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News18
03-08-2025
- Entertainment
- News18
Shammi Kapoor Nearly Turned Down RD Burman From Teesri Manzil, THIS Song Changed Everything
Last Updated: On Friendship Day, we revisit how RD Burman songs from Teesri Manzil were nearly lost — until one filmmaker's belief turned everything around. Some of Bollywood's most unforgettable songs weren't just the result of talent or timing — they were born from unexpected friendships. One such moment involved RD Burman, Shammi Kapoor and Nasir Hussain. And on this Friendship Day, there's no better time to look back at how a simple act of trust gave Hindi cinema one of its most iconic soundtracks. RD Burman Wasn't the Obvious Choice — Shammi Kapoor Had Other Plans By the 1960s, Shammi Kapoor was already a full-blown star. Known for his electrifying screen presence and unforgettable dance moves, he had strong opinions about everything — especially music. So when Teesri Manzil was being put together, Shammi wanted the music to be composed by Shankar–Jaikishan, the popular composer duo who had worked closely with his brother Raj Kapoor. He wasn't interested in experimenting with someone new. But producer and filmmaker Nasir Hussain had a different idea. He was convinced that a young RD Burman — still trying to make his mark in the industry — was the right person for the job. At that point, Burman had composed for films like Bhoot Bungla and Teesra Kaun, but he wasn't a household name yet. Getting Shammi Kapoor to agree was not going to be easy. Trying to win him over, Nasir Hussain reportedly said, 'Ek naya ladka hai. Burman Dada (S. D. Burman) ka beta. Zara sun toh lo." That one line — a gentle push to just give the music a listen — changed everything. RD Burman Teesri Manzil Songs Although hesitant at first, Shammi eventually agreed to hear Burman's music. What he heard completely shifted his thinking. The tracks were sharp, fresh, full of energy — and yet emotionally rich. Once the music was locked in, there was no looking back. The songs of Teesri Manzil went on to become classics in their own right. From O Haseena Zulfonwali Jane Jahan to Aaja Aaja Main Hoon Pyar Tera, every track made a mark. Songs like O Mere Sona Re, Tumne Mujhe Dekha, and Deewana Mujhsa Nahin weren't just popular — they became part of Bollywood's golden era of music. The album was so impactful that it helped Teesri Manzil turn into a major box office hit, with RD Burman's sound being one of the biggest reasons for its success. This wasn't just the start of a successful film — it was the beginning of a lasting partnership. RD Burman and Nasir Hussain went on to collaborate on at least nine films over the years. Their creative chemistry gave Bollywood hits like Caravan, Yaadon Ki Baaraat, Hum Kisise Kum Naheen, Pyar Ka Mausam, Manzil Manzil, Zamane Ko Dikhana Hai, and Zabardast. A Bond That Defined a Generation of Music Looking back, it's hard to imagine what Bollywood music might have missed if Shammi Kapoor had stuck to his original choice. If not for Nasir Hussain's quiet confidence and RD Burman's talent, the soundtrack of Teesri Manzil. First Published: Disclaimer: Comments reflect users' views, not News18's. Please keep discussions respectful and constructive. Abusive, defamatory, or illegal comments will be removed. News18 may disable any comment at its discretion. By posting, you agree to our Terms of Use and Privacy Policy.
India.com
08-06-2025
- Entertainment
- India.com
India's highest-paid comedian, once sold eggs on street, then charged more than Rajesh Khanna, Amitabh Bachchan, Dharmendra, used to scare heroes with his…, name was…
Names like Shah Rukh Khan, Salman Khan, Prabhas, are highest-paid actors today, charging over Rs 150 crore per film precisely. These superstars headline mass entertainers, the genre that majorly dominates the box office. So, it would be difficult to imagine a time when the title of India's highest-paid actor was once held by a comedian. Well, today we will be discussing this talented artist whose impeccable films and hilarious performances etched his name in the Indian Industry forever. In 1960s, he wasn't just India's leading comedian, but also a bankable star in his own right. He was none other than Mehmood, son of Mumtaz Ali, who was a dancer and actor in Bombay Talkies. Mehmood's family faced severe financial challenges due to which his father fell into alcoholism and lost his career. Due to unfortunate circumstances, he became the sole earner of his family. To make ends meet, Mehmood did several odd jobs to survive. He worked as a driver, sold eggs on street, also became a horse-riding instructor and tennis coach. During this difficult phase, he managed to enter the film industry and stared working as a junior artiste. In 1950s, he made his name as comic character actor by appearing in supporting roles like CID and Pyasa. Following that, he led many successful films like Padosan, Bhoot Bungla, Johar Mehmood in Hong Kong, Bombay to Goa, and became the highest-paid actor in the country. Reportedly, Mehmood used to charge Rs 7.5 lakh for just two-week cameos in films at the time. Even superstars like Rajesh Khanna, Amitabh Bachchan, Dharmendra, Shammi Kapoor were not able to cross this mark until mid-70s. The ace comedian's presence intimated heroes to an extent that they would reject starring with him in the same film. In 1996, he released Dushman Duniya Ka , his final directorial. His final on-screen appearance was in Ghar Bazar , a box office flop. The actor passed away in 2004, leaving millions of his fans shattered and heartbroken.
India.com
08-06-2025
- Entertainment
- India.com
India's highest-paid comedian, charged more than Rajesh Khanna, Amitabh Bachchan, Dharmendra, used to scare heroes with his..., name was...
India's highest-paid comedian, charged more than Rajesh Khanna, Amitabh Bachchan, Dharmendra, used to scare heroes with his..., name was... Names like Shah Rukh Khan, Salman Khan, Prabhas, are highest-paid actors today, charging over Rs 150 crore per film precisely. These superstars headline mass entertainers, the genre that majorly dominates the box office. So, it would be difficult to imagine a time when the title of India's highest-paid actor was once held by a comedian. Well, today we will be discussing this talented artist whose impeccable films and hilarious performances etched his name in the Indian Industry forever. In 1960s, he wasn't just India's leading comedian, but also a bankable star in his own right. He was none other than Mehmood, son of Mumtaz Ali, who was a dancer and actor in Bombay Talkies. Mehmood's family faced severe financial challenges due to which his father fell into alcoholism and lost his career. Due to unfortunate circumstances, he became the sole earner of his family. To make ends meet, Mehmood did several odd jobs to survive. He worked as a driver, sold eggs on street, also became a horse-riding instructor and tennis coach. During this difficult phase, he managed to enter the film industry and stared working as a junior artiste. In 1950s, he made his name as comic character actor by appearing in supporting roles like CID and Pyasa. Following that, he led many successful films like Padosan, Bhoot Bungla, Johar Mehmood in Hong Kong, Bombay to Goa, and became the highest-paid actor in the country. Reportedly, Mehmood used to charge Rs 7.5 lakh for just two-week cameos in films at the time. Even superstars like Rajesh Khanna, Amitabh Bachchan, Dharmendra, Shammi Kapoor were not able to cross this mark until mid-70s. The ace comedian's presence intimated heroes to an extent that they would reject starring with him in the same film. In 1996, he released Dushman Duniya Ka , his final directorial. His final on-screen appearance was in Ghar Bazar , a box office flop. The actor passed away in 2004, leaving millions of his fans shattered and heartbroken.
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First Post
27-05-2025
- Entertainment
- First Post
Amid 'Hera Pheri 3' controversy, Priyadarshan breaks silence on Akshay Kumar editing John Abraham's role in 'Garam Masala': 'He never showed interest in...'
There were rumours and reports that Akshay edited John's role and the director has now broken silence on the same read more Akshay Kumar and Priyadarshan came together for Garam Masala in 2005 after the success of Hera Pheri. The film also had John Abraham as the leading man with Kumar. There were rumours and reports that Akshay edited John's role and the director has now broken silence on the same. Priyadarshan told Filmfare, 'Am I an idiot to let one of my actors make my film for me? This is nothing but a figment of a troublesome journalist's imagination. It may be some people's idea of publicity, not mine. I've been around for too long to let actors dictate to me.' STORY CONTINUES BELOW THIS AD Further, he added, 'Akshay never showed the slightest inclination to invade John's territory. In fact, I've been in touch with John. Not once has he expressed any grievance against Akshay. So who are these people spreading these rumours?' The Hera Pheri 3 fiasco As Paresh Rawal quits Hera Pheri 3, the actor has clarified on Twitter there are no 'creative differences' with the makers. Paresh Rawal had recently tweeted- 'I wish to put it on record that my decision to step away from Hera Pheri 3 was not due to creative differences. I REITERATE THAT THERE ARE NO CREATIVE DISAGREEMENT WITH THE FILM MAKER . I hold immense love, respect, and faith in Mr. Priyadarshan the film director.' In an interview with Bollywood Hungama, Priyadarshan , the man himself has made some shocking statements on the fiasco. The director said, 'I don't care whether it's made or not. I was doing it for Akshay. I really don't want to work anymore. I have some commitments to fulfil. I've just completed Bhoot Bungla with Akshay, and I have a film with Akshay and Saif that I am committed to direct. Beyond that, I don't need this kind of tension. I would rather play with my grandchild than make movies with unprofessional actors.'
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First Post
21-05-2025
- Entertainment
- First Post
Priyadarshan makes shocking statement on Paresh Rawal's exit from 'Hera Pheri 3': 'I don't care whether it's made or not, Paresh messaged me saying...'
Paresh Rawal had recently tweeted- 'I wish to put it on record that my decision to step away from Hera Pheri 3 was not due to creative differences. I REITERATE THAT THERE ARE NO CREATIVE DISAGREEMENT WITH THE FILM MAKER.' read more As Paresh Rawal quits Hera Pheri 3, the actor has clarified on Twitter there are no 'creative differences' with the makers. Paresh Rawal had recently tweeted- 'I wish to put it on record that my decision to step away from Hera Pheri 3 was not due to creative differences. I REITERATE THAT THERE ARE NO CREATIVE DISAGREEMENT WITH THE FILM MAKER . I hold immense love, respect, and faith in Mr. Priyadarshan the film director.' STORY CONTINUES BELOW THIS AD But now, a viral post of a crew member on this film has shared a long note that possibly hints at the makers' unprofessionalism. Was that the reason why Rawal quit? Only time will tell. In an interview with Bollywood Hungama, Priyadarshan, the man himself has made some shocking statements on the fiasco. The director said, 'I don't care whether it's made or not. I was doing it for Akshay. I really don't want to work anymore. I have some commitments to fulfil. I've just completed Bhoot Bungla with Akshay, and I have a film with Akshay and Saif that I am committed to direct. Beyond that, I don't need this kind of tension. I would rather play with my grandchild than make movies with unprofessional actors.' He also said, 'Paresh indicated nothing. When I heard about his decision, I messaged him to ask what happened. He replied saying I shouldn't try to call him because he didn't want to talk about it, and that he does not want to disrespect me. Is this how you show respect? Subhash, I am very, very hurt. There are two actors I've worked with the most: Mohanlal and Paresh Rawal. In Hindi, I don't think there's any actor I've worked with as extensively as Paresh. Every time I wrote a script in Hindi; I would find a proper place for Paresh.' He added, 'I'm in my village right now, peacefully spending time with my relatives, watching the sky. The last thing I need is this kind of tension. I don't care for the stress of filmmaking anymore. I would be happy to retire right now. I've done enough work. I no longer feel excited about filmmaking.' STORY CONTINUES BELOW THIS AD
