Latest news with #Damaged
Time of India
7 hours ago
- Entertainment
- Time of India
Hina Khan gets emotional as she thanks Veena Nagda for her bridal Mehendi: 'What you have done on my feet is incredible'
Hina Khan's intimate wedding celebration shone with elegance, highlighted by a pastel bridal ensemble and intricate Mehendi art by Veena Nagda. The celebrity artist shared heartfelt wishes for the couple's happiness and togetherness. Hina expressed gratitude for the special Mehendi design, making the ceremony a memorable celebration of love and tradition. 'Damaged' actress Hina Khan's wedding may have been an intimate affair, but every detail — from her pastel bridal ensemble to the intricate Mehendi — exuded elegance and charm. At the heart of this celebration was a striking Mehendi design by celebrity artist Veena Nagda, which not only caught fans' attention but also earned heartfelt praise from the bride herself. Veena Nagda, the go-to Mehendi artist for many Bollywood stars, took to Instagram to share a heartfelt message for Hina Khan and Rocky Jaiswal. Congratulating the newlyweds, she thanked Hina for choosing her for the special occasion and wished the couple a lifetime of happiness, love, and togetherness. She also sent her blessings for their good health and joyful journey ahead. Dressed in a pastel ensemble by Manish Malhotra , Hina Khan looked radiant as she showcased the intricate Mehendi on her hands. She later expressed her gratitude to Veena Nagda in the comments, thanking her for making the Mehendi design on her feet truly special and for being a part of such a meaningful moment in her life. The Mehendi ceremony was a heartfelt celebration filled with love, tradition, and elegance. Surrounded by floral decor, soothing music, and their closest friends and family, the intimate gathering perfectly captured Hina Khan and Rocky Jaiswal's bond and the joy of their journey together. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Una inversión en Banco Internacional CFD podría darte un salario extra Mercados de Capital Undo Fans showered the couple with love in the comment section, admiring Hina Khan's stunning look and the intricate Mehendi design. Veena Nagda's artistry once again stole the spotlight, reaffirming her status as the go-to Mehendi artist for celebrity weddings. Check out our list of the latest Hindi , English , Tamil , Telugu , Malayalam , and Kannada movies . Don't miss our picks for the best Hindi movies , best Tamil movies, and best Telugu films .
Time Business News
20-05-2025
- Entertainment
- Time Business News
The Real J.T.W. Has Halloween Coming Early With 'A PUDDLE OF BLOOD'
The Real J.T.W. (born March 2, 1993), is a musician/songwriter and controversial figure. He was born in raised in downtown Omaha, Nebraska. He had a rough child hood growing up, but was able to find peace through music. At age 12, he started writing music. After time music became therapeutic for him and he wanted to share that therapy with others. He speaks on real life events in his life & around the world. Mental Health plays a big role in his music. As he speaks on subject matters such as depression, addiction, and mental illness. He took the internet by surprise in late 2020. He dropped his first EP album with no label titled 'The Good & The Bad'. This EP project consisted of 8 tracks. In which one of the tracks was titled 'SHATTERED' which opened the door for him with some big opportunities. He had also dropped a music video following the success of this song. In late 2020, a producer who goes by the name of Soulburnin, took a liking to his music. The two started working together on his first professional studio album titled 'Watch Me Bleed'. This album consisted of 15 tracks. Two of his tracks made some serious noise, titled 'Damaged' and 'New Place'. He made a name for himself on platforms like SoundCloud and Instagram. He has made a promise to his fans to stay active and drop one song each month. Each track has a story of its own. Many fans have described his music to be therapeutic while others would describe it as dark but real. Many people ignore the importance of mental health. As he makes it his main focus in life and through his music. In early 2022, The Real J.T.W. recorded his second professional studio album under Soulburnin Records, titled 'Painful Living'. This album consisted of 10 tracks in total. He had two successful tracks off this album titled 'REFLECTIONS' & 'DIVIDE'. In which both went viral. This album dropped on all platforms on December 29, 2023. Moving onto 2024 he started working on his next album titled 'Way Below Ground'. This album consisted of 11 tracks in total. Two of his hit singles were on the track list titled 'RUINS' & 'TRICK OR TREAT'. This album dropped on January 20, 2025. He's also sitting on four other albums that have been recorded & produced by his label, Soulburnin Records. These albums will drop over the course of the next 4 years going ahead. He has a plan to drop his fourth studio album under Soulburnin Records titled 'TRAPPED INSIDE MY MIND'. There is no official release date but is expected to drop sometime in 2026. The Real J.T.W. earned his 100K Subscribers plaque on YouTube on March 15th, 2025. This marked his biggest achievement yet. This achievement shows the level he's at not just as a musician but as a YouTube Influencer. Some of the content he does on his YouTube channel is music videos, weight lifting videos, & tribute shorts. He's got over 76+ Million Views on his channel. The Real J.T.W. is getting ready to drop his most terrifying track yet titled 'A PUDDLE OF BLOOD'. This track is said to bring shivers down your spine. He has a featured artist with him on this one who goes by the name 'Search For Savior'. This track is full of rage and explicit lyrics. 'A PUDDLE OF BLOOD' is set to drop on all platforms May 26, 2025. On social media The Real J.T.W. voiced to his fans that Halloween was coming early this year. Many fans love a good scare from him. As lately he has been bringing more darkness to life in his music. Buckle up as he's about to do the unthinkable once again in the hip-hop scene. Instagram SoundCloud Linktree: YouTube TIME BUSINESS NEWS
Yahoo
18-05-2025
- Entertainment
- Yahoo
Aubrey O'Day blasts ‘selfish' Diddy for having children in court during graphic testimonies
Danity Kane singer Aubrey O'Day called Sean 'Diddy' Combs 'selfish' for having six of his seven children appear in court during his ongoing trial in New York. The rap mogul is facing federal charges related to sex trafficking, racketeering and transportation to engage in prostitution. He has pleaded not guilty and denies any wrongdoing. 'The fact that the kids are marching up to that court, praying over everything and walking in with a bunch of women also that are encouraging it,' O'Day said on Amy Robach and T.J. Holmes's podcast Friday. The 'Damaged' singer, whose girl band was signed to Diddy's Bad Boy Records, continued: 'I don't know any father that would want their children to sit through testimony about how much their daddy liked to watch people [get] lubricated, f*****g, getting p****d on and urinated in their mouths, having his girlfriend come in the other room and rub their come all over his nipples.' 'Would you want your children to know about it?' she asked Holmes and Robach. 'It's concerning to me, that the optics of them being there and supporting [their] father are obviously a very strong play for the defense.' However, not all of Diddy's children stayed throughout the proceedings. Chance, 18, and the twins Jesse and D'Lila, also 18, left the courtroom twice on May 12, while male escort Daniel Phillip shared graphic details about an alleged paid sexual encounter between himself and Ventura, which he said Combs watched while masturbating, multiple outlets reported. 'It's telling to me. It means that daddy's being selfish and he needs — in my opinion — it feels like, 'Daddy needs you in court because daddy needs all the optics to look in his favor,' and I don't really care what you have to sit through,' said O'Day. Her comments come after she revealed she would not be taking the stand against her former mentor, despite being contacted by Homeland Security. O'Day rose to fame in 2005 with the MTV reality show Making the Band 3, which saw Diddy form Danity Kane. However, the record producer fired O'Day and Wanita 'D. Woods' Woodgett from the group in 2008, as captured on the show. O'Day would have been the second member of Danity Kane to testify against him. Prosecutors revealed Thursday that Dawn Richard, 41, will be their next witness following Cassie Ventura's bombshell testimony. The California-native has long been vocal about her experiences with Diddy, accusing him of attempting to silence her through nondisclosure agreements and has spoken about alleged mistreatment during her time in Danity Kane. In a 2022 episode of the Call Her Daddy podcast, O'Day claimed she was fired from Danity Kane for not doing 'what was expected' of her — 'not talent-wise but in other areas.' She celebrated Diddy's September 2024 arrest on X, writing: "The purpose of Justice is to provide an ending and allow us the space to create a new chapter.' "Women never get this. I feel validated. Today is a win for women all over the world, not just me. Things are finally changing,' she added. Diddy's trial resumes Monday.
Hindustan Times
26-04-2025
- Entertainment
- Hindustan Times
Workout tunes: Sanjoy Narayan puts together a playlist to help you flex
I know this will sound sanctimonious, but the gym is my temple (there, I said it). It's a sacred space where sweat and steel forge resilience. For 28 years, I've leaned on the barbell. I'm a 65-year-old devotee still hitting the iron three to four days a week. This journey began in my late-30s, as a tentative flirtation with weights. It was, in part, a response to an early health warning, but the weights soon became a full-blown obsession. From the raw grit of 1970s classic rock to the cerebral pulse of modern jazz, I've scoured genres for the perfect sonic fuel to power my lifts. Here's how I went from punk rock deadlifts to squatting with Miles Davis — and why jazz became the ultimate soundtrack for strength-training. My lifting odyssey began at 37. In addition to my health warning, I was inspired by the musician Henry Rollins's visceral essays on weightlifting. ('The Iron never lies to you,' he writes in one. 'You can walk outside and listen to all kinds of talk, get told that you're a god or a total bastard. The Iron will always kick you the real deal.') His punk-rock ethos — raw, defiant, transformative — spoke to me as I navigated the chaos of midlife. I dove into punk, blasting the Black Flag album Damaged through my headphones as I tackled my first bench presses, Rise Above fuelling my fledgling grit. The Ramones' Rocket to Russia powered my early lightweight deadlifts, its relentless simplicity a match for my debutant's zeal. Punk was loud, unpolished and urgent; perfect for a beginner finding his footing in an intimidating Mumbai gym. As my commitment deepened in my 40s, so did my musical explorations. Punk's raw energy gave way to 1970s classic rock, the soundtrack of my teens. Led Zeppelin's Physical Graffiti became a staple, Kashmir driving my squats with its hypnotic cadence. Deep Purple's Machine Head pushed my bench sessions, Highway Star coaxing one more rep from weary muscles. These bands, with their towering riffs, turned workouts into epic clashes, making each set a tiny bit easier to tackle. For a while. I also dabbled in psychedelic rock, drawn to that genre's experimental edge. Pink Floyd's Dark Side of the Moon lent a surreal calm to warm-ups, while Jefferson Airplane's Surrealistic Pillow added a trippy vibe to accessory work. But psychedelia lacked the punch required for heavy lifts. Waylon Jennings's Honky Tonk Heroes had a rugged charm for kettlebell farmer's walks (that's one kettlebell in each hand), yet country felt too mellow. I tried folk, and found that Bob Dylan's Blood on the Tracks suited recovery sessions, but not the demands of a PR (personal record) attempt. In the 2010s, I began to expand my playlists to include late-'80s and early-'90s gangsta rap. NWA's Straight Outta Compton hit like a sledgehammer, the raw aggression perfect for psyching up before a set. Public Enemy's It Takes a Nation of Millions to Hold Us Back brought raging fervour to my squats, Chuck D's voice slicing through the clank of plates. Wu-Tang Clan's Enter the Wu-Tang (36 Chambers) fuelled tough pull-ups, its gritty beats and sharp lyrics egging me on. Rap's unapologetic edge mirrored the defiance I felt, pushing my body through middle-age. As I crossed into my 60s, though, my training crystallised. Compound exercises (a mix of squats, deadlifts, benches and overhead presses) became my mantra in my temple. They were frill-free exercises that build on decades of effort. With this clarity came a new soundtrack genre: jazz. I started with the masters. Miles Davis's Kind of Blue flowed through my warm-ups, its modal coolness setting a meditative tone. John Coltrane's A Love Supreme accompanied my squats, its spiritual depth echoing the focus of a heavy set. Charles Mingus's The Black Saint and the Sinner Lady brought frenetic energy to heavy deadlifts, while Ron Carter's bass lines on Speak No Evil anchored my dumbbell bench press. Jazz isn't just music; it's a conversation. Its improvisational flow syncs with my lifts, the changing notes mirroring the instinctual adjustments of a well-executed rep. A great lift, like a great solo, demands precision and freedom, discipline and daring. Modern jazz has deepened this connection. Kamasi Washington's The Epic brings cinematic grandeur to my sessions. Shabaka Hutchings's We Are Sent Here by History matches the fire of my heaviest days. Vijay Iyer's Break Stuff adds intellectual rigour to warm-ups, while André 3000's New Blue Sun offers meditative calm for cooldowns. The new British jazz scene — Nubya Garcia, Moses Boyd, Ezra Collective — infuses my workouts with vibrant, relentless grooves. Why jazz? Because it's not just about adrenaline (though jazz delivers that too). Lifting has its rhythm — inhale, brace, lift, exhale — and jazz, with its syncopated pulse and unpredictable turns, mirrors that perfectly. In my mid-60s, I'm not chasing the reckless intensity of my 40s. I'm pursuing zen and the quiet power that a body can achieve. Jazz is the soundtrack for that pursuit, complex and soulful; a reminder that strength, like music, evolves. (To write in with feedback, email
