
I just streamed Netflix's latest ‘Fear Street' movie expecting a killer time — but ‘Prom Queen' kinda forgot to bring the fear
As a horror fan first and foremost, I tend to be a little more critical when it comes to new scary flicks. The genre is so oversaturated these days (stories regurgitated like leftovers reheated one too many times) that it's a real challenge for movies to stand out.
Unfortunately, that's exactly the case with 'Fear Street: Prom Queen,' a new Netflix horror movie about about a night that turns deadly as the prom queen candidates start dropping like flies.
Coming in as the latest installment in the 'Fear Street' franchise, 'Prom Queen' had a lot riding on its back, especially since it's been four years since the original trilogy. The first three movies surprised me, and I enjoyed them quite a lot for managing to be entertaining without feeling shallow. Sadly, this new standalone sequel knows the dance but forgets the steps.
'Fear Street: Prom Queen' was one of my most anticipated Netflix releases this month, and I'm sure many viewers have been ready to dive into a chaotic, bloody prom night. I'm not here to say skip it outright, but if you want the lowdown before you add it to your watchlist, here are my honest thoughts.
'Fear Street: Prom Queen' marks the latest return to Shadyside in Netflix's horror franchise, drawing inspiration from R.L. Stine's 1992 novel.
Set in 1988, the story follows Lori Granger (India Fowler), a quiet, ostracized teen whose name lands on the prom queen ballot alongside some of the school's most notorious girls.
While the nomination should be cause for celebration, it only paints a bigger target on her back. Rumors have long swirled that Lori's mother murdered her father on prom night years ago, making her an easy punching bag for bullies.
Leading the charge is the 'Wolf Pack,' a ruthless clique of popular girls commanded by the sharp-tongued and relentless Tiffany Falconer (Fina Strazza). Also in the mix is Christy Renault (Ariana Greenblatt), a rebellious drug dealer who doesn't care about popularity but winds up in the crosshairs anyway.
As prom night arrives, the glitter and gowns give way to blood and chaos when a masked killer begins stalking the queen candidates.
It's disappointing to say that 'Fear Street: Prom Queen' is easily the lowest-ranked movie in the franchise, and I already established that within the first five minutes.
Not only do we get a lengthy voiceover from the main character, Lori, explaining every character we're about to meet, but those characters are instantly introduced with painfully stereotypical traits. And unfortunately, that made this a hard watch.
Of course, in any high school setting, it's apparently a rule that you need a spiteful 'queen bee' and her loudmouth followers, a rebellious teen dealing drugs, and a quiet, shy girl with exactly one friend. So, yeah, absolutely no sign of actual personality anywhere. These traits feel like boxes being ticked, which makes it impossible to connect with anyone.
'Prom Queen,' in that respect, has the right vibes for a summer slasher but none of the right victims. Queen bee Tiffany exists solely to torment Lori, and it's made clear that she's under immense pressure to please her parents, which has presumably twisted her morals. Her group of friends are there to trail behind her and echo her cruelty. The only one with even a flicker of individuality is Melissa (Ella Rubin), who kind of grows a backbone later on.
And then there's Lori, the final girl you're supposed to root for. But I honestly struggled to like her at all. She treats her best friend terribly the moment she becomes obsessed with finally winning prom queen, and things only get worse when she starts crushing on Tiffany's boyfriend, Tyler (David Iacono), just because he thanked her for some fries. Tiffany may be awful, but Lori trying to steal her boyfriend just feels gross.
The only character who really stood out was Lori's friend, Megan (Suzanna Son), the one person with a clear head on her shoulders, and who genuinely cared about Lori despite being mistreated. She feels like the movie's most underused asset, reduced to little more than a vague nod at queer representation.
The main cast are talented, but it's the source material that lets them down, giving us a group of characters that are incredibly unlikeable.
I was hoping that, by the time I could overlook the characters, I'd at least enjoy the story and the creative flair the 'Fear Street' franchise is known for. But it also pains me to say that none of those aspects really delivered either.
Some of the deaths were pretty brutal, including one involving guillotine paper cutters, but even those were dampened by cartoon-y sound effects and gore that felt more arts-and-crafts than artery-splitting.
I know I've been pretty negative so far, so I do want to give credit to a couple of surprises I didn't expect (can't spoil them, of course). They show up in the final act and actually make the script feel a little richer. Still, these small surprises were not enough to maintain my interest since I came away disappointed. 'Fear Street: Prom Queen' could've been a bloody good time.
It's at this point I'd usually tell you to go watch the movie I've just rambled about. But in this case, I'd suggest revisiting the original 'Fear Street' trilogy instead.
'Prom Queen' was, unfortunately, a letdown for me, and I imagine it might feel the same for fans of the first three movies who were genuinely excited to see another chapter in the universe.
That said, if there's one thing that might redeem it, it's the nostalgia of classic summer slashers. The retro vibes and prop pieces absolutely give it that 'Fear Street' feel. Plus, anyone who is interested in the world's lore will probably find something to enjoy when unpacking the Easter eggs and hidden references.
'Fear Street: Prom Queen' is now streaming on Netflix, but expect a dull night at Shadyside. For more streaming recommendations, see what else is new on Netflix in May 2025.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Time Magazine
an hour ago
- Time Magazine
Breaking Down the Gripping Ending of Netflix Crime Drama Sara – Woman in the Shadows
Warning: Spoilers ahead for Sara - Woman in the Shadows Sara: Woman in the Shadows, a new gripping crime drama from Netflix, follows an ex-secret agent who is navigating a world of corruption, secrets, and danger as she seeks justice for her murdered son. Over six episodes, the series delves deep into themes of loss and betrayal, as Sara fights against a broken system. The finale of Sara: Woman in the Shadows reveals the truth behind the death of Sara's son, Giorgio. For years, Sara lived immersed in pain and a relentless quest for justice, convinced that the car accident that took her son's life was a tragic coincidence. However, her investigation reveals a much darker truth. Here's how the series answers its biggest questions. What we learn about Ludovico Terzani Ludovico Terzani, a respected city doctor, was officially named responsible for the traffic accident in which Giorgio died. The police classified the case as an accident, but Sara refused to accept this version. Gradually, through investigations and cross-checking information, Sara discovered that Ludovico was involved in a complex personal plot: he was having an extramarital affair with Silvia Prati, a woman who had been Giorgio's lover. The relationship between Ludovico and Silvia sparked deadly resentment—Ludovico feared Giorgio might expose the affair and ruin his reputation. In the very first episode, Sara obtains evidence proving that Giorgio's death by hit-and-run was not an accident, but a premeditated act by Ludovico, who used his influence to try to cover it up. However, lacking sufficient legal proof to formally charge him and with the police covering up the case, Sara takes matters of justice into her own hands. Throughout the series, it becomes clear that corruption and collusion between police authorities and influential figures prevents the truth from being revealed. Ludovico has powerful contacts and was able to manipulate the investigation to make it look like an accident. Giorgio's death served to protect larger interests, such as contracts and political relationships between the city's influential families. Sara's revenge In the final episode, Sara confronts Ludovico. With the same coldness with which he took her son from her, Sara enacts her revenge and kills him, ensuring he pays for the crime he committed. This act transforms Sara into a vigilante—a woman who breaks through corrupt laws and a broken system to seek justice on her own terms. Sara isn't the only character in the series who embodies resistance in a world that consistently denies her justice. Sara's friend from her secret agent days, Teresa, is also taking matters into her own hands after also losing a loved one to a corrupt system. Teresa's husband, Sergio, was murdered by the mobster Enrico Vigilante—someone authorities stopped trying to find due to internal politics. Out of this pain, both women chose to act alone, outside the law, becoming relentless avengers. Teresa does not hesitate to deliver the final blow to Vigilante, while Sara uses her intelligence and skills to expose the dirty game behind her son's murder. They take on the role that institutions failed to fulfill: protecting the innocent and punishing the guilty. The invisible legacy In the end, Sara is left with one last crucial gift from her mentor, Massimiliano—a CD with an enigmatic message. More than just a file, it is a call to action, a reminder that the fight against corruption did not end with his death. The series closes the main storyline with Vigilante's death and the truth about Sergio's murder revealed. But the shadows remain—corruption is still alive, and Sara, and Teresa take on their roles as guardians of a world that offers them no protection. And so, Sara: Woman in the Shadows ends with the promise that as long as injustice exists, there will be those who fight—and that true justice is born in the hands of those who refuse to give up.
Yahoo
an hour ago
- Yahoo
‘We don't half-ass anything': Simone Biles reflects on her Netflix docuseries and hints at 2028 Olympics
"We don't half-ass anything. We want it to be great." That's how Olympic champion Simone Biles describes the effort behind her acclaimed Netflix series Simone Biles Rising. Directed by Katie Walsh, the docuseries chronicles the gymnastics superstar's remarkable journey as she navigates the aftermath of her withdrawal from the 2020 Tokyo Olympics due to mental health concerns. Through moments of vulnerability and resilience, the series captures Biles rebuilding her skills and mental fortitude — all while preparing for her triumphant return to the sport at the 2024 Paris Olympics. More from GoldDerby 'Adolescence' soars past 'Stranger Things' to become Netflix's new No. 2 original show (behind only 'Wednesday') 'My Mom Jayne': Mariska Hargitay is reclaiming her family story in HBO doc about her iconic mother Margot Robbie and Colin Farrell take 'A Big Bold Beautiful Journey' in today's top stories In a personal and reflective conversation, the GOAT shared raw insights into her life — her unparalleled achievements, struggles, comeback, and a look to the future — alongside director Katie Walsh during an Emmys FYC event hosted by Emmy-nominated actress Yvonne Orji (Insecure). The gymnast revealed she wasn't sure if she wanted to be followed around by cameras for four years. "It took me a lot of time through therapy — and it was really a commitment to do," Biles admitted. "[Katie and I] saw the need in the athletic world for more sports docuseries. We sat down and [shared ideas] before deciding, 'OK, if we're going to do this, we're really going to go for it. ... It needs to have a story.'" Walsh said her top priority was ensuring Biles felt good about her competitive journey throughout the filming process. "My motto is 'people before projects' and I put everything through that filter," the director explained. The open dialogue included periodic check-ins to make sure Biles was prepared for interviews about "sensitive" topics. Biles said the film crew eventually became like family, joking, "Sometimes I would give them the code to my house, like, 'OK, you guys can come in. Just make sure the dogs don't run out.'"Of course, Biles' journey wouldn't be complete without her reflections on Tokyo 2020, where the world watched as she confronted mental and physical challenges on the grandest stage. The gymnast had to look away from the screen as hundreds of Emmy voters in attendance watched clips of Biles suffering through "the twisties" — a mental block where a gymnast loses sense of spatial orientation and body control while performing aerial maneuvers — which ultimately forced her to drop out of the games. "I was like, 'How am I supposed to tell them that this is bad bad?'" Biles recalled. Ultimately, the star's vulnerability during Tokyo sparked broader conversations about mental health in sports. Biles said she was physically in the best shape of her life in Tokyo, but mentally the weakest. After successfully making her comeback to the Paris Olympics four years later, Biles suffered a partially torn calf muscle during warm-ups. She candidly shared her fear of being labeled a quitter in the face of her battles: "The one thing that came into my head as soon as I did it, I was like, 'They're going to call me a quitter again. ... Absolutely not on my dime, not on my watch. Ain't happening. I'm going to show them.'' Biles clarified the difference between battling physical and mental struggles in sport. "We can push through pain. We're on the Olympic stage. I told my coach, 'I feel like if I just strangle my calf, I can do it.' Tokyo was different from this moment. Twisties is mental alignment with physical. You can't [push through] that." Biles, already the most accomplished gymnast of all time, also teased her potential return for the 2028 Olympics in Los Angeles: "I'm not sure at what capacity because, if we've learned anything from the docuseries, it's that your mind and your body have to be in sync." For now, she's taking time off to support her husband, football player Jonathan Owens, and to physically recuperate. "What we put our bodies through on the mat is a lot. ... At my age of 28, it's getting old, you know?" "For a gymnast, that's old," Biles laughed. "I started out at age 4, OK?" Although noncommittal about her competitive future, Biles emphasized her enthusiasm for being involved in the L.A. Games in any capacity: "I do believe that I will be in L.A. I'm just not sure at what capacity yet — if that's on the mat or in the stands. But I'd be more than happy to attend in any way that I can." Simone Biles Rising is streaming on Netflix. Best of GoldDerby Jacob Elordi reveals personal reason for joining 'The Narrow Road to the Deep North': 'It was something important to me' Kristen Anderson-Lopez and Robert Lopez on how the 'Agatha All Along' cast 'became a coven' when recording 'The Ballad of the Witches' Road' Jason Schwartzman on the breakneck 'Mountainhead' production: 'I've never done anything like it in my life' Click here to read the full article.
Yahoo
an hour ago
- Yahoo
‘Adolescence' soars past ‘Stranger Things' to become Netflix's new No. 2 original show (behind only ‘Wednesday')
Originally published April 1; updated June 3 at 12:30 p.m. PT Adolescence is a massive hit. More from GoldDerby 'My Mom Jayne': Mariska Hargitay is reclaiming her family story in HBO doc about her iconic mother Margot Robbie and Colin Farrell take 'A Big Bold Beautiful Journey' in today's top stories Kristen Anderson-Lopez and Robert Lopez on how the 'Agatha All Along' cast 'became a coven' when recording 'The Ballad of the Witches' Road' After three months of release, the harrowing U.K. limited series continues to dominate Netflix's most popular English-language shows of all time. Adolescence now ranks at No. 2, dethroning Stranger Things 4, which debuted in 2022. The only Netflix original TV show that has received higher views throughout history is Wednesday Season 1, also from 2022. Interestingly enough, Wednesday, Adolescence, and Stranger Things all tell stories about troubled teens. Some of the other original programs that Adolescence soared past in recent weeks include Monster: The Jeffrey Dahmer Story, Bridgerton Season 1, The Queen's Gambit, Bridgerton Season 3, The Night Agent Season 1, Fool Me Once, and Stranger Things 3. Here is the current most popular list: Wednesday: Season 1 (2022) — 252.1 million views Adolescence: Limited Series (2025) — 141.2 million views Stranger Things 4 (2022) — 140.7 minutes views Monster: The Jeffrey Dahmer Story: Limited Series (2022) — 115.6 million views Bridgerton: Season 1 (2020) — 113.3 million views The Queen's Gambit: Limited Series (2020) — 112.8 million views Bridgerton: Season 3 (2024) — 106.0 million views The Night Agent: Season 1 (2023) — 98.2 million views Fool Me Once: Limited Series (2024) — 98.2 million views Stranger Things 3 (2019) — 94.8 million views Adolescence is a four-episode crime drama co-created and -written by Stephen Graham (Boardwalk Empire) and Jack Thorne. Graham also stars as Eddie Miller, the father of 13-year-old Jamie Miller (Owen Cooper), who is arrested for allegedly stabbing a classmate to death. Each episode is directed by Philip Barantini and filmed in a single take as viewers learn more about Jamie's crime from the viewpoints of the police, his psychiatrist, and his family. The program premiered on March 13 with a 100 percent rating on Rotten Tomatoes and a 90 score on Metacritic. It drew 24.3 million views in its first four days of availability to debut at No. 1 on the Netflix English TV charts, and also reached the top spot in 71 countries. In Week 2, Adolescence continued to rise as word-of-mouth took control and people started comparing it to another British limited series, Baby Reindeer. In Week 3, it topped the English TV charts once more with an additional 30.4 million views, reaching the top 10 in all 93 countries the top 10 is available. In Week 4, the program became the fourth most-watched Netflix original TV show of all time in the English language. And in Week 5, it entered the top three. "It's saving lives ... that feels quite special," Cooper told Gold Derby about the success of the program. "Adolescence is teaching kids not to do that," the teenager added, referring to toxic social media behaviors. To that end, U.K. schools will begin screening the series for students. According to Gold Derby's Emmy odds, Adolescence is now out front to win Best Limited Series, Best Movie/Limited Supporting Actor for Cooper, and Best Movie/Limited Supporting Actress for Erin Doherty as the child psychologist. Graham is in second place for Best Movie/Limited Actor, behind only Colin Farrell (The Penguin). Other cast members looking to score Emmy bids include Ashley Walters as the detective inspector, and Christine Tremarco as Jamie's mother. SIGN UP for Gold Derby's free newsletter with latest predictions Best of GoldDerby Jacob Elordi reveals personal reason for joining 'The Narrow Road to the Deep North': 'It was something important to me' Kristen Anderson-Lopez and Robert Lopez on how the 'Agatha All Along' cast 'became a coven' when recording 'The Ballad of the Witches' Road' Jason Schwartzman on the breakneck 'Mountainhead' production: 'I've never done anything like it in my life' Click here to read the full article.