logo
Kendrick Lamar takes 'Not Like Us' victory lap in Drake's native Toronto

Kendrick Lamar takes 'Not Like Us' victory lap in Drake's native Toronto

USA Today21 hours ago

Kendrick Lamar takes 'Not Like Us' victory lap in Drake's native Toronto
Show Caption
Hide Caption
SZA, Kendrick Lamar win big at 2025 BET Awards
Kendrick Lamar won Album of the Year for his critically acclaimed GNX LP and Mariah Carey performed her hit song 'It's Like That' at the BET Awards.
Cover Media
Toronto may be Drake's home turf, but even crowds in the 6 can't resist that catchy Kendrick verse.
During a concert in the Canadian province Thursday, June 12, fans chanted along as Kendrick Lamar performed his viral Drake diss track "Not Like Us."
Part of what feels like a never ending victory lap, Lamar's performance punctuated just how universal the song has become. In Toronto, where maple syrup is a more common export than rap, Drake is an artistic icon.
But, as concertgoers parroted back Lamar's cruelest verses, calling Drake a "colonizer" and "pedophile," even his home court advantage seemed to fade.
The episode is another nail in the coffin of a slow-motion rap battle, the likes of which the hip-hop world has not seen in decades.
The roots of Lamar and Drake's feud go back more than a decade to 2013, though things quickly intensified in spring 2024 as the two traded bars and barbs with shocking allegations.
Over the course of nine songs, both rappers hurled insults at one another in rapid succession, with nothing off limits – looping in city pride, claims of physical and sexual abuse, and parental absenteeism.
Then, "Not Like Us" blew the beef wide open, bringing it into the mainstream as Lamar's lyrically rich takedown became a streaming hit.
Kendrick Lamar, Drake beef explained after the Super Bowl halftime show
A sold out Los Angeles Juneteenth concert and much-discussed Super Bowl performance later, "Not Like Us" has become not just a Drake diss track but a symbol for peak hater status, us vs. them fervor and racial reckoning.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Black Celebrity Zaddies We Can't Get Enough Of
Black Celebrity Zaddies We Can't Get Enough Of

Black America Web

time4 hours ago

  • Black America Web

Black Celebrity Zaddies We Can't Get Enough Of

Source: Arnold Jerocki / Getty Father's Day is the perfect time to show appreciation for the men who balance parenting with presence, purpose, and undeniable swag. In the world of Black celebrity fathers, there's no shortage of men who do just that and look fine as hell while doing it. Kendrick Lamar , known for his lyrical brilliance and low-key lifestyle, has no problem expressing (whether in interviews or songs) how he holds fatherhood in high regard. Usher , who often discusses how not having his father in his life pushes him to be the ultimate dad, exudes a mature, grounded energy that makes him all the more appealing. And, of course, there's Drake, whose emotional openness and artistic legacy make his approach to fatherhood especially captivating. These men are not just attractive — they're helping to redefine what it means to be cool, committed, and connected. Black Celebrity Fathers We Adore The presence of loving and engaged Black fathers is more than just a family win; it's a cultural shift in narrative. For years, harmful stories have tried to minimize or erase the contributions of Black dads. But men like our celebrity dads mentioned above are living proof that Black fatherhood is multifaceted. They're rewriting the narrative, not just through fatherhood itself but through the visibility of it. Source: Ethan Miller / Getty So, this Father's Day, we're giving flowers (and heart-eyes) to the Black celeb dads who are raising kids while turning heads. They're not just fine — they're focused, intentional, and stylish. From studio sessions and movie sets to school pickup, these men prove that being a great dad and looking good while doing it never goes out of style. Jump in below to check out the celebrity fathers we love to call 'daddy.' Black Celebrity Zaddies We Can't Get Enough Of was originally published on Joey Bada$$ is giving Zaddy vibes for sure. Not only is the hunk as sexy as ever, but he also appears to be a devoted lover and father whose main focus is his business and family. Kendrick Lamar is one of the when it comes to rapping, and the fact that he also wears the father hat very well makes his entire aura irresistible. Usher has been taking sexy to a whole other level since the 90s, and the Grammy award-winning artist keeps getting better with time (Dad bod wear?). Not only is he still crushing the music scene, but he's also wearing the daddy cap oh-so-well. Drake's talent, coupled with his emotional aptitude when it comes to making music for women, makes him a contender on our Zaddy list. And, to top it all off, according to some of the lyrics in his popular songs, fatherhood is his most incredible honor. Is there even a Zaddy list that doesn't include Morris Chestnut?! He has been dominating movie and television screens for years with all his chocolate glory, and what makes him even more delicious is that he's a devoted husband and father. Idris is a triple threat. He's fine, adept at his craft, and he's a loving dad. We adore how his daughter dotes over him, which proves that he's a great dad. If there is such a thing as a cool dad, Jay Ellis is it. This smooth brother balances Hollywood and fatherhood effortlessly. When he gives us a sneak peek into his family life on social media, we swoon not only at his beautiful family but also at him. Even after having four kids, Tyler Lepley is still holding it down as a sexy dad. The actor oozes swag while on the screen and loving (fine) father when on the 'Gram. Black America Web Featured Video CLOSE

Today's NYT Connections: Sports Edition Hints and Answers for June 11, #261
Today's NYT Connections: Sports Edition Hints and Answers for June 11, #261

Yahoo

time8 hours ago

  • Yahoo

Today's NYT Connections: Sports Edition Hints and Answers for June 11, #261

Here are the answers for Connections: Sports Edition. Looking for the most recent regular Connections answers? Click here for today's Connections hints, as well as our daily answers and hints for The New York Times Mini Crossword, Wordle and Strands puzzles. Today's Connections: Sports Edition is a fun mix today. Moviegoers -- the green category is for you, and players might recognize a connection between some last names to solve the blue group. The purple group is a wacky one today. Read on for hints and the answers. Advertisement Connections: Sports Edition is out of beta now, making its debut on Super Bowl Sunday, Feb. 9. That's a sign that the game has earned enough loyal players that The Athletic, the subscription-based sports journalism site owned by the Times, will continue to publish it. It doesn't show up in the NYT Games app but now appears in The Athletic's own app. Or you can continue to play it free online. Read more: NYT Connections: Sports Edition Puzzle Comes Out of Beta Hints for today's Connections: Sports Edition groups Here are four hints for the groupings in today's Connections: Sports Edition puzzle, ranked from the easiest yellow group to the tough (and sometimes bizarre) purple group. Advertisement Yellow group hint: Ways to get somewhere. Green group hint: Films with short titles. Blue group hint: They have the same first name. Purple group hint: Large college conference teams. Answers for today's Connections: Sports Edition groups Yellow group: Moving on foot, at various speeds. Green group: One-word sports movies. Blue group: Famous Joes. Purple group: First four letters of Big Ten team names. Read more: Wordle Cheat Sheet: Here Are the Most Popular Letters Used in English Words What are today's Connections: Sports Edition answers? The completed NYT Connections: Sports Edition puzzle for June 11, 2025, #261. The yellow words in today's Connections The theme is moving on foot, at various speeds. The four answers are jog, run, sprint and walk. The green words in today's Connections The theme is one-word sports movies. The four answers are Ali, Creed, Miracle and Seabiscuit. The blue words in today's Connections The theme is famous Joes. The four answers are Buck, Frazier, Montana and Torre. The purple words in today's Connections The theme is first four letters of Big Ten team names. The four answers are corn, scar, spar and wild. Advertisement Corn = Nebraska Cornhuskers Scar = Rutgers Scarlet Knights Spar = Michigan State Spartans Wild = Northwestern Wildcats Quick tips for Connections: Sports Edition #1: Don't grab for the easiest group. For each word, think about other sports categories it might fit in – is this a word that can be used in football, or to describe scoring options? #2: Second meanings are important. The puzzle loves to use last names and even college names that mean other things, to fool you into thinking they are words, not names. #3: And the opposite is also true. Words like HURTS might seem like a regular word, but it's also the last name of at least one pro athlete.

Drake who? In his Toronto return, Kendrick Lamar rose above the drama to deliver a career-spanning spectacle
Drake who? In his Toronto return, Kendrick Lamar rose above the drama to deliver a career-spanning spectacle

Hamilton Spectator

time10 hours ago

  • Hamilton Spectator

Drake who? In his Toronto return, Kendrick Lamar rose above the drama to deliver a career-spanning spectacle

Rogers Centre, Toronto, June 12, 2025 We all love a bit of drama. A bit of conflict. As humans, we thrive on it. For over a year, music fans have feasted on the bitter discord between Kendrick Lamar and Drake , obsessing over each sensational new development in what's been touted as the greatest rap beef of the 21st century. So it should come as no surprise that Lamar's arrival in Toronto on Thursday night — his first venture north of the border since the feud erupted last spring — to perform on the city's biggest stage was touted as another triumph for the Compton rapper, or framed as a juicy opportunity to provoke his rival on his home turf. But inside Rogers Centre, the spectre of Drake was hardly discernible. Lamar didn't mention him, nor did make reference to the feud even once during a nearly three-hour show. Instead, Lamar chose the high road, providing fans with an electric, career-spanning spectacle that felt less like a victory lap than a joyous celebration of a hip hop superstar operating at the peak of his powers. 'I see Toronto ain't playing tonight,' a smiling Lamar exclaimed midway through the show, following a rousing performance of 'Family Ties,' his 2021 collaboration with Baby Keem that sparked the first of several enthusiastic 'Kendrick' chants from the tens of thousands in attendance. And though Lamar chose not to fan the flames of conflict on Thursday, there were plenty of fireworks, both literal and figurative, provided by both Lamar and his co-headliner SZA, in an expensive extravaganza that sagged a little at times, but mostly soared. I'll admit that I was somewhat skeptical ahead of Thursday's show — the first of Lamar and SZA's back-to-back gigs in Toronto. Something about seeing a hip hop show at a baseball stadium felt wrong, somehow. With a capacity of 50,000, Rogers Centre is more than double the size of Scotiabank Arena, where Lamar typically performs when he comes to Toronto. As I filtered into the stadium and took my seats, I was surprised at the makeup of the crowd: the vast majority of fans appeared to be under 25, and many were teenagers, some sitting with their parents, munching popcorn or admiring their newly purchased merch. Between the main show and the opening DJ set from Mustard, the vibe felt more like a comic convention than a hip hop show. All that changed when the lights went down and a black Buick GNX was rolled slowly toward the middle of the sprawling stage, as the menacing horns of 'wacced out murals' blasted through the stadium's booming speakers. Lamar, the superstar Compton rapper who's been embroiled in a year-long feud with Drake, The audience leapt to the feet immediately as Lamar emerged from the car, kicking the show off with furious medley of upbeat songs from across different eras of his storied career — 'squabble up' from 2024's 'GNX,' 'King Kunta' from 2015's 'To Pimp A Butterfly,' and 'ELEMENT' from 2017's 'DAMN.' After about 10 minutes, the audience erupted for a second time as SZA — who more than once has cancelled Toronto shows at the last minute — emerged from beneath the stage on a rising platform to perform '30 for 30,' a standout collaboration with Lamar from her recent album 'Lana.' It was a thrilling moment, buoyed by the natural chemistry between the two artists, their voices duelling and eventually dovetailing in the song's final chorus. As Lamar exited the stage, SZA was joined by a troupe of dancers to perform three songs from her beloved debut album, 'Ctrl,' her voice nearly drowned out by the thousands of fans singing along at the top of their voices. The rest of the show proceeded in this unique fashion: a miniset by Lamar followed by a miniset from SZA, with collaborations peppered in between. SZA (left) and Kendrick Lamar (right) perform at MetLife Stadium in East Rutherford, New Jersey in May. In an era where co-headlining tours are commonplace, pairing Lamar and SZA together for the Grand National Tour stands out as a particularly brilliant move. Longtime collaborators, both artists are currently riding a wave of unprecedented commercial and critical success: Lamar's record-breaking diss track 'Not Like Us' recently won five Grammys, while SZA's 2022 album 'SOS' recently spent its 85th week on the Billboard Top 10. But more importantly, Lamar and SZA feel remarkably compatible: Lamar, at 37, the slippery shape-shifter and lyrical savant. SZA, at 35, the master craftswoman of irresistible hooks that seamlessly fuse hip hop and R&B. Both standing tall as their musical peers slowly recede from cultural relevancy, whether by self-sabotage ( Kanye West ), by self-imposed exile ( Frank Ocean ), by the seductions of capitalism ( Rihanna ) or by the stench of all-consuming solipsism ( Drake ). Still, following the excitement of the show's first half-hour, both the strengths and flaws the stadium setting became apparent. On the one hand, the show's production was spectacular. Flanked by gigantic screens displaying cutting-edge visuals, along with incredibly charismatic dancers, it was easy to get lost in the performance, even if you were far from the stage. Most arresting was the show's use of stunning pyrotechnics, with thick columns of flames climbing hundreds of feet toward the stadium's ceiling. (Lamar's performance of 'euphoria,' one of two Drake diss tracks he performed throughout the evening, featured more pyro than the entire Metallica show I saw last summer.) On the other hand, the sound in the stadium was frustratingly muddy, with the bass often overpowering Lamar's vocals, and an irritating echo making it difficult to make out banter between songs. The complex stage setup, which included stages that disappeared behind sliding screens, made it difficult to see the performers for stretches at a time, sometimes blocking them completely from view depending on your vantage point. But these issues didn't seem to spoil the fun for fans, who were absolutely dialed in for Lamar's midshow set, which featured some of his biggest hits ('Humble,' 'Backstreet Freestyle'), along with two deconstructed versions of songs from his 2012 debut 'Good Kid, M.A.A.D City.' Nor did the apparent sound issues deter fans from embracing the fun and pure absurdity of SZA's midshow set, during which she showed off both her range and eclectic style with a string of songs from 'SOS' and 'Lana.' For 'F2F,' she brought out a guitarist and bassist, briefly transforming the show into a millennial pop-punk fever-dream. For 'Kitchen,' she performed while riding a giant ant, as dancers dressed as giant praying mantises roamed the stage. ('She's such a stoner,' the woman next to me observed.) SZA performs at MetLife Stadium in East Rutherford, New Jersey in May. As the show entered its third hour, the novelty of Lamar and SZA trading sets began to wear off, and the audience energy began to ebb, even as the two artists trotted out some of their most beloved hits — Lamar's 'Money Trees,' SZA's 'I Hate U' and of course 'All the Stars.' It was nearly 11 p.m. when Lamar finally kicked the show back into a high gear with the hyphy banger 'TV off,' as the word 'MUUSSTTAAARD' echoed through the stadium amid exploding fireworks and billowing columns of flame. With the crowd's energy revitalized, Lamar finally launched into a long-awaited rendition of 'Not Like Us' — the chart-topping, record-breaking, multiple Grammy-winning diss track that doubled as knockout punch in Lamar's feud with Drake; a song that sparked a million think pieces, prompted an explosive defamation lawsuit and arguably changed the shape of hip hop forever. And yet, in the context of the Grand National Tour, 'Not Like Us' somehow transcended all the drama and baggage attached to it. There were no sly comments from Lamar, no cheeky visuals or ad-libs. In fact, Lamar said nothing at all. Instead, the tens of thousands in the arena simply bounced along to the track with the same verve and enthusiasm as they did for the half dozen major hits that Lamar performed earlier in the evening. Admittedly, there was something visceral about chanting along to the song's more inflammatory lines, taking part in the gleeful fun we've been witnessed from a distance for over year now. But it all felt somehow detached from Drake, while the feud felt suddenly contrived and overwrought. (Earlier in the evening, Lamar performed 'Poetic Justice,' a song that features Drake, while SZA performed a cover of his song 'Rich Baby Daddy,' a reminder of the Toronto's rappers ubiquitous, etherlike influence on hip hop.) Though 'Not Like Us' was certainly a highlight, the show reached its pinnacle earlier in the night with Lamar's performance of 'Alright,' a galvanizing, politically charged track from 2015 that became a rallying anthem of the Black Lives Matter movement, and which has taken on fresh relevance amid the ongoing protests against mass deportation in the U.S. ' And we hate popo, wanna kill us dead in the street for sure ,' the audience shouted along, in a moment that provided a much deeper sense of emotional catharsis than the lines ' c ertified lover boy, certified pedophile.' As 'Not Like Us' ended, some half-hearted 'one more time' chants bubbled up, but quickly faded away, as fans realized that, after over 50 songs, the show was finally coming to an end. Wearing a bright red jumper, SZA returned to the stage once to perform 'Luther' and 'Gloria,' both lovely duets off Lamar's most recent album. 'Love and faith, that's what this is all about,' she told the exhausted audience, who began filtering out of the stadium before the final song had even wrapped.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store