Latest news with #Brothers
Forbes
a day ago
- Entertainment
- Forbes
Supersonic Siblings: Oasis Brothers Feature In Wembley Park Photo Exhibition
Noel and Liam Gallagher of British rock band Oasis on Portland St, Manchester, 2 August 1994. Kevin Cummins / Iconic Images Wembley Park is hosting a free outdoor photography exhibition of images taken by celebrated NME photographer Kevin Cummins of Liam and Noel Gallagher in 1994. The exhibition coincides with the Oasis Live '25 reunion tour. As Oasis fans pack stadiums for the much anticipated music reunion of the decade, Wembley Park has unveiled a free outdoor photography exhibition, featuring photographs by Kevin Cummins that capture the brotherly bond and raw talent that defined the early days of Liam and Noel Gallagher. Titled Brothers: Liam and Noel Through the Lens of Kevin Cummins , the open-air exhibition features over twenty large-scale portraits taken in 1994 by Cummins. Installed throughout Wembley Park–including along Olympic Way and outside Wembley Stadium–the exhibition provides a rare glimpse into the early relationship between the famously combative siblings who powered Oasis to global stardom. This isn't just another collection of rock 'n' roll photographs. It's a visual love letter to a band, a moment, and a brotherhood that helped shape British pop culture. Brothers is timed to coincide with Oasis's reunion tour–an event that's already turned Wembley into a pilgrimage site for a new generation of Britpop enthusiasts and nostalgic original fans alike. Brothers, Wembley, Oasis Photography Exhibition. Images by Kevin Cummins. Kevin Cummins/ Iconic Images Oasis's seminal album Morning Glory was released in 1995–a year after Cummins' photoshoots with the Gallagher brothers, before their sound went Supersonic. Morning Glory became a soundtrack for Nineties Britain–with Oasis famously locking horns with chart rivals Blur during the height of Britpop–and signalling a new golden age for British music, with Oasis fandom reaching similar giddy heights to Beatle-mania. Three decades since the Cool Britannia phenomenon and Oasis-mania has returned with their sellout tour, making it a perfect moment to revisit Cummins' raw images of Liam and Noel on the cusp of global stardom. I asked Kevin Cummins if he feels his 1994 images of Liam and Noel challenge or reinforce the public perception of their turbulent relationship: 'It wasn't turbulent when I took those photos. The point of them was to reinforce the sibling relationship. The fact that these photos have consistently been used over the past 31 years, proves that worked.' A Tender Take on a Turbulent Bond Most media portrayals of Liam and Noel Gallagher focus on their legendary fallouts and tabloid-worthy feuds. But 'Brothers' shows something very different: a deep emotional connection forged in the chaos of rising fame. Cummins' photos–many on display for the first time–were taken during a pivotal year in Oasis's history: 1994. That was the run-up to the release of their debut album, Definitely Maybe , which would go on to become one of the fastest-selling debut albums in UK chart history. But these images predate the mega stardom. They show the Gallaghers in hotel rooms, tour buses, and backstreets—relaxed, playful, and close. Back in 1994 Liam and Noel were musicians starting to make waves on the Manchester music scene, but their star was still in the ascendant–whereas Cummins was a celebrated NME photographer, known for his images of many high-profile musicians of the era. I asked Cummins how he engaged with the Brothers to capture such natural images of the young siblings pre-global stardom: He explained: 'There are many photo shoots from 1994. It wasn't just one day you know. I was better known than they were at that time and they were aware of the work I'd done with some of their favourite musicians: Joy Division, The Smiths, Sex Pistols especially, so they were good to work with. They did everything I asked of them. We got on well because we liked similar music, supported Man City and we had similar backgrounds.' The photos are spontaneous and unstyled, and there's a palpable sense that Cummins' Mancunian swagger and youthful confidence behind the lens was mirrored by Liam and Noel in front of it. Liam slouches in an Adidas tracksuit; Noel contemplates a guitar in a quiet Amsterdam hotel room. There are shots from backstage, in alleyways, and on public transport, including a memorable snap of the brothers hopping on a No.73 bus in central London. One standout image captures the Gallaghers in matching Manchester City shirts with the word 'Brother' emblazoned across the front—a now-iconic moment in British pop photography. Brothers, Wembley, Oasis Photography Exhibition. Images by Kevin Cummins. Kevin Cummins / Iconic Images An Archive That Helped Shape a Band's Identity Kevin Cummins is no stranger to capturing defining cultural moments. As the former chief photographer for NME , his images chronicled the rise of era-defining bands including Joy Division, The Smiths and New Order. In 1994, Creation Records brought Cummins in not only to document Oasis but to help shape how the band presented themselves to the world. Cummins' work with the Gallaghers culminated in the bestselling photo book Oasis: The Masterplan– published last year–which offered fans a sweeping visual history of the band's breakthrough year. The Brothers exhibition narrows the focus of images from the book, spotlighting the emotional core of the Brothers' story: the complex, tender, and often volatile relationship between Liam and Noel. Brothers showcases images from across the UK and Europe—London, Manchester, Portsmouth, Newport, and Amsterdam. One of the images shows Noel alone in Amsterdam, stranded after a fight on a ferry led to the deportation of the rest of the band. Other highlights include Oasis's first studio session at Sly Street Studios in February 1994, and an unforgettable full-band portrait in a rubbish-strewn alley off Manchester's Back George Street. The exhibition's Curator Claudio Giambrone has a pedigree of curating photographic exhibitions with a music focus–last summer he curated an exhibition of Taylor Swift photos with Getty Images– and he told me that he wanted to curate an Oasis tribute when the Oasis gigs were announced. Giambrone gave me some insight into how the project happened and gives some insight into the collaboration with Cummins: 'I knew Kevin's name through some of his portraits of Nick Cave, who I'm a fan of, but I hadn't really explored his Oasis work until I started working on this exhibition. I reached out to Iconic Images Gallery, who represent a number of photographers with material on the band. My original idea was to curate something about the whole, using images from different photographers. But they suggested I focus on just one, and recommended Kevin. That's when I found out he'd recently published a book of his Oasis work. They got in touch with him, and he kindly agreed to give me access to his archive of over 150 photographs. Once I saw the images, it was clear he was the right choice. There's a level of trust in his work that goes beyond the usual press shots. His photographs feel honest and personal, probably because he's also a personal friend of the brothers and worked with them on and off for 30 years. As I went through them, I moved away from the initial idea for this to be a traditional band retrospective. What really stood out to me from Kevin's material was the dynamic between the brothers. There's affection, tenderness and a strong brotherly bond. I wanted the exhibition to focus on that. Something that would resonate not only with fans of the band, but with anyone who's got a sibling.' Brothers: Liam and Noel Through the Lens of Kevin Cummins © Amanda Rose More Than Nostalgia–A Celebration of Cultural Impact Cummins is clear about the significance of this moment—not just for Oasis fans, but for British culture as a whole. 'When (What's the Story) Morning Glory? came out in 1995, it was the national soundtrack. You heard it in every pub, corner shop, car, and open window. That sort of cultural dominance just doesn't happen anymore,' he reflects. 'Now, we're back in 'Oasis world' again—and it's thrilling. I love that people who lived it the first time are now sharing it with their kids.' It's this sense of generational connection that gives the exhibition its emotional weight. Younger fans–many of whom weren't even born when Definitely Maybe was released–are now descending on Wembley to experience the band's legacy firsthand. Brothers offers a visual bridge between past and present, allowing fans to connect not just with the music, but with the human story behind it. So how does Cummins feel about the enduring significance of his images, and how they helped to shape a narrative of Oasis? 'They're significant because they helped shape the way they were perceived by the public and the media. Many were taken to work out what best suited their image and helped form that too.' Brothers, Wembley, Oasis Photography Exhibition. Images by Kevin Cummins. Kevin Cummins/ Iconic Images Wembley Park's Expanding Cultural Footprint Cummins and Giambrone wanted the exhibition to be free and accessible to all, and given that thousands of fans couldn't get tickets, Brothers is an opportunity to experience some Oasis nostalgia through images of Liam and Noel. Claudio Giambrone explains: 'Oasis first played Wembley Stadium in July 2000, so this year marks exactly 25 years since that show. That felt like the right moment to do something that celebrates what they've meant to music and to their fans. They've also played both Wembley Arena and the Stadium a few more times over the years, so there's a real connection with this place. The fact that the exhibition sits right between the two venues makes it even more meaningful. What I really wanted to do was extend the experience beyond the gig itself. For the fans who were here 25 years ago, but also for younger ones who might not have been around in the 90s as well as the casual visitors, this gives a bit more context. It's a way to understand the relationship between the brothers–not just the arguments or the public spats, but the bond, the humour, the moments of real affection that often get missed. Kevin Cummins' photos really capture that, and his captions, along with a few quotes from Noel, add another layer to it all.' The Brothers exhibition is part of the Wembley Park Art Trail, a growing initiative that's gradually transforming the area into one of London's most dynamic cultural zones. Alongside Cummins' photographs, visitors can explore the now-viral Swiftie Steps (a Taylor Swift tribute), a mural to Lana Del Rey, and the Square of Fame, which includes the handprints of Madonna, George Michael, The Who, and other music legends. Oasis has a strong connection to Wembley Park, and the Brothers exhibition celebrates this connection and the contribution of Oasis to British Music history. The open-air format means the exhibition is fully accessible 24/7. You don't need a ticket. You don't even need to be going to the reunion gigs. You just need to walk down Olympic Way and look up. Brothers: Liam and Noel Through the Lens of Kevin Cummins © Amanda Rose More Than Just Rock 'n' Roll At a time when much of the music industry feels increasingly digital and distant with entire teams of managers, stylists and PR's surrounding bands and manipulating their image, Brothers looks back at a simpler, more analogue and unfiltered era. Two brothers, a camera, and a moment in time. Unfiltered, unguarded, unforgettable. Cummins played a role in shaping the early visual identity of Oasis, in particular the Brother shots where he came up with the masterstroke of photographing Liam and Noel wearing Manchester City football shirts with the logo of Japanese electronics company Brother, a double entendre which confused some people outside the UK. Cummins explains: 'The Brother shots helped take them to another level–especially in other territories–where some people were maybe unaware that Brother was a Japanese electronics company. In the USA I was asked more than once if it because they were a brotherhood. One journalist asked why I'd had Brother printed on the shirts, rather than Liam and Noel. They were also unaware of British sport at the time, so the Manchester City branding passed them by too.' Brothers. Wembley. Oasis photo exhibition. Images by Kevin Cummins. Kevin Cummins / Iconic Images The exhibition stands as both a nostalgic tribute and a contemporary celebration of one of Britain's most influential bands. Whether you're reliving memories or discovering Oasis for the first time, Kevin Cummins' photographs offer something timeless. It's not just about Oasis. It's about family, fame, identity—and how a few photographs can capture the storm before the supernova. Brothers: Liam and Noel Through the Lens of Kevin Cummins is at Wembley Park, London until 30th September, 2025 and is presented in partnership with Iconic Images and the Wembley Park Art Trail.
Malay Mail
2 days ago
- Entertainment
- Malay Mail
Legendary nasyid band Rabbani and more to hold mega concert at Idea Live Arena in PJ this September 20
KUALA LUMPUR, July 28 — Get ready for a night of spiritual healing as legendary Nasyid group Rabbani will be holding a mega concert really soon. Set to take place this September 20 at the Idea Live Arena in Petaling Jaya, the Konsert Intifada Rabbani will also mark the group's 28th anniversary since their inception back in March 1997. Rabbani initially consisted of eight members including the late Mohd Asri Ibrahim, Azadan Abdul Aziz, Asri Ubaidullah, Zulkiflee Azman, Luqman Abdul Aziz, Muhammad Rithauddeen, Mohamad Afandi Shahbudin and Ahmad Shafie. However, since the passing of lead vocalist Mohd Asri Ibrahim back in 2009, the group has been performing with the remaining seven members. Aside from Rabbani themselves, the two-hour concert will also feature three more local Nasyid groups including Brothers, Yabang as well as Aeydan who will be joining in as guest performers. As previously reported by Sinar Harian, Aeydan actually consists of the sons of Rabbani members including its main vocalist Muhammad Ilham Fikri who is the fourth child of the late Mohd Asri. Meanwhile Brothers is another popular 90's Nasyid group whose members includes Syah Rizal Mohamed, Abdullah Faiz Mohamad, the late Mohd Salleh Mohamed Deril as well as convicted singer Yasin Sulaiman. The concert layout for the Konsert Intifada Rabbani this September 20. — Picture courtesy of Universe Gateway Since their formation, Rabbani has become a local phenomenon especially during the late 90s where they are famously known for blending traditional Malay music with middle eastern sounds and Islamic messages through their songs. Fans can also expect to sing-along to some of their timeless hits such as Intifada, Pergi Tak Kembali and Satu Qiblat Yang Sama. The Konsert Intifada Rabbani is organised by Universe Gateway, the team behind The Journey of Sound by Judika and Datuk Seri Siti Nurhaliza concert last December 14. Tickets for the Rabbani concert will go on sale starting this July 31 (Thursday) via or with ticketing price ranging between RM150 to RM258. Aside from Rabbani, another popular Nasyid group InTeam will also be serenading fans at the Idea Live Arena this September 28. It was previously reported that the InTeam's Kasih Kekasih 25 Tahun concert had sold out within an hour which prompted the organiser to change their venue from Zepp KL to a much larger one to cater to the demand.
Time of India
7 days ago
- Time of India
Woman abandons newborn in delivery ward & flees, baby dies 8 days later
Nagpur: A 30-year-old woman has been charged with culpable homicide for abandoning her critically-ill newborn son two years ago in the delivery ward of Mayo Hospital, which subsequently led to his death eight days later. The investigation, which was in deep freeze since December 8, 2022, was revived after a recent review of pending matters. The woman, Shamim Girjasingh Khan, was admitted to Mayo Hospital's delivery ward on November 30, 2022. She gave birth to a boy on December 1, but mysteriously fled the hospital, leaving her newborn behind. The baffled hospital staff made every effort to save the infant, who was shifted to the neonatal ICU. Dr Vedanti Mahale, who attended to the case, declared the infant dead at 8am on December 8, 2022, after a week of intensive care. The Tehsil police initially registered accidental death under Section 174 of CrPC but failed to pursue the matter and the case languished for two years. Shamim, whose last known address was Ekta Nagar, Gorewada, remained untraceable during this period. But a recent review of pending cases ordered by commissioner of police Ravinder Singal, brought the case back into focus. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Brothers showcase turmeric and its golden status in Macanese cuisine MGTO Undo Zonal DCP Rahul Madane directed Tehsil police to charge Shamim with culpable homicide. Investigations revealed that she knowingly abandoned her critically-ill newborn, fully aware of his fragile condition and the absence of anyone to care for him. The negligence, authorities concluded, directly contributed to the infant's death. On Monday, a case of culpable homicide was registered against Shamim at the Tehsil police station. Senior officials feel the baby could have been born out of wedlock. "Had it been a case of child trafficking, the woman would have sold the baby," said a police official. Senior inspector Shubhangi Deshmukh, who is leading the investigation, said that a team has launched a search for Shamim. "We are actively pursuing leads to trace her and ensure justice in the infant's death. We could not find any information about the woman's kin, which is common in such cases, but her cellphone was found. Data would be extracted from the cellphone to trace the woman soon," said Deshmukh.
Daily Mirror
17-07-2025
- Entertainment
- Daily Mirror
'Trolls told me my young daughter shouldn't lift weights – but I'm glad I ignored'
American mum Jes Bowen is a huge fan of fitness and wants to pass that on to her daughter. But over the years, many people told her not to allow her child to lift weights We all know hitting the gym can be good for you in many ways as weight lifting could benefit from lowering heart risk by up to 70%. But there's a lot to bear in mind when starting a weight loss journey, from good diet to regular exercise. Now one mum has the ultimate success story with her child who can lift heavier weights than most gym buffs. American mum Jes Bowen boasts over 678,000 followers on Instagram where she shares her incredible fitness journey. She empowers kids and women from teens to their golden years – and she's done just that with her daughter Brodie, who's been in the game from a young age. The Florida-based mum decided to introduce Brodie to the world of strength training and her approach helped create a space for her daughter to explore workouts in a creative and safe way. This led to the creation of the Savage Patch Kids Fitness Program, a testament to Jes's commitment to not only fostering a love for fitness within her own family but also extending that passion to others. Sadly over the years, many trolls online question the mum for allowing her tween to squat and deadlift heavy weights in the gym as it could impact her growth. But in a recent clip with her fans, the mum revealed how she ignored what everyone said. In a video, which was captioned: "Start them young," Jes showed how she let her young daughter start training around seven years ago. It shows her lifting her daughter up to the bar to do pull-ups as she joined her. A second later, it shows how far she's come with her training. It added: "Now... She's repping muscle-ups on the very same bar where she did her first pull-up." Since it was posted, it garnered a lot of attention from people who praised the mother-daughter duo. One said: "This has been the coolest family journey to watch!" While another added: "Supportive and encouraging parents raise great athletes." And a third commented: "Uuuh I love it." Someone else posted: "This is so awesome." Over on Instagram, the duo are often seeing lifting weights together and documenting their entire routine. Previously she shared a clip of her son spotting Brodie during her squat, helping her to perfect her form. The caption read: " Big Brother – (Noun). Someone who's always there when you need him, can be a superhero, a friend, sometimes annoying, but always there. Shout out to all the Big Brothers out there!"
NDTV
04-07-2025
- Sport
- NDTV
Shubman Gill Hit On The Head While Trying To Take A Catch. Rishabh Pant's Gesture Is Viral
Indian cricket team skipper Shubman Gill was struck hard on his hand while fielding on Day 3 of the second Test encounter against England on Friday. The incident took place during Ravindra Jadeja 's over when Harry Brook slashed hard at a delivery which was pitched outside off-stump. The ball flew off the bat and Gill, who was fielding at first slip, did not have any time to react. Gill was hit on the top of his head and as he looked in some pain, Rishabh Pant checked the spot and asked for the physio to enter the field. Gill received some treatment but went back to fielding without any delay. Siraj struck twice in as many balls but Jamie Smith swung the momentum back in England's favour with a counter-attacking hundred as the hosts raced to 249 for five at lunch. Brothers #SonySportsNetwork #GroundTumharaJeetHamari #ENGvIND #NayaIndia #DhaakadIndia #TeamIndia #ExtraaaInnings — Sony Sports Network (@SonySportsNetwk) July 4, 2025 Despite the swashbuckling effort from Smith (102 batting off 82 balls), England remain far away from India's 587 all out. Smith smashed a memorable hundred in less than a session and Harry Brook (91 batting off 127) was on course to reach three figures at the break. Strikingly, England hammered 172 runs in 27 overs in the first two hours of play. Resuming the day at 77 for three, England lost half their side in the second over of the morning session when Siraj had Joe Root (22) and Ben Stokes (0) caught behind. Root's was a soft dismissal as he got faint tickle down the leg side while Stokes was surprised to get a sharply rising ball first up. England were reduced to 84 for five but Smith and Brook continued to attack and put pressure back on the opposition. Prasidh Krishna was brought in to implement the short ball plan with six fielders on the leg side but that failed as Smith got the better of him in the 12th over of the morning that yielded 23 runs. Four boundaries and a six over deep square leg came in that eventful over. India persisted it with Krishna, whose following over went for 11. His figures after the session read 8-0-61-0. It is not often that Brook is outscored but it happened on Friday as Smith relentlessly attacked the Indian bowlers. Smith also did not allow spinners Ravindra Jadeja and Washginton Sundar get into any sort of rhythm. Sundar was driven for back-to-back fours by Smith in his first two balls before the wicket-keeper batter collected a six and a four from Jadeja in the following over. Smith got to his second Test hundred off 80, the third fastest by Englishman, with consecutive fours off Jadeja in the last over before lunch.
