
Incredible complete handprint found on ancient Egyptian tomb ornament in museum – that had gone unnoticed for millennia
HAND THAT TIME FORGOT Incredible complete handprint found on ancient Egyptian tomb ornament in museum – that had gone unnoticed for millennia
AN INCREDIBLE detail on an Ancient Egyptian tomb item that had gone unnoticed for millennia has been spotted.
This "rare and exciting" discovery was found on the artefact as it was prepared for display at a museum exhibition.
4
The complete handprint was spotted on an ancient clay model
Credit: PA
4
Helen Strudwick, curator of Made in Ancient Egypt, views a 4,000-year-old ancient Egyptian handprint
Credit: PA
4
It will be shown at the forthcoming exhibition Made in Ancient Egypt opening in October
Credit: PA
A complete handprint was spotted on a clay model designed to go inside a tomb.
It is likely the hand of the object's maker, who would have touched it before the clay set, an Egyptologist at Cambridge's Fitzwilliam Museum said.
The hand print is estimated to have been left a jaw-dropping 4,000 years ago.
Helen Strudwick, senior Egyptologist at the Fitzwilliam Museum, said: "We've spotted traces of fingerprints left in wet varnish or on a coffin in the decoration, but it is rare and exciting to find a complete handprint underneath this soul house.
"This was left by the maker who touched it before the clay dried.
"I have never seen such a complete handprint on an Egyptian object before."
The print was found on the base of a "soul house" - a building-shaped clay model placed inside a tomb.
These soul houses may have acted as offering trays - or as a place for the deceased's soul to reside.
This particular model is dated to 2055-1650 BC.
It is set to go on display at the university's Made in Ancient Egypt exhibition, which opens on October 3.
First look inside incredible immersive Egyptian experience coming to Glasgow
Strudwick added: "You can just imagine the person who made this, picking it up to move it out of the workshop to dry before firing.
"Things like this take you directly to the moment when the object was made and to the person who made it, which is the focus of our exhibition."
Analysis suggests this item was made by coating a framework of wooden sticks with clay to form a two-storey building.
Its staircases would have been made by pinching the wet clay.
The use of ceramics was widespread across Ancient Egypt - both for functional and decorative use.
It is not the only amazing Egyptian discovery to be reported in recent weeks.
Researchers have used modern technology to learn more about The Bashiri Mummy, also known as the "untouchable one".
This mummy has long remain fully wrapped up due to fears of causing damage to the intricately tied fabric.
But X-ray and CT scanners have allowed researchers to unveil ancient mysteries without causing such harm to artefacts.
Scans revealed that the that Bashiri Mummy would have been an adult man who stood about 5.5 feet tall.
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Spectator
a day ago
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Why the world is obsessed with white women
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Entire data centres have been devoted to churning out TikTok reels and YouTube mewls where women – and it is nearly all women – complain about the ad blitz, denouncing its connotations of white supremacy, of eugenics, of Nazi racist hierarchy – and of enforcing 19th century imperialist ideals of European beauty. All the more since Sweeney has been identified as a registered Republican in Florida. Some of the women complaining are white liberals, many are Asian or black (often in tears of fury or distress). Sydney Sweeney, of course, is notably young, blonde, blue eyed – and white. And there, I fancy, is the rub. What we are witnessing is not peculiarly or entirely a modern kulturkampf against renewed colonialist discourse. What we are witnessing is, as well, the age-old and rather awkward fact that pale/white women are perceived by almost all humanity as more desirable, and have been for all of recorded history. 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Women of all ancestries tend to be paler than men, paleness therefore equals femininity, ergo 'the more paleness the better.' There is also some evidence that female skin darkens as women age, so whiteness or paleness perhaps equates to youth, fertility, nubility. And desirability. None of this denies that European colonisers – in the 19th century – imposed grotesque, racist European ideals of beauty across the world. Nor does this deny the real harm that rigid beauty standards can inflict. When young women of colour grow up seeing only pale-skinned models celebrated in media, when skin-lightening creams cause genuine physical damage across Africa and Asia – these things are immoral or unjust. But the truth is, 'white woman equals beautiful woman' is a concept so deeply rooted in human culture, right back to the Sumerians, it is probably ineradicable. Will any of this matter to Sydney Sweeney and American Eagle? 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Scottish Sun
28-07-2025
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Incredible complete handprint found on ancient Egyptian tomb ornament in museum – that had gone unnoticed for millennia
A complete handprint was spotted on a clay model designed to go inside a tomb HAND THAT TIME FORGOT Incredible complete handprint found on ancient Egyptian tomb ornament in museum – that had gone unnoticed for millennia AN INCREDIBLE detail on an Ancient Egyptian tomb item that had gone unnoticed for millennia has been spotted. This "rare and exciting" discovery was found on the artefact as it was prepared for display at a museum exhibition. 4 The complete handprint was spotted on an ancient clay model Credit: PA 4 Helen Strudwick, curator of Made in Ancient Egypt, views a 4,000-year-old ancient Egyptian handprint Credit: PA 4 It will be shown at the forthcoming exhibition Made in Ancient Egypt opening in October Credit: PA A complete handprint was spotted on a clay model designed to go inside a tomb. It is likely the hand of the object's maker, who would have touched it before the clay set, an Egyptologist at Cambridge's Fitzwilliam Museum said. The hand print is estimated to have been left a jaw-dropping 4,000 years ago. Helen Strudwick, senior Egyptologist at the Fitzwilliam Museum, said: "We've spotted traces of fingerprints left in wet varnish or on a coffin in the decoration, but it is rare and exciting to find a complete handprint underneath this soul house. "This was left by the maker who touched it before the clay dried. "I have never seen such a complete handprint on an Egyptian object before." The print was found on the base of a "soul house" - a building-shaped clay model placed inside a tomb. These soul houses may have acted as offering trays - or as a place for the deceased's soul to reside. This particular model is dated to 2055-1650 BC. It is set to go on display at the university's Made in Ancient Egypt exhibition, which opens on October 3. First look inside incredible immersive Egyptian experience coming to Glasgow Strudwick added: "You can just imagine the person who made this, picking it up to move it out of the workshop to dry before firing. "Things like this take you directly to the moment when the object was made and to the person who made it, which is the focus of our exhibition." Analysis suggests this item was made by coating a framework of wooden sticks with clay to form a two-storey building. Its staircases would have been made by pinching the wet clay. The use of ceramics was widespread across Ancient Egypt - both for functional and decorative use. It is not the only amazing Egyptian discovery to be reported in recent weeks. Researchers have used modern technology to learn more about The Bashiri Mummy, also known as the "untouchable one". This mummy has long remain fully wrapped up due to fears of causing damage to the intricately tied fabric. But X-ray and CT scanners have allowed researchers to unveil ancient mysteries without causing such harm to artefacts. Scans revealed that the that Bashiri Mummy would have been an adult man who stood about 5.5 feet tall.