Latest news with #AppleVisionPro
Yahoo
44 minutes ago
- Entertainment
- Yahoo
‘Bono: Stories of Surrender' Doc About U2 Singer's One-Man Show Headed to Apple TV+: Watch the Trailer
A new trailer was released for Bono: Stories of Surrender on Wednesday (April 30). The film, based on Bono's one-man show of the same name, arrives May 30 on Apple TV+. Check out the new trailer below. More from Billboard U2's Bono Shares Heartfelt Thanks After Receiving Presidential Medal of Freedom CA7RIEL & Paco Amoroso: The Duo Disrupting Latin Music's Boundaries With Flair, Friendship and Fearlessness Don Toliver & Doja Cat Hit the Fast Lane for New Song 'Lose My Mind': Watch the Music Video PREVIOUSLY (Feb. 26): Apple Original Films announced that the documentary Bono: Stories of Surrender will premiere globally on Apple TV+ on May 30. In addition, the 'lyrical, bold exploration' of the U2 singer's one-man show of the same name based on his 2022 memoir, Surrender: 40 Songs One Story, will also be the first feature-length film available on the Apple Vision Pro in Apple Immersive Video. The movie directed by Andrew Dominik (The Assassination of Jesse James) is described in a press release as, 'a vivid reimagining of Bono's critically-acclaimed one-man stage show, Stories of Surrender: An Evening of Words, Music and Some Mischief…, as he pulls back the curtain on a remarkable life and the family, friends, and faith that have challenged and sustained him, revealing personal stories about his journey as a son, father, husband, activist and rockstar. Along with never-before-seen, exclusive footage from the Beacon Theatre shows, the film features Bono performing many of the iconic U2 songs that have shaped his life and legacy.' The Apple Vision Pro version will present the film in 8K with Spatial Audio, producing a 180-degree visual that, 'places viewers onstage with Bono and in the center of his story. With this special edition of the film available only on Vision Pro, viewers will feel completely immersed in the music and storytelling of Surrender.' The movie was produced by RadicalMedia's Oscar- and Emmy-winning duo of Jon Kamen and Dave Sirulnick (Summer of Soul, Hamilton), along with Plan B Entertainment's Oscar-winning actor/producer Brad Pitt, Dede Gardner and Jeremy Kleiner (Moonlight, 12 Years a Slave), with Bono executive producing with Jennifer Pitcher (Kiss The Future) and Kelly McNamara (V-U2 an Immersive Concert Film at Sphere Las Vegas). An abridged and updated edition of Bono's memoir — described as 'introspective, intimate and irreverent in equal measure… refined to mirror the arc of his one-man show and featur[ing] a film tie-in book cover and new introduction by the author' — will be released in conjunction with the documentary. Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Janet Jackson's Biggest Billboard Hot 100 Hits H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart
Time Magazine
a day ago
- Entertainment
- Time Magazine
TIME Studios and TARGO Unveil Groundbreaking Immersive Documentary 'D-Day: The Camera Soldier' for Apple Vision Pro, Marking WWII's 80th Anniversary
Today, TIME Studios, the Emmy Award-winning film, television, and immersive division of TIME, and leading immersive studio TARGO announced the release of D-Day: The Camera Soldier, a 20-minute mixed-reality documentary debuting on Apple Vision Pro. Timed to the 80th anniversary of WWII's end, this experience reimagines historical storytelling through spatial video, AI-restored archives, and interactive elements. Blending cinematic storytelling with spatial video and AI-enhanced archival materials, D-Day: The Camera Soldier transports viewers into a hidden chapter of the D-Day landings. The story follows Jennifer Taylor, who, after decades of silence, embarks on a journey from Connecticut to Normandy to uncover her father's untold legacy as a combat cameraman. Audiences are invited to experience a deeply personal perspective on one of history's pivotal moments. 'At TIME Studios, we are committed to pushing the boundaries of how history is experienced. Non-fiction creators have risked everything to capture truth in its rawest form, forging powerful connections between history and humanity. Richard Taylor stands as a remarkable example of this dedication,' said Loren Hammonds, Head of Documentary at TIME Studios. 'TIME has long been a platform for these voices, from recognizing Richard's D-Day footage in the pages of TIME in 1944 to now, eight decades later, honoring his legacy by bringing his story to life through immersive spatial storytelling.' 'Immersive technology isn't just a glimpse of the future—it's ready now,' said Victor Agulhon, producer and co-founder of TARGO. 'But the real innovation isn't in the tech itself—it's in how we've made it disappear, letting powerful, human stories take the lead.' Key features of the experience include: Direct interaction with authentic WWII relics—viewers can flip through photo albums, handle artifacts, and read letters, mirroring Jennifer's journey. AI-driven remastering transforms 2D wartime footage into dimensional environments, pioneering new documentary techniques. Seamless transitions between levels of immersion, guided by the user's exploration. Executive producers on the project include TIME Studios' Loren Hammonds and Matthew O'Rourke, and TARGO's Victor Agulhon, Chloé Rochereuil, and Anthony Giacchino. 'As an immersive director, my goal is to break the barrier between the audience and the story — and that's exactly what D-Day: The Camera Soldier does,' said Chloé Rochereuil, director and three-time Emmy nominee. 'As Jennifer dives deeper into her father's legacy, the viewer is drawn alongside her, transitioning seamlessly between different levels of immersion in the media.' 'This isn't just a story about the past—it's an invitation into a memory,' said Matthew O'Rourke, Emmy-nominated Executive Producer (MLK: Now Is The Time). 'By blending documentary filmmaking with immersive technology, we're creating a deeply personal way to experience history.' To experience the D-Day Camera Soldier immersive documentary, download it here on the App Store for Apple Vision Pro. About TIME Studios From one of the most globally iconic brands, TIME Studios is an Emmy Award®-winning television, film and immersive studio focusing on the development, production and distribution of premium unscripted and scripted storytelling that moves the world. With technical innovation and a brand defining visual language that dates back 102 years, TIME Studios aims to impact communities and the world at large with ideas that forge true progress. Combining the industry's leading creators with TIME, one of the most trusted brands that reaches an audience of over 120 million people globally, TIME Studios is uniquely positioned to bring massive audiences to the world's most impactful stories. About TARGO TARGO is a leading immersive studio dedicated to creating high-quality nonfiction storytelling in virtual and mixed reality. Known for pushing the boundaries of documentary filmmaking, the Paris-based team has earned three Emmy nominations and critical acclaim for its human-centered, visually striking experiences.
Yahoo
2 days ago
- Yahoo
Google's XR Glasses are the AI tech I've been waiting for
Google Glass debuted in 2013. If you asked me over a decade ago, I would've sworn that glasses would be the predominant wearable technology. However, like many projects before and since, the company abandoned Google Glass, and I've been waiting for a suitable replacement ever since. The Apple Vision Pro and other AR wearables are impractical, and if Android XR is going to catch on, it won't be with goggle-style products like Samsung's upcoming Project Moohan. Thankfully, Google gave us a glimpse of the future toward the end of its Google I/O 2025 keynote event. Google XR glasses are the AI technology I've been waiting for. They combine the potential power of AI with a form factor we'll actually use. They bridge the practical gap that's frustrated me about all these fancy AI gimmicks. XR glasses can work, but Google must stick with them this time. Project Astra has been around for a year, but Google's XR glasses are the first implementation I'm excited about. I have my misgivings about AI for multiple reasons. No company has convinced me it's a positive addition to the user experience and that it provides any value, certainly not the $20 a month Google wants to charge us. However, Android XR on Google's XR glasses demonstrates the blueprint for AI success. I want an AR overlay of my environment. I want conversations translated in front of my eyes in real time, and my XR device to show me directions to my next destination. Glasses that function normally when I don't need the technology but can provide an AI experience when I do are the form factor I've been waiting for. I don't love the idea that my smartglasses will remember things I viewed earlier or will keep track of where I'm going, but at least it's a convenience, and I know I've wanted to remember a sign or phone number I saw earlier but didn't think of writing it down. I could glance at a business card or information for a restaurant and have my Google XR glasses remember the contact's phone number or help me make a reservation. If I'm giving up privacy for AI, I want it to be useful, and the Google XR glasses are the first time I've thought about making a compromise. I am impressed by the technology in the Apple Vision Pro, and I'm sure that Samsung's Project Moohan will be an interesting headset, but I fear they'll share a similar fate. No one wants to walk around or be stuck with a large headset on them for any length of time, and no one wants to be connected to a battery pack. I get the entertainment and productivity possibilities for them, but they'll remain marginal products because they aren't a natural extension of the human experience — technology should enhance, not intrude. Glasses that function normally when I don't need the technology but can provide an AI experience when I do are the form factor I've been waiting for. As a glasses wearer, it's a natural transition. Even if you don't wear prescription lenses, I'm sure you've worn a pair of sunglasses. It's the same reason why flip phones are superior to book-style, larger folding devices. I don't need to change how I use a smartphone to enjoy a flip phone, and I wouldn't need to change how I wear glasses or go about my day to use the Google XR glasses — when adoption is easier, sales are greater. Of course, a map overlay is only good if it points me in the right direction, and a real-time translation only provides value if it's accurate. I don't have the faith in AI I'd need to for Google's XR glasses to work. Every Google I/O 2025 demo went off without a hitch, but as any current Google Gemini user will tell you, the reality is a mixed bag. I get numerous wrong answers weekly from Gemini Live, and AI assistants on multiple platforms still need to be rigorously double-checked. I hold my breath when I ask any AI model for information I need to act on, and if I'm going to trust AI to provide me with an overlay of the world I see, I will need greater accuracy. Nothing will ever be perfect, and mistakes will always creep into any model, but if Google wants me to treat its various agentic AI features as a personal assistant with personal context, then I need to trust it. It's the same standard I'd hold to a human assistant or friend, and if Google wants me to offload things I'd usually handle myself, I need to know it's up to the task. I'm excited about Google XR glasses, but reliability is vital. Plenty of questions remain unanswered. Google's glasses can't have a minuscule battery life or a terrible Bluetooth connection, but at least I approve of the direction. The technology might take a while to catch up. Still, Android XR makes me believe we're headed towards a usable, valuable AI experience, which is something I can't say about Samsung's Galaxy AI or other Google Gemini functions. We're close to the future; I just hope Google doesn't give up.
Extra.ie
3 days ago
- Entertainment
- Extra.ie
Bono's new film in 'mixed reality' better than the real thing - but definitely not cheaper
Bono's new film has been shot in a special high-tech 'mixed reality' version – but even his most ardent fans may baulk at the cost of the new technology that can bring them virtually onstage with the U2 star. A special immersive version of Bono's new film takes the viewer 'close enough to see the faint scar in his chest' from his heart surgery – once you can afford the €3,000-plus technology required to watch it. Bono: Stories of Surrender, based on the U2 frontman's 2022 memoir and accompanying tour, premiered at Cannes this week to mixed reviews. And, in the latest of a series of linkups between U2 and Apple spanning two decades, the tech giant has also produced a version specially for viewing on its Apple Vision Pro headset. U2. Pic: Victor Chavez/REX/Shutterstock (14374810ek) It is the first ever feature film created for the 'mixed reality' device, which is similar to a virtual reality headset but blends digital content with the real world to give users 'an unparalleled sense of realism and immersion.' Retailing from around €3,100, even the band's most loyal fans may have to miss out on the chance to be 'onstage with Bono and in the centre of his story', as Apple TV+ puts it. In an interview with the singer last week, Deadline Hollywood said watching Stories of Surrender through the device 'reveals a uniquely close and personal experience, complete with Bono's own drawings that sprout up in the wide frame'. Apple Vision Pro. Pic: Getty Images The industry website said the technology 'places the viewer right up there onstage alongside Bono, close enough to see the faint scar in his chest where the heart surgeon saved his life [in 2016]'. Bono told interviewer Mike Fleming Jr the special version is 'really playful', but admitted the experience will be prohibitively expensive for many fans. 'I know Apple are dying to make the Vision Pro more affordable and more democratic,' he said. Irish singer Bono Vox (Paul David Hewson) at the Cannes Film Festival 2025. Pic: Rocco Spaziani/Archivio Spaziani/Mondadori Portfolio via Getty Images) 'They know not everyone can afford this, but they're still going for it, believing that some way down the line, it'll make financial sense for them.' The 65-year-old rocker said that intimacy is 'at the heart' of the recent book, tour and film projects centred on his storied life. 'I tell my friends, 'Intimacy is the new punk rock,'' he told Deadline. Irish singer Bono (Paul David Hewson) with his family. Pic: Michael Buckner/Variety via Getty Images 'If I'm going to do one of these memoirs, I'd better really go there. It shouldn't be the same approach others have taken. 'We performed in The Sphere [in Las Vegas], and that is what got me to Vision Pro. The core of this is, 'Can we make this radical intimacy?' Does that sound pretentious? Probably.' The films (the 2D version is also available on Apple TV+ from May 30) are the latest in a string of collaborations between U2 and Apple. When the tech behemoth launched its digital music catalogue iTunes in 2003, it contained an exclusive U2 single featuring an acoustic version of Stuck In A Moment and two live tracks. The following year, Apple launched a special edition iPod preloaded with U2's back catalogue and featuring elements of the band's branding on its casing. Later in 2004, the band released their Complete U2 Digital Box Set exclusively to iTunes. The collection featured over 400 recordings, including previously unreleased material. But a 2014 marketing initiative proved a major misstep for both the opinion-splitting band and Apple. U2 performed their new single The Miracle (of Joey Ramone) at an Apple product unveiling and announced the surprise release of their 13th studio album, Songs of Innocence. However, the album was automatically downloaded to the music libraries of all iTunes customers, without charge, leading to much irritation from non-fans at having the work foisted upon them at the expense of disc space. It even proved difficult to remove, with Apple creating a special feature to permanently delete it. Bono later took 'full responsibility' for the gaffe, writing in his memoir: 'I'd thought if we could just put our music within reach of people, they might choose to reach out towards it. Not quite. As one social media wisecracker put it, 'Woke up this morning to find Bono in my kitchen, drinking my coffee, wearing my dressing gown, reading my paper.' Speaking to RTÉ's Brendan O'Connor yesterday about why he undertook the latest project, Bono said: '[When you become famous] you turn into a caricature. I wanted to explain to people the origin behind all the success U2 has had. And I wanted to let people in and take off the armour, talk about my life growing up, my family and the things that make you the way you are.' Asked about how the rest of his U2 bandmates reacted to his memoir, stage-show and now the film, he jokingly noted: 'I've read their memoirs.' 'The Edge has definitely seen the film. He thought my head looked even bigger on the screen at Cannes. Larry [Mullen Jr] is more of a Western man, and he doesn't believe anything I do outside of U2 exists? Adam [Clayton] was good'. He said his 'little family opera' came in the 'absence' of a new U2 album. Bono added: 'It's the band that gave me permission to sell my wares, activism or my music.'
Phone Arena
3 days ago
- Phone Arena
Apple's upcoming iOS 7 moment is bigger than we knew
This year's Apple WWDC ( Worldwide Developers Conference ) event will take place in June, and the company is expected to announce an overhaul of its operating systems. Industry insider Mark Gurman just shared in his newsletter Power On that this overhaul is a lot bigger than we initially thought. iOS, iPadOS, and macOS are the main operating systems that Apple is redesigning. The new refreshed look is inspired by glass rooms that allow in sunlight and will take cues from the company's visionOS operating system for the Apple Vision Pro. This redesign, Gurman reveals, will be the main topic of discussion at this year's WWDC. It will actually extend to other operating systems for the company's various products as well. So tvOS for Apple TV and watchOS for the Apple Watch will also be getting a redesign. Additionally, visionOS will be seeing some minor tweaks as well. The entire situation reminds me — and I'm sure most people — heavily of the iOS 7 redesign that took place so many years ago. That was when the iPhone first adopted a sleeker and more modern look, and left behind an iconic visual feel that some Apple fans still miss to this day. The upcoming redesign will likely also have some users yearning for 'the good old days'. visionOS in action on a Vision Pro headset. | Image credit — Apple Focusing more on a redesign is also Apple's way of holding a WWDC event where it doesn't overpromise and under-deliver. Last year's WWDC has been the subject of criticism for months because the company promised Apple Intelligence features that are still either missing or remain half-baked. Apple will likely remain a lot more subdued this year to avoid a repeat of also brought up how Apple was taking an old-fashioned approach in June. Samsung, Google, Xiaomi, and other smartphone manufacturers competing with Apple are focusing entirely on AI. Apple, on the other hand, is trying to make its existing operating systems a more pleasant and consistent experience across the board. A lot of work is going into Apple Intelligence , and the company is painfully aware of how far it has fallen behind. But, considering most consumers' views on AI in general, I think a visual overhaul of all of its products might just be what Apple needs right now.
