
The Mai Tai: How it's made and where to find a good one
Imagine creating a cocktail so good that it drank the world dry – of rum at least. That's exactly what Victor 'Trader Vic' Bergeron did in 1944 in Oakland, California when he poured the very first Mai Tai. Come with me to uncover more about this beverage and to try a few too.
Origins
Victor Bergeron first created the Mai Tai to celebrate the richness of a bold 17-year-old Jamaican rum, blended at the time by J.Wray & Nephew. As the tale goes, Bergeron mixed the drink for Tahitian friends who were visiting him. After one sip his friend yelled 'Maita'i roa a'e' meaning 'out of this world, the best!' and so, the Mai Tai was named.
Ingredients
I'm a cocktail fan and they're a big part of what we offer at Forest – the Auckland restaurant I co-own and host alongside chef Plabita Florence. Even so, I realised I didn't know much about rum. In looking into the Mai Tai though, I've learnt that dark rum is made from fermenting molasses and water. It darkens with age, taking on flavours from the bourbon and oak barrels where it's stored. White rum is the filtered, un-aged version, used in mojitos and daiquiris. Lighter again is rhum agricole, made from fresh sugarcane juice. It's grassier, more vegetal and is crafted predominantly in Martinique. In some Mai Tai recipes, a combination of these are used.
And what else is in the Mai Tai? Dry Curacao, specifically Pierre Ferrand, a brandy-based spirit made with candied orange and bitter peel, which imparts citrus notes. Orgeat is next. Pronounced 'or-zha' or 'or-zhaht', this creamy almond-based syrup is infused with orange blossom, which adds a fatty mouthfeel. Fresh lime juice is essential and sometimes simple syrup is added for balance. Crushed ice is served high in a mound like a snow cone for aesthetics and to help with dilution. To finish, the Mai Tai is generally garnished with a lime half and sprig of mint to represent an island and a palm tree. In the Pacific, mixologists often add pineapple juice and exuberant garnishes for sweeter palates.
Where to try a Mai Tai
If metaphorically escaping to a tropical island sounds particularly enticing right now, you're in luck. The rum scene in Aotearoa has blossomed over the last decade. If you want to drink great rum in Tāmaki Makaurau you'll find it in venues like Deadshot, Bar Mea, Captain's Bar, Panacea and Pineapple Bar. If you're in Pōneke, head to Hawthorne, and in Ōtautahi both Casa Publica and Austin Club have great rum offerings.
I went along to three Auckland spots to try this special cocktail and to learn more about how it's made. These three bars have joined forces with Appleton Estate, to create a Mai Tai to commemorate National Mai Tai Day (August 30th) which began in Oakland, the birthplace of the cocktail. These specials will be on offer for all of August. Here's what I thought about them:
Deadshot
My Mai Tai adventure began on a Sunday afternoon in Ponsonby at Deadshot. Bar manager Taite Malty believes that 'people often try cheap, poor quality rum in their youth, but there are more styles than most of us have heard of making it super versatile.' Fellow barman Peter has some serious cocktail knowledge, explaining that 'with classic cocktails, half the fun is the story'.
The rum of choice for Deadshot's Mai Tai special is the Appleton Estate Hearts Collection 2003. It clocks in at 63% ABV which is far stronger than the standard 40%. Just one tiny sip of this rum, which is barrel-aged for 18 years, made my cheeks instantly warm. It's fiery in a non-abrasive way, backed up with a smooth sweetness. With 45ml of this special rum, this Mai Tai is a strong brew, but it's expertly balanced with nutty, zingy flavours from the freshly squeezed lime juice which is kept for no more than five hours. The orgeat is made in-house here with almond milk and sugar. It's infused with orange blossom and almond essence. Grand Marnier offers the orange curacao component. Deadshot's Mai Tai is finished off with an elaborate garnish of lemon, orange, mint and cherry which all add to the fragrance. This cocktail kept developing as it sat, getting smoother, more fruity as the ice melted.
Captain's Bar
Next I headed to Wynyard Quarter. Tucked inside the Park Hyatt is the luxuriously cosy Captain's Bar. With a whopping 70 rums onsite, their rum menu is broken into fruity, oaky, floral and spiced sections. Assistant manager Sura Basnet introduced me to their Mai Tai which she described as more feminine in design – New Zealand botanicals like mānuka honey and kawakawa are used alongside their house-made pistachio orgeat.
Captain's Bar's Mai Tai is built around Appleton Estate Signature and the eight-year-old Reserve, which is pre-batched and poured over a single large ice cube. The absence of crushed ice really allows the smooth texture to be fully appreciated. The drink is milk-clarified, a process which removes impurities resulting in a crystal clear liquid. The solids leftover are then turned into the garnish – a disc of pistachio and milk powder tuile, delicately perched on the rim. To finish, this Mai Tai is topped with a maraschino cherry and a tiny sprig of mint, an ode to the traditional island and palm tree garnish. I liked this sweeter, more delicate approach, and the way the honey and pistachio both came through.
Bar Mea
'People are finding rum again,' Jonny Park, general manager of Bar Mea, explained to me when I arrived. We sat outside looking out over the Viaduct. Bar Mea is one of very few venues serving the Appleton Estate 17-Year-Old Legend. This rum was crafted by head brewer Joy Spence to emulate the 1940s J.Wray & Nephew rum that inspired the original Mai Tai. With only 1500 bottles produced globally in 2022, they are packaged in boxes decorated with hummingbirds, which frequently visit the distillery in the Nassou Valley in Jamaica. Jonny generously let me try a drop of this special nectar. It smelt like spiced caramel, and was both blazing yet delicate on the palate, a welcome contrast to the brisk winter breeze.
Bar Mea has not one but three Mai Tai's on offer this month. The first is for rum aficionados. It's made with a generous 60ml pour of this rare spirit, is served in a blue bespoke mug you can take home and rings in at $115. The second is a classic take on the 1944 original, and the third is a hot-buttered rum where the lime is replaced with cinnamon. I tried the second, served in a green ceramic tiki-style mug, it was delicious and full of revitalising freshness. I'm confident you couldn't go wrong, whichever one you choose.
Turns out I've been unknowingly bypassing the Mai Tai on drinks menus for years. As the Captain's Bar menu rightly suggests, 'raise a glass and let your taste voyage begin' – the Mai Tai is a mid-winter escape in a glass.
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The Mai Tai: How it's made and where to find a good one
Cocktail lover and restaurant host Kate Underwood on a drink you've probably seen on menus, but possibly never tried. Imagine creating a cocktail so good that it drank the world dry – of rum at least. That's exactly what Victor 'Trader Vic' Bergeron did in 1944 in Oakland, California when he poured the very first Mai Tai. Come with me to uncover more about this beverage and to try a few too. Origins Victor Bergeron first created the Mai Tai to celebrate the richness of a bold 17-year-old Jamaican rum, blended at the time by & Nephew. As the tale goes, Bergeron mixed the drink for Tahitian friends who were visiting him. After one sip his friend yelled 'Maita'i roa a'e' meaning 'out of this world, the best!' and so, the Mai Tai was named. Ingredients I'm a cocktail fan and they're a big part of what we offer at Forest – the Auckland restaurant I co-own and host alongside chef Plabita Florence. Even so, I realised I didn't know much about rum. In looking into the Mai Tai though, I've learnt that dark rum is made from fermenting molasses and water. It darkens with age, taking on flavours from the bourbon and oak barrels where it's stored. White rum is the filtered, un-aged version, used in mojitos and daiquiris. Lighter again is rhum agricole, made from fresh sugarcane juice. It's grassier, more vegetal and is crafted predominantly in Martinique. In some Mai Tai recipes, a combination of these are used. And what else is in the Mai Tai? Dry Curacao, specifically Pierre Ferrand, a brandy-based spirit made with candied orange and bitter peel, which imparts citrus notes. Orgeat is next. Pronounced 'or-zha' or 'or-zhaht', this creamy almond-based syrup is infused with orange blossom, which adds a fatty mouthfeel. Fresh lime juice is essential and sometimes simple syrup is added for balance. Crushed ice is served high in a mound like a snow cone for aesthetics and to help with dilution. To finish, the Mai Tai is generally garnished with a lime half and sprig of mint to represent an island and a palm tree. In the Pacific, mixologists often add pineapple juice and exuberant garnishes for sweeter palates. Where to try a Mai Tai If metaphorically escaping to a tropical island sounds particularly enticing right now, you're in luck. The rum scene in Aotearoa has blossomed over the last decade. If you want to drink great rum in Tāmaki Makaurau you'll find it in venues like Deadshot, Bar Mea, Captain's Bar, Panacea and Pineapple Bar. If you're in Pōneke, head to Hawthorne, and in Ōtautahi both Casa Publica and Austin Club have great rum offerings. I went along to three Auckland spots to try this special cocktail and to learn more about how it's made. These three bars have joined forces with Appleton Estate, to create a Mai Tai to commemorate National Mai Tai Day (August 30th) which began in Oakland, the birthplace of the cocktail. These specials will be on offer for all of August. Here's what I thought about them: Deadshot My Mai Tai adventure began on a Sunday afternoon in Ponsonby at Deadshot. Bar manager Taite Malty believes that 'people often try cheap, poor quality rum in their youth, but there are more styles than most of us have heard of making it super versatile.' Fellow barman Peter has some serious cocktail knowledge, explaining that 'with classic cocktails, half the fun is the story'. The rum of choice for Deadshot's Mai Tai special is the Appleton Estate Hearts Collection 2003. It clocks in at 63% ABV which is far stronger than the standard 40%. Just one tiny sip of this rum, which is barrel-aged for 18 years, made my cheeks instantly warm. It's fiery in a non-abrasive way, backed up with a smooth sweetness. With 45ml of this special rum, this Mai Tai is a strong brew, but it's expertly balanced with nutty, zingy flavours from the freshly squeezed lime juice which is kept for no more than five hours. The orgeat is made in-house here with almond milk and sugar. It's infused with orange blossom and almond essence. Grand Marnier offers the orange curacao component. Deadshot's Mai Tai is finished off with an elaborate garnish of lemon, orange, mint and cherry which all add to the fragrance. This cocktail kept developing as it sat, getting smoother, more fruity as the ice melted. Captain's Bar Next I headed to Wynyard Quarter. Tucked inside the Park Hyatt is the luxuriously cosy Captain's Bar. With a whopping 70 rums onsite, their rum menu is broken into fruity, oaky, floral and spiced sections. Assistant manager Sura Basnet introduced me to their Mai Tai which she described as more feminine in design – New Zealand botanicals like mānuka honey and kawakawa are used alongside their house-made pistachio orgeat. Captain's Bar's Mai Tai is built around Appleton Estate Signature and the eight-year-old Reserve, which is pre-batched and poured over a single large ice cube. The absence of crushed ice really allows the smooth texture to be fully appreciated. The drink is milk-clarified, a process which removes impurities resulting in a crystal clear liquid. The solids leftover are then turned into the garnish – a disc of pistachio and milk powder tuile, delicately perched on the rim. To finish, this Mai Tai is topped with a maraschino cherry and a tiny sprig of mint, an ode to the traditional island and palm tree garnish. I liked this sweeter, more delicate approach, and the way the honey and pistachio both came through. Bar Mea 'People are finding rum again,' Jonny Park, general manager of Bar Mea, explained to me when I arrived. We sat outside looking out over the Viaduct. Bar Mea is one of very few venues serving the Appleton Estate 17-Year-Old Legend. This rum was crafted by head brewer Joy Spence to emulate the 1940s & Nephew rum that inspired the original Mai Tai. With only 1500 bottles produced globally in 2022, they are packaged in boxes decorated with hummingbirds, which frequently visit the distillery in the Nassou Valley in Jamaica. Jonny generously let me try a drop of this special nectar. It smelt like spiced caramel, and was both blazing yet delicate on the palate, a welcome contrast to the brisk winter breeze. Bar Mea has not one but three Mai Tai's on offer this month. The first is for rum aficionados. It's made with a generous 60ml pour of this rare spirit, is served in a blue bespoke mug you can take home and rings in at $115. The second is a classic take on the 1944 original, and the third is a hot-buttered rum where the lime is replaced with cinnamon. I tried the second, served in a green ceramic tiki-style mug, it was delicious and full of revitalising freshness. I'm confident you couldn't go wrong, whichever one you choose. Turns out I've been unknowingly bypassing the Mai Tai on drinks menus for years. As the Captain's Bar menu rightly suggests, 'raise a glass and let your taste voyage begin' – the Mai Tai is a mid-winter escape in a glass.

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Cleo Laine, whose husky contralto was one of the most distinctive voices in jazz and who was regarded by many as Britain's greatest contribution to the quintessentially American music, has died. She was 97. The Stables, a charity and venue Laine founded with her late jazz musician husband John Dankworth, said it was "greatly saddened" by the news that "one of its founders and Life President, Dame Cleo Laine has passed away". Monica Ferguson, artistic director of The Stables, said Laine "will be greatly missed, but her unique talent will always be remembered". Laine's career spanned the Atlantic and crossed genres. She sang the songs of Kurt Weill, Arnold Schoenberg and Robert Schumann; she acted on stage and on film and even played God in a production of Benjamin Britten's Noye's Fludde. Laine's life and art were intimately bound up with band leader Dankworth, who gave her a job and her stage name in 1951, and married her seven years later. Both were still performing after their 80th birthdays. Dankworth died in 2010 at 82. ADVERTISEMENT In 1997, Laine became the first British jazz artist to be made a dame, the female equivalent of a knight. "It is British jazz that should have received the accolade for its service to me," she said when the honour was announced. "It has given me a wonderful life, a successful career and an opportunity to travel the globe doing what I love to do." Laine was born Clementina Dinah Campbell in 1927. Her father, Alexander Campbell, was a Jamaican who loved opera and earned money during the Depression as a street singer. Despite hard times, her British mother, Minnie, made sure that her daughter had piano, voice and dance lessons. She began performing at local events at age 3, and at age 12, she got a role as a movie extra in The Thief of Bagdad. Leaving school at 14, Laine went to work as a hairdresser and faced repeated rejection in her efforts to get a job as a singer. A decade later, in 1951, she tried out for the Johnny Dankworth Seven, and succeeded. "Clementina Campbell" was judged too long for a marquee, so she became Cleo Laine. "John said that when he heard me, I didn't sound like anyone else who was singing at the time," Laine once said. "I guess the reason I didn't get the other jobs is that they were looking for a singer who did sound like somebody else." Laine had a remarkable range, from tenor to contralto, and a sound often described as "smoky". ADVERTISEMENT Dankworth, in an interview with the Irish Independent, recalled Laine's audition. "They were all sitting there with stony faces, so I asked the Scottish trumpet player Jimmy Deuchar, who was looking very glum and was the hardest nut of all, whether he thought she had something. 'Something?' he said, 'She's got everything!'" Offered 6 pounds a week, Laine demanded — and got — 7 pounds. "They used to call me 'Scruff', although I don't think I was scruffy. It was just that having come from the sticks, I didn't know how to put things together as well as the other singers of the day," she told the Irish Independent. "And anyway, I didn't have the money, because they weren't paying me enough." Recognition came swiftly. Laine was runner-up in Melody Maker's "girl singer" category in 1952, and topped the list in 1956 and 1957. She married Dankworth — and quit his band — in 1958, a year after her divorce from her first husband, George Langridge. As Dankworth's band prospered, Laine began to feel underused. "I thought, no, I'm not going to just sit on the band and be a singer of songs every now and again when he fancied it. So it was then that I decided I wasn't going to stay with the band and I was going to go off and try to do something solo-wise," she said in a BBC documentary. ADVERTISEMENT "When I said I was leaving, he said, 'Will you marry me?' That was a good ploy, wasn't it, huh?" They were married on March 18, 1958. A son, Alec, was born in 1960, and daughter Jacqueline followed in 1963. Despite her happy marriage, Laine forged a career independent of Dankworth. "Whenever anybody starts putting a label on me, I say, 'Oh, no you don't,' and I go and do something different," Laine told The Associated Press in 1985 when she was appearing on stage in New York in "The Mystery of Edwin Drood." Her stage career began in 1958 when she was invited to join the cast of a West Indian play, Flesh to a Tiger, at the Royal Court Theatre, and was surprised to find herself in the lead role. She won a Moscow Arts Theatre Award for her performance. Valmouth followed in 1959, The Seven Deadly Sins in 1961, The Trojan Women in 1966 and Hedda Gabler in 1970. The role of Julie in Jerome Kern's Show Boat in 1971 provided Laine with a show-stopping song, Bill. ADVERTISEMENT Laine began winning a following in the United States in 1972 with a concert at the Alice Tully Hall in New York. It wasn't well-attended, but The New York Times gave her a glowing review. The following year, she and Dankworth drew a sold-out audience at Carnegie Hall, launching a series of popular appearances. Cleo at Carnegie won a Grammy award in 1986, the same year she was a Tony nominee for The Mystery of Edwin Drood. A reviewer for Variety in 2002 found her voice going strong: "a dark, creamy voice, remarkable range and control from bottomless contralto to a sweet clear soprano. Her perfect pitch and phrasing is always framed with musical imagination and good taste." Perhaps Laine's most difficult performance of all was on February 6, 2010, at a concert celebrating the 40th anniversary of the concert venue she and Dankworth had founded at their home, during which Laine and both of her children performed. "I'm terribly sorry that Sir John can't be here today," Laine told the crowd at the end of the show. 'But earlier on my husband died in hospital.' Laine said in an interview with the Boston Globe in 2003 that the secret of her longevity was that "I was never a complete belter". "There was always a protective side in me, and an inner voice always said, 'Don't do that — it's not good for you and your voice.'" ADVERTISEMENT Laine is survived by her son and daughter.