Latest news with #Adelita
Yahoo
5 days ago
- Entertainment
- Yahoo
Rob Reiner: ‘Bruce Springsteen Is 100 Percent Right' About Trump
For legendary director and outspoken Democratic donor Rob Reiner, choosing sides between Bruce Springsteen and Donald Trump in their current war of words didn't require much deliberation. 'Bruce Springsteen is a hundred percent right,' he says, in an interview for an upcoming print issue of Rolling Stone. 'I mean, you have to be a moron to not think that everything that Bruce Springsteen said is true. And there's nothing that Donald Trump can do to him unless he's able to turn this country into a full-blown autocracy, which he's trying to do. And because he's so dumb and he's such an incompetent person, he'll fail, just like he's failed with everything he's ever done in his life.' But Reiner says that Americans still need to fight against what he sees as an effort to 'take a 250-year democracy and turn it into an autocracy. We're gonna have to fight like crazy to preserve this… Millions of people died so that fascism wouldn't come to our shores, so that we'd preserve our democracy, and 80 years later, we're faced with a possible fascist takeover. We're gonna fight hard to make sure that that doesn't happen… We have to keep Trump's feet to the fire, because for the countries that have become autocracies, for the most part, it takes years to start changing the constitution, to start changing the electorate, to make the disinformation take hold.' More from Rolling Stone Hear Bruce Springsteen's Lost Nineties Mariachi Song 'Adelita' Bruce Springsteen Is Under Attack by Trump. These Are All the Artists Supporting Him Bono Backs Bruce Springsteen in Trump's Musician Battle: 'There's Only One Boss in America' Meanwhile, Reiner says he's 'really mad' at Jake Tapper for Original Sin, his new book with Alex Thompson about Joe Biden's decline. The book features a dramatic scene during a star-studded Los Angeles debate party as Biden implodes: In its telling, Reiner begins yelling 'We're fucked! We're going to lose our fucking democracy because of you,' directing the latter remark at another VIP guest: Doug Emhoff, Kamala Harris' husband, who is said to be taken aback. Reiner says it's absolutely true that he was yelling 'we're fucked' — 'I did say that. There's no question about it.' But he says he was 'yelling at the wind,' not at Emhoff, and didn't say 'because of you.' A spokesperson for the book responds: 'Jake and Alex stand by the reporting that has been confirmed by numerous sources in the room.' Representatives for the book also shared a screenshot from what they said was one of the sources, who wrote, 'from what I remember, he did say, 'because of you.'' 'I wasn't yelling at Doug Emhoff,' Reiner insists. 'What am I gonna do? I'm gonna yell at Doug Emhoff and say 'it's all your fault?' What does that mean, even? It makes me look like an idiot. Yes, I was so frustrated. That part is true. I was frustrated and I did yell, and I was talking to J.B. Pritzker afterwards [too], and I said, 'we're really fucked.' There's a lot of blame to go around, but I certainly would not blame Doug Emhoff for the fact that Joe Biden had a crappy debate.'Reiner recently finished a sequel to 1984's classic Spinal Tap, reuniting the original cast — it's due in theaters Sept. 12. A 4k restoration of the original film is also set for a limited run in theaters this summer, from July 5 to 7. Best of Rolling Stone The 50 Best 'Saturday Night Live' Characters of All Time Denzel Washington's Movies Ranked, From Worst to Best 70 Greatest Comedies of the 21st Century
Yahoo
6 days ago
- Entertainment
- Yahoo
Bruce Springsteen Boosts Mexican ‘Soldaderas' On ‘Adelita'
Bruce Springsteen pays tribute the female Mexican 'soldaderas' who aided the country's fight for independence on 'Adelita,' the latest preview from his upcoming seven-album rarities boxed set, Tracks II. The song is housed within Inyo, the previously unreleased material on which was written in the mid-1990s during Springsteen's non-E Street Band The Ghost of Tom Joad period. 'Inyo was a record I wrote in California during long drives along the California aqueduct, up through Inyo County on my way to Yosemite or Death Valley,' says the Boss. 'I was enjoying that kind of writing so much. [On The Ghost of Tom Joad tour] I would go home to the hotel room at night and continue to write in that style because I thought I was going to follow up The Ghost of Tom Joad with a similar record, but I didn't. That's where Inyo came from. It's one of my favorites.' More from Spin: Pavement Returning To Headline Levitation Fest The Rumjacks Embrace Their History with 'Dead Anthems' John Fogerty Reclaims Creedence 'Legacy' With New Re-Records Inyo is largely a Springsteen solo project, although mariachi musicians Luis Villalobos, Alberto Villalobos, Angel Ramos, Humberto Manuel Flores Gutierrez, David Glukh, Jorge Espinosa and Miguel Ponce all appear throughout. Tracks II is out on June 27 from Columbia and covers decades' worth of never-before-heard recordings, including 1983 sessions between the albums Nebraska and Born in the U.S.A. and a complete album born out of work on the theme song for the 1993 movie Philadelphia. Springsteen and the E Street Band are on tour through early July in Europe, where the Boss' onstage comments about Donald Trump have lately become national news. An EP featuring those speeches is available on all DSPs. To see our running list of the top 100 greatest rock stars of all time, click here.
Yahoo
17-04-2025
- Entertainment
- Yahoo
In the Coachella Valley, a team of middle school girls is helping keep escaramuza alive
Alicia Ramirez on her horse in the ring at Rancho Zamorez in Thermal, Calif. (Jill Connelly / For De Los) Donning a bright red Adelita dress, a large beige sombrero and a silky bow tied to her hair, Rashel Zamorez rode her horse Bombón up to the starting line. She was preparing to compete in a friendly, untimed carrera con giros — an event in which riders guide their horses at top speed around a circular arena while completing three rotations at designated intervals. Damaris Cabrera rides her horse in a race with turns called "carrera con giros" as the crowd watches her and other Las Valentinas perform at Rancho Zamorez in Thermal, Calif. on Feb. 16, 2025. (Jill Connelly / For De Los) The race was the last act of her team's performances, meant to show off their new skills to a small crowd of relatives and friends. Just minutes before, the team of eight created X-formations, O-patterns and other synchronized maneuvers around the Zamorez family's homemade rodeo arena in Thermal, Calif., an unincorporated community on the outskirts of the Coachella Valley that's surrounded by farmland and dirt roads. Advertisement Rashel, 14, shot out of the starting line and skillfully controlled Bombón through each rotation, spinning elegantly like a mounted ballerina, before crossing the finish line. Then, her teammates, between 7 and 14 years old, took their laps. They each showcased different levels of mastery in the solo event. A couple of riders slowly trotted across the arena. One teammate started swiftly, only to get bucked off her steed at the final spin. She fell onto the horse's neck, slowly dismounted from the saddle and grabbed the reins as she finished the race on foot. Alondra Sustaita laughs as she walks her horse in the ring during a Las Valentinas performance of their escaramuza routine at Rancho Zamorez. (Jill Connelly / For De Los) These young girls are Las Valentinas del Valle de Coachella, a group of middle and elementary schoolers who are taking on the sport of escaramuza — an essential component of Mexico's national sport of charrería, or Mexican rodeo. The sport requires a combination of elegance and toughness as a team of eight girls wear long gowns, perfectly matching accessories and impeccable makeup while riding horses around an arena. They perform a 12-step routine consisting of synchronized and complicated equestrian ballet maneuvers in rapid succession for about five minutes. Some parts of the choreography require the riders to ride dangerously close to each other, according to Celina Zamorez, the captain's aunt and Las Valentinas' coach. 'It's so competitive that if you make one small mistake, it's like a domino effect,' she said. 'You're in a full gallop, and sometimes there's parts of the routine where you have to pick up the velocity and if you're off by the distance of a horse or half a horse, it can hurt somebody.' Advertisement The team is preparing for its second year of competitive escaramuza in the Infantil B — or 14-and-under — category after a successful first season: Las Valentinas earned first place in a regional competition, competed in a statewide competition and earned a score high enough to qualify for nationals in Aguascalientes, Mexico. At finals, they placed 37th overall in their division , but third among U.S. teams. Members of Las Valentinas perform their routine during a fundraiser at Rancho Zamorez. (Jill Connelly / For De Los) 'I'm proud of them for what we did, but I thought we could do a little better,' Rashel said. 'Mostly because the teams that beat us in Mexico, we beat them in California.' Las Valentinas are among a growing number of young girls and women who are taking up the sport across the state. The renewed interest is helping to keep a Mexican tradition alive, said Elia Quezada, who worked as California escaramuza director for the Federación Mexicana De Charrería for 12 years before recently retiring. The organization sanctions official charrería competitions in Mexico and several U.S. states. Advertisement Quezada said there wasn't a single youth team in California when she started her role. Now, there are a little more than 20 youth teams spread throughout the state. This includes the Coachella Valley-based team, which formed in early 2021. Quezada estimates that California now has around 70 registered charro teams and 50 escaramuza teams among all age groups. She believes parents, particularly mothers, are introducing their children to the cultural sport and helping to fuel this movement, adding that every young escaramuza team has at least one second-generation rider. 'To me, it's beautiful that there are kids who are still wanting to do this, still wanting to follow in the tradition of their parents,' Quezada said. She pointed to the Zamorez family, a multi-generational charrería family, as a prime example of how the sport is being passed down to younger generations. Advertisement Rosemary Zamorez, the team's director and founder, first began competing under the Las Valentinas banner in the adult division more than two decades ago alongside family members and longtime friends. Lillibeth Luna unpacks her sombrero as she and other members of Las Valentinas get ready to perform their routine during a fundraiser at Rancho Zamorez . Rosemarie Zamorez, 18, helps her sister Rashel Zamorez gets help with her scarf as Las Valentinas get ready to perform at Rancho Zamorez in Thermal, Calif. on Feb. 16, 2025 . Roselina Medina, 13, pets her horse Malibu at Rancho Zamorez in Thermal, Calif. on Feb. 16, 2025 . ( L to R) Rosemarie Zamorez, 18, helps Lillibeth Luna with her hair as Rashel Zamorez looks on as they get ready for a performance at Rancho Zamorez in Thermal, Calif. on Feb. 16, 2025. Lillibeth Luna, center, and Rashel Zamorez. Lillibeth Luna removes the pad and blanket from her horse Luna following a Las Valentinas performance at Rancho Zamorez in Thermal, Calif. on Feb. 16, 2025 . Photographs by Jill Connelly / For De Los 'We did that for lots of years and then everybody started growing up and people started taking different ventures in their lives,' Rosemary Zamorez said. 'Then, as our daughters started growing, we found it easy to make a team for them.' She recalled her daughter asking if the youth team could continue riding as Las Valentinas. She agreed and, for the next two years, slowly began recruiting anybody who would take an interest in the sport. Advertisement Some of the girls, like 10-year-old Alondra Sustaita and 13-year-old Lilibeth Gonzalez, are second-generation riders. Their mothers competed in the sport in Mexico and the United States — a few were even part of Las Valentinas years ago. Others, like Roselina Medina, 13, and Azul Castro, 13, were newcomers. 'I just started doing lessons and then I was basically a backup for the team and then I was on the team,' Roselina said. 'The first initial practices were a struggle, but after a few practices, we all started to understand the routine and our horses more.' Initially, the girls practiced once or twice a week to get comfortable training with their horses. As the competitive season approached, they began practicing three or four times a week. At one point, they even hired an escaramuza coach from Mexico to review the final details of their performance. At the end of the season, and despite the outcome at nationals, Rosemary Zamorez believes that the team ultimately achieved its goal: Its members reconnected with their roots while maturing and learning to take on responsibility. Advertisement The first season was incredibly costly for many of the families. It's recommended that competitors purchase horses with some prior experience in charrería. According to Celina Zamorez, this one-time expenditure can cost upward of $15,000. Then, a family needs to budget for shelter, food and other monthly maintenance costs. The team members also have to purchase custom sombreros, dresses, saddles and other accessories required by the sport. Sustaita's father, Jesus Sustaita, explained that the judges can deduct points in competition for lack of uniformity between each rider. Valeria Frias, 5, pets a horse named Bombón, ridden by Rashel Zamorez, as members of Las Valentinas perform their routine at Rancho Zamorez. (Jill Connelly / For De Los) The investment that each family made, added to the constant care required for each of their horses, taught the young girls important life lessons, according to Rosemary Zamorez. Advertisement 'Now they can see that not anybody can do escaramuza,' she said. 'You need discipline, you need time, you need dedication and you need your family's support.' U.S.-based charrería teams are more likely to carry this financial burden than teams in Mexico, said Diana Vela, the associate executive director of the National Cowgirl Museum in Fort Worth, Texas. Her museum curated an exhibition this year that showcased the history of charras in the U.S. and Mexico. Through her research, she found that many of the teams have to continuously fundraise to participate in the sport. 'It just stands in stark contrast to U.S. rodeo, where you might have a competitor who's got a five- or six-figure-dollar sponsorship,' Vela said. The museum established a grant to help offset the cost for these teams and received applications nationwide. As her squad reviewed each response, she noticed a pattern. Many groups wrote about how they continued to compete in such an expensive sport because it helped them stay connected with their roots and gave them a sense of belonging. Damaris Cabrera, center, and Lillibeth Luna show guests the snack choices during a fundraiser for Las Valentinas at Rancho Zamorez. (Jill Connelly / For De Los) Many of the girls in Las Valentinas agreed that the sport has brought them closer to their heritage. It was Roselina's first time in Mexico when the team went to compete in the finals. She's a third-generation Mexican American who had never thought of traveling to her family's ancestral home. She said she was in awe of the experience, along with feeling a bit of culture shock. Advertisement 'Competing in an arena that big with that many people watching on television is very crazy,' she said. 'It felt really nice. It was different, but honestly, I prefer Mexico over the U.S.' The experience has also motivated the girls to look forward to once again traveling across the southern border. Their first competition will be their regionals, typically held during the spring. There, Las Valentinas will have the opportunity to earn points to qualify for nationals. The team's captain, however, doesn't want to settle for anything less than victory. 'What's the plan for this year? To get a higher score than last year,' Rashel said. 'I would love to take first in the U.S.' Hernandez is a freelance writer based in Riverside. This article is part of a De Los initiative to expand coverage of the Inland Empire with funding from the Cultivating Inland Empire Latino Opportunity (CIELO) Fund at the Inland Empire Community Foundation. Get our Latinx Files newsletter for stories that capture the complexity of our communities. This story originally appeared in Los Angeles Times.
Los Angeles Times
17-04-2025
- Sport
- Los Angeles Times
In the Coachella Valley, a team of middle school girls is helping keep escaramuza alive
Thermal, Calif. — Donning a bright red Adelita dress, a large beige sombrero and a silky bow tied to her hair, Rashel Zamorez rode her horse Bombón up to the starting line. She was preparing to compete in a friendly, untimed carrera con giros — an event in which riders guide their horses at top speed around a circular arena while completing three rotations at designated intervals. The race was the last act of her team's performances, meant to show off their new skills to a small crowd of relatives and friends. Just minutes before, the team of eight created X-formations, O-patterns and other synchronized maneuvers around the Zamorez family's homemade rodeo arena in Thermal, Calif., an unincorporated community on the outskirts of the Coachella Valley that's surrounded by farmland and dirt roads. Rashel, 14, shot out of the starting line and skillfully controlled Bombón through each rotation, spinning elegantly like a mounted ballerina, before crossing the finish line. Then, her teammates, between 7 and 14 years old, took their laps. They each showcased different levels of mastery in the solo event. A couple of riders slowly trotted across the arena. One teammate started swiftly, only to get bucked off her steed at the final spin. She fell onto the horse's neck, slowly dismounted from the saddle and grabbed the reins as she finished the race on foot. These young girls are Las Valentinas del Valle de Coachella, a group of middle and elementary schoolers who are taking on the sport of escaramuza — an essential component of Mexico's national sport of charrería, or Mexican rodeo. The sport requires a combination of elegance and toughness as a team of eight girls wear long gowns, perfectly matching accessories and impeccable makeup while riding horses around an arena. They perform a 12-step routine consisting of synchronized and complicated equestrian ballet maneuvers in rapid succession for about five minutes. Some parts of the choreography require the riders to ride dangerously close to each other, according to Celina Zamorez, the captain's aunt and Las Valentinas' coach. 'It's so competitive that if you make one small mistake, it's like a domino effect,' she said. 'You're in a full gallop, and sometimes there's parts of the routine where you have to pick up the velocity and if you're off by the distance of a horse or half a horse, it can hurt somebody.' The team is preparing for its second year of competitive escaramuza in the Infantil B — or 14-and-under — category after a successful first season: Las Valentinas earned first place in a regional competition, competed in a statewide competition and earned a score high enough to qualify for nationals in Aguascalientes, Mexico. At finals, they placed 37th overall in their division, but third among U.S. teams. 'I'm proud of them for what we did, but I thought we could do a little better,' Rashel said. 'Mostly because the teams that beat us in Mexico, we beat them in California.' Las Valentinas are among a growing number of young girls and women who are taking up the sport across the state. The renewed interest is helping to keep a Mexican tradition alive, said Elia Quezada, who worked as California escaramuza director for the Federación Mexicana De Charrería for 12 years before recently retiring. The organization sanctions official charrería competitions in Mexico and several U.S. states. Quezada said there wasn't a single youth team in California when she started her role. Now, there are a little more than 20 youth teams spread throughout the state. This includes the Coachella Valley-based team, which formed in early 2021. Quezada estimates that California now has around 70 registered charro teams and 50 escaramuza teams among all age groups. She believes parents, particularly mothers, are introducing their children to the cultural sport and helping to fuel this movement, adding that every young escaramuza team has at least one second-generation rider. 'To me, it's beautiful that there are kids who are still wanting to do this, still wanting to follow in the tradition of their parents,' Quezada said. She pointed to the Zamorez family, a multi-generational charrería family, as a prime example of how the sport is being passed down to younger generations. Rosemary Zamorez, the team's director and founder, first began competing under the Las Valentinas banner in the adult division more than two decades ago alongside family members and longtime friends. 'We did that for lots of years and then everybody started growing up and people started taking different ventures in their lives,' Rosemary Zamorez said. 'Then, as our daughters started growing, we found it easy to make a team for them.' She recalled her daughter asking if the youth team could continue riding as Las Valentinas. She agreed and, for the next two years, slowly began recruiting anybody who would take an interest in the sport. Some of the girls, like 10-year-old Alondra Sustaita and 13-year-old Lilibeth Gonzalez, are second-generation riders. Their mothers competed in the sport in Mexico and the United States — a few were even part of Las Valentinas years ago. Others, like Roselina Medina, 13, and Azul Castro, 13, were newcomers. 'I just started doing lessons and then I was basically a backup for the team and then I was on the team,' Roselina said. 'The first initial practices were a struggle, but after a few practices, we all started to understand the routine and our horses more.' Initially, the girls practiced once or twice a week to get comfortable training with their horses. As the competitive season approached, they began practicing three or four times a week. At one point, they even hired an escaramuza coach from Mexico to review the final details of their performance. At the end of the season, and despite the outcome at nationals, Rosemary Zamorez believes that the team ultimately achieved its goal: Its members reconnected with their roots while maturing and learning to take on responsibility. The first season was incredibly costly for many of the families. It's recommended that competitors purchase horses with some prior experience in charrería. According to Celina Zamorez, this one-time expenditure can cost upward of $15,000. Then, a family needs to budget for shelter, food and other monthly maintenance costs. The team members also have to purchase custom sombreros, dresses, saddles and other accessories required by the sport. Sustaita's father, Jesus Sustaita, explained that the judges can deduct points in competition for lack of uniformity between each rider. The investment that each family made, added to the constant care required for each of their horses, taught the young girls important life lessons, according to Rosemary Zamorez. 'Now they can see that not anybody can do escaramuza,' she said. 'You need discipline, you need time, you need dedication and you need your family's support.' U.S.-based charrería teams are more likely to carry this financial burden than teams in Mexico, said Diana Vela, the associate executive director of the National Cowgirl Museum in Fort Worth, Texas. Her museum curated an exhibition this year that showcased the history of charras in the U.S. and Mexico. Through her research, she found that many of the teams have to continuously fundraise to participate in the sport. 'It just stands in stark contrast to U.S. rodeo, where you might have a competitor who's got a five- or six-figure-dollar sponsorship,' Vela said. The museum established a grant to help offset the cost for these teams and received applications nationwide. As her squad reviewed each response, she noticed a pattern. Many groups wrote about how they continued to compete in such an expensive sport because it helped them stay connected with their roots and gave them a sense of belonging. Many of the girls in Las Valentinas agreed that the sport has brought them closer to their heritage. It was Roselina's first time in Mexico when the team went to compete in the finals. She's a third-generation Mexican American who had never thought of traveling to her family's ancestral home. She said she was in awe of the experience, along with feeling a bit of culture shock. 'Competing in an arena that big with that many people watching on television is very crazy,' she said. 'It felt really nice. It was different, but honestly, I prefer Mexico over the U.S.' The experience has also motivated the girls to look forward to once again traveling across the southern border. Their first competition will be their regionals, typically held during the spring. There, Las Valentinas will have the opportunity to earn points to qualify for nationals. The team's captain, however, doesn't want to settle for anything less than victory. 'What's the plan for this year? To get a higher score than last year,' Rashel said. 'I would love to take first in the U.S.' Hernandez is a freelance writer based in Riverside. This article is part of a De Los initiative to expand coverage of the Inland Empire with funding from the Cultivating Inland Empire Latino Opportunity (CIELO) Fund at the Inland Empire Community Foundation.
