Romeo Lane review: Pani puri with ponzu and other fusion bites with a twist
Standout iterations I've tried include one with edible flowers, preserved lemons and cumin-scented aerated water at the Michelin-starred Tresind Studio in Dubai; one with Hokkaido corn white mousse and hibiscus powder at Ms Maria and Mr Singh in Bangkok; and, most recently, pani puri filled with tartare of bluefin tuna (the most expensive of the tunas) and served with ponzu water alongside the more typical tamarind water.
My reality? The citrusy soy-based ponzu tasted far better than the authentic tamarind-infused chutney.
It's just one of many fusion dishes that Romeo Lane, a Goa and Delhi import that opened in Pullman Hotel Dubai this year, does well.
Here's how my meal at the restaurant – that offers the altogether rare combination of Indian and Japanese cuisines – fared.
The vibe
A glass lift from outside the main entrance of Pullman Hotel Dubai opens out on to an arched entranceway adorned with faux foliage studded with blossom-shaped lights. The ornate mood lighting and rustic-chic woody vibe extend to the main dining room, which offers bar stools and high tables alongside regular indoor and outdoor seating.
The vibe, on the Friday evening my dining partner and I visit, feels celebratory thanks to the mood lighting and a DJ belting out foot-tapping pop tracks, from Adele's Rolling in the Deep to Makeba by Jain.
The foliage-studded ceiling is dominated by amorphous accent lights, giving off a purple gleam and flashing to the beat of the music, proving this is not only for diners. In fact, Romeo Lane transforms into a proper nightclub at weekends, complete with high-octane percussionists and guest DJs spinning desi-techno tracks. The kitchen remains open until a respectable 1.30am, and the dance floor even beyond that.
The menu
Given how excellent the pani puri (Dh95) proves to be, my partner and I bypass the straightforward appetisers that purists might prefer, in favour of two fusion-tastic options, plus a satisfying side of truffle-masala fries (Dh50).
One is a resounding success. Textures of mushroom takes the form of a trio of nutty yet velvety galouti kebabs (Dh60) made from morels, served in a saffron roti and garnished with seiyoshoro snow. The oozing richness of the pate-like mushroom kebab is balanced by the thickness of the roti and stickiness of the truffle snow, and it's altogether possible to eat an entire dish by oneself.
The same cannot be said of the chicken biryani arancini (Dh75). A mix of breadcrumbs and poppadom made this a deep-fried indulgence, but the ultra-thick coating means the tang of the biryani rice is lost. Even the odd piece of delicately spiced chicken found within cannot quite make up for the overwhelming flavour of Indian pappad.
Fortunately, the mains make the best of the combination cuisine. First up is an udon bowl (Dh95) served with fluffy tofu, crunchy bokchoy and salan, a coconutty curry spiced with chilli peppers, sesame and mustard seeds.
Traditionally enjoyed with authentic Hyderbadi biryani, the salan lends itself surprisingly well to the Japanese noodle dish. Indian ramen broth, anyone?
Our final dish of the night, seafood moilee (Dh175), takes curry to its creamiest proportions. Kerala-style moilee sauce made from coconut milk is known for its mild, almost saccharine flavour profile, despite the use of ginger, pepper and tempered green chillies.
Combined with tiger prawns, onion confit and bokchoy, and sopped up with a chilli-cheese naan (Dh35), it makes for a satisfying – and sweet – end to the meal.
Next, I can't wait to try the hamachi and curry leaf ceviche (Dh85), and the chef-recommended Amritsari fish karaage (Dh110).
To order or not to order
I'd return any day for the tuna-ponzu pani puri, which also comes topped with togarashi-infused spicy mayo. I'd refrain from the chicken biryani rice balls, though, an odd choice on this menu given arancini is neither Indian nor Japanese.
Save or splurge
A three-course meal at Romeo Lane can cost between Dh170 and Dh680.
On the high end of the price spectrum across starter, main and dessert are: Amritsari sea bream karaage (Dh110); A5 Wagyu striploin with brown garlic and kizami wasabi (Dh495); and Hokkaido cheesecake or Romeo kulfi falooda with whipped rabdi foam (both Dh75).
The three most reasonable dishes for a three-course meal are: corn miso masala (Dh45); slow-cooked black daal makhani with brown garlic butter (Dh75); and two types of mochi (Dh50).
The restaurant also serves sashimi, nigiri and maki rolls, ranging from Dh45 to Dh125.
A chat with the chef
Executive chef Aakash Tyagi is from Delhi, and has worked at storied kitchens including Taj Land's End in Mumbai, Masala Library in Delhi and Pincode by Kunal Kapur in the UAE. Part of the opening team at Romeo Lane Dubai, Tyagi says he is now focused on 'curating experiences that bridge bold Indian flavours with Japanese finesse'.
As such, he describes his menu as inventive and playful yet refined. 'My cooking philosophy is rooted in curiosity and respect – for ingredients, traditions and the people I'm cooking for. Blending regional Indian flavours with global techniques keeps the food playful while maintaining depth and meaning. For me, every dish should either evoke a memory or create a new one. That's always the goal.'
The chef cites miso as one of his favourite ingredients to cook with. 'It brings a rich umami depth that instantly elevates a dish. At Romeo Lane, we use miso blended into chutneys, brushed on to grilled meats, and stirred into sauces to create layers of flavour without overpowering the dish. It's a beautiful convergence of Japanese techniques and Indian boldness, subtle yet powerful.'
Other than the dishes we sampled, Tyagi's top recommendations include mushroom and cream cheese gyoza with spicy momo chutney for vegetarians; bhatti-spiced lamb chops grilled over robata flames for meat lovers; yuzu-grilled prawns marinated with garlic and yuzu juice for seafood lovers; and Hokkaido cheesecake for dessert.
Contact information
Romeo Lane, located in Pullman Hotel Dubai in Business Bay, is open from noon to 2am on weekdays and noon to 3am at the weekend. Reservations can be made by calling 050 307 6961.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Khaleej Times
3 hours ago
- Khaleej Times
Ashutosh Rana on becoming Raavan: The 'Humare Ram' star brings epic theatre to Dubai Opera
Long before streaming platforms began testing our nerves in unimaginable ways, Ashutosh Rana was already haunting the nation's collective imagination with some of Bollywood's most chilling performances — first as the menacing Gokul Pandit in Dushman (1998), then as the unhinged Lajja Shankar Pandey in Sangharsh (1999). These roles, over time, have cemented the actor's place as Hindi cinema's most unforgettable villain — an actor who could turn darkness into art. Now, over two decades later, he's stepping back into the realm of an epic, but this time, under the unforgiving spotlight of live theatre. During August 14–17, Rana will take the Dubai Opera stage in Humare Ram, playing Raavan in a production that has already completed over 200 shows in India. In a role that demands both ferocity and nuance — qualities that have defined much of his career — the actor is eager to bring forth a whole new side to this complex figure, often touted as the ultimate antagonist. In a conversation with City Times, Rana speaks about why Dubai was the obvious choice for the play's first international outing, his deeply personal interpretation of Raavan, the research that shaped his performance, and why, after years in cinema, the stage still holds a kind of magic that screen work cannot match. Edited excerpts from an interview, with parts translated from Hindi. You're bringing Humare Ram to Dubai for the first time. After over 200 shows in India, what made you decide this was the right time and place to take the production international, and why begin with Dubai? Ashutosh Rana: After 200 shows in India and such a warm reception from audiences, we felt it was time to take Humare Ram beyond our borders. The question was, where do we start? The world is huge: America, England, Europe, Australia. Dubai felt like the perfect choice because it's like a pocket-sized version of the world. People from every corner of the globe live there. Geographically it may be small, but in terms of diversity, it's vast. Our thinking was simple: if the play is well received in Dubai, we'll feel confident taking it to the rest of the world. And if it isn't, we'll refine it and try again there first. Dubai has a big, art-loving audience that is hungry for these kinds of experiences. Humare Ram is based on Valmiki's Ramayana, which is a timeless epic that can uplift human life, raise our standards of living, and shape the way we think. In Humare Ram, you play Raavan — a figure remembered as the great adversary in the Ramayana. What's your interpretation of him, and what drew you to this role? Ashutosh Rana: My personal belief is that you should make friends even with your greatest enemy. Your enemy should be bigger and better than you, because while friends elevate you, enemies can elevate you even more. The world often judges you by your friends, but the size of your enemy also reveals your own stature. And an 'enemy' doesn't have to be a person. It could be a challenge, a situation, a task, your ambitions, your life's aim. But it should be bigger than your present capacity. That's how you grow. For Ram, Raavan was powerful. For Raavan, Ram was powerful. Both elevated each other. Whether in friendship or enmity, there should always be grace. We often fail to remain graceful even with friends, so being graceful with an enemy is a huge task. Before performing as Raavan, I had already written my novel Ram Rajya in 2020, which was awarded and well appreciated. So I had prepared myself mentally, thinking deeply about how I perceive Raavan and his place in Ram's story. Because without Raavan, the Ram we know today would not exist. Ram became extraordinary by overcoming extraordinary challenges, and that is why, though human, he is remembered today as Narayan (the eternal man). Raavan has been portrayed countless times on stage and screen. How did you approach the role to break away from the usual stereotypes? Ashutosh Rana: I see Raavan in a completely different way. I believe that when you come into contact with an elevated person, they do not make you feel small. If Ram is elevated, then anyone connected to him — friend or foe — must also have grace, gratitude, and calibre. In Humare Ram, you won't find the stereotypical Raavan that people expect. Stereotypes happen when we perform the same image over and over. But if a story has lasted for centuries, there must be deeper layers to it. Creativity forces you to look beyond the obvious and reveal those unseen aspects. The Ramayana has been told in many ways. What kind of research and preparation went into playing Raavan for this production? Ashutosh Rana: Of course. There are at least 300 versions of the Ramayana. Valmiki wrote the first, but then there's Ramcharitmanas, the spiritual Ramayanas, the Kamban Ramayana, and many more. Each one brings a new perspective. I immersed myself in the text and interpretations, but I also brought my own way of seeing him. I often say — when you touch a live wire, you feel the current. If you don't, it isn't truly live. In the same way, when you come into contact with a great person, story, or idea, you should feel its energy lifting you. If it doesn't, then you haven't truly connected with it. For me, it's about energy and aura. When your energy aligns with something, it elevates you. That's why I believe a story like the Ramayana can never be reduced to stereotypes. Its endurance as a timeless tale after all these years means there's always something more to uncover. After years of acclaimed work in cinema, why did you choose to return to live theatre now? Ashutosh Rana: This is a huge play, with over 127 people in the cast and crew. Felicity Theatre has taken a very big, courageous step in producing it. As an actor, I wanted my return to the stage to be with the character of Raavan in a production of this scale and vision. Live theatre gives you something films rarely do: the ability to communicate and connect with the audience at the same time. In life, you will meet people you can communicate with but not connect to, and people you can connect to but not communicate with. Both together are rare. On stage, both of those things happen, and it's magical. That satisfaction is unique to live performance. We're seeing more Indian theatre productions travel internationally now — something that perhaps should have happened years ago. Do you think platforms such as NMACC have helped open the doors for large-scale Indian productions to reach global audiences? Ashutosh Rana: There are many reasons, and yes, platforms like NMACC have created momentum, but in our case, we don't have a big sponsor or organiser behind us. Our creativity is our sponsor. The strength of our subject is our validation. Humare Ram has shown that theatre can be an industry in its own right. In the West, this scale of theatre is common, but in India it has been rare. That's starting to change now. Producing something this large is always a risk. It takes vision, money, energy, and people. But when the vision is strong enough, it's worth it. For me, this story was the perfect one to take that leap with. Theatre demands a kind of audience commitment that's hard to nurture in today's fast-paced, short-form entertainment era. Do you see Humare Ram as part of bringing that culture back? Ashutosh Rana: Absolutely. Theatre is like a school of art, it needs your time, your attention, your full presence. Today, with shrinking attention spans, it can be hard to get that. But Humare Ram has shown that meaningful, large-scale theatre still has a place, even in the age of instant entertainment. When something like this succeeds, it gives theatre the kind of recognition usually reserved for films. And that's not just important, it's necessary for art to grow. Finally, what are your expectations from the Dubai audience, and how do you hope to connect with them over your upcoming performances? Ashutosh Rana: I'm full of excitement. Dubai Opera is a world-class facility, and the audience is waiting for art that touches the heart and soul. I know there are passionate art lovers in Dubai who are hungry for work like this. Humare Ram is food for the soul. I am sure we will have a fantastic time, and I'm looking forward to the energy, the connection, and the reception we will get across these shows.
The National
6 hours ago
- The National
Dubai resident Nadeen Ayoub to represent Palestine at Miss Universe 2025
Former Miss Earth finalist Nadeen Ayoub will represent Palestine at Miss Universe 2025. This will be the first time Palestine has been represented at the competition. Now in its 74th year, the long-running beauty pageant is set to be held this year in Pak Kret, a city in central Thailand, on November 21. Ayoub, who lives between the Dubai and Ramallah in the West Bank, was crowned Miss Palestine in 2022. She made history that year by becoming the first representative from her country to take to part in the Miss Earth pageant, where she was one of the top five finalists. She says she delayed her international pageant participation due to the ongoing humanitarian crisis in Palestine, adding that she will be the first Miss Palestine to take part in the Miss Universe competition. "I am proud to walk this path especially in this time, when we all need to be a voice for Palestine," Ayoub tells The National. "I am honoured to have this platform to speak and I want to use it to help my people, especially the people in Gaza and Palestine suffering everyday." Ayoub made the announcement on social media on Wednesday. In the post, she is wearing a traditional dress with tatreez detailing by Palestinian designer Hiba Abdelkarim, whose creations have been worn by several notable figures and celebrities, including Jordan's Queen Rania. Her decision to join Miss Universe stems from her mission "to humanise Palestinians and challenge global stereotypes". "I want to show the world that Palestinian women are not only resilient and beautiful, but are also leaders, innovators and changemakers." A certified wellness and nutrition coach with a degree in literature and psychology, Ayoub was raised between Palestine, the US and Canada. Since her crowning in 2022, she's dedicated much of her time for Sayidat Falasteen, the philanthropic and media platform of the Miss Palestine Organisation, which works to uplift women by sharing their stories, supporting their businesses and showcasing their impact across Palestine and the diaspora. She's also the founder of Olive Green Academy, which promotes sustainability through training and awareness programmes. Through that platform, she helps Palestinian women receive education in environmental advocacy and digital media to grow sustainable businesses and become climate ambassadors. "As Palestine endures heartbreak – especially in Gaza – I carry the voice of a people who refuse to be silenced. I represent every Palestinian woman and child whose strength the world needs to see," she says in a social media post to announce her Miss Universe participation. "We are more than our suffering – we are resilience, hope and the heartbeat of a homeland that lives on through us."
Emirates 24/7
13 hours ago
- Emirates 24/7
Dubai to lead region's first-ever government pavilion at Gamescom 2025, Germany
The Dubai Program for Gaming 2033 (DPG33) is set to host the Middle East's first-ever government pavilion at Gamescom 2025, the world's largest gaming event, taking place in Cologne, Germany, from 20-24 August. Marking a historic milestone for the region's gaming sector, the pavilion highlights Dubai's commitment to becoming one of the world's top 10 global gaming hubs by 2033. The DPG33 pavilion will showcase the city's talent pool, as well as its exceptional facilities and infrastructure for game designers, developers, entrepreneurs, and production companies. Representing the Dubai government at the pavilion are the Dubai Future Foundation (DFF), the Dubai Culture and Arts Authority (Dubai Culture) and the Dubai Multi Commodities Centre (DMCC). Launched in November 2023 under the patronage of His Highness Sheikh Hamdan bin Mohammed bin Rashid Al Maktoum, Crown Prince of Dubai, Deputy Prime Minister, Minister of Defence, and Chairman of the Board of Trustees of DFF, DPG33 aims to boost the emirate's GDP by $1 billion and create 30,000 jobs in the gaming sector. Focused on advancing governance, talent development, global partnerships, industry support, and community engagement, the programme aims to create a vibrant ecosystem for gaming companies. Her Highness Sheikha Latifa bint Mohammed bin Rashid Al Maktoum, Chairperson of Dubai Culture and Arts Authority, affirmed that Dubai's participation with an official government pavilion at Gamescom underscores the emirate's position as a leading hub for creative and digital industries. She said: 'Dubai continues to strengthen its global competitiveness by focusing on innovation and exploring future opportunities. Our presence at Gamescom underscores the strength of an ecosystem that combines innovation, education, advanced technology, and talent development. It also reflects our growing leadership in digital creativity, while reinforcing Dubai's presence on the global stage and building new international partnerships, all of which support our ambition to position Dubai among the world's top 10 gaming hubs by 2033.' Her Highness also noted that the gaming sector represents a promising space for creative entrepreneurship and new economic opportunities. 'By supporting this sector, we are empowering a new generation of creatives and entrepreneurs, offering them platforms to transform their passion for gaming into innovative, globally impactful ventures. This not only strengthens our creative economy but also opens new horizons for sustainable growth,' she added. His Excellency Khalfan Belhoul, CEO of DFF, said: 'Dubai is rapidly becoming a top global destination for people and businesses involved in the gaming industry following the launch of DPG33 by His Highness Sheikh Hamdan bin Mohammed bin Rashid Al Maktoum, Crown Prince of Dubai, Deputy Prime Minister, Minister of Defense, and Chairman of the Board of Trustees of DFF. The programme has set out a clear 10-year roadmap to establish Dubai as a global leader in the gaming sector. By providing a supportive framework for innovation and investment, we are building a vibrant ecosystem that leverages Dubai's unique competitive advantages to support creators, entrepreneurs, and multinational corporations in this booming sector.' Her Excellency Hala Badri, Director General of the Dubai Culture & Arts Authority, said: The electronic gaming sector is a vital pillar of the creative economy. This sector stands out as one of the fastest growing and most innovative within the broader cultural and creative industries, owing to its unique ability to attract skilled individuals and create new economic opportunities.' She added: 'Through a range of initiatives, Dubai Culture is committed to empowering young people and emerging talent to build their skills, expand their involvement in gaming, and discover new pathways in this dynamic field. Our efforts reflect the interests and ambitions of the new generation, advancing Dubai's vision to be a leading global centre for innovation.' Ahmed bin Sulayem, Executive Chairman and CEO, DMCC said: 'As the largest global gathering for the computer and video games industry, Gamescom offers an unmatched platform to spotlight Dubai's rapidly expanding capabilities as we continue to drive our ambition to become one of the top 10 gaming hubs in the world by 2033. Today, over 140 gaming companies – representing 40% of Dubai's gaming industry – are based in DMCC, enabled by our dedicated Gaming Centre that is anchored within a broader tech and Web3 ecosystem of more than 3,200 members. Supported by access to capital, licensing solutions, and industry-leading partners, DMCC offers the infrastructure and connectivity to help global gaming businesses scale up in the region and beyond.' Since DPG33 launched in November 2023, Dubai's gaming sector has grown significantly with more than 60 new gaming companies establishing themselves. Dubai is now home to over 350 gaming companies, with 260 (74%) specialising in game development. Sixty-seven percent of those companies are headquartered in Dubai, and 12% are major global technology companies. In 2025, DPG33 engaged with companies like Sony, Nvidia, Riot Games, and Xsolla, to foster partnerships and attract investment. The world's largest gaming event Gamescom is the world's largest event for computer and video games, bringing together the international gaming community in-person and online. The 2025 edition, taking place at the Koelnmesse exhibition centre is expected to attract record attendance following the success of last year's edition, welcoming 335,000 visitors from 122 countries. For more information about Dubai's participation and DPG33, visit
