Why are tickets for film coming out in 2026 selling for 100x the price
Advanced tickets, featuring stars like Matt Damon, Zendaya, and Tom Holland, were quickly resold for hundreds of pounds on platforms such as eBay after going on sale.
Premiere screenings are planned globally in select cities, including London, Melbourne, and Prague, at theatres equipped with IMAX 70mm screens.
The early ticket release is a strategic move, following the substantial IMAX box office success of Nolan's previous Oscar-winning feature, Oppenheimer.
The Odyssey, an adaptation of Homer's epic Greek poem, is currently filming and is notable for being shot entirely with new IMAX cameras.
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Daily Mail
an hour ago
- Daily Mail
Vogue readers furious after spotting 'disturbing' AI models in an ad in the prestigious magazine
It looks like fashion label Guess is not shying away from using artificial intelligence in its ad campaigns - after the brand ran a two-page spread in this month's August edition of Vogue that was 'produced' by an AI marketing company. The advertisements appeared about halfway through Vogue's August print issue, showing a woman with bouncy, long blonde hair modeling two different outfits on separate pages. The images were not part of Vogue editorial, but instead, presumably paid advertisements for the Guess brand that appeared in the famous fashion bible. In one ad, the model sat at a café table with a cup of coffee, wearing a light blue romper covered in mesh floral detailing, as well as a gold watch and necklace from the brand. The other photo depicted the same AI model in a black-and-white chevron print dress, carrying a matching Guess handbag in front of a 'shop' filled with hats in their window. In the fine print on the side of the ad, it read that the campaign was produced by 'Seraphinne Vallora on AI.' Seraphinne Vallora is an agency that designs 'editorial level AI-driven marketing campaigns and cinematic videos,' its campaigns featured not only in Vogue but also in Elle and Harper's Bazaar. On its website, London-based founders Valentina and Andreea stated that they wanted to use AI to brands' advantage. 'We want to harness the incredible power of AI to revolutionize marketing images. We realized that AI offered a cost-effective, hassle-free path to design brilliance,' the website reads. 'No more expensive travel or complicated arrangements, We wanted to make it all accessible, to companies of all sizes. 'An easy solution to market their companies without the stress and complications.' Daily Mail reached out to Guess for comment. But the advertisement didn't seem to slip past eagle-eyed fashion fans, as it went viral on X (formerly Twitter) on Thursday morning. Popular account Pop Crave posted a TikTok made by user @lala4an, which showed the ad. However, Pop Crave incorrectly claimed that Vogue was using the AI models - when it was in fact Guess. But even so, it looks like many fashion fans weren't happy with the choice, as they furiously responded to the Pop Crave post. 'This is kinda sad. There's so many people who would love to be on the magazine just for them to be giving these opportunities to AI…' one user wrote. Another agreed, 'That's disturbing. This is the direction AI should not be going in... wow.' 'AI is not even sparing the fashion industry,' someone else typed. One X user pointed out, 'Great. The new beauty standard will be, literally, unobtainable because it's not real.' Others, however, thought that it was a great sign for the future. 'The future is here. Takes less time and much cheaper to make,' someone shared. Another agreed, 'Well, it's cheaper.' The advertisement comes just one year after OpenAI and Vogue's publishing parent, Condé Nast, announced a partnership together, per BBC. The deal involved allowing ChatGPT and its search engine, SearchGPT, to display content from Vogue and its other publications like GQ. The deal was reported to be multi-year.
The Guardian
3 hours ago
- The Guardian
‘Don't feel like you have to stop at one': the shiny, thrifty brooch revival
The white gold and diamond brooch set like a moving snake was not the first time Zendaya wore the jewellery category most associated with grandmothers. But due to its placement, it might have been the most talked about. In attendance at the Met gala, the Dune actor pinned the Bulgari brooch to the back of her white Louis Vuitton suit. 'The Met Gala really was prime time for brooches,' Melbourne stylist Stuart Walford says. While fashion critics have heralded the brooch's return to menswear for several seasons, lately it has found its way to women's lapels too. Also at the Met Gala, Sarah Snook pinned a cluster of silver brooches from Rahaminov Diamonds and Saidian Vintage Jewels to her blazer, Aimee Lou Wood and Doja Cat both wore brooches in the shape of flowers covered in tiny diamonds (by Cartier and David Webb respectively), while the event's host, Anna Wintour, complimented her pale blue suit with an antique brooch by Lydia Courteille. At the SNL 50th reunion Tina Fey wore an art deco T-shaped brooch, Cynthia Erivo wore several to the 56th NAACP Image Awards and, more than once, the fashion writer Leandra Medine Cohen has featured a 1930s Jean Cocteau fish pin on her Substack, The Cereal Aisle. The brooch also remained the accessory of choice for men at the Oscars with Kieran Culkin, Adrien Brody and Colman Domingo prettifying their suits with ones shaped like tear drops, feathers and ribbons – in that order. Perhaps unsurprisingly given their prominence on the red carpet, it's hard to find a major fashion house that doesn't have a brooch in its recent collections, from Gucci to Loewe and Schiaparelli. In Australia, designers Carla Zampatti, Edward Cuming and Mimco are also selling brooches. Sign up for the fun stuff with our rundown of must-reads, pop culture and tips for the weekend, every Saturday morning For Sydney jeweller Lucas Blacker, a brooch is 'almost like a tattoo'. 'It is a sign from the wearer to show their personality,' Blacker says. At his studio, Black Cicada, he is seeing more clients wanting to repurpose inherited jewellery or pieces they aren't wearing by turning them into brooches. Olivia Cummings, the jewellery designer behind Cleopatra's Bling, says: 'Brooches require care in their placement and a sense of ceremony in their wearing. I think people are craving that now.' The personal statement brooch has deep roots, evolving from simple pins used to hold garments closed in the bronze age to intricate adornments that communicated class, religion and marital status in ancient Rome. In the 18th and 19th centuries, brooches became the original Instagram-holiday-post, featuring micro mosaics of the European tourist towns they were bought in. More recently, the brooches of Madeleine Albright and Queen Elizabeth II were rumoured to carry coded messages. 'Brooches are conversation starters, that's what makes them so special,' Walford says. Sign up to Saved for Later Catch up on the fun stuff with Guardian Australia's culture and lifestyle rundown of pop culture, trends and tips after newsletter promotion In some ways the brooch's rising popularity is consistent with the lipstick indicator, which suggests when economic times are tough people cut back on big purchases and turn to small, affordable luxuries – such as lipstick or, according to Walford, brooches. The financial appeal is twofold: they are a great item to thrift and they help the wearer freshen up their existing wardrobe without buying an entirely new outfit, he says. When styling brooches, Walford recommends balancing the proportions with the size of your lapel. 'If it's narrow, keep things small and delicate. For a large and oversized 80s-style lapel, you could go big.' 'Don't feel like you have to stop at one – if we learned anything from this year's Met Gala, it's that a brooch can be layered and stacked.' Alternatively, take a leaf out of Zendaya's book and fasten one to the back of a coat or dress – just watch out for your handbag strap if you do it. 'There are no rules,' Cummings says. 'I also love to wear them over the top button of a shirt or pinned to a straw hat in summer.' A brooch is a great way to break up an all-black outfit, to fasten a scarf thrown over the shoulders or to add some sparkle to a basket or handbag. If you're looking to start, or add to, a brooch collection, try searching for vintage brooches on secondhand sites such as Vestiaire Collective or online marketplaces such as Etsy, eBay and 1stDibs – the results page feels like rifling through a wealthy, bohemian grandmother's jewellery box. Antique stores and vintage markets also often have extensive brooch collections, if you prefer to peruse in real life. From gold nose-and-mouth sculptures by Salvador Dalí to 1980s Lanvin flowers and enamel and rhinestone sea shells – each pin contains the possibility of another, fancier world. At their best, brooches should feel like small sculptures – striking from afar but still full of detail when you come closer, Cummings says. 'Weight and balance are important but above all it should carry a sense of story.'
The Independent
5 hours ago
- The Independent
Spacey told actor ‘don't worry about it' after alleged assault, documents claim
Kevin Spacey allegedly sexually assaulted a young actor at a party at The Savoy hotel and then told him 'Don't worry about it', court documents for the High Court legal claim suggest. Ruari Cannon is suing Mr Spacey as well as two organisations connected to the Old Vic Theatre in London, claiming he suffered psychiatric damage as a result of sexual and emotional abuse. The 33-year-old has waived his anonymity in the claim. In court documents seen by the PA news agency, Mr Cannon alleges that Mr Spacey, who was a 'powerful figure and a world-famous actor and celebrity' at the time, assaulted him in about June 2013, when he was 'a very vulnerable young man'. Oscar-winning actor Mr Spacey has previously denied allegations of inappropriate behaviour and wrongdoing, and details of his defence are not yet available. According to the documents, filed in June, Mr Spacey was working as artistic director at the Old Vic Theatre at the time of the alleged assaults on a production of a play by Tennessee Williams known as Sweet Bird Of Youth, and Mr Cannon was a member of the cast in this production. They claim that Mr Spacey 'took a particular interest' in Mr Cannon for 'reasons of sexual interest' and sent him a 'lavish' gift of a framed poster of the 1985 production of the play directed by Harold Pinter. After the press preview of the show on June 12 2013, Mr Cannon attended a party at The Savoy in London organised by The Old Vic Theatre Company (The Cut) and The Old Vic Theatre Trust 2000. It is claimed that one of the alleged assaults took place at the event. Setting out the allegations, Elizabeth-Anne Gumbel KC, for Mr Cannon, said: 'Kevin Spacey pulled the claimant towards him, turned him around through 45 degrees and placed his left hand on the claimant's buttocks and lifted up the recess material of his suit.' It is alleged that Mr Spacey then pushed Mr Cannon's underwear 'as far up' into his bottom as possible, 'so as to cause pain and distress'. Ms Gumbel added: 'Mr Kevin Spacey pulled the claimant closer to him and whispered into the claimant's ear 'Don't worry about it'. 'Mr Spacey made more uncalled for and unwelcome advances to the claimant during the evening.' The following day, Mr Cannon reported the alleged assaults to his stage manager at the Old Vic Theatre, but no action was taken. According to the documents, it is accepted that Mr Cannon did not ask for any action to be taken, and was scared about how any further action might affect his career. Later that year, during the run of the show, Mr Cannon saw Mr Spacey at the Old Vic bar. Mr Spacey allegedly said to him, 'I hear you have a dirty secret', and then said: 'Open up.' Ms Gumbel said: 'Kevin Spacey then forced open the claimant's mouth with his fingers and thumbs and commented 'quite a bad boy' before the claimant could pull away. 'The claimant then left the bar. The forcing open of the claimant's mouth was another assault for which Kevin Spacey was responsible and for which the second and/or third defendants were vicariously liable. 'Further in 2017 when the Old Vic set up a confidential complaints email on October 31 2017 the claimant reported the above complaint again to the Old Vic.' She added that the alleged assaults were carried out by Mr Spacey in the course of his work for the organisations connected to the Old Vic, and they are 'vicariously liable' for the alleged assaults carried out in the context of a theatre production.
