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Kevin Costner's passion project ‘Horizon' ignites fresh legal battle after box office bomb

Kevin Costner's passion project ‘Horizon' ignites fresh legal battle after box office bomb

New York Post13-05-2025
Kevin Costner's passion project, 'Horizon,' has turned into a nightmare — and not just at the box office.
The Western, which Costner, 70, plunked several million of his own fortune into, is the focus of a new behind-the-scenes legal war, according to The Hollywood Reporter on Monday, May 12.
The alleged dispute is reportedly between New Line Cinema, Horizon Series (Costner's loan-out firm), and City National Bank.
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8 Kevin Costner's $100 million passion project tanked at the box office.
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8 'Chapter 1' was supposed to be the first of four films in the Western franchise.
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City National Bank allegedly filed the arbitration against both companies. New Line responded with a crossclaim seeking repayment from Horizon Series as part of its defense, per THR.
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New Line Cinema and Horizon Series reportedly had a deal that required them to repay a portion of the financing.
New Line Cinema allegedly believed it covered a portion of the payment that their partner didn't pay. However, City National Bank reportedly thinks it's owed more.
Sources told the outlet that Horizon Series and New Line Cinema are in a stalemate over the cofinancing agreement.
8 Now, several companies involved with the project at reportedly at war.
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8 Kevin Costner put several millions of his own fortune into making the movie.
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New Line Cinema declined to comment. The Post reached out to City National Bank, Horizon Series, and Costner's rep but did not immediately hear back.
The 'Yellowstone' alum previously said his personal investment for 'Horizon' was 'well above $50 million,' admitting he mortgaged '10 acres on the water in Santa Barbara where I was going to build my last house' for the passion project.
'Horizon: An American Saga — Chapter 1,' which Costner directed, starred in, co-wrote and used millions to finance, cost a whopping $100 million to make and only brought in a measly $11 million during its opening week.
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8 Kevin Costner started the passion project while on 'Yellowstone.'
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8 He played John Dutton on the hit cowboy series.
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The flick was set to be the first of four installments, with a follow-up to be released seven weeks after the franchise's debut. However, when it tanked at the theaters, the sequel's release was held.
While the fate of 'Chapter 2' is unknown, 'Chapter 3' started filming last year despite allegedly not being fully financed.
Last year, Costner spoke about the struggles of financing his Blockbuster dreams.
8 Kevin Costner was unable to film the second half of 'Yellowstone' Season 5 due to scheduling conflicts.
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'I need some more money — I do. I need some of these big billionaires, with f—ing boats 'from here to here' who are fond of telling people they're billionaires to come with me and make a movie,' the star said on THR's 'Awards Chatter' podcast. 'I don't have the money they have and I've already made two of 'em. Where are you rich guys?'
Meanwhile, fans weren't happy with Costner after he backed out of the second half of the 'Yellowstone' final season due to scheduling conflicts with 'Horizon.'
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8 He later addressed the controversy, claiming there was 'no script' for him when he arrived to shoot 'Yellowstone.'
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The actor, who played John Dutton in the cowboy series, later addressed the issues. He claimed he had a small window of availability to focus on 'Yellowstone' but 'there was no script.'
'What you read in the end was that I said, 'Well, look, I'm doing my movie. If you want me to work a week because you want to kill me or whatever else, I can give you a week,'' Costner told Deadline. 'I really didn't have that week to give them, but I said, I'll do that. And then they [spun that] into, I only wanted to work a week.'
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He insisted that he 'made Yellowstone the first priority' and claimed 'to insinuate anything else would be wrong.'
'Yellowstone' aired its final episode on December 15, 2024, after five seasons, with the series sparking several spinoffs.
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David Ellison's plan to rebuild Paramount: ‘Top Gun 3' and more ‘Star Trek'
David Ellison's plan to rebuild Paramount: ‘Top Gun 3' and more ‘Star Trek'

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David Ellison's plan to rebuild Paramount: ‘Top Gun 3' and more ‘Star Trek'

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The Democracy Center Presents 'Breaking the Frame: Two Solo Shows on Art and Identity' From August 21–23
The Democracy Center Presents 'Breaking the Frame: Two Solo Shows on Art and Identity' From August 21–23

Business Wire

time13 hours ago

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The Democracy Center Presents 'Breaking the Frame: Two Solo Shows on Art and Identity' From August 21–23

LOS ANGELES--(BUSINESS WIRE)--The Daniel K. Inouye National Center for the Preservation of Democracy (Democracy Center) at the Japanese National Museum (JANM) presents Breaking the Frame: Two Solo Shows on Art and Identity from Thursday, August 21 through Saturday, August 23, 2025, in the Tateuchi Democracy Forum. A post-show Q&A panel with the artists will follow the matinee performance on August 23. Tickets are $20 and are available at In the wake of recent 'yellowface' accusations on Broadway, Hmong-American actor Bee Vang of Clint Eastwood's Gran Torino and local-born actor and opera singer Kurt Kanazawa deliver emotionally charged and satirical indictments of two Western art forms Share Breaking the Frame: Two Solo Shows on Art and Identity explores what happens when two Asian American solo performers fall deeply in love with Western mediums—movies and opera—only to discover that they both may be in too deep. In the wake of recent 'yellowface' accusations on Broadway, Hmong-American actor Bee Vang of Clint Eastwood's Gran Torino and local-born actor and opera singer Kurt Kanazawa deliver emotionally charged and satirical indictments of two Western art forms that continue to harm Asian Americans and BIPOCs, today. The performance is directed by Jeff Liu (East West Players) and co-directed by Kalina Ko (Hedgerow Theatre Company), with lighting design and assistant direction by Josh Bennett. Opening the program is Vang's solo show, Your Movie Guide to Life (2025), where the actor and lifelong cinephile delves into the shaping power of cinema, Hmong history, his anti-war activism, and his leading role in Gran Torino. This forty-five-minute solo performance weaves together existential horror in films with Bee's inherited histories—both personal and geopolitical. Closing the program is Kanazawa's solo show, L'OPERA! (2024), about a fun-loving, Japanese and Filipino-American opera singer who gets into The Juilliard School…then loses his voice. A funny, multilingual fifty-two-minute solo performance that travels through the streets of New York City, Southern Italy, Hollywood, and Beijing, and features live performances of songs, including originals, L'OPERA! is anything but Euro-centric classical. About the Japanese American National Museum (JANM) Established in 1985, The Japanese American National Museum (JANM) promotes understanding and appreciation of America's ethnic and cultural diversity by sharing the Japanese American experience. Located in the historic Little Tokyo district of downtown Los Angeles, JANM is a center for civil rights, ensuring that the hard-fought lessons of the World War II incarceration are not forgotten. A Smithsonian Affiliate and one of America's Cultural Treasures, JANM is a hybrid institution that straddles traditional museum categories. JANM is a center for the arts as well as history. It provides a voice for Japanese Americans and a forum that enables all people to explore their own heritage and culture. Since opening to the public in 1992, JANM has presented over one hundred exhibitions onsite while traveling forty exhibits to venues such as the Smithsonian Institution and the Ellis Island Museum in the United States, and to several leading cultural museums in Japan and South America. JANM's Pavilion is closed for renovation; programs will continue on the JANM campus, throughout Little Tokyo, Los Angeles, and Southern California, and beyond from early January 2025 through late 2026. For more information, visit or follow us on social media @jamuseum About the Daniel K. Inouye National Center for the Preservation of Democracy (Democracy Center) The Democracy Center is a place where visitors can examine the Asian American experience, past and present, and talk about race, identity, social justice, and the shaping of democracy. It convenes and educates people of all ages about democracy to transform attitudes, celebrate culture, and promote civic engagement; educates and informs the public and public officials about important issues; creates strength within and among communities to advocate for positive change; and explores the values that shape American democracy. The Democracy Center looks for solutions that engage communities in self-advocacy, explore the evolving idea of what it means to be an American, and result in actions that bring everyone together. JANM's Pavilion is closed for renovation; Democracy Center programs will continue on the JANM campus, throughout Little Tokyo, Los Angeles, and Southern California, and beyond from early January 2025 through late 2026. For more information, visit or follow us on social media @democracyjanm. Details for Calendar Listings ' Breaking the Frame: Two Solo Shows on Art and Identity ' WHAT: The Daniel K. Inouye National Center for the Preservation of Democracy (Democracy Center) at the Japanese National Museum (JANM) presents Breaking the Frame: Two Solo Shows on Art and Identity. Bee Vang's Your Movie Guide to Life (2025) and Kurt Kanazawa's L'OPERA! (2024) explores what happens when two Asian American performers fall deeply in love with Western mediums, only to discover that they both may be in too deep. Following the Saturday matinee performance will be a special Q&A with the artists in the Tateuchi Democracy Forum. WHO: Written by Bee Vang and Kurt Kanazawa Directed by Jeff Liu and Kalina Ko Featuring Bee Vang and Kurt Kanazawa A presentation by the Democracy Center WHEN: Aug. 21 through Aug. 23 at the Democracy Center: Thursday and Friday at 7:30 p.m.; Saturday at 2 p.m. and 7:30 p.m. WHERE: Japanese American National Museum The Democracy Center 100 N. Central Ave. Los Angeles, CA 90012 PARKING AT THE DEMOCRACY CENTER: Japanese Village Plaza Parking Garage at 115 S. Central Ave. SP Plus, Parking Lot 753 at 414 E. Temple St City of Los Angeles. Parking Lot 7 at 140 N. Judge John Aiso St City of Los Angeles Lot 2 at 300 E. Temple St. TICKET PRICES: $20 at The Democracy Center website $10 for JANM members, only RSVP: RSVP at or call (213) 625-0414

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