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‘My mom apparently wore them' – Triumphant return of ‘loose socks'

‘My mom apparently wore them' – Triumphant return of ‘loose socks'

Tokyo Reported01-08-2025
TOKYO (TR) – The Heisei Era (1989-2019) is all the rage at the moment. From digital cameras to school bag accessories, items from several decades ago are gaining popularity.
For fashion, 'loose socks' are making a comeback in a big way with Reiwa school girls — and with some modern touches to boot, reports TBS News (July 30).
Recently, the network asked 50 girls of the Reiwa generation, 'What's popular right now?' The most common answer was loose socks, the long, white legging sported by nearly every self-respecting gyaru (slang for gal) in the late 1990s.
'A little over 2 meters long,' a third-year high school girl says. 'The longer they are, the better [loose socks] are!'
'As a gyaru, I can't live without loose socks, so I wear them,' a second-year high school girl says. 'They're hot, though!! Loose socks are my life!' Loose socks are making a comeback (X) Takeshita Street
At the Harajuku Takeshita Street branch of Kutsushitaya in Shibuya Ward, over 10 varieties of loose socks are available, ranging from classic white to colorful shades like pink and light blue.
'This product has become extremely popular,' says manager Yuiko Nagai. 'Its popularity has been gradually increasing since around 2023, and it will likely continue to perform well in 2025.'
Sales are already 1.5 times higher than usual. This popularity seems to have as much to do with nostalgia as fashion.
'I wear them because I think they make my legs thinner, reduce weight and they're cute,' a second-year high school girl says.
A third-year girl comments, 'I thought it was cute to see the Heisei-era gals wearing loose socks.'
'My mom apparently wore them quite a bit, and she recommended them,' says a first-year high school girl.
First-year high school girl says: 'My mom apparently wore them quite a bit' Varieties
As mentioned before, loose socks in the Heiwa Era were strictly white. Reiwa girls, however, have a choice as various colors are now available.
'I matched my purple T-shirt with my purple loose socks,' an elementary school girl says.
'I wear them because I feel like my feet look empty when wearing a miniskirt,' a first-year high school girl says.
Sock Touch (X) 'That product'
And then there's 'that product.' Sock Touch is an adhesive that keeps the socks firmly in place above the shoe and below the knees.
'When my socks keep falling off, I put on Sock Touch and they stay in place,' a third-year middle school student says.
Available in blue and pink, Sock Touch allows girls to keep their socks in place wherever they like.
Short t-shirts, also popular in the 1990s, are also trending, as is the covering of school bags with large lettering and illustrations.
'Y2K fashion, from the late '90s to early 2000s, was all the rage, and everyone admired and imitated the energetic gyaru girls of the time,' says Mai Nagata, who is in charge of marketing to the Reiwa generation at SHIBUYA109 lab., located near JR Shibuya Station. 'It's fun to take inspiration from old fashion and add your own original touch to it.'
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The Convoluted Chronology of Godzilla: Why the Monster King Isn't Just One Kaiju
The Convoluted Chronology of Godzilla: Why the Monster King Isn't Just One Kaiju

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The Convoluted Chronology of Godzilla: Why the Monster King Isn't Just One Kaiju

Godzilla is one of the oldest film franchises in the world. (But not the 'longest-running.' That title is still claimed by Japan but it belongs to a series of softcore porn movies .) In 2024, the world celebrated 70 years of the King of the Monsters smashing buildings, fighting other kaiju, and embodying the horrors of nuclear weapons. One problem with that, though. Technically, the giant dinosaurian creatures from the 33 live-action Japanese Godzilla movies are not always the same giant dinosaurian creature, meaning that there isn't one kaiju that's been continuously appearing in cinemas for more than seven decades now. Confused? Let us explain. List of Contents: 'Godzilla' Is More of a Species Name New Era, New Godzillas Godzillas of the 21st Century Related Posts 'Godzilla' Is More of a Species Name We don't mean that 'Godzilla was portrayed by different actors in a series of reboots so it's not the same Godzilla.' No. Christopher Reeve's Superman and David Corenswet's 2025 incarnation have different backgrounds, looks, and powers, yet they're still the same character. However, within the Godzilla cinematic universe there are numerous creatures that are called Godzilla but which are (as far as we know) unrelated to each other. In total, the Godzilla franchise may feature anywhere from 3 to 7 of these monsters, depending on how pedantic you want to get. All but two Godzilla movies acknowledge the 1954 original where Godzilla is ultimately killed by the fearsome Oxygen Destroyer weapon that reduces it to a pile of bones. So, almost every 'Godzilla' outside the first movie is actually the second giant dinosaurian creature to attack Japan while its predecessor chills at the bottom of Tokyo Bay. And this isn't some made-up fan theory. The second movie in the franchise, Godzilla Raids Again (1955) , is a direct sequel to the original and clearly states that the atomic ancient beast fighting the Ankylosaurus-like Anguirus belongs to the same species as the Godzilla that rampaged through Tokyo a year ago, but it's not the same kaiju. That one is still an underwater Halloween decoration in that timeline. The title of Godzilla Raids Again is thus a little misleading because the monster that appears in the film actually only raids for the first time. New Era, New Godzillas Godzilla movies are typically classified by Japanese eras. The Showa-era films (1954 – 1975) were famously loose with the idea of continuity and tone (in 1969's All Monsters Attack , the titular monsters only appear in the dreams of a latchkey kid dealing with bullies… and jewel thieves.) Nonetheless, the Showa movies undisputedly feature at least two different monsters belonging to the 'Godzilla' species. Let's say that the creatures from between the Godzilla Raids Again and Terror of Mechagodzilla (1975) movies, which can be enjoyed in any order, are the same monster despite some differences in design and behavior. We will tentatively call this kaiju 'Godzilla 2,' and the 1954 version 'Godzilla 1.' During the Heisei era (1984 – 1995), Godzilla 2 was written out of existence. Within the universe kickstarted by the once-again-misleadingly-titled The Return of Godzilla (1984), only the first movie happened and then Japan enjoyed 30 years of peace until a brand-new Godzilla appeared. Technically speaking, this one was Godzilla 3. There are just too many differences between Godzilla 2 and 3 for them to be the same 'reimagined' kaiju. For one, the latter is MUCH bigger. The Showa version was 50 meters high. The Heisei one is 80 meters high and also has a 'a nuclear reactor heart,' a 'magnetic honing instinct' and feeds on nuclear energy. 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Lampshades Made with Showa-Era Patterned Glass Create Nostalgic Feel
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Patterned plate glass from the mid-Showa era is enjoying new popularity. This type of glass was widely produced from the 1950s to the 1970s. Diverse patterns adorn the surface of the glass, which stained glass artist Akiko Kobayashi uses to make lampshades that create a soft, nostalgic light. The glass comes in various patterns with different names, such as 'Ginga' (galaxy), which features large and small twinkling stars; 'Sakura' (cherry blossoms) with elements of spring; and 'Highway' with intersecting swirls and straight lines. 'Even pieces of the glass in the same shape can have completely different moods depending on their patterns. It's very interesting,' said Kobayashi, 46, explaining the charm of the glass. The Showa-era glass was a popular construction material from the post-World War II period through the high economic growth period. At the time, plate glass was formed by pouring molten glass between two rollers. For patterned plate glass, one of the rollers had a pattern engraved on it. The raised and recessed parts appropriately blocked or blurred the view while still transmitting light. This feature was ideal for windows and doors in homes. Glass manufacturers competed to develop their own unique patterns. However, in the latter half of the 1960s, this kind of glass production declined as new methods to efficiently produce uniform plate glass became widespread. Today, only a few manufacturers continue to produce this type of glass. Kobayashi was born in Yamanashi Prefecture in 1979. After graduating from university, she began taking a stained glass class as a hobby while working. At the age of 40, she started her career as a stained glass artist. She owns the Stainedglass Moineau atelier in Tokyo. When Kobayashi was a child, she often saw houses and other buildings with Showa-era patterned glass for windowpanes. At the time, she thought it was old-fashioned, but when she saw it at an antique shop six years ago, she was filled with nostalgia.'I not only remembered its various beautiful patterns, but I also felt the warmth and nostalgic atmosphere of home once again,' Kobayashi said. Kobayashi began creating lampshades using the Showa-era glass to share its beauty with other people. She connects the pieces using techniques for making stained glass and soldering. Kobayashi buys the glass from antique shops. She also visits demolition sites of old houses to obtain it from their owners. Some people bring glass from their old houses to her atelier and ask her to create pieces that preserve their memories. To date, Kobayashi has collected over 50 kinds of such glass and created works from making lampshades, for example, she might use glass pieces with patterns related to the four seasons on all four sides, or cut out eight thin strips, each bearing a different pattern, and connect them. She carefully considers the balance of the patterns, cuts out the necessary amount of glass, and examines the order and arrangement of the glass pieces many times before finishing each work. 'Glass products are closely tied to daily life, and their owners have strong attachments to them. This is especially true for Showa-era plate glass with its unique patterns,' Kobayashi said. 'I want to continue creating products that their owners will enjoy for many years, cherishing the memories of the past.' Preserving memoriesIn addition to lampshades, Kobayashi creates various other products from Showa-era patterned plate glass, such as small boxes, vases, photo stands and clock faces. She usually makes these products based on her own ideas. Several times a year, she also creates custom designs at the request of customers. For example, for a barbershop's new building, she used Showa-era patterned plate glass that had been in the windows of the shop's old building to create a sign and eyeglass holders. Kobayashi said: 'Everyone has their own way of preserving memories. I always make an effort to find out what to do and how to ensure that my customers will cherish my works for many years.'

‘My mom apparently wore them' – Triumphant return of ‘loose socks'
‘My mom apparently wore them' – Triumphant return of ‘loose socks'

Tokyo Reported

time01-08-2025

  • Tokyo Reported

‘My mom apparently wore them' – Triumphant return of ‘loose socks'

TOKYO (TR) – The Heisei Era (1989-2019) is all the rage at the moment. From digital cameras to school bag accessories, items from several decades ago are gaining popularity. For fashion, 'loose socks' are making a comeback in a big way with Reiwa school girls — and with some modern touches to boot, reports TBS News (July 30). Recently, the network asked 50 girls of the Reiwa generation, 'What's popular right now?' The most common answer was loose socks, the long, white legging sported by nearly every self-respecting gyaru (slang for gal) in the late 1990s. 'A little over 2 meters long,' a third-year high school girl says. 'The longer they are, the better [loose socks] are!' 'As a gyaru, I can't live without loose socks, so I wear them,' a second-year high school girl says. 'They're hot, though!! Loose socks are my life!' Loose socks are making a comeback (X) Takeshita Street At the Harajuku Takeshita Street branch of Kutsushitaya in Shibuya Ward, over 10 varieties of loose socks are available, ranging from classic white to colorful shades like pink and light blue. 'This product has become extremely popular,' says manager Yuiko Nagai. 'Its popularity has been gradually increasing since around 2023, and it will likely continue to perform well in 2025.' Sales are already 1.5 times higher than usual. This popularity seems to have as much to do with nostalgia as fashion. 'I wear them because I think they make my legs thinner, reduce weight and they're cute,' a second-year high school girl says. A third-year girl comments, 'I thought it was cute to see the Heisei-era gals wearing loose socks.' 'My mom apparently wore them quite a bit, and she recommended them,' says a first-year high school girl. First-year high school girl says: 'My mom apparently wore them quite a bit' Varieties As mentioned before, loose socks in the Heiwa Era were strictly white. Reiwa girls, however, have a choice as various colors are now available. 'I matched my purple T-shirt with my purple loose socks,' an elementary school girl says. 'I wear them because I feel like my feet look empty when wearing a miniskirt,' a first-year high school girl says. Sock Touch (X) 'That product' And then there's 'that product.' Sock Touch is an adhesive that keeps the socks firmly in place above the shoe and below the knees. 'When my socks keep falling off, I put on Sock Touch and they stay in place,' a third-year middle school student says. Available in blue and pink, Sock Touch allows girls to keep their socks in place wherever they like. Short t-shirts, also popular in the 1990s, are also trending, as is the covering of school bags with large lettering and illustrations. 'Y2K fashion, from the late '90s to early 2000s, was all the rage, and everyone admired and imitated the energetic gyaru girls of the time,' says Mai Nagata, who is in charge of marketing to the Reiwa generation at SHIBUYA109 lab., located near JR Shibuya Station. 'It's fun to take inspiration from old fashion and add your own original touch to it.'

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