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How Heartbreak High star found connection through playing dress-ups

How Heartbreak High star found connection through playing dress-ups

When it comes to texture, teddy bears are one of Heartbreak High actor Chloe Hayden's favourite things to touch.
'I don't even know if I could count how many teddy bears I have, probably hundreds. It's ridiculous. Any time I go anywhere that has teddy bears, a theme park, a zoo, an aquarium, I will be purchasing one and I choose it solely based on how soft it is.'
It's no surprise then that as guest curator for the first exhibition in new program Powerhouse Materials, vintage teddy bears and an Akira Isogawa bear backpack are among Hayden's picks to display. The actor and disability rights advocate dug through the museum's archives, which include more than 500,000 objects, to come up with her 17 favourite things. Her chosen pieces focus on textiles (the next curator in the program will be children's author Andy Griffiths looking at paper later this year) with Hayden offering a neurodiverse perspective as an autistic person also diagnosed with ADHD.
'Textiles have been such an important part in being able to express my identity,' she says. 'I would always play dress-up in different situations. I grew up selectively verbal and would struggle to speak to the people around me and to connect to the surroundings, so being able to play dress-up was how I was able to find that connection.'
Powerhouse Materials: Textiles also offers a glimpse into Hayden's love of horses and cows, with the actor having ridden horses since she was four years old and represented Australia as a professional cowgirl. To show her affinity with the animals, included in the exhibition is a rocking horse, a miniature set of armour for a horse and knight, a cow robot and – her personal favourite – a trio of cow figurines she has nicknamed Margaret, Bertha and Penelope.
Best known for her breakthrough role as autistic student Quinni in Netflix's global hit Heartbreak High, a reimagining of the 1990s teen drama, Hayden recently wrapped up filming the still-to-be-released third and final season of the show. The series has received several AACTA Awards and an International Emmy, while Hayden herself this month received a Silver Logie nomination for best supporting actress. Hayden describes Heartbreak High 's approaching end as 'bittersweet'.
'I grew up never seeing myself represented and I found my representation in Disney princesses and fantasy characters. I could never see myself in a real person. Getting the opportunity to be someone who I so desperately needed when I was young is exciting. I receive messages every single day from people who have watched the show and say that they now understand themselves better or their child or friend or sibling or student a bit better. People have gotten their autism diagnoses because of Quinni. Genuine representation is literally life-saving.'
For Hayden, the Powerhouse exhibition is a chance for fans of her acting or popular social media presence to get an even more authentic glimpse of her.
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Step back in time: 10 streaming shows from 2010s that deserve to be rediscovered
Step back in time: 10 streaming shows from 2010s that deserve to be rediscovered

The Age

time2 hours ago

  • The Age

Step back in time: 10 streaming shows from 2010s that deserve to be rediscovered

Recently a show from 2017 made the Netflix Top 10. Sneaky Pete, a blackly comic grifter thriller starring Giovanni Ribisi, has resided on Amazon Prime Video's servers since it debuted, but then Netflix licensed all three seasons and suddenly a whole new audience discovered the series, which was co-created by Breaking Bad star Bryan Cranston. That got me thinking. Television's streaming age is long; Netflix and Stan* have been available in Australia since 2015. There's actually been different eras within those 10 years, with the programming philosophy of some streaming services changing dramatically in that time. Early Netflix, for example, sought quality over quantity. Here are 10 streaming shows from the 2010s, available today, that also deserve to be rediscovered. 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Paramount+ The Girlfriend Experience A caveat: there are three seasons of this sex-worker anthology, which was 'suggested by' Steven Soderbergh's 2009 movie of the same name, but we're just focused on the beguiling first instalment, which constituted one of 2016's best new shows. Riley Keough plays Christine Reade, a law student and intern at a prestigious Chicago firm, who takes up escort work to manage financially. The show upends expectations, explicit sexually and in terms of identity, as Christine infiltrates her life as the for-hire Chelsea. Each half-hour episode is intricately attuned to the storytelling. Stan* Goliath These days Amazon Prime Video is big on Dad Action – hello, Reacher! – but early on they leant into the kind of flawed male anti-heroes that had shifted television tastes on the likes of Breaking Bad and The Shield. 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Amazon Prime Video I Love Dick Another feature of streaming in the late 2010s: if you had a big hit, you got to take a big swing with your next show. Having won rapturous reviews for her bittersweet family drama Transparent, creator Joey Soloway followed it with this maverick mash-up that satirises academic theory, dissects male iconography, and dives deep into the female psyche. Kathryn Hahn – no surprise, she kills it – plays a married filmmaker who relocates to a small Texan town and becomes erotically obsessed with the local potentate, Kevin Bacon's laconic conceptual sculptor. Savour what transpires. Amazon Prime Video Kingdom Long before Squid Game, Netflix struck gold with its first original series from South Korea. Debuting in 2019, Kim Eun-hee's period drama intertwines gruesome horror and grandiloquent adventure. It's set in the 17th century, but resonates with 21st-century concerns, as the crown prince of the Korean peninsula's ruling family, Yi Chang (Ju Ji-hoon), is exiled by his ailing father's courtiers, only to discover that the countryside is being overrun by a plague that raises the dead. By the third episode they're swarming. Netflix Maniac Imagine if Station Eleven creator Patrick Somerville conjured an idiosyncratic science-fiction labyrinth, with a cast headlined by Emma Stone, Jonah Hill, Julia Garner and Justin Theroux, while True Detective linchpin Cary Joji Fukunaga directed every episode. Actually, Netflix did this in 2018 and it's still there. Maniac is not perfect, but as an ambitious mix of Terry Gilliam's Brazil, David Foster Wallace's Infinite Jest, and multiple sources of comic mayhem, it's a fascinating one-off. Despite the star power, I doubt this gets made today. Netflix The OA No show better illustrates Netflix's early willingness to experiment than this metaphysical mystery from independent filmmakers Brit Marling and Zal Batmanglij. The opening credits in the first episode don't roll until the 58th minute, which is one of the least surprising things in this show. Marling plays Prairie Johnson, a missing blind teenager who returns after seven years having regained her sight. There's no point trying to explain anything else in this mix of the earnest and otherworldly, except to say that it remains quite extraordinary and, yes, that's a spectral Zendaya in season two. Netflix

Step back in time: 10 streaming shows from 2010s that deserve to be rediscovered
Step back in time: 10 streaming shows from 2010s that deserve to be rediscovered

Sydney Morning Herald

time2 hours ago

  • Sydney Morning Herald

Step back in time: 10 streaming shows from 2010s that deserve to be rediscovered

Recently a show from 2017 made the Netflix Top 10. Sneaky Pete, a blackly comic grifter thriller starring Giovanni Ribisi, has resided on Amazon Prime Video's servers since it debuted, but then Netflix licensed all three seasons and suddenly a whole new audience discovered the series, which was co-created by Breaking Bad star Bryan Cranston. That got me thinking. Television's streaming age is long; Netflix and Stan* have been available in Australia since 2015. There's actually been different eras within those 10 years, with the programming philosophy of some streaming services changing dramatically in that time. Early Netflix, for example, sought quality over quantity. Here are 10 streaming shows from the 2010s, available today, that also deserve to be rediscovered. The Bisexual A bracing, London-set comedy created by US filmmaker Desiree Akhavan, this 2018 show's sole season begins with Akhavan's Leila breaking up with her long-time girlfriend and deciding to sexually experiment with various men. Sexual identity, cultural truth-telling, and orgasm anxiety are all at work here, shot with low-budget discipline, as Leila realises she can be many versions of herself and each one matters. There's a bumbling housemate as sitcom relief, but this is mostly a vivid character study that's sexually and emotionally frank. ABC iview Counterpart Shogun co-creator Justin Marks put together this brain-bending science-fiction thriller, which is set in two parallel Earths that have split from a portal accidentally created in a Berlin basement decades prior. Debuting in 2017, the show is an existential mystery – there are two versions of everyone born before the secret split, as middling bureaucrat Howard Silk (J.K. Simmons) realises when his snarling doppelganger crosses over and contacts him. The world-building is fascinating, the plotting intricate, and the ramifications unsettling: what are you willing to do to yourself? 7plus Escape at Dannemora Based on real-life events, this 2018 crime drama is about the many forms incarceration can take. Directed by a pre- Severance Ben Stiller, the seven episodes are a slow burn that reveals how a pair of convicted murderers, Richard Matt (Benicio Del Toro) and David Sweat (Paul Dano), escaped from a high-security prison in upstate New York with the aid of a jail employee, Joyce 'Tilly' Mitchell (Patricia Arquette). The performances are exceptional, and there's a telling level of anthropological detail to the prison ecosystem and the town outside. Paramount+ The Girlfriend Experience A caveat: there are three seasons of this sex-worker anthology, which was 'suggested by' Steven Soderbergh's 2009 movie of the same name, but we're just focused on the beguiling first instalment, which constituted one of 2016's best new shows. Riley Keough plays Christine Reade, a law student and intern at a prestigious Chicago firm, who takes up escort work to manage financially. The show upends expectations, explicit sexually and in terms of identity, as Christine infiltrates her life as the for-hire Chelsea. Each half-hour episode is intricately attuned to the storytelling. Stan* Goliath These days Amazon Prime Video is big on Dad Action – hello, Reacher! – but early on they leant into the kind of flawed male anti-heroes that had shifted television tastes on the likes of Breaking Bad and The Shield. With four seasons to binge, this 2016 legal drama stars Billy Bob Thornton as Billy McBride, a brilliant but washed-up lawyer who mostly lives in a Santa Monica bar. Billy's self-loathing and drive to make amends are at war in each season-long case, which comes with courtroom cunning and juicy supporting parts for the likes of William Hurt. Amazon Prime Video Homecoming Again, first season only of this gripping psychological thriller from 2018, which stars Julia Roberts as the same woman at two points on a timeline: a therapist at a corporate facility treating US soldiers returned from combat, and a diner waitress several years later with no connection to her prior career. The connection between the two eras unfolds with conspiratorial calm and evocative direction from Mr Robot creator Sam Esmail, making it a show both nightmarish and intimate as it measures trauma, memory and what we're ultimately willing to acknowledge. 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It's set in the 17th century, but resonates with 21st-century concerns, as the crown prince of the Korean peninsula's ruling family, Yi Chang (Ju Ji-hoon), is exiled by his ailing father's courtiers, only to discover that the countryside is being overrun by a plague that raises the dead. By the third episode they're swarming. Netflix Maniac Imagine if Station Eleven creator Patrick Somerville conjured an idiosyncratic science-fiction labyrinth, with a cast headlined by Emma Stone, Jonah Hill, Julia Garner and Justin Theroux, while True Detective linchpin Cary Joji Fukunaga directed every episode. Actually, Netflix did this in 2018 and it's still there. Maniac is not perfect, but as an ambitious mix of Terry Gilliam's Brazil, David Foster Wallace's Infinite Jest, and multiple sources of comic mayhem, it's a fascinating one-off. Despite the star power, I doubt this gets made today. Netflix The OA No show better illustrates Netflix's early willingness to experiment than this metaphysical mystery from independent filmmakers Brit Marling and Zal Batmanglij. The opening credits in the first episode don't roll until the 58th minute, which is one of the least surprising things in this show. Marling plays Prairie Johnson, a missing blind teenager who returns after seven years having regained her sight. There's no point trying to explain anything else in this mix of the earnest and otherworldly, except to say that it remains quite extraordinary and, yes, that's a spectral Zendaya in season two. Netflix

This ‘exquisitely simple' TV show is the perfect antidote to these frantic times
This ‘exquisitely simple' TV show is the perfect antidote to these frantic times

Sydney Morning Herald

time3 hours ago

  • Sydney Morning Herald

This ‘exquisitely simple' TV show is the perfect antidote to these frantic times

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