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FICTION PICK OF THE WEEK
Stories for Mothers and Daughters
ed. Molly Thatcher
British Library, $22.99
This collection of tales from the British Library focuses on mothers and daughters through the 20th century and includes contributions from masters of the form, including A.S. Byatt, Jeanette Winterson and Jamaica Kincaid. There's an awful lot of tea in this book, though the prim confines of a particular kind of British femininity provoke moments of tiny rebellion that snowball, as the anthology proceeds, into open revolt. In Psalms, Winterson goes down the rabbit hole of a daughter's recollections of her devoutly religious mother – describing the death of a pet tortoise with darkly subversive wit. Byatt's intergenerational Rose-Coloured Teacups is a sly, vividly rendered portrayal of the necessity of breaking tradition as well as transmitting it, with shattered artefacts passed down the maternal line and tart one-liners such as: 'She was overdoing the pink.' Kincaid's My Mother departs most from a naturalistic mode, utilising surrealism and fantastical metamorphosis to capture the evolution of the mother-daughter relationship at its core. Changing expectations of motherhood and new freedoms won by feminism permeate these stylish short stories from celebrated literary women.
Jeanine Cummins
Tinder Press, $32.99
Controversy over 'authenticity' attended the publication of Jeanine Cummins' 2020 novel American Dirt, a tale of Mexican immigrants fleeing narco-traffickers. The author herself was neither Mexican nor an immigrant, though she did have a Puerto Rican grandmother – a fact revealed in the febrile debate over ethnicity, and its fictional representation, that ensued. Despite outrage from some quarters, Oprah refused to pull the book from her book club. It became a bestseller. The fallout does seem to have influenced Cummins' follow-up, Speak to Me of Home, which introduces a fictional Irish-Puerto Rican family resembling the author's own. For matriarch Rafaela, her memory might be going, but she still has vivid recollections of childhood in sun-drenched San Juan. Her daughter Ruth lives in New York and has long navigated ambivalence about her mixed ancestry, while her daughter Daisy strives to reconnect with her heritage, returning to Puerto Rico, where she suffers a misfortune that causes sudden amnesia. Cummins' novel is a riposte to her critics and a family saga that ripples with the complexities of ethnic identity across three generations.
Florence Nightingale observes boys tormenting an owl near the Parthenon – and wonders how to tell the story of it – at the start of Laura Elvery's historical novel about the world's most famous nurse. It's a book that ripples with violence even at a structural level, the narrative splintering across Nightingale's long life like shrapnel. She receives a visitor in her old age – Silas Bradley, who claims to have met her 55 years before. A young nurse under her charge, Jean Frawley, holds the key to the connection, and it is through her we view Nightingale overseeing care at a military hospital during the Crimean War. In the aftermath of it, Nightingale became a public figure, blamed for failures that weren't her fault, perhaps a patriarchal reaction against an ambitious upper-class woman refusing to toe the line in a society that expected people like her to be passive, idle things. Plot isn't the novel's strongest point, but the storytelling doesn't drag, and Elvery's atmospheric attention to detail compensates. Nightingale contains a brisk evocation of war's brutality and monotony and horror, and dwells on the textures of the unglamorous work women undertook to repair what could be repaired and endure the rest.
The Correspondent
Virginia Evans
Michael Joseph, $34.99
Veteran writers of letters to the editor might enjoy this epistolary novel from Virginia Evans, which follows a compulsive letter-writer, Sybil Van Antwerp. As her diverse correspondence reveals, Sybil is a spiky woman now in her seventies, with a tart sense of humour. She's retired as a judge's clerk and has two adult children – a third died in childhood – and her progressive vision impairment threatens to destroy her ability to write as she has always done, as a form of empowerment but also as a shield against the vulnerability of more direct contact. The novel is composed entirely of letters – sent and unsent – to family and associates, to a mysterious figure from her past, and rather wonderfully to famous literary figures such as Joan Didion. Books in this form are rare in modern publishing and tend to focus on adolescence – Sue Townsend's The Diary of Adrian Mole is probably the best known – so it's remarkable that Evans has created such an appealing, flawed, tragicomic character at the other end of life. Writers of all stripes should be attracted by the packaging: the story comes wrapped in a love letter to the art of letter-writing itself.
The Listeners
Maggie Stiefvater
Hachette, $32.99
Set in a high-end hotel in West Virginia during World War II, The Listeners tells a story of luxury and intrigue with a splash of romance and magical realism thrown in. Diplomatic families from Axis powers – Nazis among them – have been detained at the Avallon Hotel, to the discontent of staff. The retreat is overseen by June Hudson, an orphan taken in by the wealthy Gilfoyle family, and the late paterfamilias left her in charge of the business, though his playboy son Edgar owns the place. Jane communes with the magical 'sweetwater' spring upon which the hotel is built, pursues love interests and runs what has essentially become a luxurious internment camp as government agents flit in and out and the motley cast of guests – some clearly evil, some merely unfortunate children – await a political solution that will return them home. This is the debut adult novel from YA bestseller Maggie Stiefvater, and while there are charming elements and cinematic set-pieces, it feels overwhelmed by research at the expense of pace and plot and can be very slow-going.
NON-FICTION PICK OF THE WEEK
A Wisdom of Age
Jacinta Parsons
ABC Books, $34.99
The growing trend in books about ageing has been largely driven by Baby Boomers, which is why it's heartening to encounter one from a younger author who wants to learn from the women who go before her. How to defy the negative stereotypes? How to age with joy, grace and courage? How to celebrate the wisdom that accumulated years bestow? 'Ageing is not a malady,' observes Jacinta Parsons. 'It doesn't need to be fixed.' Reframing the accepted narrative of decline, she seeks out those who can teach her about rebellion, about reconnecting with the timeless, ageless aspect of the self, about how to embrace the slings and arrows of outrageous fortune. In her conversations with women from all over the country, she tells of Deborah who has discovered the transgressive thrill of street art, of Guosheng who, after much pain and loss has become a beacon for younger women, of Liz, who started her comedy career at the age of 93, and of Jean, who appreciates solitude because she's also known loneliness. This stirring book is a reminder that the getting of wisdom is a lifelong project.
The Invention of Amsterdam. A History of Europe's Greatest City in Ten Walks
Ben Coates
Scribe, $29.99
You might want to argue with the superlative in the subtitle, but claims to greatness are always arbitrary. Ben Coates – an Englishman now living in the Netherlands – has a passion for his adopted city tempered by a strong dose of irreverence that makes his city walks fun as well as educative. Take the city's foundational myth about a seasick dog that puked when it made landfall, marking the original locus of Amsterdam. 'An early tribute, perhaps, to all those stag-party tourists who still regularly Jackson Pollock the canal sides after enjoying too many Heinekens.' As he wanders the streets and canals, Coates charts the city's history, from its early marshy days and its rise as a centre of commerce, to its role in the slave trade and the dark period of the Nazi occupation. He walks in Rembrandt's footsteps, has an obligatory joint at a 'coffee shop' and visits the Red-Light District as well as going off the usual tourist track. Travellers who want the complex reality behind the usual guidebook cliches are well-served by this entertaining work.
Aboriginal Women By Degrees
Edited by Maryann Bin-Sallik
UQP, $19.99
Before they went on to tertiary education, the Aboriginal women who tell their stories in this collection already had a rich education in their cultural lore or a sense of rootedness in their extended family and community. But to realise their dreams of becoming teachers, lawyers, social workers and role models, they had to navigate the alien institutional environment of academia. The shock of leaving home and straddling two worlds is a recurring theme. Artist and educator Miriam-Rose Ungunmerr-Baumann, who was born under a tree not far from the Daly River Settlement, came to Melbourne to gain her degree. 'The faces around me were strange and unknown and not always friendly.' But she firmly believed in the importance of a Western education to help Indigenous people manage their own affairs. This is echoed by all the contributors, despite the struggles they faced, the racism they encountered, the family responsibilities they had to juggle while studying. These stories of Indigenous trailblazers provide a valuable education for us all.
It's easy enough to have worthy intentions and take the moral high ground. But Rutger Bregman doesn't have much time for those he calls 'noble losers': people who demand change without practical strategies to implement it. Look at what happened to the Occupy movement, he says. In this handbook for how to become an 'effective idealist', one of his main messages is that you can't afford to be a purist. If hobnobbing with the rich to raise money for a good cause is required, so be it. It's a view that will rile those who believe that structural change and collective action is what's needed. Bregman's focus is, however, on how individuals can make a difference. He's interested in mavericks and change agents with a singular sense of purpose, from abolitionist Thomas Clarkson to civil rights activist Rosa Parks. While Moral Ambition has a fervour typical of the motivational genre, Rutger is not afraid to needle his readers into taking action.
Glennon Doyle, Abby Wambach & Amanda Doyle
Vermillion, $36.99
Whether you agree with the authors' selection of what constitute the 'big questions' in life or not, this collection of inspirational quotes and reflections casts a net wide enough to capture issues that trouble most of us at challenging times in our lives. The emphasis is on the familial, social and cultural forces that shape us and how each person might find their own path through this maze of pressures and expectations. The authors, experts in human behaviour and other well-known contributors such as Jane Fonda and Cheryl Strayed, offer their insights into what has got them through all manner of dark nights of the soul. Interestingly, when addressing the final question, 'What's the point?', Glennon Doyle turns the whole enterprise on its head. It's OK, she concludes, to unfurrow the brow and say 'I don't know'.
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The Advertiser
7 hours ago
- The Advertiser
Robbie Williams gets 'Heaps Normal' in new collab with Canberra-born brand
A Canberra-born non-alcoholic brewery has now got a British pop star as a creative collaborator. It was announced on Monday that Robbie Williams has joined forces with Heaps Normal as a creative collaborator and an investor as the brand enters the British market. The musician, who was last in Australia over Christmas and New Year's for his biopic Better Man, said the decision to team up with the beer brand was a personal one. "Teaming up with Heaps Normal is personal for me," Williams said. "I saw what they were doing, creatively and culturally, when I was down in Australia, and I really wanted to get involved. "I love the ethos of the Heaps brand, and I'm excited for what we're going to achieve together around the world." After first encountering Heaps Normal during his recent tour of Australia, Williams messaged the brand, and the relationship grew from there. In June, the singer also did an advertisement on his social media for the beer brand. "I met the Heaps Normal guys when I was down in Australia, and they showed me the mission they're on to change the way people play. I'm impressed - the love is real," he wrote in an Instagram post. While there are no specific details about what is in the works, Williams plans to work with the Heaps Normal team on creative campaigns, cultural moments, and new product ideas - all aimed at sparking more honest conversations about how and why we drink. The brand also said that Williams' commitment was long-term. Since it was launched out of Canberra in 2020, Heaps Normal - led by punk promoter Andy Miller, brewer Ben Holdstock and pro surfer Jordy Smith - has become Australia's top-selling independent non-alc beer. As well as picking up a slew of awards along the way, Heaps Normal has been at the forefront of the non-alcoholic movement here in Australia. And while its music roots might not be as deep as Williams', the team at Heaps Normal has also been a supporter of the live music industry down under. Now, it's setting its sights on the UK. After soft launching into the market in June, Heaps Normal's products are now in more than 170 pubs and retailers throughout the country. "Heaps Normal isn't just about non-alc beer - it's about culture," Heaps Normal co-founder and CEO Andy Miller said. "Robbie gets that. He's been on his own journey, and he brings an incredible creative energy that lines up with what we stand for as a brand. "For a small, independent business, having Robbie advocating for us and spreading the Heaps Normal ethos to his community is wild. It's a long way from the early days of Heaps Normal when we were getting laughed out of pubs, that's for sure." A Canberra-born non-alcoholic brewery has now got a British pop star as a creative collaborator. It was announced on Monday that Robbie Williams has joined forces with Heaps Normal as a creative collaborator and an investor as the brand enters the British market. The musician, who was last in Australia over Christmas and New Year's for his biopic Better Man, said the decision to team up with the beer brand was a personal one. "Teaming up with Heaps Normal is personal for me," Williams said. "I saw what they were doing, creatively and culturally, when I was down in Australia, and I really wanted to get involved. "I love the ethos of the Heaps brand, and I'm excited for what we're going to achieve together around the world." After first encountering Heaps Normal during his recent tour of Australia, Williams messaged the brand, and the relationship grew from there. In June, the singer also did an advertisement on his social media for the beer brand. "I met the Heaps Normal guys when I was down in Australia, and they showed me the mission they're on to change the way people play. I'm impressed - the love is real," he wrote in an Instagram post. While there are no specific details about what is in the works, Williams plans to work with the Heaps Normal team on creative campaigns, cultural moments, and new product ideas - all aimed at sparking more honest conversations about how and why we drink. The brand also said that Williams' commitment was long-term. Since it was launched out of Canberra in 2020, Heaps Normal - led by punk promoter Andy Miller, brewer Ben Holdstock and pro surfer Jordy Smith - has become Australia's top-selling independent non-alc beer. As well as picking up a slew of awards along the way, Heaps Normal has been at the forefront of the non-alcoholic movement here in Australia. And while its music roots might not be as deep as Williams', the team at Heaps Normal has also been a supporter of the live music industry down under. Now, it's setting its sights on the UK. After soft launching into the market in June, Heaps Normal's products are now in more than 170 pubs and retailers throughout the country. "Heaps Normal isn't just about non-alc beer - it's about culture," Heaps Normal co-founder and CEO Andy Miller said. "Robbie gets that. He's been on his own journey, and he brings an incredible creative energy that lines up with what we stand for as a brand. "For a small, independent business, having Robbie advocating for us and spreading the Heaps Normal ethos to his community is wild. It's a long way from the early days of Heaps Normal when we were getting laughed out of pubs, that's for sure." A Canberra-born non-alcoholic brewery has now got a British pop star as a creative collaborator. It was announced on Monday that Robbie Williams has joined forces with Heaps Normal as a creative collaborator and an investor as the brand enters the British market. The musician, who was last in Australia over Christmas and New Year's for his biopic Better Man, said the decision to team up with the beer brand was a personal one. "Teaming up with Heaps Normal is personal for me," Williams said. "I saw what they were doing, creatively and culturally, when I was down in Australia, and I really wanted to get involved. "I love the ethos of the Heaps brand, and I'm excited for what we're going to achieve together around the world." After first encountering Heaps Normal during his recent tour of Australia, Williams messaged the brand, and the relationship grew from there. In June, the singer also did an advertisement on his social media for the beer brand. "I met the Heaps Normal guys when I was down in Australia, and they showed me the mission they're on to change the way people play. I'm impressed - the love is real," he wrote in an Instagram post. While there are no specific details about what is in the works, Williams plans to work with the Heaps Normal team on creative campaigns, cultural moments, and new product ideas - all aimed at sparking more honest conversations about how and why we drink. The brand also said that Williams' commitment was long-term. Since it was launched out of Canberra in 2020, Heaps Normal - led by punk promoter Andy Miller, brewer Ben Holdstock and pro surfer Jordy Smith - has become Australia's top-selling independent non-alc beer. As well as picking up a slew of awards along the way, Heaps Normal has been at the forefront of the non-alcoholic movement here in Australia. And while its music roots might not be as deep as Williams', the team at Heaps Normal has also been a supporter of the live music industry down under. Now, it's setting its sights on the UK. After soft launching into the market in June, Heaps Normal's products are now in more than 170 pubs and retailers throughout the country. "Heaps Normal isn't just about non-alc beer - it's about culture," Heaps Normal co-founder and CEO Andy Miller said. "Robbie gets that. He's been on his own journey, and he brings an incredible creative energy that lines up with what we stand for as a brand. "For a small, independent business, having Robbie advocating for us and spreading the Heaps Normal ethos to his community is wild. It's a long way from the early days of Heaps Normal when we were getting laughed out of pubs, that's for sure." A Canberra-born non-alcoholic brewery has now got a British pop star as a creative collaborator. It was announced on Monday that Robbie Williams has joined forces with Heaps Normal as a creative collaborator and an investor as the brand enters the British market. The musician, who was last in Australia over Christmas and New Year's for his biopic Better Man, said the decision to team up with the beer brand was a personal one. "Teaming up with Heaps Normal is personal for me," Williams said. "I saw what they were doing, creatively and culturally, when I was down in Australia, and I really wanted to get involved. "I love the ethos of the Heaps brand, and I'm excited for what we're going to achieve together around the world." After first encountering Heaps Normal during his recent tour of Australia, Williams messaged the brand, and the relationship grew from there. In June, the singer also did an advertisement on his social media for the beer brand. "I met the Heaps Normal guys when I was down in Australia, and they showed me the mission they're on to change the way people play. I'm impressed - the love is real," he wrote in an Instagram post. While there are no specific details about what is in the works, Williams plans to work with the Heaps Normal team on creative campaigns, cultural moments, and new product ideas - all aimed at sparking more honest conversations about how and why we drink. The brand also said that Williams' commitment was long-term. Since it was launched out of Canberra in 2020, Heaps Normal - led by punk promoter Andy Miller, brewer Ben Holdstock and pro surfer Jordy Smith - has become Australia's top-selling independent non-alc beer. As well as picking up a slew of awards along the way, Heaps Normal has been at the forefront of the non-alcoholic movement here in Australia. And while its music roots might not be as deep as Williams', the team at Heaps Normal has also been a supporter of the live music industry down under. Now, it's setting its sights on the UK. After soft launching into the market in June, Heaps Normal's products are now in more than 170 pubs and retailers throughout the country. "Heaps Normal isn't just about non-alc beer - it's about culture," Heaps Normal co-founder and CEO Andy Miller said. "Robbie gets that. He's been on his own journey, and he brings an incredible creative energy that lines up with what we stand for as a brand. "For a small, independent business, having Robbie advocating for us and spreading the Heaps Normal ethos to his community is wild. It's a long way from the early days of Heaps Normal when we were getting laughed out of pubs, that's for sure."

Sky News AU
8 hours ago
- Sky News AU
‘Seems to have been taken in Pizza Express in Woking': Princess Eugenie's jaw-dropping gaffe
Princess Eugenie has appeared to inadvertently remind the public of Prince Andrew's public fall from grace while posting a birthday tribute to her elder sister Princess Beatrice. Beatrice marked her 37th birthday last week and her only sister Eugenie led the celebrations with a warm message shared via her official Instagram account. 'Happy happy birthday to my dearest Beabea.. my big sissy, the best in the entire world,' she wrote alongside a carousel of photos with Beatrice. In one of the snaps, Beatrice and Eugenie are seen tucking into an Italian-style panini. Unfortunately for the Princesses of York, the panini photo drew immediate comparisons to Prince Andrew's infamous 'Pizza Express' story from his notorious BBC Newsnight interview. The pizza story was clearly front of mind for social media users, some of whom took to Eugenie's comment section and pointed out the unfortunate coincidence. 'Seems to have been taken in Pizza Express in Woking. A regular haunt,' one commenter wrote. During the career-ending BBC interview, Andrew denied having sex with Epstein victim Virginia Giuffre because on that night he took his daughter to a 'Pizza Express in Woking'. 'I was with the children and I'd taken Beatrice to a Pizza Express in Woking for a party at I suppose four or five in the afternoon,' Andrew said. 'And then because the duchess (Fergie) was away, we have a simple rule in the family that when one is away the other is there.' Pizza Express is a British-based fast food chain serving up Italian-style favourites on a budget. The Duke of York's ties to Epstein have been back in the British press in recent weeks due to the publication of a new biography by Andrew Lownie. Reportedly, the new book has garnered sympathy for the Princesses, who are seen as 'collateral' damage amid their parents' scandals. 'All they have ever done is stand by their parents in the most horrific public circumstances,' a source close to the Princesses told The Daily Beast's Tom Sykes. 'I don't think it's fair to criticise them for (their parents). 'They're sweet girls who understand that they are immensely privileged, and have always been grateful for the privilege they've had, and have tried to use it to do the right thing.'

Mercury
13 hours ago
- Mercury
Driver fined $330 for blocking Abbie Chatfield's Bondi driveway
Don't miss out on the headlines from Lifestyle. Followed categories will be added to My News. A British woman has copped a $330 fine after she parked across the driveway of a well known media personality, who tried to help her avoid the blunder. Abbie Chatfield, who lives in Sydney's Eastern Suburbs, shared that she was walking her dog Walter when she had the 'craziest interaction' outside her apartment block. The 30-year-old revealed that while outside she witnessed a British woman drive up the street, almost hitting Chatfield's car, before proceeding to park 'halfway across the driveway'. 'You could not get a car out at all,' Chatfield said. The It's A Lot podcast host said she wasn't going to say anything until the woman asked for her friend's opinion on the park. That's when Chatfield, who is dating musician Adam Hyde, tried to help the woman. For Australia's best lifestyle coverage — download the app direct to your phone. 'I said, 'It actually isn't' because I thought she was confused about the parking rules,' she said. 'I've seen things online about people from England parking recklessly, and I thought maybe she was confused. She's obviously not from here and I was trying to help her to let her know it was illegal.' But, the woman then said that she 'wasn't asking' Chatfield, and when the former reality star tried to explain that people with 4WDs and utes wouldn't be able to get out, the woman argued that 4WDs could drive 'over the gutter'. Abbie Chatfield has shared a 'crazy' interaction she had after a British woman blocked half of her driveway with her car. Picture: Abbie Chatfield/TikTok Chatfield said she was just trying to help the woman, believing she was genuinely confused. Picture: Instagram/@abbiechatfield The woman then refused to move her car, while she and her friends laughed at the Australian star. Chatfield was left stunned by the interaction, saying all she was trying to do was help the woman and her neighbours. Chatfield also revealed that parking rangers are often in the area, saying that before Hyde obtained a parking permit he would be fined for staying as little as 10 minutes longer than he was supposed to. 'I was trying to help her. I thought she was actually wondering. Then she starts yelling at me in this Cockney accent,' Chatfield said. But, it seemed like Chatfield got the last laugh in the end because, as she predicted, the woman copped a fine for blocking the driveway that amounted to $330. 'Well, well, well. I tried to warn her. I tried to tell her. There's also parks up the entire street but she wanted to be a c***,' she said. 'Sorry darling, it's going to cost you.' The woman ended up with a $330 parking fine. Picture: TikTok/@abbiechatfield Fellow social media users felt that the woman got what was coming to her after her rude response to Chatfield. 'I would sit on the deck with a coffee and wait for the show to start,' one social media user said. Another added: 'I'm so petty I would have written, 'You should have listened'.' 'I feel literally so content right now,' one commented. One social media user added: 'Oooft $330 is a big one too. She's gonna regret that.' 'I love this for her,' another said. Another added: 'The way I'm cackling at this.' '$330 as the fine is just so satisfying to me,' one said. 'Brilliant', 'karma' and 'splendid' were among some of the comments on the video. One social media user said it was the 'best possible outcome'. Originally published as Driver fined $330 for blocking star's Bondi driveway