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Mayor fights to keep March to Peterborough bus route

Mayor fights to keep March to Peterborough bus route

BBC News4 days ago

A newly elected mayor said he would fight to save the only direct bus service between a Cambridgeshire market town and a major city.Stagecoach said the 33 route between March and Peterborough was due to be shortened on 31 August due to "extremely low passenger numbers", and would start and finish in Whittlesey instead.Paul Bristow, the Conservative mayor of Cambridgeshire and Peterborough's Combined Authority, said talks on the changes were "ongoing", with "potential options available" to keep March connected.A passenger, who relied on the route, told the BBC that the service ending would "have a huge impact on people's jobs and mental state".
The passenger, who wished to remain anonymous, said: "For a growing community it's absolutely unacceptable."Another bus user, Craig Denyer, 43, said he lived in Whittlesey but travelled to work in March at a care home.
"Currently the bus gets me to and from work at the right times, and costs £2 each way. When the service is cut I will have to use the train, which will be well over £10 a day," he said.Mr Denyer added that the train times would not be ideal either, as he would have to wait 90 minutes to catch a journey home.
A third passenger, who lived in March, said they used the 33 route for regular hospital appointments in Peterborough.The cutbacks would leave her having to use a more expensive train or using connecting buses that would mean travelling to Wisbech - "about eight miles in the wrong direction", she said.Meanwhile, a fourth passenger, who commuted daily from Peterborough to March for work, said they were not aware the service was being stopped. They said the news meant they could be forced to find a new job closer to home.
Bristow, who is in charge of the Combined Authority that oversees the county's bus network, said: "I understand how worrying it is for people in March and surrounding villages to know that they could lose their only bus service to Peterborough."I have already met with Stagecoach to discuss the 33 and other routes. This dialogue continues. There are potential options for keeping March connected and I hope that we will be able to get one of these options to work."
Darren Roe, managing director of Stagecoach East, said: "I welcome our new Mayor Bristow and all the newly elected councillors into their positions. We know just how much we can achieve if we all work together."Cambridgeshire is a wonderful region to serve, but there are big and tough choices to be made to improve our regional transport network. "We believe in the need to plan for the future, and now is the ideal moment to do just that."
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Playing it smart: Five questions for the ECB
Playing it smart: Five questions for the ECB

Reuters

time40 minutes ago

  • Reuters

Playing it smart: Five questions for the ECB

LONDON, June 2 (Reuters) - The European Central Bank is tipped to cut interest rates on Thursday, its eighth move this cycle, with traders sensing a pause will then follow as the economy holds up better than anticipated and longer-term inflation worries creep back. U.S. tariff uncertainty, heightened further by a court plot twist, makes the backdrop challenging as the ECB weighs any near-term hit to business activity against implications for inflation further out. "The last thing the ECB wants is to be unnecessarily drawn back to a world with limited policy room," said PIMCO portfolio manager Konstantin Veit. Here are five key questions for markets: 1/ What will the ECB do on Thursday? A rate cut will come as no surprise to markets, which price in a quarter point reduction of the deposit rate to 2% as inflation eases and U.S. tariffs cast a shadow over the euro area. The economy is still just limping along and latest surveys point to only lukewarm optimism among firms as services also appear surprisingly weak. "A rate cut is a done deal," said ING's global head of macro Carsten Brzeski. "Even the hawks have not been very outspoken." 2/ And after June? There's a growing consensus that the ECB will pause in July, with one more rate cut anticipated by year-end. ECB chief Christine Lagarde is unlikely to give traders the confirmation they are looking for, stressing data-dependency. In the near-term, inflation could drop further and even undershoot the bank's 2% target, bolstering the case for another cut. But factors including increased government spending and tariffs could exacerbate price pressures in the longer term. ECB board member and policy hawk Isabel Schnabel already favours a pause, saying that tariffs may be disinflationary near-term but pose upside risks further out. Chief economist Philip Lane says the ECB needs to find a "middle path." Swiss Re's head of macro strategy Patrick Saner said the ECB will probably want to reassess over the summer. "We're looking at a cautious easing cycle, not a sprint," Saner added. 3/ What does U.S./EU trade tension means for the ECB? Additional uncertainty. The European Union has won a reprieve from U.S. President Donald Trump's threatened 50% tariffs. But it remains unclear how the bloc will square its push for a mutually beneficial trade deal with U.S. demands for steep concessions. "If tariffs end up to 10-20%, as we expect, I don't think it will be a major issue (for economic growth), and the ECB probably won't react that much," said David Zahn, head of European fixed income at Franklin Templeton, adding that a strong euro should limit inflationary impact by dampening import prices. PIMCO's Veit added that the picture was less clear if a full-blown confrontation prompts aggressive EU retaliation, creating an "inflationary problem" for the ECB. 4/ What will the latest ECB forecasts show? Small downward revisions to 2026 inflation estimates are anticipated as a stronger euro and weaker oil prices pull down inflation. The trade-weighted euro is up around 3.5% so far this year , oil prices have fallen almost 15% . Economists anticipate small downward revisions to the 2025 growth estimates given near-term growth risks caused by tariff uncertainty. Economists polled by Reuters expect 0.9% growth this year, unchanged from the ECB's previous forecast. Goldman Sachs expects the ECB to reduce 2026 projections for headline and core inflation by 0.2 percentage points each to 1.7% and 1.8% respectively, and marginally lower 2025 growth forecasts. Data on Tuesday is expected to show headline inflation eased to 2% in May. 5/ Is the ECB worried about rising long-term borrowing costs globally? Market watchers suspect so, but say Lagarde is likely to stress the bloc's resilience to market turbulence. Weak demand at recent Japanese and U.S. bond sales and Moody's decision to strip the U.S. of its last triple-A credit rating have returned focus to high government debt, a pressure point for bond markets. "Higher long-term yields add a layer of fragility, particularly for highly indebted countries," said Swiss Re's Saner. "While this is certainly not a key reason for easing policy, it's part of the background music."

‘Yes, there was a riot, but it was great': Cabaret Voltaire on violent gigs, nuclear noise – and returning to mark 50 years
‘Yes, there was a riot, but it was great': Cabaret Voltaire on violent gigs, nuclear noise – and returning to mark 50 years

The Guardian

timean hour ago

  • The Guardian

‘Yes, there was a riot, but it was great': Cabaret Voltaire on violent gigs, nuclear noise – and returning to mark 50 years

Fifty years ago, Cabaret Voltaire shocked the people of Sheffield into revolt. A promoter screamed for the band to get off stage, while an audience baying for blood had to be held back with a clarinet being swung around for protection. All of which was taking place over the deafening recording of a looped steamhammer being used in place of a drummer, as a cacophony of strange, furious noises drove the crowd into a frenzy. 'We turned up, made a complete racket, and then got attacked,' recalls Stephen Mallinder. 'Yes, there was a bit of a riot, and I ended up in hospital, but it was great. That gig was the start of something because nothing like that had taken place in Sheffield before. It was ground zero.' Mallinder and his Cabaret Voltaire co-founder Chris Watson are sitting together again in Sheffield, looking back on that lift-off moment ahead of a handful of shows to commemorate the milestone. 'It is astonishing,' says Watson. 'Half a century. It really makes you stop, think and realise the significance.' The death in 2021 of third founding member Richard H Kirk was a trigger for thinking about ending things with finality. 'It'll be nice if we can use these shows to remind people what we did,' says Mallinder. 'To acknowledge the music, as well as get closure.' It's impossible to overstate how ahead of their time 'the Cabs' were. Regularly crowned the godfathers of the Sheffield scene, inspiring a wave of late 1970s groups such as the Human League and Clock DVA, they were making music in Watson's attic as early as 1973. Their primitive explorations with tape loops, heavily treated vocals and instruments, along with home-built oscillators and synthesisers, laid the foundations for a singular career that would span experimental music, post-punk, industrial funk, electro, house and techno. 'There was nothing happening in Sheffield that we could relate to,' says Mallinder. 'We had nothing to conform to. We didn't give a fuck. We just enjoyed annoying people, to be honest.' Inspired by dadaism, they would set up speakers in cafes and public toilets, or strap them to a van and drive around Sheffield blasting out their groaning, hissing and droning in an attempt to spook and confuse people. 'It did feel a bit violent and hostile at times, but more than anything we just ruined people's nights,' laughs Mallinder, with Watson recalling a memory from their very first gig: 'The organiser said to me after, 'You've completely ruined our reputation.' That was the best news we could have hoped for.' Insular and incendiary, the tight-knit trio had their own language, says Mallinder. 'We talked in a cipher only we understood – we had our own jargon and syntax.' When I interviewed Kirk years before his death, he went even further. 'We were like a terrorist cell,' he told me. 'If we hadn't ended up doing music and the arts, we might have ended up going around blowing up buildings as frustrated people wanting to express their disgust at society.' Instead they channelled that disgust into a type of sonic warfare – be it the blistering noise and head-butt attack of their landmark electro-punk track Nag Nag Nag, or the haunting yet celestial Red Mecca, an album rooted in political tensions and religious fundamentalism that throbs with a paranoid pulse. Watson left the group in 1981 to pursue a career in sound recording for TV. Mallinder and Kirk invested in technology, moving away from the industrial sci-fi clangs of their early period into grinding yet glistening electro-funk. As the second summer of love blazed in the UK in 1988, they headed to Chicago instead – to make Groovy, Laidback and Nasty with house legend Marshall Jefferson. 'We got slagged off for working with Marshall,' recalls Mallinder. 'People were going, 'England has got its own dance scene. Why aren't you working with Paul Oakenfold?' But we're not the fucking Happy Mondays. We'd already been doing that shit for years. We wanted to acknowledge our connection to where we'd come from: Black American music.' This major label era for the group produced moderate commercial success before they wound things down in the mid-1990s. But in the years since, everyone from New Order to Trent Reznor has cited the group's influence. Mallinder continued to make electronic music via groups such as Wrangler and Creep Show, the latter in collaboration with John Grant, a Cabs uber-fan. Watson says leaving the group was 'probably the most difficult decision I've ever made' but he has gone on to have an illustrious career, winning Baftas for his recording work with David Attenborough on shows such as Frozen Planet. He recalls 'the most dangerous journey I've ever made' being flown in a dinky helicopter that was akin to a 'washing machine with a rotor blade' by drunk Russian pilots in order to reach a camp on the north pole. On 2003 album Weather Report, Watson harnessed his globetrotting field recording adventures with stunning effect, turning long, hot wildlife recording sessions in Kenya surrounded by buzzing mosquitoes, or the intense booming cracks of colossal glaciers in Iceland, into a work of immersive musical beauty. When he was at the Ignalina nuclear power plant in Lithuania with Oscar-winning composer Hildur Guðnadóttir, recording sounds for the score to the 2019 TV series Chernobyl, he couldn't help but draw parallels to his Cabs days. 'It was horrific but really astonishing – such a tense, volatile, hostile environment,' he says. 'But it really got me thinking about working with those sounds again, their musicality and how it goes back to where I started.' Sign up to Sleeve Notes Get music news, bold reviews and unexpected extras. Every genre, every era, every week after newsletter promotion Mallinder views Watson's work as a Trojan horse for carrying radical sounds into ordinary households. 'The Cabs may have changed people's lives but Chris is personally responsible for how millions of people listen to the world,' he says, with clear pride. 'And one of the things that helped make that happen was the fact that he was in the Cabs, so through that lens he opened up people's ears.' Watson agrees, saying Cabaret Voltaire 'informed everything I've ever done'. Watson's field recordings will play a part in the upcoming shows: he'll rework 2013 project Inside the Circle of Fire, in which he recorded Sheffield itself, from its wildlife to its steel industry via football terraces and sewers. 'It's hopefully not the cliched industrial sounds of Sheffield,' he says, 'but my take on the signature sounds of the city.' These will be interwoven with a set Mallinder is working on with his Wrangler bandmate Ben 'Benge' Edwards as well as longtime friend and Cabs collaborator Eric Random. 'We've built 16 tracks up from scratch to play live,' says Mallinder. 'With material spanning from the first EP' – 1978's Extended Play – 'through to Groovy …' Mallinder says this process has been 'a bit traumatic – a very intense period of being immersed in my past and the memories that it brought, particularly of Richard. This isn't something you can do without emotion.' Mallinder and Kirk were not really speaking in the years leading up to his death, with Kirk operating under the Cabaret Voltaire name himself. 'Richard was withdrawn and didn't speak to many people,' says Mallinder. 'And I was one of those people. He wanted to be in his own world. It was difficult because I missed him and there was a lot of history, but I accepted it.' There will be no new music being made as Cabaret Voltaire because, they stress, tsuch a thing cannot exist without Kirk. Instead, it's a brief victory lap for the pair, a tribute to their late friend, as they sign off on a pioneering legacy with maybe one last chance for a riot. 'Richard would probably hate us doing this but it's done with massive respect,' Mallinder says. 'I'm sad he's not here but there's such love for the Cabs that I want to give people the opportunity to acknowledge what we did. You can't deny the music we made is important – and this is a way to celebrate that.' Cabaret Voltaire play a Forge Warehouse, Sheffield, 25 October, then tour the UK from 17 to 21 November. Tickets on sale 10am 6 June

How Yorkshire Ripper hoaxer who derailed serial killer investigation 'tried to hide his voice when he was finally snared'
How Yorkshire Ripper hoaxer who derailed serial killer investigation 'tried to hide his voice when he was finally snared'

Daily Mail​

time3 hours ago

  • Daily Mail​

How Yorkshire Ripper hoaxer who derailed serial killer investigation 'tried to hide his voice when he was finally snared'

The Yorkshire Ripper hoaxer who derailed the investigation into the serial killer desperately tried to hide his voice when finally arrested, a retired police chief has revealed. Chris Gregg, 68, of West Yorkshire Police, has spoken out about the conman 20 years on from the investigation that unmasked him. The so-called Yorkshire Ripper, a reference to Victorian serial killer Jack the Ripper, killed at least 13 women from 1975 to 1980 in a reign of terror across northern England. Peter Sutcliffe was eventually identified as the man behind the killings and jailed for life in 1981. He died in prison in November 2020, aged 74. But it only came after a man named John Humble, dubbed Wearside Jack, had falsely confessed to the killings in 1978 and 1979, in a two-minute voice recording and three letters sent to police and journalists. West Yorkshire Police believed the letters and tape were genuine and diverted resources to Humble's home town of Sunderland. His cruel efforts hobbled police investigations - leaving Sutcliffe at large to kill three more women before his eventual arrest. No one knew it was Humble behind the hoax confessions for a further 24 years after Sutcliffe's conviction in 1981 - until a cold case review by police in 2005. And now investigator Mr Gregg has told The Mirror about finally snaring him - revealing Humble initially just 'kept nodding' in police interviews, knowing his voice would immediately give him away as the man behind the hoax tape. It was only when officers informed Humble a 'one in a billion match' had been made between his DNA and a tiny saliva spot on one of the letters that he eventually confessed - knowing he was caught. With Humble now speaking up in interviews, he then agreed to read aloud a transcript of his original manufactured tape. And only now, a quarter of a century on from that moment, has Mr Gregg re-listened to the recording - describing it as 'chilling' to hear it again. It was advances in forensic science, plus a new police record of Humble - from his arrest for being drunk and disorderly in 2001 - that finally created the breakthrough. With officers finally able to match his DNA to the saliva sample on the hoax letter, they soon found themselves closing in on the culprit. The former security guard was arrested at his home in in the Ford area of Sunderland, where he lived with his brother - just a few miles from the area voice experts had said the hoax taper's accent was from. He was soon brought to Yorkshire for interviewing by Mr Gregg, the new lead of West Yorkshire Police's Criminal Investigation Department (CID). And the cop soon knew he had got the right man, when Humble began reading aloud the tape transcript. The former Detective Chief Superintendent said: 'Humble had quite a remarkable memory. 'He took himself back to when he made it. It was an incredible moment to hear him read it out.' He continued: 'Those last three Ripper victims may not have died had it not been for Humble.' Barbara Leach, 20, of Bradford; Marguerite Walls, 47, of Leeds; and Jacqueline Hill, 20, also of Leeds, were all killed by Sutcliffe between September 1979 and November 1980. Sutcliffe was arrested just eight weeks later - but might have been apprehended sooner had Humble not derailed the inquiry. Mr Gregg, who had been at the heart of the £6million hunt for the hoaxer, said: 'It proved to be tragic. He did something that he never needed to do.' The envelope with a seal that bore the key saliva sample to enable the DNA match was only discovered due to Mr Gregg's sheer determination. Having worked on the Yorkshire Ripper inquiry, he knew he had to get to the bottom of it, enlisting the two original detectives for help. He first worked out the three hoax letters had been destroyed in the original forensics process, having been analysed using a chemical with a destructive effect. But he was not going to give up that easily - and remembered scientists often keep small snippets of evidence in high-profile cold cases such as this one. So, Mr Gregg wrote to the head of the forensics lab in the West Yorkshire town of Wetherby, asking if they could search for any remaining samples. And they were in luck. The police chief received a random phone call several months later to say the lab had found a 3cm sample of the final hoax letter. It was in perfect condition, preserved between two glass slides - and gave them the answers they had been looking for. Mr Gregg said it was one of the defining moments of his career in the police: 'If we had not found him, I am convinced that he would have taken that secret to the grave. 'He had not told a living soul what he had done.' Humble, who was sentenced to eight years in in 2006 after admitting perverting the course of justice, died on July 30 2019.

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