Latest news with #CampaignMiddleEast
Campaign ME
2 days ago
- Entertainment
- Campaign ME
Private View by The Romans' Joe Lipscombe
Campaign Middle East features a Private View section with a range of insights and viewpoints from industry experts, revealing the intricate world of marketing and advertising campaigns. This month's review is by Joe Lipscombe, Partner – MENA at The Romans. The LEGO Group: Build It With Him Love the concept, wish the creative upheld it. I've read the extensive background – the endless research and data mining done to land on this insight, but I can't see it in the final product. The notion of 'don't buy, build' is nice. But it's promoting LEGO, which you buy. The art direction is classy, but the creative hasn't truly captured the heart of the insight. I'm also not sure that brown wallets, slippers, grey mugs and power drills really reflect the modern dad – but maybe I'm projecting. Dubizzle: Everyone Is On dubizzle Another strong concept, with a tame execution. I like the core idea; I would have preferred a more ambitious creative execution. It feels like it does the job in terms of message penetration. I wouldn't be sharing or re-running the spots, though. NYX Professional Makeup: The Face Glue A bit absurd, finally. The story behind this strongly reiterates the impact of pasting ads across metro stations and on bridges over SZR. I can't argue with that, but there's little mention of the creative direction. That said, not many brands strike a culture chord in Dubai, and despite not being the audience, I respect that they've achieved that with this partnership. It's absurd and we need more of that. But given the physical coverage, I'd have loved more from the creative direction. Himalaya: We Know Pimples Feels like the brief, not the solution. The central concept of we don't get you, but we get spots is interesting. But simply putting your audience in their natural habitat and calling it relevance isn't enough. We need some proper depth, not another actor with a headset and controller. I think it misses the mark. L'Oréal Paris: Sit Al Bait Powerful, if not a bit unoriginal. Three of the young Arab women at The Romans watched this and agreed that, though the film gets them pumped up and it's strikingly shot (which it is), there isn't enough negative sentiment behind the original phrase to make it truly meaningful. In fact, they felt that both 'Sit Bait' and 'Sit Al Bait', over time, have come to mean the same thing. From my perspective, we have seen so many campaigns hinge on the changing of Arabic letters to alter meaning, that the vehicle has lost all potency. By Joe Lipscombe, Partner – MENA at The Romans
Campaign ME
5 days ago
- Business
- Campaign ME
Seed & Bloom Community Café shares rollout, success of brand launch campaign
Seed & Bloom Community Café, a homegrown brand, has shared details about its brand launch, activation and influencer campaign with Campaign Middle East. The campaign leaned into a multi-channel strategy to create awareness about its launch, introduce a novel concept to the market, and catalyse foot traffic to the debut venue. The homegrown F&B concept in Abu Dhabi built its brand identity around mindful living, sustainable design and exceptional artisanal food, hoping to build brand love and loyalty through a nurturing space for connection and community engagement. View this post on Instagram A post shared by Foode 🇦🇪 Essa Ali (@ Stakeholders involved in the Seed & Bloom launch campaign The brand launch and activation campaign was brought to life in partnership with TGP International, which was responsible for concept and brand development, interior design and ongoing oversight of operations, marketing, events, PR, and advertising for Seed & Bloom. The brand is now entirely operated and managed by TGP International. Meanwhile, Katch International was tasked with generating media coverage for the venue and coordinating influencer visits during the opening phase. Me:Mo provided auxiliary marketing support during the three-month launch period, including content creation and social media management. Pyong Sumaria handled the photography for F&B and social, while Gavriil Papadiotis handled photography for the interior design elements. The campaign ran for a duration of eight weeks from 5 March to 5 May, 2025. Objectives and rollout of the campaign In conversation with Campaign Middle East, the brand revealed that the main objectives of the campaign included: Introducing the brand to the market and establish its identity and brand values; Driving initial traffic to the venue and revenue through F&B sales; Attracting media and influencers to discover and experience the brand; Generating bookings for workshops and classes; Growing social media platforms and engagement; and Achieving positive early-stage Google Reviews ratings. The brand primarily looked to reach a targeted audience of families, Emiratis, local communities, as well as family-focused influencers. As a result, the campaign was rolled out through social media, traditional public relations and media outreach, community events, influencer marketing and through its website. The campaign unfolded in three distinct phases, starting with early awareness efforts before progressing into targeted media and influencer engagements, and then culminating in highly community-focused activations of workshops and activities, which set the direction for the venue's ongoing programme of experiences offered to its guests. Pre-launch awareness Ahead of its March 2025 opening, the team laid the groundwork for targeted brand awareness. Bilingual press materials were shared with regional media, and first-look exclusives were pitched to trusted lifestyle outlets. Regional publications featured Seed & Bloom before its launch, drawing attention to the design details and menu highlights. Fact Magazine called it 'a space for cakes, classes and coffee in equal measure,' capturing the layered intent behind the concept. This early presence established media recognition and positioned the brand as experience-led from the outset. Launch coverage The launch campaign brought together select content creators to engage their audiences with original, immersive storytelling. Influencers including Alia Alhosani, Amal Ismail, Lana Kaati and Sister's Diary covered their visits through Reels and stories. Through detailed concept briefing and on-the-ground collaboration with these individuals, content focused on the concept's craftsmanship, interiors and the sense of calm the space offered. Time Out Abu Dhabi's walkthrough reel highlighted the café's botanical interiors and pastry selection. A similar walkthrough on TikTok added another strong stream of content. Secret Abu Dhabi's video looked at the sustainability story and the space's distinctive tone. View this post on Instagram A post shared by @gardensplazaad Combined, these videos received more than 80,000 views across platforms. The narrative was picked up by early visitors who began posting their own stories, photos and reels, which helped build an important layer of community-generated content within days of launch. Community event Seed & Bloom also hosted a dedicated 'A Blooming Beginning' event the weekend following its launch, inviting local families, creatives and lifestyle voices to experience the café through workshops, live music and community moments. The day featured a mix of hands-on activities including flower arranging, painting, and interactive culinary stations, with a focus on creating moments families could enjoy together. Attendees included Shania Rosario, Leen Melthem and Arpita Soni who captured impressions of the space that went beyond food. From floral focaccia to slow mornings on the terrace, the content reflected a sense of discovery that aligned with the brand's personality. Finally, a café in Abu Dhabi that feels like home—warm, personal and proud of where it comes from. — Experience Abu Dhabi The event extended the reach of the campaign into the local community and created additional stories that positioned the brand as part of the neighbourhood. Post-launch momentum In the months following the launch, Seed & Bloom continued to receive editorial coverage in What's On Abu Dhabi, BBC Good Food, Curly Tales and Experience Abu Dhabi. These pieces moved the narrative forward by spotlighting the café's evolving programme of events and workshops, including sourdough classes, sustainability pop-ups and creative gatherings. Freshly baked pastries, earthy interiors and a warm welcome—Seed & Bloom is one of Abu Dhabi's most exciting new openings. — Curly Tales Reviews on Tripadvisor consistently cited the ambience, service and quality of food, reinforcing the messages shared in media and influencer content. The café maintains a full 5.0 rating. Success metrics of the Seed & Bloom campaign Since its launch, Seed & Bloom Café Abu Dhabi has carved out a clear identity in the city's evolving café scene.
Campaign ME
5 days ago
- Entertainment
- Campaign ME
The comprehensive Cannes Lions wrapup
The 72nd edition of the Cannes Lions International Festival of Creativity, held from 16 June to 20 June 2025, witnessed a healthy mixture of unfettered emotions unleashed within the 'safe space' of Cannes on the stunning French Riviera. From curiosity, courage and creative confidence to fascination, frustration and a fear of the future, marketers – old and young, experienced and ambitious – shared their feelings and stress-tested their strategies. Campaign Middle East was in the thick of it all during the five-day festival, covering keynotes and panels, moderating closed-door round table discussions , hosting industry meet-and-greets, and offering leaders from the MENA region – and across the globe – the opportunity to voice their latest learnings. View this post on Instagram A post shared by Campaign Middle East (@campaignmiddleeast) Overview: Setting the scene at Cannes Lions At the outset, every single conversation at Cannes Lions 2025 cemented one – or more – of the six foundational pillars holding up the current marketing edifice. These include: Creativity – originally human and artificial intelligence (AI)-assisted; Technology – updates on generative AI, algorithms, platforms and social media; Outcomes – building brand equity and bringing in financial returns; Social impact – purpose-driven 'marketing for good' to heal a polarised planet; – purpose-driven 'marketing for good' to heal a polarised planet; Co-creation, culture and context – collaborating with a creator economy; Education – the final piece that glues all the above together. Strong opinions were voiced on each of these topics as marketers, martech and adtech leaders, celebrities, content creators, consultancies, brand architects and agency leaders brought the bustle and buzz back to Cannes – otherwise a serene vacationers' paradise. Inside The Palais, delegates who attended keynotes, fireside chats and panels at the Lumière Theatre, Théâtre Claude Debussy, The Forum, The Terrace and The Rotonde were served talks on human ingenuity, social impact and creative effectiveness in the age of AI. Those who dared to brave the heat, humidity and long queues along the Croisette were made privy to the latest platform updates, algorithm hacks and content creator strategies to drive speed, efficiencies, optimisation and insights. Attendees keen on spotting celebrities were often left with the hard choice of choosing between stages as Cannes Lions welcomed Hollywood actress Reese Witherspoon, former women's World No.1 tennis superstar Serena Williams, Olympics 100m gold medalist Noah Lyles, and world-record-holding long-distance runner Mo Farah, among many others. Meanwhile, most global and regional agency leaders shuffled between The Palais, jury rooms, their dedicated beach pop-ups and their agency tents, while the adtech and martech players moored their yachts in the marina. In parallel with the Cannes Lions programme, leaders also held high-level meetings with global counterparts and signed strategic partnerships with key stakeholders in the historic lobbies of Le Majestic Barrière, Carlton Cannes, Hotel Splendid and Hotel Martinez. Some of the most compelling conversations took place over meals or under shaded canopies, as independent agency leaders, creators, artists and entrepreneurs dissected the Cannes Lions 2025 narrative and charted their next moves. The overall consensus was that product discovery is fundamentally changing. Celebrities, creators and community leaders will drive brand trust. AI infrastructure will be critical to amplifying creativity and highlighting cultural nuances. As a result, AI augmentation, automation, accountability and authenticity will remain some of the key differentiators. Creativity: Searching for the soul of Cannes Lions For those attending Cannes Lions for the nth time, the growth and scale of the festival remained remarkable. Leaders agreed that it was impossible to attend every session or catch insights from every speaker they hoped to hear on stage. And yet, the change in the air was unmistakable. Conversations about campaigns, brand purpose and the quality of advertising work – which in previous years used to occupy the main stage at the Lumière Theatre – were relegated to smaller basement stages, sustainability hubs and jury feedback sessions. Creative work, in itself, was not the priority at Cannes Lions 2025. However, creativity as a tool to catalyse business outcomes was placed front and centre. This reflected the global and regional focus on return on investment (ROI) and return on advertising spend (ROAS). In a market where even some of the Big Six advertising holding groups have failed to retain their legacy clients; where several senior leaders have left advertising giants to start their own independent agencies; where competition remains high and margins remain low; where mergers, consolidations and layoffs are making daily news – the chorus on business outcomes drowned out all other conversations. In conversation with Campaign Middle East, Simon Cook, CEO, LIONS, said, 'More brands are attending the festival than ever before. They're telling us that they're coming here because they want to understand how to unlock creativity as a driver of growth.' In the pursuit of growth and business outcomes, creativity and technology were viewed through a different lens – as tools, enablers and means to an end. Aude Gandon, Global Chief Marketing Officer, Nestlé, told Campaign Middle East, 'Creativity means business. Without great creativity, you can't drive growth or business.' Fabio Silveira, Managing Director, Havas Creative Middle East, added, 'Creativity is still the first and, probably, the most important piece, but business transformation also has a huge role to play.' As a jury member for the newly added Creative Business Transformation category at Cannes Lions Awards 2025, Silveira added, 'This new awards category – as well as the first-of-its-kind CEO panel that we've seen at Cannes Lions 2025, an event otherwise known for its CMO panels – is representative of this shift in conversation from mere creativity to reviewing its very real impact on business outcomes. We've been evaluating and awarding work that demonstrates real impact on operations, research and development, HR, as well as all the other facets of the business chain.' Not mincing words in his chat with Campaign Middle East, Gary Vaynerchuk, CEO and Chairman, Vayner Media, took this a step further saying, 'Most of the people at Cannes Lions 2025 should be worried about AI if they're not contributing to business outcomes. A lot of people want to sell the idea of creativity as a disguise to what marketing should be, which is an engine to growth for business. This entire Palais should be disrupted if they've been non-contributive to the brands that have been paying them to deliver outcomes.' View this post on Instagram A post shared by Campaign Middle East (@campaignmiddleeast) Raging debate: Marketing as a force for good Amid this focus on driving tangible outcomes, leaders also shared opposing opinions on the role of marketing and advertising as a tool to catalyse social change. While some called for marketing to rotate beyond products and promotion, and move towards purpose, others called for marketing to 'do its job' of driving business outcomes. Siddarth Sivaprakash, Head of Brand & Marketing, Home Centre, Landmark Group, said, 'It's sad to see an important discussion not get its due in the spotlight. If we live in a world and work in an industry where we believe that creativity can solve world problems, to some extent, or at least bring awareness to it, I think we're really missing out on an opportunity. I feel like at Cannes, this year, we've not heard about that sufficiently – especially from Middle East agencies.' During the CMOs in the Spotlight session on Day 3 of Cannes Lions 2025, Josefien Olij, Senior Director Marketing Communications, Philips, echoed these thoughts. 'We truly need to take a step in the right direction,' Olij said. 'We need to look at technology and creativity for good with strategies that are caring and courageous. AI is a part of that. It needs to be an enabler, but not something that replaces. We need to find a way to continue finding solutions to real-world problems, truly collaborate, think strategically, but always with a human touch.' However, reiterating thoughts shared by other leaders across several stages at Cannes Lions 2025, Vaynerchuk responded saying, 'Giving back is done in non-profits. If you want to give back, go spend your time, money and energy on non-profits. Donate to causes that make a change. Don't hide behind 'giving back' because you're being held accountable for business outcomes.' That said, the gap between on-stage, outcome-focused conversations and award-winning 'do-good' campaigns at Cannes Lions became evident when the Grand Prix awards were announced on the final day of the festival. Several of the campaigns that lifted top honours at the Cannes Lions Awards 2025 clearly showcased a social impact element in their entries, which was recognised by different cohorts of global jury members. Apart from award categories such as the Glass: The Lion for Change or Grand Prix for Good, which are categorically set aside for do-good campaigns, even the Grands Prix in the Film, PR, Entertainment Lions – Music, and Industry Craft categories were awarded to campaigns that highlighted their positive impact on underrepresented sections of society. Additionally, Cannes Lions also contributed to social impact by providing complimentary passes worth €2m (AED8.65m) to underrepresented talent and underserved communities. This discussion raised interesting questions: Are driving business outcomes and ensuring social good mutually exclusive? Can't we find a way to address basic human problems and drive business growth simultaneously? Tor Myhren, VP of Marketing Communications, Apple, addressed these questions through the course of Cannes Lions 2025 – starting with one of the event's most quoted keynotes. A message to fix the mess in the age of AI After receiving the 2025 Creative Marketer of the Year award at Cannes Lions, and highlighting Apple's business success, Myrhen took to the stage to call for human-centred creativity – designed by humans, designed with empathy, and designed to solve human problems. He said, 'I've got good news and I've got bad news. The good news is that AI is not going to kill advertising. The bad news is AI is not going to save advertising either. We have got to save advertising ourselves; and I think it's by believing in what's always made it special – which is human creativity.' Myrhen also emphasised the importance of trust and empathy in the age of AI. 'I think the world needs more optimism,' he said. 'We need to drive, with AI riding shotgun. The best marketing makes people feel and laugh and cry and wonder or fall in love with a person or an idea or a brand. We all want to feel. There's no technology, algorithm or artificial intelligence that works in our world that is more capable of making us truly 'feel' like the human mind does.' Myrhen added, 'I believe that this industry was built on creativity, and that's the game we can win. The human touch is our superpower, so use it. Use your sense of humour; use your incredible taste; use your subtle nuance; use your originality; use your brain and your heart to go out there and make something wonderful.' He then went on to discuss the moral compass of a brand, highlighting how Apple has stood its ground on privacy and contributed to social good. Playing Apple's Flock advertisement on the big screen at the Lumière Theatre, Myrhen explained how the 'pretty creepy' ad still became that popular. He reiterated that the success of the ad lay in the fact that it was 'extremely human.' He also went on to showcase the beauty of 'democratising hearing health' referring to the AirPods Pro 2, which now double up as a clinical-grade hearing aid. Commenting on the creativity that led to the success of each of these ideas, Myrhen added, 'It's the brain and the heart working together to create something special. No one would say that 40 seconds of muffled sound would become Apple's most watched holiday ad ever. But Google had the highest search volume for hearing aids in the history of Google search after this ad came out. This is making a difference, which is awesome.' Responding to this stellar keynote, Ali Rez, Chief Creative Officer, Impact BBDO said, 'The subject of the human touch, especially in an era where we're increasingly relying on machines was special. Also, this is a much-needed reminder that the value of emotion and craft will never be eroded.' Platforms draw a crowd at Cannes Spotify, YouTube, TikTok and Meta also claimed their share of attention at Cannes Lions with key announcements. Spotify Days before Cannes Lions, Spotify revealed two new initiatives to help brands further tap into Spotify's creative playground: the Creative Lab Hub and its inaugural Creative Council. Highlighted at Cannes Lions 2025, The Creative Lab Hub is a new global destination where brands and advertisers can access Spotify Advertising's most effective tools, formats, and insights — making it easier to create breakthrough campaigns. Meanwhile, Spotify's Creative Council brings together industry-leading creatives to help shape the future of advertising and brand storytelling on Spotify. This group includes top creative leads from agencies including R/GA, BBDO, McCann, Anomaly, VML and GUT, as well as brand leaders from Coca-Cola, Ulta Beauty and AG1. YouTube In line with its aim to connect communities and content creators with advertisers, YouTube released Open Call at Cannes Lions 2025. This is a feature within the platform's Creator Partnerships hub, powered by the YouTube BrandConnect tool, which permits brands to discover and partner with creators at scale. Through this feature, brands and advertisers will now be able to share a creative brief that explains the requirements of their campaign. This will allow multiple content creators within the YouTube Partner Programme the ability to pitch their video content designed specifically for that campaign and based on the creative brief directly to advertisers. Once the brands and advertisers view, review and approve their video submissions, the promotions or the partnership ads will get activated. In conversation with Campaign Middle East, Melissa Hsieh Nikolic, Director of Product Management for YouTube Ads, said, 'Creators and their authentic content really resonate with YouTubers and communities. Open Call and Creator Partnerships hub helps brands find creators who can tell their stories authentically, while giving creators of all different sizes an opportunity. We think there's a lot of power in that. This also provides people with a lot more ways to connect with brands.' TikTok At Cannes Lions 2025, TikTok unveiled updates to TikTok Symphony, its suite of generative AI tools designed to streamline creative production and spark bold new ideas. These new updates aim to make scaling on TikTok faster, easier and more efficient. With Symphony Image-to-Video, TikTok will bring static images to life to help unlock new creative formats, generate multiple variations of existing on-brand content or bring a full product catalogue to life. Next, with Symphony Text-to-Video, all it takes is a short text prompt to bring an idea to life, enabling advertisers to rapidly generate, test and iterate on a range of creative executions. This also allows advertisers to customise content at scale. Finally, with Symphony Showcase Products, advertisers will be able to place their products front-and-centre by showcasing them with digital avatars. This gives marketers a new way to feature a product in TikTok-first creative content. Commenting on these new features, Andy Yang, Global Head of Creative and Brand Products, TikTok, said, 'We're entering a new era of creativity, one where ideas move at the speed of culture, and where AI doesn't replace imagination but rather accelerates it. With TikTok Symphony, we're empowering a global community of marketers, brands and creators to tell stories that resonate, scale and drive impact.' Meta At Cannes Lions 2025, Meta announced a bevy of AI-powered features, including AI agents integrated into advertisements, which permits users to chat with an advertiser's bot immediately when clicking on an ad. Meta also held demonstrations for its collaboration with Ray Ban, highlighting Meta AI features on the sunglasses capable of capturing videos and photos hands-free. In addition to merging creatives with conversational commerce, Meta also showcased ways for brands and advertisers to set up these AI agents on Messenger and WhatsApp through smart prompts. The platform highlighted how performance insights can be derived to hold the 'AI agents' accountable to their knowledge and usefulness. Additionally, Meta also revealed voice-activated business AI agents, which opens out the possibility for customers to query branded business bots – especially for users who don't like typing and want a faster, hands free experience. Add to this Meta's AI-powered translation tools, which further empower copy and creatives by translating ad content into 10 global languages, therefore, enabling advertisers to take their campaigns global faster. The number of languages that Meta's AI can translate is set to double by the end of 2025. Similar to TikTok, Meta is also rolling out an AI-powered image-to-video ad tool across Facebook and Instagram. Through this tool, marketers will now be able to convert up to 20 static product images into multi scene videos with music and subtitles right in the ad interface. WhatsApp For the first time ever, advertisers can now become channel owners and run ads within their WhatsApp Status, unlocking a new ad revenue model inside the application. Meta is also reportedly testing native ads inside the WhatsApp Updates tab, making it the first time ads will appear inside WhatsApp rather than as a click-through from Instagram or Facebook. However, these chats and channels will be clearly differentiated from the encrypted personal chats, the company clarified. The MENA region shines at Cannes The MENA region has had a great run at the Cannes Lions International Festival of Creativity 2025. Out of the 828 Lion winners from 48 countries, the MENA region claimed a total of 32 wins awarded across agencies and markets – up from 22 in 2024. This year's Cannes Lions MENA winners included agencies from the UAE, Saudi Arabia and Jordan. Impact BBDO led the region on total points and was awarded MENA Network of the Year at Cannes Lions 2025, marking a historic seventh time that the network has claimed the title. In terms of trophies, UAE agencies took home 18 wins, led by FP7 McCann Dubai (1 Gold, 1 Silver, 5 Bronze); VML Dubai; (1 Silver, 3 Bronze); Impact BBDO (1 Gold, 2 Silver, 2 Bronze); and LEO Dubai; (1 Bronze). Sharing the spoils with Impact BBDO, AdPro& Group picked up Jordan's first-ever Silver Lion in Cannes Lions' 72-year history. Representing Saudi Arabia at Cannes Lions, agencies from the Kingdom lifted 13 metal cats, led by BigTime Creative Shop (2 Golds, 1 Silver, 3 Bronze). The agency was also honoured with the Independent Agency of the Year: Entertainment award. Meanwhile, SRMG Labs lifted one Gold and two Silver Lions, and VML Riyadh won one Silver and two Bronze Lions. Burson MENA took home a Gold in the PR category at this year's Young Lions Competitions as the winning team – Raneem Saleh and Youssef Yammine – topped the category for 'The Silent B' campaign. Representing the region at The Rotonde, Fahd Hamidaddin, Board Member and Founding CEO, Saudi Tourism Authority delivered an exceptional keynote to a packed room, delving into the dynamic transformation taking place within the tourism landscape in the Kingdom. He called for marketers in the Middle East to build brand affinity by developing a deeper understanding of hyper-local consumers, connecting with communities, focusing on collective precision, finding their true voice, and realising the soul of the region's individuals rather than just seeing them as 'segments'. Hamidaddin also called for marketers to take a moment to 'pause and reflect' on current challenges such as inadequate attribution, complex optimisation, irrelevant data and daunting scale instead of diving headfirst into idealistic and futuristic AI conversations. In an exclusive conversation with Campaign Middle East after his keynote, Hamidaddin said, 'We should pause to make sure we filter what's hype, what's noise, and stay true to the fundamentals. The fundamentals won't change. What is changing is consumer behaviour and that's what we need to stay very close to while leveraging AI and technology to really develop a deeper understanding of consumer behaviour.' He concluded, 'With the hype comes a global movement of speed and, conversely, an anti-movement of slow. So, I would say slow down, stay strategic, think big, stick to the fundamentals and pursue the 20-80 ROI instead of the immediate results.' Through its extensive coverage of Cannes Lions 2025, Campaign Middle East spoke to more than 40 leaders over five days. One theme stood out: Human-centred creativity powered by AI-driven infrastructure and insights can achieve tangible business outcomes and drive social impact. However, leaders also shed light on certain other concerns. While some pointed to the need for humans to understand culture and context better, others warned about the dangers of relying too heavily on generative AI tools. Reda Raad, Group CEO, TBWA\Raad said, 'The more that people are using AI, the more we're noticing that the output is beginning to look more and more alike. We're seeing this across different categories. We're beginning to see the flattening of culture, which we need to be wary about.' He added, 'Also, keep in mind that the more we rely on AI, the less we're using our intellect, curiosity and critical thinking abilities. At the end of the day, we need smarter people, not dumber people within the industry. So, while AI is a great enabler and a great tool, we need to have real conversations about what we do with AI and how we use it.' The brand and marketing industry needs to be held accountable, leaders surmised, adding that this accountability should not be pigeon-holed to brand equity or performance metrics alone, but should also be extended to the lasting effect that brands have on people, communities, the society at large and the planet. The argument is not a complex one, they said. It's understanding why they got into advertising in the first place and what inspired them to enter this realm of creativity, influence and persuasion. Tarek Miknas, CEO, FP7 McCann MENAT, said, 'My top take away from Cannes Lions 2025 is simplicity. I think the most powerful of the ideas that I've liked are the simplest ones that were able to scale, get attention and make a difference.' View this post on Instagram A post shared by Campaign Middle East (@campaignmiddleeast) All in all, the message from Cannes is clear: Marketing is facing a moment of profound transformation. Against the backdrop of generative AI, cultural fragmentation and the creator economy are upending the media landscape. Creativity remains not just a vital differentiator but one that still belongs to humans. The time for change is here. We are moving beyond hyped conversations. The new business plan to drive outcomes and social good – simultaneously – based on experimentation, bravery to fail, and the ability to be agile and pivot quickly within an evolving market. Offering a piece of advice to wrap up discussions at Cannes Lions 2025, Khaled AlShehhi, Executive Director of Marketing and Communications, UAE Government Media Office, concluded, 'Everyone needs to think big. We all need to get out of our comfort zones. Be curious. Let's do something great together. Let's do something to change our society. Let's be bold and creative.'
Campaign ME
6 days ago
- Entertainment
- Campaign ME
WithFeeling named official audio partner for Special Olympics Great Britain
Dubai-based sonic brand agency WithFeeling, which has expanded into the UK and Europe, has been named as the official audio partner for Special Olympics Great Britain. Special Olympics Great Britain is one of the largest providers of year-round sports training and organisers of athletic competitions for children and adults with intellectual disabilities. Catering to more than 6,500 athletes, the sports organisation aims to genuinely transform lives. As part of the partnership, WithFeeling will help craft the theme song and sonic identity for Special Olympics Great Britain. 'It's a partnership we're incredibly proud of. As we expand into the UK and Europe, we're keen to make as much noise as possible about this inspiring collaboration – shining a light on the incredible work of the team and athletes, and celebrating the power of music and sound to bring people together,' the WithFeeling team, led by Chief Music Officer and Co-Founder, Joe Dickinson shared in a statement to Campaign Middle East. View this post on Instagram A post shared by Special Olympics Europe Eurasia (@soeuropeeurasia) 'We'll keep everyone posted as things progress, but keep a close eye out for more details down the line,' the statement read. Meanwhile, WithFeeling UK and Ireland are jumping headfirst into some athletic adventures of their own to raise awareness and funds for the Special Olympics Great Britain. Kicking things off this October, its Head of Music Joe Dickinson and Head of Sonic Branding Keith Gillespie, will be taking part in the Cheltenham 10K Obstacle Race, the agency confirmed on a LinkedIn post. 'If you feel like seeing two extraordinarily unathletic men attempt some pretty extraordinary challenges, we'll be sure to post updates as we go. The work from both the management and the athletes for Team GB is nothing short of amazing, and we could not be more excited and proud to contribute in any way we can,' WithFeeling added in its LinkedIn post. The agency has also launched an official fundraising page on JustGiving, to offer support and add visibility to what Special Olympics Great Britain does.
Campaign ME
23-07-2025
- Entertainment
- Campaign ME
Private View by UAE-based telecom Brand Director Simon Ornelis
Campaign Middle East features a Private View section with a range of insights and viewpoints from industry experts, revealing the intricate world of marketing and advertising campaigns. Simon Ornelis, a UAE-based Brand Director with expertise across telecom, FMCG, and retail, shares his perspective on selected 'Work' for July's review section. The LEGO Group: Build It With Him A warm, meaningful idea rooted in a powerful truth: dads value time more than things. The emotional clarity is strong. I'd love to see it evolve into build-it-with-him kits or seasonal rituals. There's a great opportunity to turn this into a memory-making platform that families look forward to year after year. Dubizzle: Everyone Is On dubizzle There's boldness here, and I respect the unapologetic tone with category confidence and a sticky line. But I found myself wanting a little more. The brand is sitting on rich data and diverse user journeys – there's an opportunity to celebrate real stories, niche use cases or life milestones adding depth to the brand's clear market leadership. NYX Professional Makeup: The Face Glue Bold, eye-catching, and unapologetically expressive – the campaign turns fan energy into citywide visibility. What makes it work is how true it feels to NYX's fearless personality, while cleverly tapping into Dubai's love for over-the-top drama. Safa's presence adds glamour and credibility. Himalaya: We Know Pimples The tone here is refreshingly right – not preachy, not trying too hard. Just a gentle, well-observed mirror of what it's like to be a teen. It sets the stage for a meaningful brand relationship. Building on this with peer-led content, simple skincare routines, or digital tools could turn it into a true go-to for teens. L'Oréal Paris: Sit Al Bait Brilliant. This is standout brand work – respectful, clever, and deeply rooted in cultural insight. Reclaiming 'Sit Al Bait' with pride aligns beautifully with L'Oréal's timeless promise 'Because you're worth it' – in a way that feels fresh and locally meaningful. With continued storytelling, community programmes, or product integration, this could evolve from a strong statement into a lasting, values-led platform that truly lives across the region. By Simon Ornelis, UAE-based telecommunications Brand Director.
