
Hall of fame/shame: 33 of Alfa Romeo's greatest hits... and misses
Vittorio Jano's 8cyl, twin supercharged masterpiece – and the world's first true single seater GP racecar – dominated track racing in the early 1930s, establishing Alfa as the Red Bull of the era, only 1,000 per cent cooler. Though it started life making just over 200bhp, the P3's output would reach a faintly terrifying 330bhp by 1935. That power would prove just enough to secure one of history's all time underdog victories in the '35 German GP. You might like
6C 2300 Pescara Spyder (1935): MISS The 6C was expensive, powerful and unquestionably beautiful. Unfortunately it was also a favourite of Italian dictator and all round bad egg, Benito Mussolini. In the 1930s, Mussolini brought Alfa under his control, establishing it as a sportswashing instrument of the fascist Italian state. Alfa's always struggled to disentangle itself from national politics, but the late 1930s were a low ebb. Advertisement - Page continues below
Though it was a decade old design by 1950, the supercharged 158 won every race of the inaugural season of the F1 World Championship in which it competed, delivering the driver's title to Giuseppe Farina. Lightly fettled for 1951, it took Juan Manuel Fangio to victory that season too. Three quarters of a century later, Alfa's yet to add to those back to back F1 titles. As milestones go, at least the 158's a pretty one.
Disco Volante (1952): HIT This experimental racing car looks wildly futuristic today. When the Disco Volante landed in the early 1950s, we're lucky it wasn't burned at the stake by panicking onlookers. With enclosed bodywork sculpted in the wind tunnel, the spaceship-like Disco Volante boasted a radically low drag coefficient. Fitted with Alfa's straight six engine, it was capable of 140 miles an hour. The tomorrow we were promised, but never got.
Italy's answer to the Willys Jeep and Land Rover, a whole lot more unnecessarily complicated than either. Developed in response to a request from the Italian government for a light reconnaissance vehicle, the Matta was offered in military and civilian guise. Sophisticated suspension meant it would get very off road. Complex 1.9-litre petrol engine (complete with twin overhead cams) meant it probably wouldn't get back.
Another Alfa low drag experiment, Franco Scaglione's BAT lived up to its name by looking a) like the company car of some shadowy, caped superhero, and b) utterly, well, bats**t. Scaglione blended science and art to create a prototype both extraordinary and extraordinarily efficient: despite its 4cyl engine developing barely 40bhp, the original BAT was allegedly clocked at 124mph. The Batmobile was no slice of show stand vapour. It worked . Advertisement - Page continues below
Probably the most influential Alfa of them all. The delicious, Bertone designed Giulia wasn't just smartly engineered and fine to drive, it effectively invented the exec saloon class, paving the way for BMW's 3 Series and the rest. With a lightweight monocoque body, sublime aluminium twin cam engines and coil spring suspension all round, the Giulia was a genuine trailblazer: Alfa leading the charge rather than playing catch up.
Giulia Sprint GTA (1965): HIT The OG. The pinnacle. The (tiny, lightweight) daddy. With steel panels switched for aluminium, Plexiglas glazing and magnesium wheels, the GTA boasted a power to weight ratio of 230bhp per tonne in race trim: by 1960s standards, basically a space rocket. The GTA was sublime on track – racking up a reputed 200 victories in the 1966 season alone – and perhaps even better on the road: a fizzing, furious ball of pure joy. Advertisement - Page continues below
And here's to you, Mrs Robinson... Pininfarina's pitch perfect roadster was a hit even before its starring role in The Graduate . Once Dustin Hoffman got his slender hands on it, the Spider – or Duetto, as some knew it – rose to the status of bona fide pop culture legend. It would prove to be the final car designed by Battista Pininfarina himself. What a way to bow out – so immaculate were the Spider's lines, it would remain in production for nearly 30 years.
The prettiest Alfa of all time, so therefore the prettiest car of all time. Effectively a roadgoing version of Alfa's Tipo 33 sports racing prototype, at launch the 33 Stradale was not only the world's most expensive car, but also its fastest accelerating, the 2.0 V8 generating 230bhp in a spindle of aluminium weighing barely 700kg. Despite its groundbreaking performance, despite its butterfly doors, despite those looks , the 33 Stradale struggled to sell.
A Bertone concept based on a spare 33 Stradale chassis (told you Alfa struggled to sell them) and named after British football's least popular competition, the Carabo was Marcello Gandini's blueprint for the future of the supercar, foreshadowing the Lamborghini Countach with its outrageously wedgy profile and scissor doors: in fact, it was the first car ever to use them. Stood less than 39 inches tall, thus making the original Ford GT40 look like an SUV.
Peak early 1970s cool. The 2+2 Montreal not only looked magnificently louche, but – with a 2.6-litre V8 closely related to that of the 33 Stradale – had the soul of a supercar, and performance to match. OK, at launch it cost twice as much as a Jag E-Type. And more than a 911. And pretty much the same as a Ferrari Dino. But did any of those cars have retractable headlight grilles? No, they did not. Case closed, your honour.
Alfa's first FWD offering was a technological tour de force of its day, upstaging Lambo's Countach prototype when it was unveiled at the Turin Auto Show. But the Alfasud was undone by politics and rust – to stimulate the economy of the country's south, the Italian government insisted it would be made in a factory just outside Naples, resulting in all the quality you'd expect from a workforce with no experience of car building but plenty of experience of going on strike.
The driving position was terrible. The underpinnings were pensionable. The reliability... wasn't. But the fuel injected V6 was glorious, gifting the GTV serious smarts not just on the road but around the track, too: it would go on to win the European Touring Car Championship four years on the spin. Sensible buyers went for the cheaper, more reliable Porsche 924. But where's the fun in sensible?
Alfa's tie-up with Nissan – a liaison that also birthed the Nissan Sunny – could have delivered Italian looks with Japanese build quality. Sadly the Arna served up exactly the opposite: utterly anonymous visuals, married to the thrilling lottery of 1980s Italian electrics. Alfa reckoned it could sell 60,000 Arnas a year, but didn't manage that number in total over the car's four year lifespan. That rarest of things, an entirely forgettable Alfa.
Yep, the 1980s were a bad era for Alfa. The 75 wasn't quite such a flop as the Arna – which, OK, is like being 'nicer than chlamydia' – but was still decidedly floppy. Effectively a reworked version of the old Giulietta – which itself had borrowed plenty from the even older Alfetta – the 75 was behind the times even at launch. Roof mounted switchgear, the world's oddest handbrake and mystifying lack of rear legroom see this one filed under 'WTF ergonomics'.
Riccardo Patrese described it as 'the worst car he ever drove'. Alfa's 1985 F1 machine was so spectacularly uncompetitive that, halfway through the season and with no points scored, the team simply ditched it for the previous year's car (which also failed to score a point, but hey, always good to change things up, right?). The experience proved so traumatic it sent Alfa into a self imposed three decade exile from F1.
We've all been there. You've spent years developing a V10 F1 engine, only to discover that it's just too heavy to stick into your Grand Prix car. So what do you do? Stick it in middle of your sensible executive saloon, of course, to create a 600bhp 217mph racing monster. History's ultimate sleeper, the 164 ProCar would never race competitively, which – given it blended F1 car power with absolutely zero downforce – was possibly for the best.
Some will tell you 'Il Mostro' is perhaps the ugliest car ever to wear the Alfa badge. You must ignore these folk. The brutalist SZ was a thing of uncompromising beauty, its thermoplastic composite bodywork (meant to save kilos, somehow ended up weighing almost exactly the same as the 75 saloon on which it was based, because Alfa ) looking better with every passing year. You may disagree. But you'll be wrong.
Peak touring car cool. For the 1993 season, Alfa rocked up at Germany's DTM championship with this satanic reworking of its 155 saloon, replete with four wheel drive, carbon fibre body and a sophisticated 2.5-litre V6 spinning to nearly 12,000rpm. Sounded great, looked great – and (perhaps most improbably) went great. The 155 crushed Merc and BMW in their own backyard to deliver the 1993 DTM title to Nicola Larini. In your face, Germany! Again!
An extraordinary feat of packaging. Extraordinary in the sense of 'what did they do with all the cabin and luggage space?' The GTV may have been as practical as windscreen wipers on a submarine, but made sense on an emotional level (the most important of all the levels) with its combination of sparkly engines, happy handling and a pretty interior that occasionally didn't even fall apart within 20 minutes of driving off the forecourt.
145 Cloverleaf (1995): HIT Discerning hot hatch enthusiasts of the era bought a 306 GTi-6, but the 145 was the romantic choice. Its looks might have been slightly gopping – blame Chris Bangle – but a zippy 148bhp twin spark 2.0-litre, crisp five speed box and tidy chassis imbued the Cloverleaf a unique charm. Few survive today, those that avoided falling victim to 'roadside beech trees' instead falling victim to rust.
As we all know, front wheel drive super saloons don't work . Asking the same two patches of rubber to manage both propulsion and steering duties is a recipe for wayward handling and driving dissatisfaction. But there's always an exception that proves the rule, and the 156 GTA delivered BMW bashing performance despite its wrong wheel drive configuration. How the company managed this witchcraft, no one seems quite sure. Including Alfa.
On paper, it looked great. And frankly 'on paper' was the best way to experience the Spider (and its coupe sibling, the Brera). Great on a bedroom wall poster, rather less great from behind the wheel. The Spider's chassis served up none of the excitement promised by the rock star aesthetics, while the build quality was notable only for its utter absence. You'd have been delighted if someone on your street bought one, so long as that someone wasn't you.
Alfa Romeo 8C Competizione (2007): HIT The 8C – which, under its indecently beautiful carbon fibre skin, borrowed plenty from the less scarce Maserati GranTurismo – was far from the last word in handling dynamics. Hardly a problem, as 'going for a drive in it' was frankly an unnecessarily distraction from the main pleasure of 'just standing and staring at it'. Sounded as good as it looked, which is saying something. A treat for eyes and ears.
Aimed to stick it to BMW's Mini with irresistible Italian styling and irresistible Italian handling. Failed on pretty much every front. The MiTo looked weirdly gawky, and, with its Fiat Punto underpinnings, steered no more elegantly. Might have sold more if Alfa had a) offered it as a 5dr and b) made it less pants. And then there was the name – a portmanteau of 'Milano' and 'Torino' – which sounded like a brand of canned canine sustenance. A dog's dinner.
So close, yet so far. The 4C's list of raw ingredients were so delicious – mid-engined, rear drive, two seats, lightweight carbon chassis – it seemed impossible that even Alfa could bugger up the bake. Somehow it managed it. The 4C drove in a fashion so disjointed, so lurchy and so twitchy, one could only conclude it was either a) broken or b) haunted by vengeful spirits. More fool us for daring to believe. As the old quote goes, it's the hope that kills you.
Giulietta QV (2014): MISS You want to out-Golf GTI the Golf GTI, you'd better bring your A-game. With the Giulietta QV, Alfa failed to bring any game in the first half of its alphabet. Stodgy handling and an even stodgier double clutch gearbox – along with frustratingly offset pedals, frustratingly unyielding seats and... in fact frustratingly nearly everything – relegated the Cloverleaf Giulietta to the most tepid end of the great hot hatch league table. Came for the king, missed by a mile.
Now that's a proper Cloverleaf. The super saloon edition of Alfa's first RWD offering in decades was an absolute honey, its 'three quarters of a Ferrari engine' V6 generously doling out ample power, noise and skids on demand. The Alfa was sharper handling... and the M3 a classier all-rounder, but who would you prefer to hang out with? A true spiritual successor to the Giulia Sprint GTA. Compliments don't come much higher.
Alfaholics GTA-R (2017): HIT Is this merely an excuse to stick another GTA on the list? Yes, yes it is. Do we apologise for this? No, no we do not. It might hail from Bristol rather than Balocco, but Alfaholics' glorious restomod sharpens up the 1960s original to appeal to our discerning 21st century palates. Given the 3,000 hours of work that goes into each car, the GTA-R's £300k price tag doesn't sound that ridiculous, right? Someone? Anyone?
On 10 April, 2024, Alfa revealed its first EV, proudly announcing its battery powered SUV would be called the Milano. Five days later, it was rechristened the Junior. Why? The Italian government curtly reminded Alfa that only products made in Italy could employ such an Italian name. And the Junior – despite Alfa's claims of passione and velocita – was very much made in... Poland. A marketing fail on so very many levels.
So rare and absurdly expensive is Alfa's new mid-engined supercar, you could argue it's no more than an irrelevant sidenote. You might well be correct. But, at the same time, the 33 Stradale is proof that, when Alfa can avoid being entirely mad for a while, it's still capable of cooking up world class delicacies. Sure, there's plenty of Maserati under the skin, but the nuova 33 Stradale is also fizzy, fun, special to sit in and breathtaking to behold.
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Until Sarina Wiegman was appointed manager, England had only reached the finals of a major tournament twice — in 1984 and 2009 — yet now they have reached their third successive final (Hamzah Khalique-Loonat writes). It may not have been pretty (tournaments so rarely are) but it was dogged and it was, by the end of the match, deserved. England have a chance to defend their European title, and will await the winner of Spain v Germany. Please enable cookies and other technologies to view this content. You can update your cookies preferences any time using privacy manager. Beth Mead is brought down in the box — it looks soft — and the referee points straight to the spot. Chloe Kelly steps up and stares down the Italy goalkeeper, who saves her effort. But Kelly is on it like a flash and slots in! Please enable cookies and other technologies to view this content. You can update your cookies preferences any time using privacy manager. The goal came moments after Michelle Agyemang hit the crossbar with an incredible lobbed effort. This is superb drama from both teams. We are a few minutes away from another penalty shootout (Hamzah Khalique-Loonat writes). A reminder: penalties have been converted at 59 per cent at Euro 2025. Open-play penalties are usually converted at a rate of around 79 per cent. • Take your time — penalty expert on how Lionesses can dominate shoot-out The lack of cutting edge that permeated so much of England's evening has sneaked back in. It's so tense out there in Geneva. No goals in the first half of extra time as both sides look to compartmentalise the drama of those last few seconds (of normal time). The goal has reset the tactical battle (Hamzah Khalique-Loonat writes). Italy are no longer sitting back, deep in their own penalty area, they are looking to get forward when they have the ball. 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She has now scored three goals in about 90 minutes of international football — two late equalisers in the Euros knockouts and a screamer with her first touch on debut. England are looking like a team of destiny and, if so, Agyemang is their figurehead. We now go into 30 minutes of extra time and I'm rapidly running out of sanity and emergency snacks. Please enable cookies and other technologies to view this content. You can update your cookies preferences any time using privacy manager. It's her first shot of the game, and it's a game-saving equaliser (Hamzah Khalique-Loonat writes). The cross is swung in deep from the right, and Beth Mead attempts to head it at goal. Laura Giuliani, the Italy goalkeeper spills the ball into the middle of the box and Michelle Agyemang, the 19-year-old striker, shows the composure England have been lacking all match, calmly planting the ball in the net, and giving England the lifeline they need. Please enable cookies and other technologies to view this content. You can update your cookies preferences any time using privacy manager. England are slinging crosses into the box, and have moved Alex Greenwood and co. upfront as they move into break glass mode (Hamzah Khalique-Loonat writes). But their work in open play has worsened — if there's to be a goal it's probably going to come from a set-piece. Chaos in the box and Emma Severini fires at Hannah Hampton from close range. The goalkeeper spills it, but saves a second effort! So close to a second goal for Italy. This is painful viewing for England fans. Looks like England are moving a few pieces around (Hamzah Khalique-Loonat writes): Chloe Kelly moves out wide to the right, and Beth Mead moves inside to a No10 position, behind Alessia Russo. Support for Russo is welcome, especially when she is us against a back three on her own, but at this point it looks like she has ran herself into the ground, and will need to find a second wind in order for the tactical change to make a meaningful distance. Chloe Kelly has less than 14 minutes to repeat her Sweden heroics as she comes on for Georgia Stanway. The England supporters give her a huge reception and she soon wins a corner with some bright play. Play! Play! Is the frustrated shout from Sarina Wiegman on the bench, as Georgia Stanway shoots wide (Hamzah Khalique-Loonat writes). England have taken eight shots in the half, but just three from inside the penalty area. The composure and patience that England started the second half with is gone. England are looking a little desperate now. England are pushing and probing but lack a killer instinct. When will we see some more substitutions? Please enable cookies and other technologies to view this content. You can update your cookies preferences any time using privacy manager. Italy losing Cristiana Girelli to injury is a massive blow (Hamzah Khalique-Loonat writes). She has been outstanding at leading the line and holding up play. She won two of her three ground duels and four of her six aerial duels. It will be much harder for Italy to play long without her. Georgia Stanway started the second half with a point to prove, and has been running relentlessly, recovering possession and linking up (Hamzah Khalique-Loonat writes). Her movement, and proximity to Keira Walsh has helped England develop a foothold in this period. When Sarina Wiegman's team are positioned close to each other, they are much more effective, as they can make quick combinations, and get the best out of players like Walsh and Stanway. England are looking much more lively, zipping the ball about with purpose and upping the pressure. Italy, meanwhile, are defending with everything they've got. Throughout the match, Alessia Russo has been attempting to put pressure on the Italy centre backs, often running out to press them without any support (Hamzah Khalique-Loonat writes). It's a thankless task, and one that seems to be a waste of her energy. With three centre backs and a goalkeeper to pass to, it's very easy for the Italy back line to evade Russo's pressure. On occasion her team-mates have jumped forward to join the press, but they are a touch slow on reacting to triggers (such as a pass out wide to the wing backs), which has meant Italy have been able to break forward. Sofia Cantore comes close to adding a second for Italy after finding space on the right (thanks to frantic defending by England) but her effort is straight at Hannah Hampton. Ella Toone floats a ball into the box and Lauren Hemp gets her head onto it, free at the back post. But the header is a weak one and it loops onto the roof of the net. Decent chance for England. Wow. England are making a half-time change, and it's Lauren James making way for Beth Mead (Kit Shepard writes). James was not at her best in her first half, and it looks like she may have hurt her ankle, but she created some decent openings and has the ability to change a game in an instant. Huge call from Sarina Wiegman. Lauren James is off for England, and has ice strapped to her ankle, as the players come out for the second half. Beth Mead is the one replacing her. England are, again, struggling to get Keira Walsh on the ball in midfield (Hamzah Khalique-Loonat writes). The lines between players, below, represent the volume of passes between them. Walsh (No4) has barely any passes to Georgia Stanway (No8) and even fewer to Ella Toone (No10). In fact, Toone has not been able to link up with Walsh or Stanway, all of which has meant Alessia Russo (No23) has only really been involved when peeling right. England trail 1-0 at half-time. Sitting in the stadium, you could see just how much that goal meant for Italy (Kit Shepard writes). They celebrated as if they had just won the tournament, underscoring that a loss for England tonight would be a big upset. All past evidence suggests Sarina Wiegman will not make any half-time changes but will she wait until the 70th minute — as she did against Sweden — to make adjustments? England's bench rescued them in the quarter-final and, right now, it feels like Chloe Kelly, Michelle Agyemang and other members of the 'positive clicks' bench group will be needed again. They may require more than 20 minutes to save their country this time. Absolutely nothing is going according to plan for England and the half-time whistle can't come quickly enough. Plenty of work for Sarina Wiegman to do at the break. England are trying to muster up a response but look rattled here, though Lauren James forced a fine save from Laura Giuliani. Italy's goal has given them heaps of confidence and they are working it around nicely. England are behind! And it's Barbara Bonansea who gives Italy the lead out of nowhere, with some awful England defending giving the Italian the time and space to lash in the opener from close range. Lucy Bronze, in particular, will not want to watch that back. Please enable cookies and other technologies to view this content. You can update your cookies preferences any time using privacy manager. Italy appear concerned with preventing England from controlling the middle of the pitch, so allow them to have the ball in wide areas (Hamzah Khalique-Loonat writes). But it really only requires a sharp combination or good cross for England to then get into the box, as Alessia Russo has just found, shooting wide. The Italy wing backs are having a tough time, especially with England's full backs — Lucy Bronze and Alex Greenwood — advancing and rotating with the wingers. England's biggest chance of the game so far falls to Alessia Russo, who wins the physical battle against the Italy defence and finds some space in the box. She swings a leg at it, but the ball fizzes past the post. Please enable cookies and other technologies to view this content. You can update your cookies preferences any time using privacy manager. The first decent chance of the game falls to Lauren James (Hamzah Khalique-Loonat writes). It's not too challenging for Laura Giuliani, the Italy goalkeeper, however, it's worth reflecting on James' movement: she starts from a wide position, in Lucia di Guglielmo's blindside, and darts across into the middle of the box from the right. England's right side is full of movement at the moment. Luzy Bronze has just inverted into midfield, while James has pulled wide, as their team-mates build up. Consequently, England are finding it fairly easy to work the ball upfield when Italy press. England are defending in a 4-5-1 (Hamzah Khalique-Loonat writes). The midfield five are compact centrally, and an intercepted pass leads to a break, and nearly a shot on goal. The speed at which England broke out of their shape will have Italy wary of being so loose again. Lucy Bronze has started to move a bit higher in possession, now, although it's not so easy to see at home with the television camera angle. Her presence means that Lauren James can move infield, and get a bit closer to Alessia Russo, who has been isolated at times during the tournament. Lauren Hemp gets the ball in the box and Lauren James is on the end of it, but her snapshot with her right foot trickles safely into the goalkeeper's hands. England are building with a conventional back four, with their full backs high and wide (Hamzah Khalique-Loonat writes). Keira Walsh is sitting ahead of them as the team's No6. However, Italy are attempting to screen passes into her, when England have the ball in deep areas, using a front two of Cristiana Girelli and Sofia Cantore on either side of Walsh. To evade the pressure, Walsh has now just dropped deep alongside the centre backs. The Lionesses have started on the front foot, getting some crosses into the box, moving the ball forward at speed and generally being positive. Eighty eight per cent of all goals at Euro 2025 have been scored from inside the penalty area (Hamzah Khalique-Loonat writes); that space in the heart of the box has been the most productive. Warm-ups finished. Anthems sung (Italy won that particular contest, for me, by the way). And away we go. Lucy Bronze is making her 35th major tournament (World Cup/Euros) appearance for England tonight, moving level with Jill Scott for the joint-most all-time for the Lionesses (Hamzah Khalique-Loonat writes). She has also been directly involved in seven goals (four goals, three assists) for the Lionesses so far in 2025, her best ever tally in a calendar year. In a flagrant disregard of the seating plan, my assigned spot in the press box has been taken by an Italian journalist (Kit Shepard writes). No mixing it with La Gazzetta and La Repubblica for me tonight, then. I'd spent the past half an hour learning Italian and everything… Meanwhile, the FA have a strong delegation at Stade de Genève. Mark Bullingham (chief executive), Debbie Hewitt (president), Gavin Step (women's technical director) and Dan Ashworth (chief football officer) are all here. Sarina Wiegman's substitutions have become a point of contention over the past few years (Hamzah Khalique-Loonat writes). The England manager tends to trust her starting XI and rarely makes early changes. But calls have grown for Wiegman to be more proactive, especially as England have started a number of their matches slowly at Euro 2025. Below is a flow chart which shows 'On-Ball Value' for England and Sweden in the quarter-finals, provided by data company Hudl. On-Ball Value is a statistic that measures the likelihood of actions leading to goals. This includes passes, dribbles, shots, defensive actions. England had their most threatening period after Wiegman made her substitutions. 'I never knew if I could make my dream into reality,' says Hannah Hampton, England's goalkeeper and hero of the quarter-final penalty shoot-out (Hamzah Khalique-Loonat writes). Hampton was born cross-eyed and had several operations to correct her eyesight and her lack of depth perception. Here's her story, as told by Mario Ledwith and Kit Shepard. If there's something to watch out for tonight, it's her passing with the ball at her feet. Lucy Bronze, the England full back, said she's the best in the world in terms of his distribution. Her rangey, drilled passing allows England to move upfield in an instant, but it will be interesting to see how she uses it: if Italy sit back and don't press high, Hampton will have less of an opportunity to hit passes in behind. We're a long way away from this eventuality, but it will be fascinating to see what Sarina Wiegman does if this match goes to penalties (James Gheerbrant writes). Four of England's seven takers against Sweden missed: Lauren James, Beth Mead, Alex Greenwood and Grace Clinton. Mead said afterwards she was disappointed not to execute her skill; she'd probably back herself to have another go, but what about the others? Would there be a case for given fearless young striker Michelle Agyemang one of the spot-kicks if she's on the pitch? Might Wiegman be tempted to try and keep one of the senior players whom she took off against Sweden, like Keira Walsh or Ella Toone, up her sleeve this time if it looks like the match is heading that way? Taking the knee was performatism of the worst kind, so I'm heartened by the news that the England women's team have dropped it from their pre-match ritual (Matthew Syed writes). Taking the knee wasn't about tackling sectarianism but about signalling virtue in football's biggest markets, like the English Premier League — despite the fact that the UK is one of the least racist and most successfully integrated nations in the world. Sure, we have had problems, not least over recent years as a consequence of mass uncontrolled immigration, but let us not indulge the hysteria that things are so terrible that footballers must genuflect before the modern purity cult we call anti-racism. It is the worst kind of gesture politics. • Read the full article Sweden, whom England beat in the quarter-finals, were a very familiar foe, with several players who play or have played in the WSL, and from a country whose native football culture is strongly influenced by English football, via coaches like Bob Houghton and Roy Hodgson (James Gheerbrant writes). And of course, England had played Sweden at the Euros in 2022. Italy are the total opposite. Every single member of their squad, bar the Bayern Munich midfielder Adriana Caruso, plays in Italy. The world rankings consider Sweden a more formidable opponent, but Italy are much more of an unknown quantity. It feels like we've seen two faces of Sarina Wiegman's team so far in this tournament (James Gheerbrant writes): the serious, ultra-professional outfit who can dispatch lesser opponents with aplomb, and the team who can harness a little bit of wildness and emotion, who can let the magnitude and the stakes of the occasion power them too. The semi-final feels like it will require them to bring those two sides together; to draw on all the big-game experience they have behind them, and the glint of the opportunity in front of them. • Read the full article here Ian Wright has spoken on ITV about England's decision to not take the knee, following the abuse directed at Jess Carter on social media (Hamzah Khalique-Loonat writes). The former England and Arsenal forward said taking the knee is a personal decision, and that he would still do so if he was still playing. 'The decision not to take the knee — it should have always been a personal thing. If you want to take the knee, take the knee. I think it was always forced on people,' he said. 'Personally, if I was playing now, for everything that the knee represents in terms of justice, equality and everything that goes with it, I would still take the knee. Even if I had to do it on my own. 'But over the years I've said everything there is to say about racism and how it affects people, and nothing gets any better. What I would say to people now is: prepare your children, prepare your family, make them resilient towards it, because it's going to continue to come. People will say 'Wrighty, that's a bit negative, you're making them win'. They're winning, they're winning now and they'll continue to win. So I would urge people to get resilient against it. It's always going to happen, we can't stop it.' My colleague, Matthew Syed, wrote yesterday on why he believes taking the knee has lost meaning, however, it's clear that Wright feels differently, and in his view it still holds weight and represents more than just a gesture. Sarina Wiegman has been speaking ahead of kick-off (Hamzah Khalique-Loonat writes). On dropping Jess Carter for Esme Morgan, she said: 'Yes, that decision is based on the tactical challenges we have [posed by Italy]. In this game we think it's best to put Esme in. Jess is good and trained well, and is ready.' Wiegman added that England are aiming to dominate their opponents tonight, and find some of the fluency that has been missing this tournament: 'I hope so — that's what we've been working to. We want to take our game to the next level all the time.' The England manager added that she expects a tactical challenge from Italy, England's opponents tonight. 'Italy have played in different shapes and have changed [depending on] tactics of the opponent. I hope we will be on the ball and dominate the game.' Italy utilise the flanks and get the ball out wide by the most direct means possible (Kit Shepard writes). About 10 per cent of their completed passes are defined as 'long' by Opta (meaning they travel more than 32 metres or are a long, high ball) and this rate is the second-highest at Euro 2025. Against Norway (in the quarter-finals), Italy regularly played long, diagonal passes from the centre of the pitch to get their wingers involved. • Read everything you need to know about Italy Andrea Soncin has made one change for Italy from the XI which started the 2-1 quarter-final win against Norway (James Gheerbrant writes): the midfielder Emma Severini has made way for Martina Lenzini, a defender. Not a huge surprise to see a defensively-minded change for the Azzurre: we'll have to wait to see exactly how they line up, but a back five isn't out of the question. Italy: Giuliani, Lenzini, Salvai, Linari, Di Guglielmo, Caruso, Giugliano, Bonansea, Oliviero, Girelli, Cantore. A bit of pre-match listening to get you in the mood here with the latest episode of the Game podcast. Let Tom Clarke's dulcet tones calm your jitters as he is joined by Kit Shepard and Gregor Robertson to run the rule over tonight's match. And if that wasn't enough, the team also have their say on all the transfer mumbo-jumbo going on over in the men's game. Dropping Jess Carter, after all the 27-year-old has been through this tournament, is a huge call from Sarina Wiegman (Kit Shepard writes). Yet it is a measure of both her compassion and authority that she feels comfortable doing so. Wiegman spoke glowingly about Carter yesterday and will support her behind the scenes. Equally, the head coach knows there is a tournament win. She must select what she deems the best XI, even if the optics appear brutal. Sarina Wiegman is aiming to extend an extraordinary record tonight (James Gheerbrant writes). She has won her last four semi-finals as a manager, at each of the last four major tournaments. In 2017, as manager of Holland at a home Euros, she oversaw a 3-0 victory against England, and two years later her Dutch team saw off Sweden 1-0 after extra-time to reach the World Cup final. And as manager of the Lionesses, of course, she steered them past Sweden at Euro 2022, and then Australia a year later at the World Cup. Can she make it five in a row? Esme Morgan has come in at centre back for Jess Carter in England's only change to the XI from the Sweden quarter-final (Kit Shepard writes). Carter struggled against Sweden and Morgan — with her superior height and mobility — played well after replacing her in the 70th minute. The Washington Spirit centre back, 24, has now been rewarded with her first major tournament start. Of course, Wiegman has dropped Carter after the defender revealed she will be stepping away from social media having received racial abuse, with England not taking a knee before kick-off tonight as a result. Please enable cookies and other technologies to view this content. You can update your cookies preferences any time using privacy manager. Elsewhere, Leah Williamson is indeed fit to start even though an ankle injury sustained in the quarter-final left her on crutches. Chloe Kelly and Michelle Agyemang remain on the bench after their brilliant displays as impact substitutes against Sweden. England (4-2-1-3): H Hampton — L Bronze, L Williamson, E Morgan, A Greenwood — K Walsh, G Stanway — E Toone — L James, A Russo, L Hemp For Euros games, reporters must select a seat in the press box at a specified time a couple of days before the game (Kit Shepard writes). Naturally, that leads to a Glastonbury-esque scramble for the best seats as soon as they are made available. I've managed to secure a decent place close to the halfway line, but my frantic dash to book my spot left no time to assess who I am sitting next to. I am therefore flanked by La Repubblica and La Gazzetta dello Sport for the evening. As long as they're fine with my Italian vocabulary consisting of little more than 'mamma mia', we should get along great. There's a nice atmosphere building outside the Stade de Genève — mostly pretty friendly, but not totally without a bit of animosity (James Gheerbrant writes). My favourite cardboard sign so far read: 'Pizza isn't the only thing getting flattened tonight.' Wow, that is fighting talk. And yes, I have seen two fans in Italy shirts… wearing kilts. Supporters are planning to hold an applause in the 16th minute of the match this evening in support of Jess Carter, who was subject to racist abuse on social media (Hamzah Khalique-Loonat writes). Tonight can't be as crazy as England's quarter-final against Sweden, right? Probably not, but I've just been told that Stade de Geneve was the venue for Turkey's famous win over Czech Republic at Euro 2008 (Kit Shepard writes). Czech Republic were 2-0 up and heading to the quarter-finals, before Turkey scored three times in the final 16 minutes to reach the last eight at their opponents' expense. Not quite the penalty drama of last Thursday, but there is precedent for it in Geneva. Fourteen penalties taken, only five scored, Sweden spurning two opportunities to win it . . . the Euro 2025 quarter-final shoot-out between England and Sweden was one of the most chaotic in European Championship history (Geir Jordet, professor in psychology and football at the Norwegian School of Sport Sciences, writes). Should England face another shoot-out in tonight's semi-final, what can they learn from this experience to improve? Taking your time, tweaking small details and getting the basics right would be a start. • Read the article here Hamzah Khalique-Loonat took a big dive into the deep end when looking into the numbers at the Euros so far — here's what he came up with. With half an hour until the England team is announced, the biggest questions are in defence (Kit Shepard writes). Does Sarina Wiegman persist with Jess Carter, who has been targeted by opposition attacks in Switzerland? Was Esme Morgan's strong showing off the bench against Sweden in the quarter-final enough for her to come into the XI? Could Niamh Charles start at left back? Is Leah Williamson 100 per cent after an ankle injury left her on crutches last Friday? How does Sarina Wiegman factor in the racial abuse Carter has endured into all of these dilemmas? Further forward, Chloe Kelly and Michelle Agyemang could start after transforming the quarter-final, but these changes would be out of character for Wiegman and take the pair away from the impact substitute roles in which they have thrived. We will find out what the head coach decides at 6.45pm. It's a gloriously stereotypical evening here in Geneva (Kit Shepard writes). The sun is shining, the temperature is a very tolerable 23C, and the Alps can be seen from the press box. Please enable cookies and other technologies to view this content. You can update your cookies preferences any time using privacy manager. Stade de Geneve is almost empty right now, but there should be a terrific atmosphere by kick-off. Italy have been well supported in their two Euro 2025 games at the venue, and the England fans are marching to the stadium in big numbers from Lancy Pont-Rouge train station, which is about a kilometre up the road. Three of England's four games so far have been played inside an athletics track in Zurich and Georgia Stanway, the Lionesses midfielder, said yesterday that she is looking forward to playing in a more compact stadium. The ground holds 29,800 and is home to Servette, who narrowly lost in last season's Conference League qualifying play-offs to Chelsea, the eventual winners. England supporters have been trickling into Geneva and sampling the Swiss city's finest inns as they await what should be an electric clash this evening… The England squad, meanwhile, went for a walk to shake out some nerves earlier today… Hello and welcome to The Times' live coverage of England's Euro 2025 semi-final against Italy in Geneva. We've only just got our wits back after the Sweden quarter-final, which featured a chaotic (to say the least) shoot-out at the end of a 120 minutes in which England staged a comeback in the dying stages from 2-0 down. Thankfully England came out on top in that one, but what on earth will happen today? Our reporters, Kit Shepard, James Gheerbrant and Hamzah Khalique-Loonat, are on standby in Switzerland to find out.