logo
‘The Last Rodeo': An Avoidable Misstep From Angel Studios

‘The Last Rodeo': An Avoidable Misstep From Angel Studios

Epoch Times5 days ago

PG | 1h 58m | Drama, Sports | 2025
First, the good news: 'The Last Rodeo' is leading man Neal McDonough's third Angel Studio project in as many years, and it is slightly better than the last one ('Homestead'). The bad news: It's not nearly as good as 'The Shift,' where McDonough played a humanized incarnation of Satan.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

The conservative-friendly studio beating Hollywood at its own game
The conservative-friendly studio beating Hollywood at its own game

Boston Globe

time9 hours ago

  • Boston Globe

The conservative-friendly studio beating Hollywood at its own game

Get The Gavel A weekly SCOTUS explainer newsletter by columnist Kimberly Atkins Stohr. Enter Email Sign Up The movie is one of the latest from Angel Studios, which is devoted to TV shows and movies that 'amplify light.' It successfully caters to a growing market of Americans who want values-driven entertainment and are dismayed with what they consider Hollywood's nihilism and tired storytelling. Advertisement As the lights dimmed for the screening of 'The Last Rodeo,' McDonough told a whooping crowd of family, friends, and fans that they'd see him kissing Ruvé in his portrayal of Joe Wainwright, a retired rodeo legend who has to return to bull riding in hopes of winning enough money for his ailing grandson's cancer treatment. Advertisement Neal and Ruvé McDonough were coproducers on the film, giving them the creative freedom to shape the casting. But McDonough told me that it can be a gamble for major studios to sign off on such maneuvers. He believes his project only made it to the big screen because he worked with a studio that shares his values. 'They said, 'Who do you want to play your wife in the film?' And I said, 'There's only one person's gonna play it; it's my wife, Ruvé,'' McDonough told me. 'And [Angel] said, 'Well, that makes sense.'' The differences between Angel Studios and Hollywood were apparent at the Texas premiere of 'The Last Rodeo,' starting with the suggested dress code on the invitation: boots and bowties. A Stetson-sporting McDonough beamed with his gaggle of five children while Ruvé stunned in a floor-length gown of denim patchwork. The stars, producers, and director of "The Last Rodeo" posed with family members at the film's Texas premiere. Carine Hajjar/Globe Staff But the overall vibe was decidedly less about couture than culture. Speaking to a mix of press, country influencers, and Southwestern personalities lining the red carpet, people involved with the film were open about how 'The Last Rodeo' deals with themes that aren't popular in the Hollywood circles they know well. The movie's director, Jon Avnett, who directed 'Fried Green Tomatoes' and produced 'Black Swan,' told me about the film's emphasis on 'the power of family.' Mykelti Williamson, who portrayed Private Benjamin Buford 'Bubba' Blue in 'Forrest Gump' and plays Wainwright's old friend in 'The Last Rodeo,' said the movie tells a story of an America that's 'actually a good place, with a lot of good people in it.' He added: 'She's not perfect, but she's worth it.' Advertisement Instead of a glitzy afterparty, Angel put on a barbecue for fans and benefactors and their families. Parents holding hot dogs looked on with half terror, half amusement as little boys fought for the next turn on an electric bull. Rodeo queens in fringed red leather and rhinestone cowgirl hats took selfies, while toddlers took wobbly steps around the various field games. If you wanted to wash it down with a beer from the drink stand, you'd have to settle for a Coke. It was unlike Hollywood in every way. And that's been the key to Angel's success. Mykelti Williamson in 'The Last Rodeo.' Angel Studios Avoiding cringe and outrage The American mainstream is in turmoil — and it's not just the 'liberal media' or lefty universities. It's many of the cultural institutions that have been swallowed up by the progressive crazes of the last decade. From Actors have always had a knack for publicly fawning over progressive causes and shaking their fists at Republicans. But those progressive sensibilities have spilled over to the way films are made, too. Now it seems as if every movie that portrays a white or male protagonist needs a remake. (I'm looking at you, 'She-Hulk: Attorney at Law.') It's safe to assume that Americans who are sick of having progressive politics shoved down their throats might also feel as if it's being stuffed into their popcorn buckets. That creates an opportunity for a studio like Angel to make entertainment for a market underserved by the mainstream. Advertisement Starting with families. Angel's cofounder Jeff Harmon says the studio began as the answer to a Harmon family problem. For him and his three brothers, Neal, Daniel, and Jordan, that problem was the erosion of values portrayed by Hollywood. 'I think for all of us as fathers, we were looking with our families at how quickly the entertainment was accelerating toward nihilism,' Jordan told me, sitting next to Jeff. Naming examples like 'House of Cards' and 'Game of Thrones,' he bemoaned the fact that 'you watch a great movie, the whole thing's great. And at the very end, the whole moral of the story is, 'Everybody's bad.'' The brothers figured that addressing this problem could make for a good business. Jordan, Neal, and Jeffery Harmon at Angel Studios in Provo, Utah, on March 31. RUSSEL DANIELS/NYT At the Fort Worth barbecue, I met Brittany Graves, a 36-year-old mother of four and member of the Angel Guild, whose roughly 1.2 million members pay a monthly fee for access to Angel's content. She told me that 'it's a lot more refreshing to watch [Angel's] movies than kind of the predictable Hollywood norm.' She describes herself as a Christian and homesteader, saying that she agrees more with 'the values that are portrayed in [Angel's] movies' than 'just being hit with cussing and soft-core and sometimes even hardcore porn' that you get from Hollywood. Nearby, Shandelyn Spadke told me that she and her husband, Trae, invest in Angel because they are 'very firm believers in conservative ideas.' As she bounced a baby on her knee, the mother of five said, 'Most of the time we have to censor and preview what they watch. But she doesn't have that problem with 'Tuttle Twins,' a children's show that Advertisement The Harmons say that Angel is essentially replacing the traditional tastemakers who turn up their noses at values-infused entertainment. 'Filmmakers have no issue making great family content; they don't have an issue making faith content, as long as it resonates and it's good storytelling, and it's done with craftsmanship,' Jeff Harmon says. What's missing are studio executives who want this kind of entertainment. 'You replace those gatekeepers — these executives that are out of touch, generally don't have normal families, don't look like Middle America; they don't look like the rest of the world — and you replace those people with the people who are the rest of the world.' Shandelyn Spadke and her baby at the Fort Worth barbecue hosted by Angel Studios. Carine Hajjar/Globe Staff That's where the idea for the Angel Guild came from. The members pay $12 and up per month for access to the programming at home — and the ability to shape it. Angel only produces films that the guild members want to see. First they vote on a 'torch,' or a proof of concept from filmmakers, like a short clip or a pilot episode. If the torch passes the guild, filmmakers can go on to produce their projects. But members also get to vote on final cuts and even provide feedback. Jordan Harmon says Angel Studios filmmakers have gotten more than 100,000 comments from guild members over the last 18 months. The Harmons believe that this is the key to Angel's high audience ratings. Angel Advertisement Wookyung Kim, Kristin Chenoweth, Seong-ho 'Jay' Jang, and Leia Jang attended the premiere of Angel Studios' "The King Of Kings" in Franklin, Tenn., on March Angel Studios Some of Angel's films deal with conservative themes or religious subjects, but it would be a mistake to lump them in with overtly conservative entertainment projects — like those produced by the entertainment studio that the Daily Wire, a conservative news outlet, announced in 2021. If titles like 'Am I a Racist?' and 'What Is a Woman?' don't give it away, many Daily Wire productions are an attempt to make entertainment out of owning the libs. Other conservative productions can be driven overtly by religion and are less concerned with production values and storytelling. Angel avoids earnest cringe and political outrage. That's because its projects aren't ever just characterized by a political or religious message. Even the New York Times The deference to storytelling over pontificating hasn't stopped critics from trying to label Angel conservative ideologues. 'Sound of Freedom,' for example, was The Harmons, who belong to the Church of Latter Day Saints, call Angel a 'faith-friendly' studio and don't allow their productions to take the Lord's name in vain. But the themes and stories they help produce are determined by the Angel Guild, and will evolve as it grows. And since it is serving an underserved market, an initial rightward tilt is to be expected. What's surprising is just how large that market seems to be. 'Our hypothesis is that we're actually going for the biggest segment of the entire entertainment world,' Jordan told me. In collaboration with the Faith and Media Initiative, Harris X Neal McDonough starred in Angel Studios' "Homestead," which had its premiere on Dec. 10, 2024, in Los Angel Studios Like the film 'Cabrini,' which tells the story of Mother Francis Xavier Cabrini's life and ministry to poor immigrants, especially orphaned Italian children in New York City. On the surface this is a story about a Catholic saint. But it deals with themes like standing up to the male-dominated church leadership and overcoming racism through her work for the poor and scorned migrants in America. The film earned a Rotten Tomatoes audience score of 98 percent and Some Angel productions aren't religious at all. Tony Hale, known for his role as Buster Bluth in the hit show 'Arrested Development,' is Even though the Harmons have kept to the sidelines of the raging culture wars, they have clearly benefited from conservative victories. Like Donald Trump's which depicts an animated Charles Dickens sharing the story of Jesus' life with his son. But Angel isn't interested in sticking it to the mainstream — its intention is to become the mainstream. 'Stories are upstream from culture,' Jordan Harmon says. And Angel intends to produce 'some of the most timeless stories throughout history.' Carine Hajjar is a Globe Opinion writer. She can be reached at

‘Jane Austen Wrecked My Life', ‘The Last Rodeo', ‘Friendship' Counterprogram ‘Lilo & Stitch' & ‘Mission: Impossible' Holiday Weekend
‘Jane Austen Wrecked My Life', ‘The Last Rodeo', ‘Friendship' Counterprogram ‘Lilo & Stitch' & ‘Mission: Impossible' Holiday Weekend

Yahoo

time4 days ago

  • Yahoo

‘Jane Austen Wrecked My Life', ‘The Last Rodeo', ‘Friendship' Counterprogram ‘Lilo & Stitch' & ‘Mission: Impossible' Holiday Weekend

Sony Pictures Classics is out with Jane Austen Wrecked My Life in limited release, Angel Studios' The Last Rodeo opens wide and A24's Friendship added screens with few new indies braving the double whammy of live action Lilo & Stitch and Paramount's Mission: Impossible – Final Reckoning. The former may have set a Disney record for Memorial Day weekend previews, Deadline reports, while Tom Cruise's high octane eighth outing as Ethan Hunt may have set a record preview night for a Mission: Impossible. More from Deadline 'Friendship' Rocks As Tim Robinson, Paul Rudd Bromance Expands - Specialty Box Office 'Friendship' Moves To Top Ten Markets, Star Tim Robinson's Hometown Detroit; 'Sister Midnight', 'The Old Woman With The Knife' - Specialty Preview 'Friendship' Skyrockets To Top Limited Opening Of 2025 For Tim Robinson, Paul Rudd Comedy - Specialty Box Office Jane Austen in her own right 'has become a bit of a rock star in the marketplace,' SPC brass rightly noted when the distributor acquired the feature debut by Laura Piani ahead of its TIFF world premiere last year. It's opening on 61 screens in select markets including Lincoln Square and Angelika Film Center in New York and the AMC Grove and Laemmle Royal in LA. SPC is planning a nationwide bump next week to about 500 runs. Stars Camille Rutherford as Agathe, a hopelessly clumsy yet charming young woman who works in the legendary Shakespeare & Co. bookshop in Paris. She dreams of being a successful writer and of experiencing love akin to a Jane Austen novel but finds herself desperately single and plagued by writer's block. When Agathe's best friend (Pablo Pauly) gets her invited to the Jane Austen Writers' Residency in England, she finally has her Jane Austen moment. Certified Fresh at 85% with critics on Rotten Tomatoes. Angel Studios opens by Jon Avnet (Fried Green Tomatoes, Black Swan, Risky Business) on 2,205 screens. Stars Neal McDonough (who also co-wrote) as a retired rodeo legend who risks it all to save his grandson. Facing his own painful past and the fears of his family, he enters a high-stakes bull-riding competition as the oldest contestant ever. Along the way, he reconciles old wounds with his estranged daughter Sally (Sarah Jones) and proves that true courage is found in the fight for family. Produced in association with the Professional Bull Riders Association. Also stars Christopher McDonald and Ruve McDonough. Written by Avnet, Neal McDonough and Derek Presley. This is Angel's third partnership with faith-based McDonough Company after 2023 thriller The Shift and post-apocalyptic drama Homestead, slated for release December 20. A24s starring comedian Tim Robinson (I Think You Should Leave) and Paul Rudd has a big week 3 expansion to about 1,200 screens from 60. After a great limited opening at 6 theaters it rocked an expansion to 60 last week with $1.4 million and a no. 7 spot at the domestic box office. The R-rated directorial debut of Andrew DeYoung follows a bromance gone bad between two suburban dads. Comedy from Menemsha Films opens on four screens in NYC with Q&As at the Quad. Follows a $17k week and $110k run in Florida and a $225k cume from select showings. Expands to San Francisco May 30 and LA the following week. Directed by Daniel Robbins, it star Kyra Sedgwick, Cliff 'Method Man' Smith, David Paymer, Milana Vayntrub, Jon Bass, Meghan Leathers, Theo Taplitz, Catherine Curtin, John Bedford Lloyd and Ashley Zukerman. David and his fiancée Meg are about to have their parents meet for the first time over a Shabbat dinner on New York's Upper West Side when an accidental death (or murder?) gets in the way. With Meg's Catholic parents due any moment, this family dinner soon spirals into disaster. Winner of the Audience Award for Best Narrative Feature at the 2024 Tribeca Festival. from Vertical, written and directed by Warwick Thornton, produced by and starring Cate Blanchett, is having a 7-day limited theatrical run before hitting VOD May 30. Set in 1940s Australia at a remote monastery with a mission for Aboriginal children run by a renegade nun, Sister Eileen (Blanchett). A new charge (Aswan Reid) is delivered in the dead of night, a boy who appears to have special powers. But the boy's Indigenous spiritual life does not mesh with the mission's Christianity and his mysterious power becomes a threat. Sister Eileen is faced with a choice between the traditions of her faith and the truth embodied in the boy. Premiered at Cannes in 2023, see Deadline review. Restoration: Akira Kurosawa's , the director's re-imagining of Shakespeare's King Lear transposed to medieval 16th century Japan, starts a run at New York's IFC Center and Laemmle Royal in LA to celebrate the epic's 40th anniversary. The 4K restoration is being re-released by New York-based Rialto Pictures. Resting after a wild boar hunt, warlord (Tatsuya Nakadai) decides to divide his domain among his three sons. A battle ensues between color-coded armies, a castle burns to the ground. Designed from the director's own watercolor storyboards, the film had four Oscar nominations including Best Director, Cinematography and Art Direction, with Emi Wada winning for costumes. Best of Deadline 'Poker Face' Season 2 Guest Stars: From Katie Holmes To Simon Hellberg Everything We Know About Amazon's 'Verity' Movie So Far Everything We Know About 'The Testaments,' Sequel Series To 'The Handmaid's Tale' So Far

Wes Anderson's ‘The Phoenician Scheme' Tees Up Strong Indie Weekend With Angelika Film Center Takeover
Wes Anderson's ‘The Phoenician Scheme' Tees Up Strong Indie Weekend With Angelika Film Center Takeover

Yahoo

time4 days ago

  • Yahoo

Wes Anderson's ‘The Phoenician Scheme' Tees Up Strong Indie Weekend With Angelika Film Center Takeover

Focus Features has done a full takeover of the Angelika Film Center with on all six screens for filmmaker Wes Anderson's latest. There's a lobby and café redesign for full immersion, a jazz band, custom cocktails, t-shirts and totes as the film, which clocked a lengthy standing ovation at its recent Cannes world premiere (see Deadline review) bows theatrically in limited release at six locations including NYC's Alamo Brooklyn and AMC Lincoln Square and AMC's The Grove, Century City and Burbank in LA. Around this time in 2023, Anderson's Asteroid City, also from Focus, delivered a massive jolt to the arthouse and specialty world with a $790k three-day weekend, also at six theaters, including a takeover of the Landmark LA. That opening per-theater average of $132k was the biggest in years for a helmer known to energize the specialty box office. His Grand Budapest Hotel in 2014 opened at $800k on four screens for a PSA of $200k — still considered the one to top in absolute. More from Deadline 'Jane Austen Wrecked My Life', 'The Last Rodeo', 'Friendship' Counterprogram 'Lilo & Stitch' & 'Mission: Impossible' Holiday Weekend - Specialty Preview How Wes Anderson Devised 'The Phoenician Scheme' - Crew Call Podcast At Cannes Wes Anderson Teases Next Project With Richard Ayoade & Roman Coppola - Cannes The Angelika's immersive experience features a Marseille Bob's themed bar with customized menu items including a signature champagne cocktail and photos taken by a film-inspired Egyptian elevator and vintage train. The theater is offering a premium ticket for $60 with a t-shirt, large popcorn and drink (including cocktail) combo and King Size Hershey's Bar. A standard experience ticket is $30. Q&As Friday with Anderson and cast members Benicio del Toro, Mia Threapleton and Michael Cera at the 4:40 pm and 5:40 pm shows. Del Toro stars as wealthy businessman Zsa-zsa Korda, who names his only daughter (Threapleton), a nun, as sole heir to his estate. As Korda embarks on a new enterprise, they soon become the target of scheming tycoons, foreign terrorists, and determined assassins. Anderson (The Grand Budapest Hotel, The French Dispatch, Moonrise Kingdom, Fantastic Mr. Fox, The Darjeeling Express, Isle Of Dogs, Rushmore and more) will be introducing shows at 7 pm. and 7:20 pm. The director's large and devoted following is welcome as independent films have generally struggled post Covid and the 2025 indie box office only recently perked up from a long post-holiday lull. It's been feeling some love in recent weeks from a lively Cannes and an overall crush in ticket buying at the North American box office. 'Wes means a huge amount to me personally as an artist, and I feel like I'm probably not the only one in the room who would say something like that, and just getting to be even a small part of any of his movies truly means the world to me,' said Focus Features chairman Peter Kujawski at screening of The Phoenician Scheme at Jazz At Lincoln Center this week. 'I can speak for all of us at Focus when I say it is just such a joy, such a pleasure, such a point of pride to be part of this ride with Wes and the entire team.' New openings: IFC debuts period action-drama written and directed by John Maclean in moderate release on 412 screens. Set in the rugged landscape of 1790s Britain, the film follows Tornado (Kōki,) who finds herself caught in a perilous situation when she and her father's traveling puppet show crosses paths with a ruthless criminal gang led by Sugarman (Tim Roth) and his ambitious son Little Sugar (Jack Lowden). In an attempt to create a new life, Tornado seizes the opportunity to steal the gold from the gang's most recent heist. World premiered at the Glasgow Film Festival in February. Music Box Films presents , Jonathan Millet's debut feature that opened Cannes in 2024 (Deadline review here). Inspired by true events, the drama-thriller follows Hamid, a former literature professor from Syria, (rising French-Tunisian star Adam Bessa, César-nominated for his performance), living in France two years after being released from one of Bashar El-Assad's's jails. Haunted by the traumatic memories of his imprisonment, Hamid tirelessly searches for the man who tortured him, helped by members of a secret cell of other exiled Syrians hunting down war criminals. The film excavates the moral dilemmas migrants confront as they struggle to rebuild their lives and take control of their destinies. Written by Millet and Florence Rochat, also stars Tawfeek Barhom, Julia Franz Richter and Hala Rajab. Abramorama opens Jack Sumner's documentary at the Quad in NYC. In a career spanning sixty years, concert promoter and impresario Ron Delsener was the name behind virtually every major contemporary music concert in New York City for generations — from promoting the Beatles at Forest Hills Tennis Stadium, to bringing David Bowie to Carnegie Hall and Patti Smith to the Palladium, to somehow convincing Simon and Garfunkel to bury the hatchet and play the biggest concert of all time in Central Park. Features Jon Bon Jovi, Jimmy Buffett, Cher, Art Garfunkel, Billy Joel, Lorne Michaels, Bette Midler, Gene Simmons, Paul Simon, Patti Smith, Bruce Springsteen, Paul Stanley and Steven Van Zandt. Live events: Trafalgar presents j-hope tour , a live broadcast of the BTS star's concert from Osaka to 2,700+ cinemas including 631 across North America. Select encores on Sunday. Fathom is on about 800 screens in North America with and Rossini's Il Barbiere di Siviglia (The Barber of Seville). Encores on Sunday. Noting A24's Friendship, which has had a great run, is on 1,280 screens in week 4 (the distributor is opening horror wide on 2,400 screens), and Sony Pictures Classics Jane Austen Wrecked My Life, which had a strong debut last week, jumps to 526 screens from 60. MORE Best of Deadline Sean 'Diddy' Combs Sex-Trafficking Trial Updates: Cassie Ventura's Testimony, $10M Hotel Settlement, Drugs, Violence, & The Feds 'Poker Face' Season 2 Guest Stars: From Katie Holmes To Simon Hellberg 2025-26 Awards Season Calendar: Dates For Tonys, Emmys, Oscars & More

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store