Latest news with #Braamfontein
Mail & Guardian
4 days ago
- Entertainment
- Mail & Guardian
The art of the hustle
Learning space: People attend HEATSKRS CON, which offers educational workshops for innovators and creatives. (Lethabo Motseleng) Walking into Tshimologong Digital Innovation Precinct in Braamfontein, Johannesburg, I am immediately immersed in creativity and knowledge sharing. I am here to witness this year's edition of HEATSKRS CON (Heatseekers Convention), a power-packed two-day event that champions youth-led innovation, entrepreneurship and cultural storytelling. After media accreditations and pleasantries, publicist and host Nikiwe Buhlalu showed me to the first discussion of the day, the #FintechXfilm: Finance for filmmaker's workshop. I get in while a film guarantor is addressing the mostly young audience on film insurance. 'HEATSKRS is curating spaces where we could find the heat from the latest innovators and creatives but also creating a space for education,' Buhlalu tells me. The convention aims to blend the worlds of creative entrepreneurship with filmmaking, music, cultural organising and pop culture through carefully curated stages, workshops, talks and showcases. I asked Buhlalu about the genesis of this convention in its second year. 'It started off basically because of Pride and Petty, which is a YouTube channel we had a few years back. 'With the HEATSKRS events we wanted to create a space for the youth, where independent artists can perform on stage and actually get paid,' she says. 'Those who make short films, for instance, that don't have distribution deals can come here to show their films and engage with the audience by having a live response.' HEARTSKRS is a launch pad for young creative careers, including Buhlalu's. 'One of the first acting auditions I ever did was because someone saw me at HEATSKRS, so that's, at its core, what it's all about.' As we chatted amid Joburg skyline views and sips of ginger beer, NotAnotherPodcast Live, hosted by Masego Matiko and guest Monwabisi Rodolo, were doing a live recording. 'This is their premier episode,' Buhlalu adds, driving home her point about young creatives finding space to launch their work publicly. Through the BAI Spotlights section, HEATSKRS provides a platform for creative trailblazers to show what they do and how they do it. BAI Spotlights for the first day included Dennis Ngango, Julian Masindi, Mkhetwa Baloyi and Gugulethu Nyatsumba. As the afternoon sun flirted with setting, I asked Buhlalu for some of the general feedback they receive from the attendees. 'Young creatives who attend are intrigued and shocked by this niche that they never knew they needed until they experienced it. 'They never needed to know as a freelancer what Sars [the South African Revenue Service] looks like or what film scoring is. Now they have an idea,' Buhlalu says with her signature infectious smile. Event curator and filmmaker Yalezo Njuguna concurs about the industry knowledge gap among young, independent creatives. Popularly known as 'Yazz', Njuguna says after he finished his degree and working on a few films and shows, he decided to go out on his own: 'When I went independent as a filmmaker, and started working on the first project, I saw I didn't know much about the independent space in film, and other creative artforms, as a young artist.' Njuguna's view on the intersectionality of artforms took me back to my poetry days in Pretoria under Lefifi Tladi's mentorship. A renowned poet and painter, Tladi emphasised the importance of finding the sweet spot between artforms such as poetry and jazz or producing a painting from watching a dancer. Njuguna says he believes creativity is intersectional. 'I wanted a space where creatives could come together and give a chance for the audiences to interact with the rest of the ecosystem. 'It is amazing that we can actually intersect different creative forms and industries for young artists so that, as we grow together, we can develop innovative relationships and collaborations. I am excited, I am hoping it will grow more.' The heat is on: HEATSKRS CON publicist and host Nikiwe Buhlalu takes to the stage at the Johannesburg event which aims to boost innovation, entrepreneurship and creativity among the youth. (Lethabo Motseleng) The two-day HEATSKRS CON was a multi-stage experience, with the Creative Stage and Afriquan Film Stage hosting some of the most forward-thinking conversations and live experiences in youth culture. The workshops on film budgeting, risk management and market readiness were fascinating. On the second day, what caught my imagination was Njuguna's conversation with Intellectual Property lawyer Kevin Smith, titled The Geopolitical Implications of Artificial Intelligence. Smith spoke about how Western countries like the US use AI for commercial gain, and Eastern countries like China for surveillance, while Africa is merely reacting to new global technologies. He pointed out that Africa needs up-to-date AI regulations and adequate compensation for content creation. To avoid further exploitation, Smith emphasises the call to consolidate our African culture, arts, heritage and indigenous knowledge systems to create digital libraries owned by African governments and trusts. After lunch, more ginger juice and networking, I head over to the Creative Stage for the BAI Spotlight presentations. The creative companies for the second day included Mercha, Revenge Club Records and Legacy Defined. These start-ups took audiences behind the scenes of merchandising, record label and artist management. Take note: The two-day HEATSKRS CON event in Braamfontein featured notable speakers. (Lethabo Motseleng) As Jay Jody, rapper and co-founder of Revenge Club Records, spoke about the hard lessons of starting a record label, I thought about the challenges of balancing creativity and business. Jody said one must be prepared to wear multiple hats to ensure sustainability of the creative work and business operations. The pursuit of such a balance was a common topic throughout the two days. Most speakers gave insights on the importance of understanding administrative structures to blend pop culture and business. As a youth growing up in Mabopane, a township outside of Pretoria, the arts were seen as a hobby and associated with laziness, dirty All-Star sneakers and substance abuse. However, meeting fellow creatives at poetry and hip-hop events I assimilated into a creative community that welcomed my oddness. Parents around the neighbourhood couldn't understand this movement of youth with guitars, paint brushes and notebooks in hand. Their concern was whether we could make a living out of the arts compared to the norm of getting a job at a retailer in town. Initiatives like HEATSKRS targeting young creatives go a long way to keep such concerns and stigmatism at bay. When a creative is armed with the necessary entrepreneurial tools and industry knowledge, they can craft a sustainable future for themselves and the creative community. Besides the copious amount of ginger beer and popcorn, the two days were filled with insightful workshops, talks and networking, showcasing the best of African creativity and youth-driven ecosystems.
News24
24-07-2025
- Business
- News24
Hawks raid Prasa HQ, seize executives' laptops, phones in R18bn tender probe
The Hawks have seized the laptops and mobile phones of Prasa's top executives. Sources said the police seized the devices of Prasa's chief executive officer, chief procurement officer, head of legal, and chief financial officer. The Hawks are investigating allegations of corruption in connection with two R18-billion train signalling equipment tenders. The Hawks seized devices belonging to senior executives of the Passenger Rail Agency of South Africa during an operation on Wednesday afternoon. A team from the Specialised Commercial Crime Unit of the Hawks conducted the operation at Prasa's headquarters in Braamfontein. Sources told News24 that the team seized laptops, mobile phones, and documents belonging to acting chief executive officer Hishaam Emeran, chief procurement officer Asif Rehman, head of legal Nompumelelo Gamedze-Phasha, and chief financial officer Brian Alexander. Hawks spokesperson Brigadier Thandi Mbambo said: 'An operation was conducted as part of an ongoing investigation. To protect the integrity of our investigation, we cannot disclose details pertaining to that operation.' A senior Prasa executive, who spoke on condition of anonymity, told News24 that the operation was in connection with two controversial R18-billion train signalling equipment contracts. In a series of exposés, News24 reported that in May and July 2023, Prasa awarded two R18-billion train signalling equipment tenders to Maziya General Services, owned by Gauteng businessman Chris Delport and his Chinese partners. It's alleged that Prasa's board and its executives awarded the contracts to the companies even though they did not meet crucial and mandatory requirements, such as being tax compliant and possessing bid bonds. Following News24's reports, Transport Minister Barbara Creecy appointed law firm Webber Wentzel to investigate the allegations. Webber Wentzel recently concluded its investigation and handed a report to Creecy. In an interview with News24 early in July, Creecy said she would comment on the report in due course. 'I am still studying it. I am not commenting. When we are ready to comment on that report, we will,' she said. At the time, she also told News24 that she did not have any reason not to have confidence Prasa's board.
Mail & Guardian
23-06-2025
- Entertainment
- Mail & Guardian
Standard Bank Joy of Jazz Presents: Jazz for young people – A family celebration of jazz and community
Johannesburg's vibrant music scene is set to come alive with the much-anticipated 'Jazz for Young People' festival, presented by the Standard Bank Joy of Jazz. This unique event, scheduled for July 26, 2025, at the National School of Arts (NSA) in Braamfontein, promises a full day of world-class jazz, family fun, and a powerful celebration of youth, creativity, and community spirit. A Festival by Young People, for Young People 'Jazz for Young People' is more than just a concert, it is a movement designed to nurture the next generation of jazz lovers, musicians, and entrepreneurs. Running from 9:00 AM to 6:00 PM, the festival is curated with young audiences in mind, offering a platform for budding jazz artists to showcase their talents and for young entrepreneurs to access new opportunities. The event is also a fundraiser, with all proceeds supporting the National School of Arts. This initiative aims to empower young artists and sustain the vital role of arts education in South Africa, ensuring that the country's rich artistic heritage continues to thrive. Star Power and Mentorship: Zoe Modiga Leads the Way One of the festival's most exciting features is the involvement of NSA alumna and award-winning singer-songwriter, Zoe Modiga. Known for her soulful voice and innovative approach to jazz, Modiga will not only headline the festival but also lead a special roadshow in the weeks leading up to the event. She will visit several participating schools, mentoring students and helping them polish their performances for the big stage. This mentorship initiative is designed to inspire and empower young musicians, giving them invaluable guidance from an industry leader and ensuring that their performances on festival day are nothing short of spectacular. An Eclectic Lineup Showcasing Young Talent The Jazz for Young People's concert lineup is a testament to the depth and diversity of South Africa's young jazz talent. Attendees can look forward to performances by: Biko's Manna – a renowned sibling trio celebrated for their dynamic stage presence. Iphupho L'ka Biko – a crossover jazz band blending traditional and contemporary sounds. NSA Band featuring Zoe Modiga – bringing together the school's top musicians with Modiga's star power. Khutlo Tharo Jazz Band, Sibikwa Marimba Band, East Rand School of the Arts, Morris Isaacson School of the Arts, Parktown Girls Marimba Band, Springs Boys High School, Tshwane School of Music, and Willow Crescent Magnet School of Music Band – representing the best of Gauteng's youth ensembles. TheRealDJ Zandy – headlining as the selector of the day, ensuring the energy stays high between live sets. A Day for the Whole Family 'Jazz for Young People' is designed as a true family affair. Beyond the music, the festival will feature a dedicated kids' zone with inflatables and fun games to keep younger attendees entertained throughout the day. Art enthusiasts can explore an exhibition of jazz-inspired artworks created by NSA students, offering a visual feast that complements the sounds on stage. No festival experience is complete without great food, and this event delivers with a variety of food stalls serving up delicious, succulent dishes to suit every palate. Building Community Through the Arts Festival Producer and T-Musicman CEO, Mantwa Chinoamadi, highlights the event's broader mission: 'Jazz for Young People is a wonderful opportunity to bring families and communities together through the universal language of music. Our goal is to celebrate the rich heritage of jazz while nurturing the next generation of artists and fans who will carry this legacy forward.' By supporting the NSA and fostering a love of jazz among young people, the festival aims to ensure that South Africa's musical legacy remains vibrant for generations to come. Event Details at a Glance Date: 26 July 2025 Time: 9:00 AM – 6:00 PM Venue: National School of Arts, 17 Hoofd Street, Braamfontein, Johannesburg Tickets: R50 (children under 12), R80 (adults/general admission) Booking: Whether you're a jazz aficionado, a parent, an educator, or simply looking for a joyful day out, 'Jazz for Young People' invites everyone to join in celebrating the future of jazz and the power of community. Don't miss this unforgettable family festival, secure your tickets today!
Daily Maverick
06-05-2025
- Politics
- Daily Maverick
Wanted: A new government for Johannesburg's great people
Johannesburg is increasingly governed by WhatsApp groups, and its citizens are so active that they demand accountability in remarkably resilient and sometimes obstinate ways. There's no hustle like Joburg hustle. We may not have regular electricity, water, a functioning road network, or even streetlights, but that doesn't stop the city from growing. There's always something new starting up or somewhere new to go, so you can fill a social calendar several times. Each day. And the people! Don't even get me started on the level of style in this city, where each country on our continent has a community. It's just lovely. (See this piece on Braamfontein's plans, or this humdinger on five must-sees in the city by Bridget Hilton-Barber for flavour.) But is it 'a world-class African city' as the city government continues to call itself? Not so much. To make it all it can be, this city of great people needs a different way of being governed. There's money. With a budget of R83-billion a year, we should expect more. It's bigger than the national budgets of many African nations and certainly among the spending pies of much larger cities like Lagos and Cairo. In his State of the City Address, Mayor Dada Morero will paint a picture of how much he's doing. Last year, the then mayor, Kabelo Gwamanda, (remember him?) promised many things. Every year since 2021, the State of the City Address has been delivered by a different mayor as coalition government political instability rocks Joburg. The report card shows some progress, but this is because of the city's people rather than its government. Civil society has organised itself so well into organisations such as the Johannesburg Water Crisis Action Group and WaterCAN that improvements in water provision have been made as people have insisted on them. 'We're far away from where we used to be [in crisis],' says Dr Ferrial Adam of WaterCAN. There are improvements, but not enough is being spent on fixing 20 of the city's broken reservoirs, says Adam, who is also concerned that a good water turnaround strategy for Johannesburg Water is not included in the city's Integrated Development Plan, which is the budget blueprint. 'There is (as yet) no major system improvement,' she says. The Jozi My Jozi movement mushroomed out of the business community, and its CEO, Bea Swanepoel, has created a small and dynamic team of can-do people who have done a great deal. They've fixed and lit up the Nelson Mandela Bridge that joins suburbs to the inner city, ramped up and cleaned entry points and exits to the city, and are working with the government on an ambitious plan to make the inner city a truly world-class African old town. The safety improvements stem from a partnership with the CCTV supplier Vumacam. The city is increasingly governed by WhatsApp groups, and its citizens are so active that they demand accountability in remarkably resilient and sometimes obstinate ways. Urbicide There is momentum now to write only the story of seeding improvement, but to do so would be to ignore the urbicide that successive administrations have visited during their stewardship. These charts from the Gauteng City-Region Observatory's quality-of-life survey, released last year, show that services across Gauteng have declined precipitously. This is why the ANC lost power in its heartland province, earning support from only 34% of voters. The province and city also show that coalitions (in place since 2021) are no panacea and that what is needed is a method of co-governance with its people to make Johannesburg all it can be. An upcoming Daily Maverick data investigation in the city will show how its people are now plagued by endemic, multiday electricity cuts. Power cuts led to a decline in ANC power Mayor Morero delivers his speech in the beautiful Constance Bapela Chamber — the Metro Centre, to which it is attached, was abandoned by the city almost two years ago. In a sleight-of-hand by the Johannesburg Property Company, and after two fires not adequately explained to its people, thousands of staff left the building one day in 2023 and never returned. This is what it looks like now: plans abandoned, expensive furniture with nobody to use it, an entire beautiful library, dark and locked. Homeless people have started occupying the lower floors. The information centre adjacent to the building was gutted by fire long ago and never secured or repaired. Urbicide is the killing of a city, and when I visited the abandoned Metro Centre, it felt like an apt description. (Backstory: the Metro Centre was 'decanted' of its people after the fire, pending a massive plan to rebuild a campus, probably by ANC cadres in property. It will take nine years and 11 months to build, during which time the same cadres will earn a fortune in rentals because they also own the buildings where the mayor and other officials now work. Here's that story.) A city must have a Metro Centre, where its citizens get plans approved, get bills sorted out, access city services, chat to councillors, and attend residents' meetings. It's a spinal column, and without it, you kill a city. The Metro Centre tells you all you need to know about city government in Johannesburg. Killing a night economy There's another death to mourn. The Marabi Club, a magnificent 'speakeasy', closes this weekend. It's where I got engaged, and I have many happy memories of the place. This gorgeous jazz venue on the eastern flank of the inner city can't sustain itself. There are virtually no working streetlights in Joburg, and the potholes and regular power and water cuts have seen 40 cultural venues in the inner city shut up shop. The city's night economy has always been a lifeblood of its culture. Marabi perfectly expressed it: the food, the jazz, the people, the venue — stylish with a Sophiatown vibe. 'If you aren't familiar, Marabi is an underground speakeasy, attached to Hallmark House (a beautiful hotel) and inspired by survivalist Marabi culture – a music-driven spirit as old as Johannesburg itself,' writes Laurice Taitz-Buntman, the urbanist and publisher of Johannesburg in your Pocket. Marabi is closing because some nights it runs at only 20% occupancy. Taitz-Buntman writes: 'Johannesburg's decline is not a natural disaster – it is man-made. Entrepreneurs invested passion and capital into revitalising districts like Maboneng and Braamfontein, but the official city government and tourism bodies have mostly remained absent, leaving basic services to fall apart. 'Johannesburg is a city of two narratives: One of intense decline, destruction, dysfunction, and survival in a place where governance has all but disappeared. And another of vibrant creativity, deep human connection, and resilience.' Her message is that we have to support our cultural businesses and nightlife, and support the throbbing vein of zeal and entrepreneurship that defines Johannesburg. We can't do that without a working government. President Ramaphosa sends in a team Two months ago, on 7 March, President Cyril Ramaphosa announced an intervention to arrest Johannesburg's decline. The G20 comes to town in November, and Joburg is a wreck. It's not a good look for the urbane President. Convened under Operation Vulindlela (OV) in the Presidency, it is an informal intervention rather than a Section 139 takeover of a collapsed municipality made in terms of the Constitution. There have been some changes in two months: the inner city is cleaner, as it's the region where the experiment started. It's come too late for Marabi and the other wonderful places that have closed. However, hope is an essential quality of being human, so I trust it will work. The plan is to stabilise city finances, ensure reliable water and electricity supply, restore human settlement planning (there are hundreds of informal settlements around Johannesburg, and homeless people are abandoned), and address the decay of cultural institutions like the Johannesburg Art Gallery and the Johannesburg Library, which recently partially reopened after an inexplicable four-year, R64-million closure. Whenever I chat with people from civil society and the metro government, they are hard at work in four clusters and eight workstreams, which is how Vulindlela operates to get things going. The well-regarded OV team in the Presidency is behind major fixes like Eskom and (possibly) at Transnet. All three levels of government work together to intervene. Morero was due to send his first progress report to Ramaphosa on 5 May — officials say the impact will be more visceral come June.
