
Japanese remakes announced for popular K-Dramas
Seoul, South Korea- Two of South Korea's acclaimed dramas, 'Suspicious Partner' and 'Beyond Evil', are set for Japanese remakes, promising to bring fresh interpretations of these much-loved stories to new audiences across Asia.
First up, 'Suspicious Partner', the 2017 legal romance drama starring Ji Chang Wook and Nam Ji Hyun, will premiere its Japanese version on April 29, 2025. The remake, led by Yusei Yagi and Kyoko Saito, will be available to stream on Disney+ in Japan, South Korea, and other parts of Asia.
While the original series only achieved moderate ratings in Korea, it became a global sensation following its release on Netflix. The story centres around a young prosecutor trainee who becomes entangled in a murder case, with her mentor stepping in to defend her. Speaking about the project, Yagi said he was honoured to take on a role made famous by Ji Chang Wook, while Saito promised a version packed with unexpected twists, romance, and suspense.
Meanwhile, the award-winning psychological thriller Beyond Evil will also receive a Japanese adaptation. Originally aired in 2021 and winner of three Baeksang Awards, the gripping drama explores morality and trauma as two detectives hunt for a serial killer linked to a 20-year-old cold case.
The Japanese version of Beyond Evil will air on WOWOW in July 2025, starring Ken Yasuda and Koshi Mizukami. Although the core storyline will remain intact, the adaptation will be tailored to reflect Japanese culture and storytelling styles.
Both remakes highlight the continued influence of Korean dramas in the Japanese market and the broader region, offering fans a chance to experience these beloved stories with a fresh perspective.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Observer
3 days ago
- Observer
Japan's baseball legend Nagashima dies at 89
TOKYO: Los Angeles Dodgers superstar Shohei Ohtani led the tributes to Japanese baseball legend Shigeo Nagashima following his death on Tuesday aged 89. Known as "Mr Pro Baseball", Nagashima starred for Japan's most popular team, the Yomiuri Giants, winning nine straight Japan Series titles from 1965 to 1973. He formed a lethal partnership with Sadaharu Oh, who holds the world record for hitting the most home runs, and the pair are credited with cementing baseball's status as Japan's favourite sport. Their batting exploits captivated a Japanese public enjoying new economic prosperity out of the ruins of World War II, with families tuning in to watch games on black and white televisions. Nagashima's outsized personality and easy charisma made him a popular public figure and symbol of a confident new Japan. He hit a dramatic walk-off home run to seal a win for the Giants in the first professional game ever attended by Japan's emperor in 1959. "May your soul rest in peace," Ohtani wrote on Instagram to his 9.5 million followers, along with a picture of himself with Nagashima. Oh also paid tribute, telling reporters that he was "really shocked" to learn of his former team-mate's death. "I'm really disappointed that Mr Nagashima, who shines brightly in the history of Japanese baseball, has departed after a long bout with illness," the 85-year-old Oh was quoted as saying by the Kyodo news agency. "He taught me a lot of things. I'm grateful to have been able to play with him." Nagashima retired in 1974 after a 17-year playing career during which he won the Central League batting title six times and was home run king twice. He played in 2,186 games and hit 444 home runs. He also had two stints as the Giants' manager, winning two Japan Series titles over 15 seasons. Japan's Chief Cabinet Secretary said Nagashima was "a sunny person". "He left so many brilliant records in the world of professional baseball for many years and gave bright dreams and hopes to society as a national star," he said.


Observer
4 days ago
- Observer
Van Gogh Museum features African artist for first time
Expressive brushstrokes depict a man seated at a table, his face hidden behind a book of Japanese prints, a plastic chair in the corner, and a Nigerian passport lying on the table. It is one of 10 new paintings by Nigerian artist John Madu, created for "Paint Your Path" -- the first solo exhibition by an African artist at Amsterdam's Van Gogh Museum, which opened Friday. Madu, 42, produced the 10 works in just three months in his Lagos studio, each responding to one of seven paintings by the Dutch master. "Before I even knew who Van Gogh was, I knew about his work," said the artist, recalling how as a child he admired his father's calendars filled with Impressionist art. "Van Gogh's works actually stuck out to me because of the yellows, the swirls, the strokes," he told AFP. Madu plays on the global familiarity of Van Gogh's work to build connections between local and universal themes, notably through self-portraiture and the use of symbols. Van Gogh's famous wooden chair is reimagined by Madu as a white plastic seat -- sometimes the main subject, sometimes carried on the shoulder of a protagonist resembling the artist entering a cafe in France's Provence region with a yellow facade. "So I feel the world of Van Gogh plays out for people to relate to you," he said. "I really wanted to pay homage to this master I really love. "So I thought for it to blend perfectly, the strokes, the brush strokes, the colour theme should connect together. "That would make the works actually feel like one." This is not Madu's first dialogue with Western art -- his previous works have drawn inspiration from Gustav Klimt, Edward Hopper and Norman Rockwell. These references resonated with the "Beeldbrekers" ("Image Breakers"), a group of young adults who co-commissioned the exhibition with the goal of making the Van Gogh Museum more inclusive -- both in its exhibitions and outreach. "For me, especially, it's a kind of representation to see an African artist being represented in a museum like this," said Himaya Ayo, a 22-year-old member of the Beeldbrekers. "So, when I heard that, I immediately signed up for it, and now I get to take part in this amazing, but also very historical moment." —AFP


Observer
25-05-2025
- Observer
A dreamweaver of Omani heritage through digital art
While many artists adhere to established art movements like realism or surrealism, Shaima Al Alawi stands apart with her uniquely captivating style. As a digital artist and children's story illustrator, her inventive approach captivated audiences far beyond Oman. "Drawing cartoon characters inspired me to merge Japanese anime with American cartoons, infusing them with Omani motifs. This fusion helped me develop my own distinctive style," she explains with a smile. Every project Shaima undertakes tells a story. One notable example is her artwork for Muscat Airport. Rich in symbolism and rooted in Omani heritage, her designs guide visitors on a visual voyage through the Sultanate's diverse landscapes, culture, and identity. She divided her illustrations into three interconnected themes, each illustrating different facets of Oman's geography and traditions. The first series takes viewers on a journey through the mountainous regions of Al Jabal Al Akhdar, Salalah, and Wakan village. Her vivid portrayals depict mountain peaks, lush plains, and seasonal agriculture, illustrating the deep bond between the land and the people. Shaima's artwork captures this agricultural richness, blending colour and tradition. A dreamweaver of Omani heritage through digital art A dreamweaver of Omani heritage through digital art A dreamweaver of Omani heritage through digital art A dreamweaver of Omani heritage through digital art A dreamweaver of Omani heritage through digital art In honouring Oman's cultural identity, she chose to depict Dhofari women's traditional dress, adding a special homage to the late His Majesty Sultan Qaboos by featuring the beloved rose—his favourite flower—in her compositions. An incense burner also features prominently, symbolising Salalah's historic association with frankincense and scent, echoing its ancient trade significance. The second collection explores Oman's iconic desert landscape, embodying Bedouin heritage. Shaima selected areas such as Wilayat Bidiyah in Al Buraimi and parts of Al Sharqiyah to showcase the vast arid expanses. Warm hues of yellow, orange, and brown dominate her palette, capturing the desert's endless horizon. Through her detailed illustrations, viewers can explore notable landmarks like the Bidiya Mosque or the old forts that stand as silent witnesses to history. Shaima also highlights the region's wildlife—camels, Arabian oryx, and desert birds—alongside traditional crafts such as palm frond weaving and Bedouin fabric artistry. Through these images, she celebrates Omani values like generosity, vividly symbolised by the Finjan coffee cup and Dallah coffee pot, essential elements of hospitality in Bedouin culture. A dreamweaver of Omani heritage through digital art A dreamweaver of Omani heritage through digital art A dreamweaver of Omani heritage through digital art A dreamweaver of Omani heritage through digital art A dreamweaver of Omani heritage through digital art Her third collection turns her gaze towards Oman's stunning coastline and marine environment. Here, she depicts key maritime landmarks, including the Muttrah Souq Gate and Riyam incense burner from Muscat, Al Aija lighthouse from Sur, and Khasab Fort from Musandam. Shaima captures everyday coastal life—fishing, traditional dress, and motifs inspired by waves, fish, and marine life—using soothing shades of blue and turquoise that evoke the serenity and mystery of the sea. Beyond her cultural and environmental work, Shaima's passion extends to illustrating children's stories. Having completed three so far, she feels her enthusiasm growing with each project. Her favourite, How Muzn Found Her Voice, was written by two Omani authors aiming to empower young girls and bolster confidence. "I designed the characters to reflect the people of Musandam,' she explains. 'I used vibrant colours to attract children's attention and express Muzn's emotions, so they could connect with the characters visually." Her quiet studio space and listening to inspiring podcasts provide the perfect environment for her creativity to flourish. Shaima loves walking around, observing her surroundings, and capturing scenes through photography—sources she draws upon for inspiration. She recounts a visit to Beit Al Zubair Museum, where an old decorated heritage bed sparked her imagination. Inspired by the bed's intricate decorations and the symbolism of peacocks—symbols of beauty and joy in Arab and Islamic art—she created her piece 'Mutrah Girl'. The artwork features a central Omani woman in traditional dress, framed by peacocks and ornamentation, all inspired by her visit. A dreamweaver of Omani heritage through digital art A dreamweaver of Omani heritage through digital art A dreamweaver of Omani heritage through digital art A dreamweaver of Omani heritage through digital art A dreamweaver of Omani heritage through digital art While technological advances have revolutionised art, Shaima admits to concerns about artificial intelligence diminishing the uniqueness of handmade work. 'It's easier than ever to produce images with a click,' she says, 'but I remain committed to creating a distinctive visual identity rooted in Oman's heritage.' Looking ahead, Shaima hopes her art will continue to serve as a bridge connecting Oman's rich traditions with modern expressions. She dreams of exhibitions that showcase her work both locally and internationally, sharing the beauty of Oman's landscapes, culture, and stories with a wider audience. As she puts the finishing touches on her latest project, Shaima reflects on her journey. 'Art is my way of telling Oman's stories, of honouring our land and traditions. Whether through colourful illustrations or gentle storytelling for children, I want my work to inspire pride and curiosity in future generations.' With her passion unwavering, Shaima Al Alawi continues to weave her unique artistic tapestry—one that celebrates Oman's landscapes, culture, and people—ensuring that her vision remains a vibrant part of her homeland's cultural legacy.