logo
'Sullivan's Crossing' Season 3: Chad Michael Murray, Morgan Kohan navigate work-life balance as mysterious illness hits

'Sullivan's Crossing' Season 3: Chad Michael Murray, Morgan Kohan navigate work-life balance as mysterious illness hits

Yahoo17-06-2025
A big question in Sullivan's Crossing, after Maggie (Morgan Kohan) decided to stay in Nova Scotia, is how not being a practicing doctor would impact her. Now we're seeing her try to balance her personal life, particularly with her boyfriend Cal (Chad Michael Murray) and that professional desire, particularly after she's been asked to consult on Glenn's (Dean Armstrong) medical case.
Season 3, Episode 8 starts with Cal almost confronting Maggie about the letter he found in last week's episode, in which Maggie wrote to a former fling about needing to put her career first. But instead, Cal just says that he feels they haven't been spending much time together.
While helping Rob (Reid Price) at the lodge (which has now been inspected and cleared to continue renovations), Cal tells him about the letter and that he thinks Maggie misses medicine more than she's letting on. Rob comforts Cal by saying that people's perspectives and priorities can change in life, and Cal shouldn't let that one letter get to him.
Meanwhile, Sully is in heartbreak mode. He's trying to call Helen (Kate Vernon), but she's not answering his calls. He's also trying to keep busy at the Crossing, clearly trying to take his mind off of Helen leaving.
Maggie finds out that Helen left, through Edna (Andrea Menard), while also telling her dad that she's consulting on Glenn's case at the hospital, Sully's enemy, stressing that Glenn is really sick and that she took an oath to help people.
"The Sully I know, he'd never turn his back on anyone," Maggie says. Sully agrees with her, but admits he's "on edge" after Helen left unexpectedly.
That's when Maggie gets a cal that Glenn took a turn for the worse, and she goes through his case again. Glenn came to the hospital with a tremor, requesting a prescription for anxiety medication, thinking he had the "yip," an involuntary muscle spasm.
But the new piece of information is that he's developed a rash, similar to the firefighter who came to the hospital the other day, who was helping Rob work on the lodge. Now Maggie thinks there may be a connection.
When Maggie talks to the firefighter, he tells her about his landscaping job, which he does when he's not at the firehall. He said his stomach's been off and he was tired before going to help Rob, but thought he was just coming down with something.
Maggie has a breakthrough when Jacob (Joel Oulette) shares that the lichen samples he collected show signs of contamination with heavy metals, particularly arsenic, found in things like pesticides used in landscaping.
It turns out that the firefighter works for the landscaping company Glenn uses at the golf course, and they were trying to use up pesticides that had recently been banned. Glenn had a particularly high exposure, because he lives and works there.
Now that Glenn has answers, being in the hospital alone made him realize that he's been trying to prove his worth to a father who's never been there for him.
"I hoped that if I made enough money that eventually he would take notice," Glenn tells Maggie. "But he didn't even bother to return the hospital's calls."
At Maggie's request, Sully goes to the hospital to see Glenn and there's a truce. Glenn apologizes to Sully and says he wants to make things right.
Glenn has stopped construction on his new development, wanting to make it a conservation area. But there's one catch, Glenn wants Sully to be the one who looks after it for him.
Helen eventually picks up the phone when Sully calls and she tells him that she's been in back-to-back meetings because there's a producer in Ireland who wants to turn her novels into a TV series. And she'll be needed in Dublin for a while.
Cal goes to check on Sully, who suggests that Sully go to see Helen in Ireland, but Sully doesn't want to "get in the way of her career."
Fans of Sully and Helen will be glad to know that Helen calls Sully back with a big proposal, she asks him to come with her to Ireland.
"Maybe it's time for you to let go and start focusing on your future," Helen says, with Sully agreeing to join her.
In other relationship updates, some couples are stronger than others.
Lola (Amalia Williamson) opens up to Sydney (Lindura) about her first time having sex, and with Jacob specifically. They talk about the "liberating" but "vulnerable" feeling of opening up to someone so intimately. Despite her feelings for him, Lola is being realistic about the fact that Jacob has to go back to Alberta to finish his degree.
But Jacob decides that he's going to call his advisor to see if he can finish up his research from Nova Scotia, meaning the couple could be together for much longer.
Meanwhile, Sydney and Rafe (Dakota Taylor) talk about the future of their relationship, with Sydney saying she's not interested in getting married. It's very different for Rafe, who believes a marriage license is important, leaving a big question mark about how long this relationship will last.
The episode ends with a big dinner, prepared by Edna, with Frank (Tom Jackson), Cal, Maggie, Sully, Lola and Jacob. But suddenly Edna drops a salad bowl and says she can't see.
Another Sullivan's Crossing episode that ends with a cliffhanger.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

‘Keeper' Trailer: First Look At New Neon Horror Pic From ‘Longlegs & ‘The Monkey' Helmer Osgood Perkins
‘Keeper' Trailer: First Look At New Neon Horror Pic From ‘Longlegs & ‘The Monkey' Helmer Osgood Perkins

Yahoo

timean hour ago

  • Yahoo

‘Keeper' Trailer: First Look At New Neon Horror Pic From ‘Longlegs & ‘The Monkey' Helmer Osgood Perkins

Neon has unveiled the first teaser for Keeper, its third horror film from Osgood Perkins, on the heels of Longlegs and The Monkey. The new film, starring Tatiana Maslany (Orphan Black) and Rossif Sutherland (Possessor), follows a couple as they escape for a romantic anniversary weekend at a secluded cabin. When Malcolm (Sutherland) suddenly returns to the city, Liz (Maslany) finds herself isolated and in the presence of an unspeakable evil that unveils the cabin's horrifying secrets. More from Deadline Tatiana Maslany & Rossif Sutherland To Star In 'Keeper', The Next Film From 'Longlegs' Director Osgood Perkins; Neon Buys World & Will Launch Int'l Sales At Cannes Neon Inks First-Look Deal With 'Longlegs' & 'The Monkey' Director Osgood Perkins 'Stillwater' Season 4 Trailer Promises Plenty Of Wisdom From A Friendly Neighborhood Panda In Apple TV+ Series Written by Nick Lepard, the film is produced by Chris Ferguson and Jesse Savath of Oddfellows. Exec producers included Maslany; Marlaina Mah for Oddfellows; Noah Segal and Laurie May for Elevation Pictures; Brian Kavanaugh Jones; Fred Berger and Peter Micelli on behalf of Range Media Partners; John Hegeman and Vince Totino for Wayward Entertainment; and Bonner Bellew for Welcome Villain. Neon acquired the film in a preemptive deal last May, as we were first to report. Perkins and his partner Ferguson launched the production banner Phobos, with backing from Neon, the same month, entering a first-look deal with the studio. Neon will handle the U.S. release of Perkins' latest and has overseen its international rights, with Elevation Pictures set to distribute in Canada. Check out the trailer for Keeper above. [youtube Best of Deadline Streamer Subscription Prices And Tiers – Everything To Know As Costs Rise And Ads Abound (Hello, Peacock) - Update 'Stick' Release Guide: When Do New Episodes Come Out? 'Stick' Soundtrack: All The Songs You'll Hear In The Apple TV+ Golf Series

'Stick' on Apple TV+: Marc Maron helped shape most emotional scene with Owen Wilson, pushing for fewer jokes
'Stick' on Apple TV+: Marc Maron helped shape most emotional scene with Owen Wilson, pushing for fewer jokes

Yahoo

time3 hours ago

  • Yahoo

'Stick' on Apple TV+: Marc Maron helped shape most emotional scene with Owen Wilson, pushing for fewer jokes

For weeks, the most popular show on Apple TV+ has be Stick, starring Owen Wilson, Peter Dager, Marc Maron, Lilli Kay and Mariana Treviño. It's a story about a washed-up ex-golf pro, Pryce Cahill (Wilson), who sees potential in young protégé Santi Wheeler (Dager), and wants to train him to be the next great golf superstar. Many have found similarities between Stick and another Apple TV+ hit, Ted Lasso, with both shows including an appealing mix of heartwarming moments, hysterical comedy and sports. Stick adds to the existing catalogue of shows that are simply sweet and hopeful stories. Additionally, it features a robust ensemble cast, each with their own interesting character arcs to explore. But of course, the show comes with the added pressure for much of its cast to beef up their golf skills. "I love being bad at things, and I love growing and getting better at things," Dager told Yahoo Canada. "As an actor, that's kind of what you dream about. You want to go somewhere else to portray a certain character. You want to learn." That includes a particularly fun moment when Owen's character Pryce is trying to teach Zero (Kay) about golf, to become Peter's caddie. "I was along for the ride with Zero there. I was really just learning, learning about golf," Kay said. "I think for me, it was just so much fun because that was the beginning of my falling in love with golf, and I think it was the start for Zero as well." Santi reconnects with his estranged father As we approach the season finale this week, the penultimate episode ends with Santi's estranged father, Gary (Mackenzie Astin) showing up at the PGA tournament, opening up space to really dive into the trauma that Santi holds from his father, who we know is the person who both initially made Santi interested in golf, and also resulted in him staying away from the sport for so long. "That was the most exciting part ... to earn your way to those last episodes, to be able to go and live through that as Santi," Dager shared. "The cool thing about the show is you learn all the way up until the end. It's entertainment, but you're also being informed about these characters, and everything is getting deeper and deeper and deeper, and you get to learn a whole new layer about all of them." And of course a core part of this relationship is how it impacts Santi's mother Elena (Mariana Treviño), and how she responds. "Peter was very engaging, ... since the beginning, day one, he had sent [me texts]," Treviño said. "He was like, 'Hey, I'm going be your son. Let's have coffee.' So he really made an effort to connect ... and to introduce himself." "And in my case it was wonderful, because I arrived late because of a problem I had with my passport, it was lost right before getting into the plane. So I was a bit nervous and flustered. And once I got to set and there was Peter, and he's so mature and he's so loving, and we just connected instantly." Establishing a 'believable' friendship with 'organic' comedy A particularly entertaining element of the show is the friendship between Pryce and Mitts (Marc Maron), brilliantly established at the beginning of the season by a great scene after they orchestrate their betting scheme at a local bar. The two have a conversation in Pryce's car, where Pryce tells Mitts he can "ease up" talking about his as a failure, but Mitts says the details are important. It's a really effective bit of banter to understand this relationship. "Owen and I, we connected pretty quickly," Maron said. "And the interesting thing about that scene is that I'm him a little bit, I'm getting out my own petty anger at my best friend." "There was a lot weighing on that scene, because when we entered it the big question was, is it going to be believable that these guys have known each other for over 20 years? And there was just something that we clicked into. ... I'm glad you like that scene, because they were all, I wouldn't say worried about it, but it was a big test of the believability." The balance that Stick strikes between comedy and emotional moments is an aspirational goal for many, as it's executed so successfully in this show. Reflecting on that achievement, Maron really saw that combination the first time he read the scripts and looked at the characters Pryce and Mitts. "These guys are traumatized by grief, and ... a lot of what defines them as aging friends is this unspoken connection to a true sadness. ... I think both of them ... are doing all they can to to avoid those feelings," he said. "The reason it works is because it's organic, because there's a tension within them that seeks release, and the process of them doing that together is comedic." "When we end up having this fight that is almost ridiculous, the arc of that fight, where I'm pushing him to own his grief, and then for us to get into this scuffle, and then just end up laying there, ... that is funny. But it's not a joke funny, it's all sort of true to the characters. And I was very vigilant about the writing in that and making suggestions around beats that were diminished by a joke. There were a couple of scenes where I'm like, you don't have to button this with a joke, you can let this feeling be its own thing, and it's going to be enough. So I was aware of that because the comedy was organic."

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store