
Amapiano stars TxC makes BET history as the DJ duo claims major US award
The award shared with Brazil's Ajuliacosta continues SA's strong presence at the long-standing awards ceremony following Makhadzi's 2024 win.
Industry leaders highlight African music's growing global influence and commercial potential.
South African amapiano duo TxC made history at the 2025 BET Awards, becoming the first DJ duo ever to be recognised in the Best New International Act category, jointly winning with Brazilian newcomer Ajuliacosta.
Tarryn Reid and Clairise Hefke – collectively known as TxC – accepted their award at the Peacock Theatre in Los Angeles, marking another milestone for South African music on the global stage.
The win cements amapiano's growing international influence and follows South African singer Makhadzi's victory in the 2024 ceremony in the Viewer's Choice: Best New International Act category.
The Best New International Act category featured impressive South African representation, with Dlala Thukzin and Maglera Doe Boy also receiving nominations alongside artists from Nigeria, the UK, Tanzania, France, and Brazil.
Prior to departing for Los Angeles, TxC was honoured with a send-off celebration at which industry leaders praised their groundbreaking achievement.
READ | SA's Tyla, Maglera Doe Boy and Dlala Thukzin strike a chord with 2025 BET nods
Monde Twala, senior vice president and general manager at Paramount Africa and BET Lead, sees TxC's success as part of a larger movement of African musical excellence gaining global recognition.
'For me, it's about culture and storytelling. If you look at the continent, Africa has great talent. Music and the drumbeat are our anchor, rhythm, and vibe,' said Twala.
We are the new frontier – it's Africa's time to shine on the global stage. Our music is from an Afrobeats perspective and an amapiano perspective. Hip hop did it, too – the AKAs have won international awards, and the Casspers have been nominated in the past.
Twala highlighted a growing list of African artists making international waves, including Diamond Platnumz, Tiwa Savage, and many others, creating unprecedented opportunities for emerging talent.
When asked about African music's global significance, Twala drew focus to the continent's cultural richness as its unique selling point.
'What African culture brings is gold right now. We are magic, but I think it comes from our diversity. If you look at how broad this continent is, all the countries and their vastness, and the dynamics in terms of tribes and languages, we are so dynamic, colourful, and exciting. That's the edge we bring to the world,' he explained.
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Reflecting on South Africa's growing BET Awards presence, he noted past successes from artists like Black Coffee, Babes Wodumo, AKA Nasty C, and Tyla's recent triumph.
'It's beautiful to see amazing talent male, female, young, old – being able to represent the continent,' he said.
Young people today must focus on how they can build their brands beyond borders, collaborate with artists across the continent, create business in music outside South Africa, and earn in dollars.
He highlighted strategic brand development for artists seeking international success as a key goal up-and-comers should strive for.
'It's about being well-packaged. Always think about how you can package your brand as an artist. Have the right people around you,' he advised.
'It's about exploring new markets. If you're popular in Jozi, think about how to be popular in Lagos and then build your brand in Kenya, New York, and London. Today, we have social media and the internet, making African content and artists accessible worldwide. You have to take advantage of new media. '
News24 reached out to the BET award winners, who were unavailable for comment owing to the time difference and booked public engagements in Los Angeles.
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WIRED
38 minutes ago
- WIRED
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The lousiest of the bunch was an anime short called RŌHKI - A Million Trillion Pathways , credited to a filmmaker named Hachi and IO. Beyond being wholly derivative, it highlighted the rather obvious shortcomings of the technology, like characters' earlobes and shirt collars seemingly mutating in shape between scenes. One filmmaker in the audience, Robert Pietri, came away mostly impressed by what he saw. 'A couple of them were really pushing, and going where I think you should be going with this,' he says, 'which is creating a cinema that you can't create otherwise. I was excited by it.' He sees the weaker films as not being limited as much by the emerging AI toolkit but by the 'limitations of the creators.' An AI it seems, cannot render away bad ideas inputted by the human beings plugging in the prompts. Well, not yet, anyway. As something of a generative-AI skeptic, watching the program raised all kinds of questions. Some of these were pretty pedantic and boring. 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And AI's encroachment on certain creative fields has led to concerns about mass layoffs in the film and video game industries. Runway's Ortiz says he thinks of AI as similar to previous technological innovations rollicking creative fields. 'Technology has brought some disruption in the job market,' he says. 'But it also opens up new, new stuff.' The technologists and 'creatives' using and promoting these tools tend to frame the arrival of all this 'new, new stuff' as something of an inevitability. Phoenix-based filmmaker Jacob Adler, whose Total Pixel Space took top honors at the AI Film Festival, seems to follow a similar philosophical track. 'I am fascinated by the long arc of technological evolution that requires the flow of time, beginning with biological technologies such as self-replicating molecules, cell membranes, photosynthesis, nervous systems, eyes, brains, etc.,' Adler wrote in an email to WIRED. 'AI is not a departure from nature, but a continuation of the fundamental evolutionary trend of biology learning to build more complex information-processing systems, now outside its own flesh.' But flesh still has its defenders. The AI battle lines increasingly seem drawn in terms that are unreconcilable. So it comes as little surprise that skeptics, critics, and champions of the old ways have been decrying the AI Film Festival from day one. When Imax announced its partnership with Runway AI, responses among cinephiles were spiky. One X user replied,'Not watching anything made by clankers,' referencing the slur used to disparage robots in the Star Wars films. Actor Jared Gillman reposted Imax's announcement on X with an image of Ethan Hawke in a suicide vest from First Reformed with the caption, 'One ticket for the ai imax film festival please' (doubly appropriate, perhaps, considering Schrader's stated views on the technology). 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Yahoo
40 minutes ago
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News24
an hour ago
- News24
She digs deeper: Nomalanga Shozi explores the role of a ‘female zama zama' in BET's Black Gold
Black Gold is the new BET show that dives into the world of illegal mining. Nomalanga Shozi believes the series is unique in its portrayal of a woman zama zama. She stars alongside Dawn Thandeka King and Sello Maake kaNcube and calls it an 'incredible experience'. Nomalanga Shozi is back to shake up South Africa's screens with a new lead role. The actress, presenter and media personality has snagged the lead role of Amandla Zungu in the new BET daily drama Black Gold, diving into the high-stakes world of illegal mining. Set in the heart of KwaZulu-Natal's rich terrain, Nomalanga's character Amandla is a principled and headstrong woman forced into the world of illegal mining after a tragedy changes the trajectory of her life forever. Catching her in between shooting explosive scenes on the Black Gold set, Nomalanga takes a few minutes to chat with TRUELOVE on her new role. Exploring the world of a woman zama zama Nomalanga tells us what resonates the most with her about playing Amandla Zungu on Black Gold. 'I think a story of unbecoming to become is really what resonated with me. And I think it just came at the perfect time in my life as well, where I had gone through just enough life experience to understand how to portray all of those feelings and all of those emotions because I think also life experience is our greatest teacher. 'So yeah, I think the story of somebody going through a phase of having to shed an identity that they had attached themselves to for so long and then become something completely new, that's what resonated the most with me and excited me about it,' she shares. What portraying Amandla on Black Gold has taught Nomalanga is that the only constant in life is change, and that 'The quicker we embrace change is the quicker we learn and grow,' she remarks. Black Gold explores themes of feuding family, betrayal and lust, themes that audiences are all too familiar with from popular telenovelas. But Nomalanga believes that what sets the series apart from other local shows is its focus on a woman navigating the world of zama zamas or illegal mining. She explains, 'I think it sets itself apart in the fact that it's the first story we've ever seen or been told, or watched of the first female zama zama basically. 'How a woman could navigate that world, who she would have to be, how she would morph her way into becoming this very dangerous, scary, determined, courageous, brave person. So, I think that definitely is the one thing that sets it apart from most.' Sharing the stage with industry greats Nomalanga acts alongside industry veterans like Dawn Thandeka King, who plays her fearsome matriarch Florence Zungu, and Sello Maake kaNcube as Tom Motspe, a mining magnate caught in forbidden love and haunted by his deadly past. This powerhouse cast reflecting the theme of feuding families that Mzansi has come to love is also what distinguishes itself from other telenovelas on air. View this post on Instagram A post shared by BET Africa (@bet_africa) On sharing the stage with these acting greats, Nomalanga says, 'It has been the most incredible experience of my life, I can't even begin to describe to you. I mean, yes, the role is super challenging and obviously having such a big story is also really, really challenging just as a creative, but just having such a supportive web and network of seasoned cast and actors and actresses just to draw inspiration from or to go to for when I needed inspiration, when I need a different way to tackle a scene or handle emotion. 'All of those things to me are just such a blessing and it's not lost on me how unique this opportunity is. And the fact that it's also just a once in a lifetime, yeah, it really, really is. 'I mean, I grew up watching ubab' Sello and now I get to act alongside him and it's just so beautiful, it really, really is. It feels like I'm just learning from the best, and I'm just so grateful, man. It's such an amazing opportunity ... Can you imagine? You walk on the set and it's Archie Moroka,' she laughs.