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Cupcake memories: How Meghan and Harry celebrate Fourth of July with Archie and Lilibet

Cupcake memories: How Meghan and Harry celebrate Fourth of July with Archie and Lilibet

News245 hours ago
Meghan and Harry's Fourth of July tradition began during their second date in 2016, with Harry surprising Meghan with red, white, and blue cupcakes.
The couple has since passed on this sweet tradition to their children, Archie and Lilibet.
Meghan recently shared Instagram photos on their wedding anniversary, celebrating their love and family milestones.
Meghan Markle and Prince Harry have a special Fourth of July tradition that they have now passed on to their two children.
On Friday, the Duchess shared a series of Instagram photos. Among them was a selfie taken during the couple's second date, which took place on 4 July 2016— coinciding with America's Independence Day. The post also featured two photos of red, white, and blue cupcakes with a Fourth of July theme.
'Our second date was the 4th of July 2016, and H brought me cupcakes to celebrate. Now, all these years later, our two children are in on the tradition,' she captioned the post.
The first image in the series shows a tray of cupcakes that she and Harry prepared on Friday with their two children, Archie and Lilibet, while the final photo reveals the cupcake that Harry gave her back in 2016.
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A post shared by Meghan, Duchess of Sussex (@meghan)
According to People, in his memoir Spare, the 40-year-old wrote about his second date with Meghan, which took place at Soho House in London.
Harry recalled that Meghan wore a blue sundress with white pinstripes. He gave her a pink box, which she shook and asked, 'What's this?'
She opened the box. Cupcakes. Red, white and blue cupcakes, to be exact. In honour of Independence Day. I said something about the Brits having a very different view of Independence Day from the Yanks, but, oh, well,' he wrote.
The couple celebrated their seventh wedding anniversary on 19 May. Meghan shared an Instagram post featuring a collage of candid and posed photographs of the couple and their family, celebrating joyful moments from their relationship.
'Seven years of marriage. A lifetime of stories. Thanks to all of you (whether by our side or from afar) who have loved and supported us throughout our love story - we appreciate you,' she wrote.
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A post shared by Meghan, Duchess of Sussex (@meghan)
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Relive Johnny Cash At Folsom And San Quentin In Photographs
Relive Johnny Cash At Folsom And San Quentin In Photographs

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Relive Johnny Cash At Folsom And San Quentin In Photographs

"The Prison Concerts: Folsom And San Quentin (Jim Marshall's Photographs of Johnny Cash)," installation view at the Momentary in Bentonville, AR. Jared Sorrells for the Momentary Johnny Cash was a protest singer. The genre was country, but the message was protest. America's mistreatment of Native Americans, veterans, working people, poor people. Most famously, America's mistreatment of incarcerated people. Songs including 'Folsom Prison Blues,' 'I Got Stripes,' 'Jacob Green,' 'Man in Black,' 'The Wall,' 'Starkville City Jail,' and 'San Quentin' all showed empathy for inmates in a country that has almost none. Cash spent a couple nights in jail, but never did prison time. As an artist, as an empath, he didn't need to to understand how barbaric caging people was. 'San Quentin, what good do you think you do? Do you think I'll be different when you're through? You bent my heart and mind and you warp my soul And your stone walls turn my blood a little cold.' 'Jacob Green' offers an even fiercer indictment of the prison system. A young man busted for the simple offense of possession is humiliated and abused by his guards resulting suicide. America's worst-in-the-free-world prison system would become dramatically worse following the height of Cash's prison advocacy and chart popularity in the 1960s and 1970s. The nation's so-called 'war on drugs' and 'get tough on crime' hysteria fostered during the Nixon Administration and accelerated under Ronald Reagan did nothing to abate drug use or reduce crime, but prison populations exploded as petty criminals and drug users were locked away. Today, America imprisons more people than any other democracy on earth by a wide margin. A disproportionate percentage of these inmates were and are Black and poor. America's system of 'criminal justice' from policing to prosecution to punishment has always been rigged against poor people and minorities. Cash saw this 50-plus years ago. He was awake to the injustice. Woke. The singer testified before Congress and met with Nixon in 1972 to discuss prison reform. Still a patriot through and through, despite it all, Cash exposed the stupidity of the old right-wing saw, 'love it or leave it.' Cash loved it and wanted to use his songs to make it better. He knew America wasn't perfect. That obvious conclusion didn't mean he didn't love it. Johnny Cash At Folsom And San Quentin "The Prison Concerts: Folsom And San Quentin (Jim Marshall's Photographs of Johnny Cash)," installation view at the Momentary in Bentonville, AR. Jared Sorrells photography for the Momentary. Cash first played at Folsom in 1966. He wrote 'Folsom Prison Blues' way back in 1953, his first big hit. The song came to him after watching 'Inside the Walls of Folsom Prison' (1951) while serving in the Air Force in West Germany. In 1968, Johnny Cash was spiraling personally and professionally. 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'The Prison Concerts: Folsom and San Quentin (Jim Marshall's Photographs of Johnny Cash)' showcases the powerful snapshots of a legendary musician by a legendary photographer. The presentation is free to the public. 'The godfather of music photography,' Marshall (1936–2010) maintained a 50-year career that resulted in more than 500 album covers, an abundance of magazine covers, and some of the most celebrated images in blues, jazz, country, and rock and roll, including those from Cash's Folsom and San Quentin prison concerts. Tall. Lean. Pompadour. Cash is dressed in his trademark black although 'the Man in Black' moniker wouldn't come formally until the early 70s, in part resulting from his stark outfits at the prison concerts. His 1971 hit 'Man in Black' explains 'why you never see bright colors on my back.' It was a wardrobe of protest from a protest singer. 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Tragically, Folsom State Prison continues housing inmates today despite opening in 1880. Only San Quentin is older in California. More From Forbes Forbes Historic New Orleans Collection Explores Human Tragedy Of Mass Incarceration In Louisiana By Chadd Scott Forbes Sherrill Roland Correctional Identification Numbers Portraits Humanize The Wrongfully Incarcerated By Chadd Scott Forbes Exhibition Of Paño Arte Highlights Creativity Under Mass Incarceration By Chadd Scott

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