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Redefining 'Made in Africa'
Redefining 'Made in Africa'

Business of Fashion

time16-05-2025

  • Business
  • Business of Fashion

Redefining 'Made in Africa'

The author has shared a Podcast. You will need to accept and consent to the use of cookies and similar technologies by our third-party partners (including: YouTube, Instagram or Twitter), in order to view embedded content in this article and others you may visit in future. Africa is experiencing an exciting shift, creatively and commercially, with growing global attention on its rapidly expanding middle-class population. Yet, local fashion entrepreneurs must navigate unique operational challenges and misconceptions about the quality and reputation of 'Made in Africa.' Pink Mango's Maryse Mbonyumutwa entered apparel manufacturing in Rwanda to address both economic and social sustainability. '[Africa] is sustainable by nature, as we've not fully industrialised yet,' he says. Laduma Ngxokolo, founder of South African luxury knitwear brand MaXhosa Africa, drew inspiration from his culture's traditional designs: 'How do we take local traditional aesthetics and modernise them?' he asked. To celebrate African creativity, Reni Folawiyo founded the concept store Alara in Nigeria. 'I started Alara from a very emotional place to elevate African creators, both on the continent and the diaspora,' Folawiyo says. 'The idea of elevating but also empowering remains in everything we do.' On this episode of The BoF Podcast, an illuminating conversation unfolds on stage at BoF CROSSROADS 2025, where Mbonyumutwa, Ngxokolo and Folawiyo, alongside Sudanese-British writer Rozan Ahmed, discussed Africa's unique contributions to fashion, the opportunities in sustainable manufacturing, and how they are redefining what it means to produce, create and sell in Africa. Key Insights: Africa's potential lies in sustainable manufacturing and social responsibility. Mbonyumutwa explains, 'Africa is here to offer social sustainability ... to make sure that now when we talk about environmental sustainability and social sustainability they are aligned.' Local retail can powerfully celebrate and elevate global African creativity. Folawiyo's vision for Alara was clear. 'I started Alara in a very emotional place. I wanted to celebrate African creators, both on the continent and in the diaspora. I wanted to elevate their work, because I hadn't seen it done anywhere else,' she says. 'It was a self-empowerment, self-determination moment and I wanted it to be celebratory.' 'Made in Africa' must represent prestige, not affordability. Ngxokolo says, 'It's not cheap, yet there's a perception that anything that is made in Africa should be reasonably priced or cheap. We put in our heart and souls into our work and present it to the world so that it sits next to their level of brands.' Additional Resources:

The Ounass Formula for a Successful Brand Activation
The Ounass Formula for a Successful Brand Activation

Business of Fashion

time23-04-2025

  • Business
  • Business of Fashion

The Ounass Formula for a Successful Brand Activation

Agenda-setting intelligence, analysis and advice for the global fashion community. Partner Content At BoF CROSSROADS 2025 in Dubai, Imran Amed, BoF's founder and CEO, sat down with Khalid Al Tayer, CEO of luxury e-commerce platform Ounass, to unpack his strategy for success when launching a global brand in the Gulf. Imran Amed, founder and CEO of The Business of Fashion and Khalid Al Tayer, CEO of Ounass, on stage during day two of BoF CROSSROADS 2025. (Maya Cellixa) By 23 April 2025 In Partnership With On April 10-11, In This Article © 2025 The Business of Fashion. All rights reserved. For more information read our Terms & Conditions

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