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Arab News
03-05-2025
- General
- Arab News
How Napoleon's Egypt campaign sparked a printing revolution in the Arab world
LONDON: On Sunday, July 1, 1798, a vast fleet of ships appeared off the Egyptian city of Alexandria. Aboard the flagship Orient was the French general Napoleon Bonaparte, still six years away from being proclaimed emperor of France but fresh from a series of military victories in Europe and determined to undermine Britain's influence in Egypt and the Middle East. With him were 50,000 men, hundreds of horses, numerous artillery pieces and, incongruously, 200 members of the Commission des Sciences et des Arts, a group including engineers, mathematicians, astronomers, geographers, writers, artists — and 22 printers. Back in France, between 1809 and 1829 the survivors of this group of savants would produce the 37-volume Description de l'Egypte, a triumphant catalogue of all things Egyptian, ancient and modern. Their achievement would not be shared by Napoleon's army. A month after the landing, virtually all of Napoleon's ships were destroyed at the Battle of the Nile by a British fleet commanded by Horatio Nelson. The following year Napoleon and a few men returned to France in secret. The general he left in charge, Jean-Baptiste Kleber, was assassinated a few months later by an Aleppo-born student living in Cairo. The remains of the French army, decimated by disease and endless conflict, surrendered to British forces in 1801 and, under the terms of an ignominious treaty, were ferried back to France on the enemy's ships. • 50,000 Men who accompanied Napoleon to Egypt. • £30,000 Price tag of Expedition de Syrie jusqu'a la prise de Jaffa. • 1820 Year in which Bulaq Press was established in Cairo. To rub salt into the French wounds, many of the Egyptian antiquities that had been looted by Napoleon's troops and scholars fell into British hands. Some, including the Rosetta Stone, the ancient granite stele inscribed with a decree in three languages that allowed the cracking of the code of Egyptian hieroglyphs, found their way to the British Museum, where they remain to this day. But arguably the greatest legacy of the Napoleonic invasion of Egypt lies not in what the French took, but in what they left behind — the art of printing with movable type. Some of the products of this unintended consequence of Napoleon's ill-fated Egyptian adventure can be seen this week at the Abu Dhabi International Book Fair — an extraordinary collection of rare books and pamphlets that together tell a fascinating story. 'Aware of the printing press's potential as a tool for governance and propaganda, Napoleon brought with him advanced French printing technology — something entirely new to Egypt,' said Pom Harrington, the owner of London-based Peter Harrington Rare Books. Just days after landing near Alexandria, Napoleon's team of printers established the Imprimerie orientale et francaise, under the direction of the linguist and orientalist Jean-Joseph Marcel and the Marc Aurel, the 18-year-old son of a printer and bookseller. It was, incidentally, Jean-Joseph Marcel who first recognized the third script on the Rosetta stone as Egyptian Demotic, which proved to be the ancient linguistic key to unravelling the mystery of hieroglyphics. A first-edition copy of one of their first publications, a pamphlet containing seven reports of expeditions against Ottoman forces in Syria, is at the show. The £30,000 price tag of Expedition de Syrie jusqu'a la prise de Jaffa (Expedition from Syria to the capture of Jaffa) reflects its extreme rarity. No copies of the pamphlet are known to exist in institutional libraries, none has ever appeared at auction and the manuscript is not even listed in Albert Geiss' exhaustive Histoire de l'Imprimerie en Egypte, published by the Institut Francais d'Archeologie Orientale in Cairo in 1907. Following the French victory over Ottoman forces at the Battle of the Pyramids on July 21, the press was relocated to Cairo, where it was renamed the Imprimerie nationale du Caire. Another valuable book on show in Abu Dhabi is an extremely rare first-edition copy of the first Arabic dictionary to be printed in the Arabic world. The Vocabulaire francais-arabe, contenant les mots principaux et d'un usage plus journalier (French-Arabic vocabulary, containing the main words and those of more everyday use) was printed between September 1798 and September 1799. The final eight pages of common phrases reflect the imperial expectations of those who would use the dictionary to communicate with their temporary Egyptian subjects. Alongside more typical phrases, some of which would be of use to modern travellers today, such as 'I am hungry' and 'I am going to Cairo,' is the altogether less common instruction 'Etrillez mon cheval' — 'Brush my horse.' One of the most fascinating documents produced in Cairo by the French press was an account of the interrogation and trial of Suleiman Al-Halabi, the young man who stabbed to death Jean-Baptiste Kleber, Napoleon's successor in Egypt as commander of the French army. Printed in 1800, a year before the end of the French occupation, of the 500 copies that were printed of the Recueil des pieces relatives a la procedure et au jugement de Soleyman El-Hhaleby, assassin du general en chef Kleber ('Collection of documents relating to the procedure and judgement of Soleyman El-Hhaleby, assassin of general Kleber'), only 14 survive. Suleiman Al-Halabi's execution on June 17, 1800, the day of his victim's funeral, was a gruesome affair; after his right forearm was burnt to the bone, he took four hours to die after being impaled on a metal spike. The Cairo press was shut down after the French withdrew, and the printing presses were sent back to France, 'but its impact was lasting,' said Harrington. 'The French conquerors could not have foreseen that the introduction of printing with movable types would lead to a revolution in printing in the Arab world, demonstrating to Egyptian scholars the transformative potential of print.' The influence of the short-lived French printing house lingered on through individuals including Nicolas Musabiki, whose father Yusuf had been trained during the French occupation. Nicolas later played a crucial role in the Bulaq Press, established in Cairo in 1820 by Muhammad Ali Pasha, the Ottoman viceroy and the ruler of Egypt from 1805 to 1848. 'Ali Pasha is seen as the founder of modern Egypt and was clearly inspired by Napoleon's printing presses,' said Harrington. 'In 1815 he sent the Syrian Nicolas Musabiki to Italy to study type-founding and printing, and ordered three presses from Milan, along with paper and ink, also from Italy. 'The establishment of the Bulaq Press meant that he could print manuals for the military, official guidebooks for the administration, and textbooks for new schools.' Bulaq's presses 'primarily used the Naskh script, valued for its legibility and formality, making the new texts easily readable.' In Europe, printing with movable type had begun in the 15th century — the Gutenberg Bible was printed in Germany in 1455. 'The delay in printing in the Arab world was certainly linked to the notion of calligraphy not only as an art form, but also as an expression of spirituality,' said Harrington. 'It wasn't until the introduction of lithographic techniques that the beauty of Arabic script could be adapted to printing more easily.' The Bulaq Press printed its first book, an Italian-Arabic dictionary, in 1822. But one of its greatest triumphs is on show at Abu Dhabi: the first complete edition in Arabic of the Thousand and One Nights, printed in 1835. The first edition of the collection of Arabic folk tales printed anywhere in the Arab world, fewer than a dozen copies are known to exist in libraries. Privately held copies are even rarer; this copy, from the collection of the French historian and orientalist Charles Barbier de Maynard, who died in 1908, is priced at £250,000. The impact of the Bulaq Press is celebrated by Egypt's state library, the Bibliotheca Alexandrina, which in an online history credits it with having played 'an essential role in disseminating science and knowledge throughout the country. 'As books and legible material became available, a new class of intellectuals emerged, to later form the basis for a comprehensive modernization of the whole society. 'Other outcomes included an increase in the number of private schools and the emergence of female education. As the class of intellectuals broadened, self-expression and free opinions appeared in the press and daily newspapers.' The Bulaq Press 'was the main force behind this historical transformation that transferred Egypt from the Dark Ages of ignorance and backwardness and into the age of knowledge, freedom and awareness.' The advantages of modern printing with movable type, demonstrated by the Bulaq Press, were quickly appreciated elsewhere in the Arab world. The first printing press in Makkah was set up in 1882, and the first newspaper — called Hijaz — followed there in 1908. In 1949, a specialist publishing house was set up in Makkah to produce the first copies of the holy Qur'an to be printed in Saudi Arabia — a task that previously had been left to printers in Egypt. In 1984, the King Fahd Complex for the Printing of the Holy Qur'an opened in Madinah and has since produced hundreds of millions of copies of the holy book in Arabic and in multiple translations. The Bulaq Press, also known as the Amiria Press, survives to this day. Its operations were paused during the British occupation of Egypt, but in 1956 it was revived by Gamal Abdel Nasser, the then Egyptian president, and has continued publishing books and other materials as part of the country's ministry of trade and industry.


Express Tribune
26-04-2025
- Entertainment
- Express Tribune
Dh 464,550 Ibn-e- Sina manuscript to feature at Abu Dhabi book fair
The rare book to be display at the Abu Dhabi festival. PHOTO: KHALEEJ TIMES Listen to article A rare 14th-century manuscript of Canon of Medicine by Ibn Sina, valued at Dh464,550, will be one of the centrepieces at the 34th Abu Dhabi International Book Fair (ADIBF), which opens today at the ADNEC Centre Abu Dhabi and runs until 5 May. The manuscript, brought by renowned London antiquarian book dealer Peter Harrington, marks a major milestone: the 1000th anniversary of Ibn Sina's seminal work, a cornerstone of medieval Islamic and global medical scholarship. This year's edition of the fair welcomes 1,400 exhibitors from 96 countries, offering over 2,000 activities across literature, publishing, creative industries, and cultural dialogue. Organised under the theme Knowledge Illuminates Our Community, the event is hosted by the Abu Dhabi Arabic Language Centre and held under the patronage of President Sheikh Mohamed. Peter Harrington's carefully curated collection highlights rare works celebrating Middle Eastern history and the early encounters between Islamic and Western traditions. Among the notable items is the first known appearance of Arabic script in an American novel, The Kentuckian in New-York (1834), priced at £7,500 (Dh36,675), and a previously unrecorded 19th-century Arabic-English phrasebook by an Egyptian author, also priced at £7,500. Adding to the allure is a rare first complete Arabic edition of One Thousand and One Nights printed in the Arab world at Cairo's Bulaq Press in 1835, complementing the fair's celebration of the classic as the 'Book of the World'. Other standout artefacts include a visual archive of Saudi Arabia's post-war Hejaz Railway project (1948), with over 200 unpublished photographs priced at £18,500 (Dh90,465), and a series of original watercolours by famed illustrator Edmund Dulac for The Arabian Nights, priced between £35,000 and £80,000 (Dh171,000 to Dh391,000). 'These works carry value beyond their rarity — they speak to identity, memory, and belonging,' said Pom Harrington, owner of Peter Harrington. He noted a growing appetite among Middle Eastern collectors, particularly younger ones, for items that reflect personal histories and cultural heritage. Ben Houston, the dealer's sales director, added: 'We're seeing strong interest in Arabic calligraphy, Islamic philosophy, early scientific texts, and diasporic heritage materials like trade maps and early language guides.' The fair's organisers said this trend mirrors a broader cultural movement across the region, where national identity and heritage preservation are increasingly shaping both institutional and private collections.


Khaleej Times
26-04-2025
- Entertainment
- Khaleej Times
UAE: Rare book worth over Dh400,000 takes centre stage at Abu Dhabi International Book Fair
A rare 14th-century manuscript of Ibn Sina's Canon of Medicine, valued at Dh464,550, will be among the star attractions at the 34th Abu Dhabi International Book Fair (ADIBF), which opens today, April 26, and will run until May 5 at ADNEC Centre Abu Dhabi. Brought to the fair by renowned antiquarian book dealer Peter Harrington, the manuscript marks a major milestone: the 1000th anniversary of Ibn Sina's iconic work, a foundation of medieval Islamic and global medical knowledge. This year's edition of the fair will host 1,400 exhibitors from 96 countries and feature over 2,000 activities spanning literature, publishing, creative industries, and cultural dialogue. Returning to Abu Dhabi with a carefully curated selection, Peter Harrington is showcasing rare works that explore Middle Eastern history, heritage, and early encounters between Islamic and Western traditions. Among the highlights is the first known appearance of Arabic script in an American novel, he Kentuckian in New-York (1834), priced at £7,500 (Dh36,675). Another one included in the collection is a rare, previously unrecorded 19th-century Arabic-English phrasebook created by an Egyptian author, also priced at £7,500. The dealer's collection perfectly complements ADIBF's celebration of One Thousand and One Nights as the 'Book of the World'. Peter will also present a rare copy of the first complete Arabic edition of One Thousand and One Nights printed in the Arab world, produced at Cairo's Bulaq Press in 1835. Other standout pieces include a visual archive of Saudi Arabia's post-war Hejaz Railway project (1948), featuring over 200 unpublished photographs (priced at £18,500 (Dh90,465), and a collection of original watercolours by famed illustrator Edmund Dulac for The Arabian Nights (priced between £35,000 and £80,000 (Dh171,000 and Dh391,000), capturing the timeless magic of Arabic folklore. 'These works carry value beyond their rarity — they speak to identity, memory, and belonging,' said Pom Harrington, owner of Peter Harrington. 'We're seeing a growing appetite, especially among collectors in the Middle East and across the diaspora, for items that reflect personal histories and cultural roots.' Another standout item is a facsimile of Al-Istakhri's Book of Climes, reproducing the earliest surviving Arabic maps, a vital artefact from the Islamic Golden Age of cartography. Younger collectors in the Middle East, Harrington noted, are increasingly building libraries that reflect their own identities rather than inheriting traditional collections. 'We see strong interest in Arabic calligraphy, Islamic philosophy, early scientific texts, and diasporic heritage materials like trade maps and early language guides,' added Ben Houston, sales director at Peter Harrington. Under the theme Knowledge Illuminates Our Community, this year's fair was organised by the Abu Dhabi Arabic Language Centre and held under the patronage of President Sheikh Mohamed. Organisers said the trend mirrors broader cultural movements across the region where national identity and heritage preservation are influencing institutional and private collections.