logo
World-renowned Tsimshian artist's carving found by his B.C. neighbours on a sailboat in Mexico

World-renowned Tsimshian artist's carving found by his B.C. neighbours on a sailboat in Mexico

CBC09-02-2025
Social Sharing
A couple from Hazelton, B.C., says an unusual discovery while purchasing a boat in Mexico has instilled them with a sense of destiny for an upcoming round-the-world sailing trip.
Self-described adventurers Shannon and Steve McPhail have been planning to sail around the world when their youngest daughter graduates high school next year.
Shannon said she had been feeling apprehensive about the upcoming trip. But what they found on that boat in Mexico makes her feel like the voyage was meant to be.
"It just felt like it was something that blessed our trip," Shannon said during an interview on CBC's Daybreak North.
"It's an adventure that now I'm looking forward to with kind of a whole new sense of energy."
'I couldn't believe my eyes'
The couple were on a sailing trip up and down the west coast of B.C. and Alaska when Steve found his dream boat online — a Fast Passage, made in Canada.
"He found one in Mexico and he put a sort of a Hail Mary bid on it and it was accepted," Shannon said.
Steve recently went down to work on the boat in the port city of Guaymas, as the vessel, he admitted, "needs a little bit of love."
While he was admiring some of the artwork left behind on the vessel, a unique signature on one of the carvings caught Steve's eye.
"I just took a closer look and I couldn't believe my eyes — Roy Vickers," Steve said.
WATCH | Vickers sees his carving again for the first time in years:
Tsimshian artist's carving discovered on a boat in Mexico
3 days ago
Duration 0:13
A carving made by world-renowned B.C. artist Roy Henry Vickers was recently discovered by his neighbours, who had travelled from Hazelton, B.C., to buy a sailboat in Mexico only to see a familiar name inside.
Roy Henry Vickers is a world-renowned Tsimshian artist. Perhaps more remarkably, he's also a close friend of the McPhails and a neighbour of sorts. Vickers lives 15 kilometres up the Skeena river from their home in Hazelton.
"Instantly I messaged Roy and Shannon and yeah, it just blew my mind," Steve said.
Distant memory
Vickers is an author, painter and carver who is a member of both the Order of British Columbia and Order of Canada. One of his best-known works is King Salmon Housefront, on display at the Vancouver International Airport. He's also been nominated for a Grammy after creating the artwork for a Grateful Dead box set.
Vickers says hearing about the carving brought back a faint memory from many years ago, when he was working in his gallery in Tofino in the 1990s.
"It's like this beautiful memory that has come back to life," Vickers said. "That's one of the most unique pieces I've ever carved."
He carved it for a friend who was doing exactly what Steve and Shannon are going to do — sail around the world, he said.
The friend insisted the artwork stay with the boat, according to Vickers. He says the carving is unique because it is made from mahogany, whereas he usually works with cedar.
The carving is a likeness of himself, with his hair under his headdress carved in the style of Japanese artist Hiroshige, wearing a button blanket with an eagle.
Carving instills confidence
As for the boat, and the trip, Steve said he hopes to continue working on the ship, and plans to sail home in the spring.
But he might have to leave those plans for another year.
"A sailor's plans are written in the sand at a low tide," he said with a laugh.
For Shannon, knowing about the carving and the intention behind it has made her feel confident, no matter what happens.
"It's the spirit of going out to explore the world and to be safe," she said.
"It feels really good."
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

CBC/Radio-Canada could double its value to Canadians, if only it stopped resisting
CBC/Radio-Canada could double its value to Canadians, if only it stopped resisting

Globe and Mail

time2 days ago

  • Globe and Mail

CBC/Radio-Canada could double its value to Canadians, if only it stopped resisting

Watching the new season of the psychologically perceptive time-travel drama Plan B on CBC Gem this week, I started fantasizing about what I would do if I could go back in time. As a taxpaying Canadian television viewer, I can tell you what my No. 1 mission would be: Stop CBC from making this show. Don't get me wrong: Plan B is the most ambitious homegrown drama CBC has in English at the moment – the only serious, streaming-era serialized storytelling in a lineup saturated with cop shows. But it is also a remake of a French-language Radio-Canada series also called Plan B that I've already watched on its streamer, The second season told the same story, about a feminist activist media host wrestling with her teen daughter's suicide, in a more credible fashion. CBC's Plan B is a dark time-travel drama for the darkest timeline Co-creator Jean-François Asselin has moved the action to Toronto from Montreal for the English version, but not adapted it sufficiently. So 15-year-old kids still drink with their parents at restaurants, and a major plot point hinges on circus school. Likewise, the central family's white parents have become a white mom and Black dad – but this goes unmentioned despite every other element of their marriage's dynamics being dissected in minute detail. From a creative perspective, CBC/Radio-Canada set a pile of cash on fire by creating an inferior show instead of just slapping English subtitles on the original. To prevent this waste of money, I'd travel back in time to the beginning of the streaming era and write a persuasive column arguing that the technology was now possible for CBC/Radio-Canada to create a single online TV service – one with a bilingual interface that offers the choice of viewing its French content with subtitles in English and vice-versa (or with dubbing should that be more politically palatable). I'd write: 'Believe it or not, in a few short years, some of the most popular international TV shows in Canada will be Scandinavian noirs and Korean gorefests – and a significant chunk of the audience will even watch shows in their own language with the subtitles on. For a small cost, CBC/Radio-Canada could vastly expand the reach and value of its content to Canadians.' In the actual past, however, the two sides of the Crown corporation launched Gem and separately, years apart, and did so with each operating on different technology supported by separate engineering teams. That costly error took a costly multiyear harmonization project to fix. But even now that the back ends are in sync, CBC/Radio-Canada still does not automatically secure the rights to subtitle or dub their own shows in the other official language. A selection of their programs (Radio-Canada's Lakay Nous; CBC's SkyMed) do get shared, belatedly. But only the 18 per cent of Canadians who understand English and French, concentrated in the bilingual belt from Northern Ontario and northern New Brunswick, really get full value from CBC/Radio-Canada's televisual services. American streamers, by contrast, were quick to understand what was linguistically possible on their services. While CBC/Radio-Canada were building up two separate brands, Netflix racked up huge subscriber numbers in Canada by offering their original shows in English and French – and more than 30 other languages. Consider this warped reality: Netflix is the only place where Canadian francophones can watch the excellent Nunavut-set comedy North of North with subtitles or in either of its French dubs (it's available in both Canadian and European French versions). CBC co-produced that buzzy show – but the deal it signed let the Yanks have exclusive French rights, according to a Radio-Canada spokesperson. So, sorry Canada's francophones – you'll have to give an American company at least $7.99 if you want to watch this show you funded in your mother tongue. In the current 'elbows up' environment, Netflix, Prime Video and Disney+ have become the enemy for many in Canada, but a little discussed reason why they took over the world in the first place is that they cater to many linguistic groups, allowing them to penetrate deeper into the markets of multicultural countries, too. Meanwhile, I'd argue that by not offering all recorded content in at least both official languages, CBC/Radio-Canada isn't living up to its existing mandate – the one that requires it to 'strive to be of equivalent quality in English and in French' and especially to 'contribute to a shared national consciousness and identity.' How Washington Black's TV adaptation found the story's heart in Halifax Private telecom Bell Media's streaming service, Crave – which holds the English and French rights to all its originals – does a better job on both counts. Jared Keeso's raucous hockey comedy Shoresy exists in a creatively dirty joual dub as Shoresy, le salaud du hockey – and has an ample francophone fan base as a result. Meanwhile, Empathie, Florence Longpré's French-language drama about a criminologist turned psychologist, is Crave's most watched original show of the year – a feat it achieved with the help of a substantial viewership streaming it with English subtitles. CBC spokesperson Chuck Thompson says GEM and don't have any plans to follow Crave's footsteps by offering their original programming in both languages any time soon, and puts it down to a rights issue. 'Since we have separate online services specifically tailored to each of the English and French markets – and their audiences – most often we do not pay extra to get the French rights (although sometimes that can happen – depends on the show and the finances available),' Thompson said in an e-mail. Yet, CBC/Radio-Canada found the finances to completely remake Plan B in English. Talk about penny-wise, pound foolish. Fortunately, there are a couple of hacks for those who speak only English or French to get the full value of their investment in the national public broadcaster. CBC/Radio-Canada already puts much its news programming up on YouTube, where autogenerated English or French subtitles are just a couple of clicks away. As for the dramas and comedies shown on only Gem or search for browser extensions that open a pop-up captioning window and then enable translation. In Google Chrome (which I use), it's just a matter of going into the accessibility menu. The auto-translations aren't always eloquent, but they give you the gist. So, if you're looking for something to stream this weekend, why not check out Plan B in its superior version on

Sex and the City costume designer shines in own film
Sex and the City costume designer shines in own film

Edmonton Journal

time2 days ago

  • Edmonton Journal

Sex and the City costume designer shines in own film

Article content Quick — name the five best costume designers in television. OK, the three best. Still can't get there? We're not surprised. There's arguably only one costume designer who's changed the visual language of television in the last quarter-century and become a household name in the process: Patricia Field. Article content Known for her work on Sex and the City — but boasting other credits such as Ugly Betty and Emily in Paris — Field concocts outfits that mix colours and textures, as well as couture and bargain fashion, with wild abandon. She's also won two Emmys and earned an Oscar nomination for her work on The Devil Wears Prada. Article content Article content A documentary that spotlights her — titled Happy Clothes: A Film About Patricia Field — is making its Canadian broadcast debut on Aug. 22. Airing on Super Channel Fuse, it originally premièred at the 2023 Tribeca Festival and had a limited theatrical release. (A memoir titled Pat in the City also came out in 2023.) Article content Article content 'I had a great time on Happy Clothes, the documentary I worked on with the director Michael Selditch,' Field told The New York Times last September. 'Part of the fun was being filmed tooling around Brooklyn in my T-Bird with the top down.' Article content Of course, there's more to the film than that. There's the story of how she opened a clothing store in 1960s New York City, catering to underground culture. There are interviews with Kim Cattrall, Lily Collins, Sarah Jessica Parker, Darren Star and Vanessa Williams, among others. And there are her inspirations — both professional and personal. Article content Article content 'The women in my family, my aunts, my grandmother — they were achievers,' Field told The New York Times. 'They inspired me. They taught me: Do what you like and what you're good at, and you'll make things happen. I've always liked fashion, so working in fashion was easy for me.' Article content Field, 84, is also excited by the exuberance of youth. Speaking last May on the CBC radio show Q with Tom Power, she explained why it has fuelled her creativity over the decades. Article content 'Young people love imagination,' she said. 'Their brains are open. They haven't solidified their brain matter yet and I love working with young people for that reason, because even though I may not be young, my brain is still open, I think.' Article content As for the title of the documentary — Happy Clothes — Field explained that the term refers to garments that both make you feel good and represent your authentic self.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store