General Hospital Recap: Natalia Dies
On today's General Hospital recap:
Jason tells Sonny the plane is ready, but Natalia hasn't shown up yet. Jason then gets a call and tells Sonny about the fire at Charlie's.
Chase comes knocking on Natalia's door and is joined by Anna who find her passed out on the couch. Natalia is taken to the hospital where Liz and Isaiah work on her, but she dies.
Chase and Anna go through Natalia's room. Chase mentions seeing the guard at the door, walking away. Anna knows they need to find out who the guard was.
Kristina tries to put out the fire with an extinguisher, then decides to stand there and watch it burn. Marco breaks down the door, runs in and helps her out the back door. Dante gets to the scene and Kristina says someone tried to kill her.
Molly gets to the mansion at the tail end of the celebration then gets a call about the fire at Charlie's. Cody offers to drive her there. Molly is upset and ranting about the worst case scenario but Cody tells her to wait and see what the situation is.
Alexis meets with Sidwell and reminds him that despite Marco being his lead attorney, nothing gets filed until she gives the okay. Jenz assures her everything is aboveboard and thinks she doesn't trust Marco. Molly calls Alexis and tells her about the fire.
Josslyn gets home to find Lucas cleaning up from his dinner with Marco. She tells Lucas Natalia showed up at the church. Liz calls Lucas, who heads to the hospital. He wonders why Marco isn't there and where he is.
Sonny and Jason get to the scene and Sonny's not happy to see Marco is there. Kristina tells them Marco saved her life and explains to Dante what happened. Marco remembers his mother and wants to leave, but Sonny refuses.
Jack stops by to talk to Josslyn about their plans with Dalton. Josslyn wonders if he's really there to see Carly, but Jack reminds her that he's her superior and to mind her beeswax.
Carly arrives and tells Jack about the fire at Charlie's and how it brought her back to Michael's accident. Jack says she's experiencing PTSD, and she's grateful he understands what she's feeling. Carly blames Sonny and doesn't know what she would do if she lost Donna.
Chase and Anna head to the hospital and question Lucas, who tells them about Natalia's drunk texts and Marco leaving to check on her. Anna wants an autopsy done right away to determine the cause of death, but Lucas says they have to wait for Marco.
Dante calls Anna to update her about the fire and tells her Marco is at Charlie's and saved Kristina.
Molly and Alexis get to the scene, grateful to find Kristina alive. Alexis blames Sonny and screams at him. Sonny tries to defend himself but she's not listening. Kristina defuses it, asking her mother to go with her to the hospital to be checked out.
Michael remembers getting caught in the fire at Sonny's. He gets a text and tells Sasha that Kristina will be okay. Michael mentions he's still taking pain pills, and she's surprised he's still experiencing pain. Michael says he has residual nerve damage but it's better than the treatments right after the fire.
Sasha brings up how Michael asked for her when he was in the hospital, and he says he wanted to tell her to take care of the baby. Michael is determined to make sure his kids stay safe and won't be like Sonny. He promises her nothing like that fire will happen to his kids.
Marco gets to the hospital and insists on seeing his mother.
Sidwell makes a call to berate them for setting the fire while someone was inside.
Sonny tells Jason they need to find out who set the fire. Jason points out Kristina was not supposed to be at work, but was called in.
The firefighter updates Dante the fire was arson.
(*To my fellow Canadians, Happy Canada Day!! For the American posters, Happy Tuesday!!)
Keep checking back for the latest General Hospital recaps!
This story was originally reported by Daytime Confidential on Jul 1, 2025, where it first appeared.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
26 minutes ago
- Yahoo
Learn About: NASA's Lucy Spacecraft Flyby With Asteroid Donaldjohanson
Learn more about the Lucy mission "fly past 52246 Donaldjohanson -NASA's Goddard Space Flight Center. Credit: NASA's Goddard Space Flight Center Dan Gallagher: Producer/Narrator Adriana Manrique Gutierrez: Animator Kel Elkins: Animator Johathan North: Animator Michael Lentz: Animator/Art Director Walt Feimer: Animation Lead Nancy Jones: Public Affairs Katherine Kretke: Public Affairs Universal Production Music: 'Nico's Journey' by Nicholas Smith [PRS]; 'Knowing Half the Future' and 'Temporal Timings' by Lee John Gretton [PRS]; 'Poly Propulsion' by Alfie Solo [PRS]


Fast Company
31 minutes ago
- Fast Company
Creative litigation versus creative instigation
I imagine that—like me—many of us got into advertising because it beat the alternatives. No real rules. No 'right way to do it.' No boxes you have to check. That sense of creative freedom chirped and blinked like an EXIT sign in the smoke-filled hallway of career choices. We ran to that EXIT, bypassing doors leading to more stringent, structured careers like lawyer or accountant or 'business consultant.' And before technology and analytics usurped advertising—like it has other entertainment-based industries like sports and film—that creative freedom drove the industry. Look at how analytics has all but eliminated the creativity in the mid-range game in the NBA and the subsequent Finals ratings. Advertising is in a similar state: seeking ideas that feel like predictable, analytically defensible, 'high-value' shots. This thinking is now making us operate more and more like those stringent, structured industries we avoided in the first place. BRAND STRATEGISTS AS CREATIVE LITIGATORS Take brand strategy for instance. Our main role now is 'creative litigator.' We gather stakeholder interviews like depositions, review client's internal documentation and data like evidence discovery, and research competitor companies and culture like case histories, statutes, and laws that give us the precedents to build off of. Then, ultimately, we piece together findings into a cohesive story like an opening statement that lays out the case for creative work. That's great for stakeholders, but not so much for viewers. People are paying $100+/month to avoid the 'disruption and irritation of advertising.' However, being disruptive or irritating shouldn't be the worry for brands. They should worry about being boring. THE RISK OF BEING BORING Jon Evans estimates the ' cost of being boring ' at $189B for brands in the U.S. Creators and influencers know this. Their freedom to 'just shoot' and develop an understanding of 'how not to be boring' enables them to run circles around ad agencies in terms of engagement and efficacy. In fact, a recent Deloitte study showed 56% of Gen Z and 43% of millennials find user-generated social media content 'more relevant than traditional TV shows and movies.' WHAT BRAND STRATEGISTS REALLY NEED TO DO In short, boring inputs result in boring outputs. To change that, in the case of brand strategists, we need to be thinking more often like creative instigators and agitators than just litigators. We need to approach our work like a journalist or a stand-up comedian. Because we're after 'interesting,' not justice. And you don' t get to 'interesting' by filling in funnels or bogus 'white space' quadrants or any assortment of rectangles in a framework. You get there by passively observing rather than actively 'working a case' at all times. Allowing anomalies to appear and not just looking for commonalities. Not looking for white spaces, but for colorful ones. Being able to 'explain the situation like I'm five,' but being able to ask questions like a 5-year-old first. Why? Why? Why? Getting the time to be the dumbest in the room, not the smartest. To be able to find something and show it to someone and say, 'Is this anything?' With the advertising industry's current landscape and dominant forces as they are, the sell of creative work will always require litigation. But it's much easier to sell creative work when the decider is focused on the tears in their eyes and not whether the idea is 'ownable' or 'culturally relevant' or 'shareable' or whatever analytics creativity is foolishly judged against today. Great creative ideas deserve to exist and shouldn't live and die based on their ability to fit in Meta, Alphabet, or Amazon's 'predictable' boxes. Come to think of it—maybe we are after justice after all?


Washington Post
37 minutes ago
- Washington Post
LeBron James still acts like the King, but the NBA isn't the same
It's strange to ponder an NBA that doesn't cater to LeBron James. Since 2003, when he arrived at the draft wearing that white suit, he has been a focal point. The question 'What does LeBron want?' has dominated the plans of his many teams and the interest of the entire league. It once seemed his basketball career wouldn't end before a mad scramble to buy him the perfect retirement gift.