Sequinned Gown To Streetwear: Kanika Kapoor's Luxury Glam At Cannes Weekend
Last Updated:
Kanika Kapoor recently took to her social media to share pictures of her looks from the Cannes Film Festival. Her look book was the epitome of luxury and charm.
Kanika Kapoor served the epitome of luxury during her time at Cannes. The singer was spotted at the French Riviera exuding charm and chicness as she opted for gorgeous attire throughout the weekend. Kanika was also present at the star-studded Chopard Party, where she performed live in front of notable people from the fashion and film industries around the world.
The singer was seen attending the Chopard party in a crystal-embellished flutter-sleeve gown by AREA. Crafted from jersey, the gown featured a cut-out detail at the neckline and waist while being covered with crystal embellishments. The thigh-high slit at the bottom offered both elegance and a hint of drama to the entire look. The subtly shimmery fabric of the gown perfectly provided a glamorous look, making the outfit perfect for a party.
Kanika Kapoor accessorised her look with Chopard diamond earrings to match the sparkle of the gown. In an attempt to blend fashion and functionality, the singer opted for a Chopard L'Heure Du Diamant round watch, featuring diamonds all around the dial. Her overall makeup look was bold with smoky eyes and a bright coral lip. Kanika went for a sleek, side-parted, wet hairstyle look, providing a clean and polished finish that complements the elegance of her outfit.
For her day out looks at the French Riviera, Kanika channeled a breezy summer look that seemed both comfortable and chic at the same time. She opted for Emilia Wickstead's Judie cropped top in the color white that featured spaghetti straps and delicate green and yellow floral prints, perfect for daytime wear in the summer. She paired it up with a matching high-waisted skirt from the designer, which was adorned with soft floral motifs all over it.
Kanika chose to accessorise her look with a pair of statement Hawaii gold earrings by Buccellati and added Loewe's Paula Ibiza white oval-framed sunglasses, adding a playful touch to the chic look. For the bag, the singer carried Loro Piana's L19 North-South Wicker Bag- a structured, woven, cream leather top-handle bag, perfectly complementing her breezy summer attire.
Kanika was also seen out and about on the streets of Cannes, channelling her inner fashionista in a chic daytime look. She opted for a sage green layered cotton trench by JW Anderson that featured an asymmetric collar and a button-down, utility-inspired design. The cuffs were adorned with gold-toned buckles, adding an elevated touch to the casual street-style look. Kanika was seen sporting a basic white top and light-wash jeans with tailored outerwear. To complete her look, the singer carried a timeless Hermes Kelly handbag in the shade taupe and added an oversized pair of shades with a hint of retro glam.
First Published:
June 03, 2025, 10:09 IST
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Pink Villa
18 hours ago
- Pink Villa
Dakota Johnson Turns to Revenge Dress Fashion After Splitting From Chris Martin Post 8 Years of Dating
Dakota Johnson is channeling her inner Princess Diana, and it's everything we're looking for and more. Stepping out amid her promotions for the upcoming romance film Materialists, the actress donned a sheer, black dress, stunning everyone with her ease and charm shortly after her split from Chris Martin. It was recently reported that the couple decided to break off their engagement after being together for 8 years. Dakota Johnson's Princess Diana Connection Going out and about her business in New York City on Thursday, the Fifty Shades of Grey actress made a bold statement with her all-blake fit, truly taking more than just one page out of the Princess of Wales' style book. Known as the infamous 'revenge dress', the British star had also worn an all-black ensemble to supposedly take revenge on her husband, Prince Charles, who is said to have cheated on her with Camilla, by showing her just what he had given up on. Dakota Johnson, on the other hand, was drenched in luxury, smiling at the paparazzi and her fans waiting outside The Greenwich Hotel before riding off in her car for more promotional activities. It is one of the first few outings from the 35-year-old, who is said to have separated from the Coldplay frontman after being in love for 8 years. The duo is also rumored to have gotten engaged secretly many years ago, with recent spottings making their break-up news all the more unbelievable. Chris Martin and Dakota Johnson were spotted all loved up and cozy as recently as the 2025 Cannes Film Festival, which saw her stepping onto the red carpet multiple times, taking over the internet with her fun style. It is not known as to why the couple decided to part ways, but a source close to the couple told PEOPLE that this time felt like it was 'final'. Meanwhile, the actress is currently in the middle of promoting her upcoming romance film Materialists. Chris Evans and Pedro Pascal take spots as her co-stars in the heavily anticipated love triangle.
Deccan Herald
19 hours ago
- Deccan Herald
'It Was Just an Accident' Cannes review: Jafar Panahi's latest is a suspenseful political drama
Jafar Panahi's 'It Was Just an Accident' emerged as the most politically urgent and emotionally devastating entry, earning the veteran Iranian filmmaker the prestigious Palme d'Or award at the Cannes Film Festival this year. Yet, the film's resonance goes far beyond awards. It is both a powerful work of cinematic art and a defiant act of resistance — crafted in secrecy, brimming with moral complexity, and deeply rooted in the personal and political trauma of Iran's recent film opens with a mundane incident that quickly spirals into a moral crucible. A family — husband Eghbal (Ebrahim Azizi), his pregnant wife, and their daughter — accidentally hit a dog on a dark road. Their car breaks down, and they take refuge at a garage where the attendant, Vahid (Vahid Mobasseri), hears the creak of Eghbal's prosthetic leg. The sound triggers Vahid's memory of being tortured in prison; he is convinced this man is "Peg-leg," the interrogator who brutalised him and others under the Iranian regime. Driven by a thirst for vengeance, Vahid abducts Eghbal and prepares to bury him alive. But doubt soon emerges — is this truly the man who tormented him? .What follows is a suspenseful, often darkly comic odyssey that unfolds over the course of a single day. Vahid assembles a group of fellow victims — Shiva, a photographer; Goli and Ali, a couple interrupted mid-wedding shoot; and Hamid, a volatile former detainee — to verify Eghbal's identity. Each character brings their trauma and perspective, and their debates — whether driven by rage, resignation, or uncertainty — form the moral backbone of the brilliance of Panahi's script lies in its refusal to offer clarity. We, like the characters, are blindfolded — uncertain of the truth, forced to wrestle with our assumptions and sympathies. Is Eghbal the perpetrator? And if he is, does vengeance restore justice — or simply perpetuate the cycle of violence? .Thematically, 'It Was Just an Accident' echoes Panahi's own life. Since 2010, he has faced imprisonment, house arrest, and a ban on filmmaking imposed by the Iranian government. Yet, he has continued to make films in secret, turning limitations into artistic innovation. The film is imbued with the urgency and emotional charge of someone who has suffered but remains defiant. .While rooted in Iran's political reality, the film transcends its immediate context. Panahi's film confronts the impossibility of closure for survivors of state violence. The blindfold motif — used both literally and symbolically — underscores how justice is often obscured, reliant on memory, interpretation, and 'It Was Just an Accident' is not merely a grim reckoning. Panahi interweaves moments of absurdity and dark humour: a bride in full gown pushing a van, debates over bribe payments made via contactless card readers, and exasperated arguments about the cost of vengeance. These comic detours do not undercut the film's gravity; instead, they humanise the characters and reveal the surreal logic of life under authoritarian rule. The long extended standing ovation Panahi received at the festival after the film's stunning conclusion, was considered by many as less like applause and more like solidarity. The jury's decision to award him the Palme d'Or was not only an artistic endorsement but also a symbolic act — recognising the risks he took, the message he delivered, and the bravery of creating such a film under oppressive conditions. .The final scenes, marked by a long static take and a crescendo of emotional unraveling, are unforgettable, but could have been avoided in terms of aesthetic principles of keeping open the dilemmas of human situation. Though they encapsulate the fragility of truth, the brutality of memory, and the ambiguity of justice, confirming the identity of the perpetrator and his rather lame confessions could appear prosaic. But that doesn't lessen the final impact of the film. Rather than offering resolution, Panahi leaves us with questions —about ourselves, about systems of power, and about how pain lingers across is a film of political resistance, moral inquiry, and cinematic excellence. It reminds us that cinema, even when made in defiance of tyranny, can illuminate, challenge, and change the world — or at the very least, its viewers.
India.com
20 hours ago
- India.com
Meet actor whose mother worked as domestic help, father sold coconuts, now a star, worked with Salman Khan, Rani Mukherjee, his name is...
In the world of glitz and glamour, there are various actors who transitioned from rags to riches. Though their journey was not easy, they never lost the grit and determination to pursue their dreams. From Nawazuddin Siddiqui to Thalaiva Rajinikanth, many actors in Indian cinema started their lives doing odd jobs and eventually reached the pinnacle of success. Today, we will discuss one of those actors who faced many hardships in his life, but never gave up! Result? This actor, because of his work, walked the red carpet at the Cannes Film Festival 2025. The actor we are talking about started his journey in the TV industry. His silver screen appearances made him a known face, and later, he made his Bollywood debut in 2019 with Rani Mukerji's film Mardaani 2. The movie was a game changer for him and since then, he never looked back! We are talking about none other than Vishal Jethwa. Mardaani 2, which was the sequel to Rani Mukerji's Mardaani, featured Vishal and his character stole the show as the villain in the film. However, post that, Vishal never looked back. While growing up, life was not easy for Vishal. His father used to sell coconuts. The actor lost his father at the age of 14 and was raised by a single mother, who once worked as a domestic help. In an interview, Vishal revealed that his mother used to wash utensils and mop floors at other people's houses. However, Vishal and his family's condition improved when he landed the lead role of Akbar on Bharat Ka Veer Putra – Maharana Pratap in 2013. Vishal started his journey with TV and then in 2019, he featured in Mardaani 2. He also played Kajol's on-screen son and the titular character in the 2022 film Salaam Venky. Recently, Vishal made his stellar debut at the Cannes Film Festival when he walked the red carpet. His film Homebound premiered at the film festival. The movie also features Ishaan Khatter.
