
Enjoy a sky-high brunch at The Shard for £55: 10 unmissable Time Out deals
Metro has teamed up with Time Out to bring you the best deals across the capital.
Every Friday, 10 new deals will drop, available in the Metro newspaper, on Metro, and on our socials. You'll also find them in our weekly London newsletter, The Slice, in your inbox every Wednesday.
Start your weekend on a high and head to Oblix at The Shard, where £55 gets you three luxurious courses and a glass of champagne, all served with sweeping views and a menu made for lingering, perfect for any special occasion.
Or, make your way to Gordon Ramsay's Bar & Grill in Mayfair, tuck into a refined set menu with dishes like cauliflower velouté and Basque cheesecake, plus a signature cocktail worth up to £16.50. Go for two courses at £20 or make it three for £25.
Looking to relax? Treat yourself and a friend to a five-star spa day at The Anthenaeum Hotel in Mayfair. Unwind in the sauna, steam room and hot tub before choosing a facial, body wrap, or massage – plus a glass of bubbly all for 40% off. You'll walk in tense and float right out.
The Slice is your weekly guide to what's happening in London, so if you're looking for restaurant reviews, drinks deals or just a great new exhibition to visit on a rainy Saturday in the capital, we've got you covered.
Click here for this week's edit of the best things to do in town.
The Slice newsletter also a brand new look! We'll still be in your inbox every week, bringing you all the very best things to eat, drink and do in the capital. So if you want get the next edition before anyone else, sign up here!
If you want to do it all on the cheap, you can also find our latest batch of exclusive hand-picked offers in partnership with Time Out here.
It's all here and more in these 10 incredible offers, discounts and deals.
Welcome to Kanishka, one of Mayfair's most stylish Indian dining spots, where acclaimed chef Atul Kochhar has unveiled an all-new Pan-Indian weekend brunch. For just £35, you'll Kick things off with a complimentary Hendrick's G&T, then enjoy a beautifully curated set menu of eight diverse sharing plates (think chicken tikka, tandoori broccoli and Dahi bhalla) followed by your choice of a hearty regional main, like Murgh Makhani or Laal Maans, and a dessert trio to finish. Level up with bottomless drinks for an extra £10 and enjoy bold flavours, impeccable presentation and unbeatable value! GET THE OFFER
Brunch with a view? Go sky-high at Oblix at The Shard, where £55 gets you a luxurious three-course brunch and a glass of Champagne – all served with jaw-dropping views across London. It's the ultimate way to elevate your weekend plans, literally. GET THE OFFER
Tuck into three delicious courses, sip on a glass of Prosecco, and soak up the smooth sounds of live jazz – all in the heart of Mayfair. This is dinner with a seriously chic twist, and it's yours for just £34.95. GET THE OFFER
Craving crispy, golden goodness? Thunderbird Fried Chicken's legendary bucket deal is now half price! Get 12 juicy strips, 3 tasty dips and a heap of fries – all brined, spiced, and hand-breaded to Southern-style perfection. Available all week long at locations across London. GET THE OFFER
Experience fine dining at its best with an exclusive set menu and a complimentary signature cocktail at Gordon Ramsay's Bar & Grill in Mayfair. Choose from expertly crafted dishes including cauliflower velouté, chicken supreme, and Basque cheesecake. Opt for the two-course option at £20 or go all-in with three courses for just £25, both served with a signature cocktail, worth up to £16.50. GET THE OFFER
Enjoy a wine-tasting adventure at one of six cosy central London spots for just £29.95 (was £48)! Sample three global wines, red, white, or bubbly, guided by an expert sommelier. Accompanied by a delicious cheese board, this is the perfect way to catch up, celebrate, or unwind. Cheers to a memorable experience! GET THE OFFER
Experience award-winning bowling at Vintners Lanes, Greenwich's newest boutique hotspot. Recently crowned 'Best in the World', this six-lane venue blends vintage charm with industrial-chic style. For just £24.95, enjoy a game of bowling plus a burger, fries, and a drink of your choice. Just minutes from Greenwich DLR and mainline stations, it's unbeatable value for a top night out. GET THE OFFER
Get soft, glowing skin this winter with a luxe spa day at Crystal Palace Spa in Marylebone. Enjoy full-body exfoliation, a soak massage, and a choice of clay, mud, or coffee body mask, all for a fraction of the price – £48 for one person, £89 for two. Relax for 90 minutes and even bring a friend for the ultimate unwind! GET THE OFFER
Unleash your creativity at Token Studio with a fun 90-minute session! Try your hand at the potter's wheel, create miniature pottery, or learn hand-building techniques. Prefer design? Opt for pottery painting and customize a mug, plate, or bowl. Plus, bring your favourite drinks to enjoy while you craft! GET THE OFFER
Do you feel that? It's the feeling of a long-awaited self-care day on the horizon! Invite a friend or partner to escape the hustle and bustle of central London and share a five-star luxury experience at Mayfair's Athenaeum Hotel Spa. Spend a relaxing hour in the wet area, sauna, steam rooms and hot tub, then take your pick from a facial and body wrap treatment or massage. All this with a glass of bubbly for 40% off – you'll find it hard to say no. GET THE OFFER
MORE: Reader suggests fishy solution to the Channel's small boat problem
MORE: The Metro daily cartoon by Guy Venables
MORE: Ex-Arsenal prodigy jailed for four years over £600,000 cannabis smuggling plot
Your free newsletter guide to the best London has on offer, from drinks deals to restaurant reviews.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Metro
an hour ago
- Metro
Katisha's Love Is Blind decision doesn't make her a villain
As soon as we saw Katisha wince upon hearing Demola's speaking voice on their final pod date, I knew we were in for some trouble. Netflix's premier dating show Love is Blind returned for a second run of its UK series last week, introducing 30 single men and women who date in solo rooms – pods – without seeing each other, before getting engaged and meeting for the first time. Immediately, Scottish nanny and makeup artist Katisha was one of this season's standouts, as she declared her hopes of finding a genuine gentleman after a history of bad connections. 'My usual type's not working for me, so I'm not gonna go with that!' she laughed. 'I'm looking for the love story now; my Mr Darcy.' To view this video please enable JavaScript, and consider upgrading to a web browser that supports HTML5 video Wake up to find news on your TV shows in your inbox every morning with Metro's TV Newsletter. Sign up to our newsletter and then select your show in the link we'll send you so we can get TV news tailored to you. Many had hoped that she'd find it with Demola, a financial analyst from Romford. 'I'm not trying to just settle,' he explained during their first meeting. 'I want to make sure that the person I am with is my soulmate and I can love her up forever, honestly.' But Katisha's ultimate decision – accepting the proposal of another man – has been met with fierce opposition. Instead of accepting a 31-year-old woman can make up her own mind about romantic partners, viewers have been questioning her sanity and painting her as some sort of villain for picking one man over another. As a Love Is Blind devotee, I can understand the disappointment. In several scenes, we watched as Demola and Katisha bonded over their love for their grandmothers, got vulnerable about their childhoods and hypothesised about a loving future together. 'Ahh,' I thought, watching wistfully, 'Surely nothing can get in the way of this obviously perfect match?' But, as is par for the course in this franchise, there was a spanner in the works in the form of another potential partner: Javen. The London-based health coach was also vying for Katisha's affections, albeit in a much more laidback manner. 'Javen is a cool guy, I guess more like my usual type,' Katisha explained, eyes dreamy. Uh oh. Over the course of their dates, Javen was more cautious in expressing his interest in Katisha, and even claimed that she'd have to propose to him if they were to progress past the pods – outrageous in the admittedly traditional Love is Blind universe. 'If you want a woman, you've gotta pursue her however you wanna do it – that's the game,' he opined to-camera. In terms of ideal husband material, Demola seemed to be the clear choice, and after he shared a heartfelt poem he'd written for Katisha, declaring how he'd make her feel valued throughout their relationship, it seemed like a done deal. Katisha told him that she wasn't going to change her mind on her choice: she wanted him, and not her other connection, Javen, and was going to tell him so immediately afterwards. Unfortunately, when we saw Katisha's face fall at being paired with Demola for a chat the next day, we could all tell she was about to make the choice no-one wanted to see. Katisha dumped Demola, and after a flirty conversation with Javen, they got engaged. Unsurprisingly, social media has been ablaze with takes on Katisha's choice, with many declaring their disappointment at her letting Demola go. 'Demola was the real one sis,' one dismayed viewer commented, while another simply wrote, 'WHY?!' Elsewhere, some have taken their reactions to more biting extremes. 'You get what you deserve Katisha,' wrote one person on X, while another declared her to be lacking in self-esteem and 'so so stupid' for her choice in fiancé. Although I was also wailing at my TV at her decision, I want us all to take a breath and extend some grace to Katisha. Though it's not the fairytale that we imagined, it was her choice to make – and whether we like it or not, we should be able to respect it. With previous stars of Love is Blind speaking out about how responses from the public have harmed their mental health, it's worth thinking twice about the messages we put out into the internet. Clearly anticipating that her actions would ruffle some feathers, Katisha posted a PSA on Instagram ahead of the series' launch asking people to be 'mindful' in their responses. 'As much as this is entertaining and it is a TV show, this is still very much our lives!' she wrote. 'It takes big balls to do something like this and I take my hats off to myself and all my cast mates for even just showing up.' And I think it's essential we consider this as we continue the season. Although it's all well and good us judging from the sofa, the Love is Blind pods is an alien environment – there's no telling how you'd react to certain stimuli until you're in that situation. Though Katisha may have said she wanted a change in type for her future, she was in a strange experiment, encouraged to seek a partner for the rest of her life in a matter of days – surely we can see why she'd be lured into something that feels familiar rather than something else she feared was too good to be true? Making a damning indictment of her intelligence and level of self-worth as a result of her choice feels hasty and unkind. Perhaps the snarkiest of our takes can reside inside a WhatsApp group chat, where they have no chance of getting back to the person they're about? Of course, as viewers, we only get a small snippet of all the contestants' moments in the pods – for all we know, Javen showed a more gentlemanly, considerate and swoonworthy side that we didn't see. And there's also that dating je ne sais quoi that anyone outside the couple simply won't understand; when Katisha and Javen met in person, they had physical chemistry that left both parties with grins from ear to ear. Rather than criticising Katisha, isn't it worth giving her the benefit of the doubt and wishing her the best? More Trending As lovely as Demola appeared, it's probably a good thing that Katisha didn't continue a relationship that her heart wasn't completely in – this way, Demola can find the person who'll fully reciprocate his enthusiasm in his own time. As the series continues, we can only wait to see whether Javen and Katisha end up being the surprise success story of the year, beating many of our expectations. We've all made some dating decisions that don't make sense, but few have had the world's eyes on them as they make them. View More » Let's extend the people in this love triangle some grace and hope that everyone leaves having learnt something important, if not with rings on their fingers. Do you have a story you'd like to share? Get in touch by emailing Share your views in the comments below. MORE: One of the biggest movie franchises ever drops on Netflix starring beloved late actor MORE: Hidden gem streaming service offers British thrillers for half Netflix's price MORE: Katie Price makes bold statement about relationship with daughter Princess


Metro
an hour ago
- Metro
Huge movie franchise drops on Netflix starring beloved late actor
Netflix has quietly dropped seven huge films from one of the biggest movie franchises of all time – and they all star a beloved late actor. The Fast and Furious franchise, which first started 24 years ago, has produced a whopping 10 films in its main story and one spin-off movie, Hobbs & Shaw. Starring – among many others – Vin Diesel, Dwayne Johnson, Michelle Rodriguez, and Jason Statham, the Fast and Furious franchise has grossed over $7billion (£5.2bn) at the global box office. And on Saturday, Netflix sneakily dropped seven films from the franchise, which all star late actor Paul Walker, as well as spin-off movie Hobbs & Shaw. That means Netflix viewers in the UK can now watch The Fast and the Furious, 2 Fast 2 Furious, Fast & Furious: Tokyo Drift, Fast Five, Fast & Furious 6, Fast & Furious 7, and Hobbs & Shaw. Wake up to find news on your TV shows in your inbox every morning with Metro's TV Newsletter. Sign up to our newsletter and then select your show in the link we'll send you so we can get TV news tailored to you. However, rather curiously, despite the recent Netflix drop, Fast & Furious – the fourth film in the series – is still not available to watch on Netflix in the UK. Walker – who played Brian O'Connor in the Fast and Furious series – was the passenger in a Porsche GT travelling at 90mph when it spun out of control, killing both Walker and his driver friend Roger Rodas. At just 40 years old, Walker's death saddened millions of movie fans across the world, and 2015 film Fast & Furious 7 was dedicated to his memory. After starring in the 90s teen comedy She's All That, Walker joined the Fast and Furious series for its very first film – 2001's The Fast and the Furious. He then appeared in sequel films 2 Fast 2 Furious and Fast & Furious after skipping the third film Tokyo Drift, which featured almost none of the original cast and was an informal prequel film to the main series. After apparently being reluctant to reprise his role for the fourth film, Walker was fully on board for films five and six, which saw the Fast and Furious achieve its best-ever box office finishes. Walker hadn't finished filming for Fast & Furious 7 by the time of his death, resulting in his brothers Caleb and Cody standing in for him while producers used CGI to add the final touches. In an emotional farewell scene – constructed after Walker's death – his character Brian drives off into the sunset while Vin Diesel's character Dom Toretto rides alongside him. The tearjerker moment helped Fast & Furious 7 become the best-reviewed film of the entire franchise at the time, and the song playing in the scene – See You Again by Wiz Khalifa – reached number one in the UK and US charts. More Trending While the Fast and Furious main series has carried on since then, reaching 10th film, Fast X, in 2023, some fans consider Fast & Furious 7 to be the end of an era for the franchise. To date, the 82% score on Rotten Tomatoes for Fast & Furious 7 still makes it the most highly rated and critically acclaimed film in the whole series. While it wasn't made available on Netflix this time around, the fourth film Fast & Furious – which stars Walker as Brian in his third appearance in the series – is available on Amazon Video. View More » Watch seven Fast and Furious films on Netflix. Got a story? If you've got a celebrity story, video or pictures get in touch with the entertainment team by emailing us celebtips@ calling 020 3615 2145 or by visiting our Submit Stuff page – we'd love to hear from you. MORE: Hidden gem streaming service offers British thrillers for half Netflix's price MORE: Period drama branded 'fantastic' available to stream on Netflix MORE: Amanda Holden suffers blow as controversial Netflix show axed despite storming global charts


Scotsman
2 hours ago
- Scotsman
Edinburgh Fringe theatre reviews #CHARLOTTESVILLE Ohio The Monkeypox Gospel The Ego
Sign up to our Arts and Culture newsletter, get the latest news and reviews from our specialist arts writers Sign up Thank you for signing up! Did you know with a Digital Subscription to The Scotsman, you can get unlimited access to the website including our premium content, as well as benefiting from fewer ads, loyalty rewards and much more. Learn More Sorry, there seem to be some issues. Please try again later. Submitting... #CHARLOTTESVILLE ★★★★ Pleasance Courtyard (Venue 33) until 25 August Ohio ★★★★ Assembly Roxy (Venue 139) until 24 August With the United States thrown into turmoil by Donald Trump's second prsidency, it's fascinating to see those American dramas of doubt, division and aggressive certainty play out across the Edinburgh Fringe; and nowhere more so than Priyanka Shetty's impassioned solo show #Charlottesville, produced by Yellow Raincoat and Richard Jordan in association with the Pleasance. Subtitled 'The play that Trump does not want you to see!', Shetty's show is a powerful docudrama about the events of 2017 in the city of Charlottesville, home of the University of Virginia, which Shetty witnessed as a young first year theatre student of Indian origin. Advertisement Hide Ad Advertisement Hide Ad Ohio | Oliver Rosser Enraged by a city council decision to remove some statues and memorials commemorating Confederate leaders, the American far right, emboldened by Trump's election the previous year, vowed to stage massive demonstrations in the normally quiet university city; and amid the torchlit white supremacist marches and huge counter-demonstrations that followed, one woman demonstrator was killed by a man who drove his car into the crowd. Shetty chronicles all this in vivid narrative style, with sharp and telling use of projected video images. Alongside this shocking story of a quiet town confronted with an overt politics of hatred, though, she also has a tale to tell of the more subtle oppression and marginalisation she suffers at the hands of her university department, who see nothing wrong with directors repeatedly refusing to cast her for student productions because of her skin colour, and aggressively forbid her to make a show about the Charlottesville events. The result is a riveting tale, told with intelligence and feeling, that cuts to the heart of the lingering racism and overt white supremacism that is helping to reshape American politics. And Shetty's powerful stage presence is a living reminder both of the profound crisis the United states faces, and of its enduring capacity, despite Trump's best efforts, to offer new Americans from across the world the chance to find, and raise, their own voices. In their show Ohio, at Assembly Roxy, US indie-folk duo The Bengsons - Shaun and Abigail - offer their audiences a much more meditative insight into the tensions that divide American society. Advertisement Hide Ad Advertisement Hide Ad In what they call 'an ecstatic grief concert' - a one-hour cycle of songs punctuated by narrative - they chart their own personal journeys from childhoods shaped by religious faith (hers light-touch Jewish, his in a strict and devout Christian sect) through a long youthful process of doubt, rebellion, rejection, and rage, towards some kind of new accommodation with the aspects of life that are both spiritual and unknowable. The experience that shapes them includes Sean's increasing profound deafness, inherited from his preacher father, and the premature birth of their son, when the baby's life hangs in the balance. None of this, though, ever seems to diminish the magnificent, raw strength of their music, of Shaun's guitar and Abigail's wild, magnificent singing, which ranges from the gentlest of dances and laments to heart-tearing rebel yells of rage and grief; in a show whose music comes from the very heart of American culture - religious, folk-based, touched by soul and blues - yet always succeeds in forging it into something brilliant, and new. Joyce McMillan The Monkeypox Gospel ★★★ Underbelly Cowgate (Venue 61) until 24 August There's a lot going on in Ngofeen Mputubwele's debut stage show The Monkeypox Gospel; and so there should be, given the importance of the subjects he tackles, which include the science of pandemics, the politics of vaccination, and the impact of lingering colonial attitudes on human health and health care. Advertisement Hide Ad Advertisement Hide Ad His subject is the monkeypox (now renamed m-pox) epidemic of 2022; but since m-pox, like AIDS, is often transmitted by sex between gay men, Mputubwele fears that by writing honestly about it, he will finally expose himself to complete exclusion from his Congolese family and community. The problem with the show, though, is that in a short 60 minutes, Mputubwele - who is an award-nominated podcast producer, as well as a journalist and lawyer - throws absolutely everything at it, from a massively noisy mixed soundtrack that sometimes drowns out his words (although he is a big man with a big voice), to awkward episodes in which he works through his traumas - as a gay man from a strictly religious background, and a black African living in New York - by performing extracts from Verdi's La Traviata, and dancing to the strains of Tchaikovsky's ballet music. That he has a powerful story to tell is not in doubt; but before he brings it to the stage again, he needs to declutter and re-focus the narrative, and then allow it - through him - to speak for itself. Joyce McMillan The Ego ★★★ ZOO Playground (Venue 186) until 24 August The Ego takes time to heat up, but as with a frog in water, there's no escaping the message at its heart when Anemone Valcke and Verona Verbakel bring proceedings to the boil. Advertisement Hide Ad Advertisement Hide Ad In fact, the play isn't about the ego at all (the softest, most fragile part of a person, as they understand it), but of internalised misogyny and #MeToo. The action comprises videos captured during or after significant life-events – like when Verbakel's part in a movie gets cut, or when she calls her mum in tears before going onstage to do a kissing scene – and direct conversations with the audience. There is an unsettling commentary on informed consent performed to the tune of Marilyn Manson, and a message, written over Google Docs, reveals the soft, fragile centre of the play (what it is, what it isn't, why it is, and where it came from). This is overlayed by footage of manatees, who by law, cannot be harmed. What would it be to have the same rights as a manatee, they ask? Advertisement Hide Ad Advertisement Hide Ad The overall shape of the piece means the final moments are somewhat anticlimactic, but each layer holds intrigue and meaning, and its conclusion poses powerful questions, nonetheless. Josephine Balfour-Oatts Jello Brain ★★★ Greenside @ George Street (Venue 236) until 23 August What starts off as a show about an anxious young woman's fear of getting of getting Alzheimer's disease, following her mother's diagnosis at the age of 55, turns into not so much a demystification of the illness and its effects, but a celebration of a charming mother-daughter relationship that prevails through the challenges. Written and performed by Natalie Grove, it begins with Natalie's Mum going to live in a place called 'Memory Care' and Natalie taking Xanex to deal with her worry of also getting the disease which, conversely, might in the long-term also make her ill. Grove's head is initially filled with the facts she's researched online about the disease, which are adding to her anxiety but also her knowledge. Her worries slowly alleviate as she and her mum adjust to their new lives, with the world of the care home, with its supporting cast of characters and their activities, evoked in a way that feels pleasantly domestic rather than offputtingly institutional. Advertisement Hide Ad Advertisement Hide Ad A day-to-day charting of a series of events, including Natalie's trips to see her psychologist, rather than a piece with a more focussed story, it's refreshing to see such a positive piece about Alzheimer's and caring, with a heartfelt script performed by a warm and identifiable narrator with compassion and, by the end, strength. Sally Stott