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Buzz Feed
4 days ago
- Entertainment
- Buzz Feed
Classic Novels First Lines Trivia — BuzzFeed Quizzes
If you've read literally anything I've posted before, this won't be a shock: I'm a huge bookworm. I read like the world's ending and have somehow converted half my community into fellow book nerds. My Indigo Plus (shoutout to Canadians) pays for itself by mid-January, and Goodreads is one of my most-used apps. And yes, while I fully support audiobooks — because sometimes a bitch needs to make dinner and power through a slow classic you feel morally obligated to read — I still can't get on board with e-readers. I either want the dramatic performance in my ears, or I need that paper-smell-in-the-face experience. No in-between. Whether you're word-obsessed like me or barely made it through this intro, it's time to test your classic lit knowledge. Let's start on page one, with the very first sentence... Here's a fun fact: Jane Austen published her novels anonymously, credited only as 'A Lady.' Even her own family didn't know she wrote Pride and Prejudice for a while. Pretty dope, honestly. I dream of anonymously dropping a bestseller, casually buying a house, and letting my family spiral into 'Did you win the lottery?' theories. Not that Jane could've done that — patriarchy and all — but secret fame? Kind of rock 'n' roll. I literally just got butterflies watching this GIF. I need to walk away and catch my breath. The chemistry is unbearable. And for more fun quizzes, make sure you follow BuzzFeed Canada on TikTok and Instagram!


The Star
22-04-2025
- Entertainment
- The Star
Feature: A room, a voice, a legacy - how British women writers shaped the world
By Xinhua writer Zhang Boning LONDON, April 22 (Xinhua) -- From Jane Austen to Mary Shelley, and from Agatha Christie to J.K. Rowling, some of the world's most celebrated women writers hail from Britain. For centuries, they have penned stories that changed not only what people read but also how they understand and interpret the world. WRITING FROM A CORNER In the tranquil village of Chawton, Hampshire, stands a centuries-old red-brick house. In one corner of its dining room sits a modest 12-sided table, its edge worn from years of repeated use. It was on this unassuming table that Jane Austen is believed to have revised and completed all six of her enduring novels over 200 years ago, including "Sense and Sensibility" and "Pride and Prejudice." Lizzie Dunford, director of Jane Austen's House, described the table as "the base of a whirlwind" that spirals out to the world with "incredible influence." Virginia Woolf once wrote that "a woman must have money and a room of her own if she is to write fiction." But in Austen's time, the obstacles facing women writers were far more complex. The first edition of "Sense and Sensibility" was published anonymously, credited only to "A Lady;" the Bronte sisters wrote under male pseudonyms, and Mary Ann Evans became widely known as George Eliot. "We did not like to declare ourselves women," Charlotte Bronte wrote in an 1850 biographical notice. "Because we had a vague impression that authoresses are liable to be looked on with prejudice." At the time, universities and libraries were often inaccessible to women, compelling many to educate themselves independently. Yet from these confined spaces, British women writers carved out vast imaginative landscapes and secured their lasting place in literary history. SEEING THROUGH HER EYES Across the diverse themes explored by British women writers - from the countryside tales of Peter Rabbit to the magical world of Hogwarts - one element often unites their work: a distinctly female perspective. In Jane Austen's novels, the world is seen through the eyes of her charming and brilliant heroines - women who are sharp, witty, and "unashamed of their intellect, abilities, and judgment." "It was revolutionary in her time, and it remains revolutionary today, to have such women at the heart of these novels - women who don't take any nonsense and expect equality of opportunity, even when it isn't always possible," Dunford said. She noted that in a "precarious and difficult time" for women, it was remarkable that Austen not only became a published author but also gave her heroines the kinds of endings that real women of her time rarely enjoyed. And Austen was not alone. Agatha Christie, the Queen of Crime, introduced a new kind of detective. With Miss Marple, she demonstrated that keen observation and emotional intelligence could be just as powerful as sharp logic. Rather than casting women as narrative frills or confining them to narrow stereotypes, these authors created figures who were independent, resilient, warm, complex - and above all, authentic. Their literary legacy continues to shape the voice of British women's literature across generations. SHAPING THE FUTURE According to James Daunt, managing director of the iconic British bookstore chain Waterstones, books - especially translated works - can be "a major propulsion of social change," broadening cultural horizons, presenting diverse perspectives, and fostering greater understanding across society. British women writers have played a key role in this transformation. They have explored themes of love, power, class, equality, justice, dignity, and more. And the influence of women's voices extends far beyond Britain. "Throughout history and across the globe, there have been women who have raised their voices to make change and champion their experiences," said Dunford, expressing a desire to learn more about women "doing extraordinary things around the world." In China, the poet Li Qingzhao left behind breathtaking verses nearly a thousand years ago. In the 20th century, Eileen Chang portrayed ordinary lives amid war and social upheaval. More recently, Yan Geling's novels have been adapted into internationally acclaimed films. As the world celebrates women writers on World Book Day, which falls on Wednesday this year, the inspiration sparked by women's literature continues to grow. While acknowledging progress, Daunt cautions against overstating how equal society has become, noting that dedicated shelf categories and literary prizes for women remain necessary. Back at that small table in Chawton, Dunford reflects that if Jane Austen could write timeless novels from the corner of a dining room, it offers a quiet encouragement: extraordinary stories can begin in the most ordinary places.