and a small figure of Frulli Frulla, purchased from a shop in Tokyo. — AFP pic Tung Tung Tung Sahur The best-known Indonesian brainrot character 'Tung Tung Tung Sahur' resembles a long drum called a kentongan, which is used to wake people up for a pre-dawn meal, or sahur, during Ramadan. Indonesia has a young, digitally active population of around 280 million, and 'Tung Tung Tung Sahur' is not its only viral export. This summer, video footage — not AI-generated — of a sunglass-wearing boy dancing on a rowboat during a race at a western Indonesian festival also became an internet sensation. Noxa, the TikToker behind the original 'Tung Tung Tung Sahur' clip, is now represented by a Paris-based collective of artists, lawyers and researchers called Mementum Lab. 'Noxa is a content creator based in Indonesia. He's under 20,' they told AFP. 'He makes fast, overstimulated, AI-assisted videos.' 'He doesn't call himself a 'contemporary artist', but we think he's already acting like one,' said Mementum Lab, which is focused on complex emerging issues around AI intellectual property, and says it is helping Noxa negotiate deals for his work. Noxa, in comments provided by the collective, said the character was 'inspired by the sound of the sahur drum I used to hear'. 'I didn't want my character to be just another passing joke — I wanted him to have meaning,' he said. Cultural nuances can be lost at a mass scale, however, with one 12-year-old tourist in Tokyo saying he thought 'Tung Tung Tung Sahur' was a baseball bat. And the generation gap looks set to persist. 'What's that?!' laughed a woman as she puzzled at the row of Italian Brainrot dolls. 'It's not cute at all!' — AFP