Latest news with #DesigneroftheYear
Qatar Tribune
4 days ago
- Entertainment
- Qatar Tribune
Waad Designs and W Doha announce summer-inspired abaya fashion showcase
Tribune News Network Doha W Doha has announced the launch of its latest abaya collection, 'Masayef', a celebration of summer elegance and resort-style sophistication. The fashion showcased the creative mastery of renowned designer Waad, in addition to highlighting the fresh perspectives of Tlidaby Shahad Alkahlout and ENC by Noora Alkhayarin, two emerging designers reshaping the local fashion landscape. This exclusive fashion show celebrated the essence of summer and resort living, blending traditional elegance with contemporary flair. A Fusion of Tradition and Modernity 'Masayef', meaning 'summer retreats' in Arabic, encapsulates the spirit of leisure and sophistication. The collection featured abayas crafted from lightweight fabrics in a palette of soft pastels and earthy tones, reflecting the serene beauty of coastal getaways. Intricate embroidery and flowing silhouettes pay homage to traditional designs while embracing modern aesthetics. At the helm of WAAD designs is the visionary designer Waad, who established her brand in 2010 with a mission to redefine abaya fashion for the modern woman. Her designs are renowned for their effortless elegance and versatility. Her presence in the show served not only as a design highlight, but also as a beacon for up-and-coming talents. Waad's commitment to excellence has earned her numerous accolades, including the Designer of the Year award at the Arab Women Awards in Qatar in 2013. Her work has been featured in esteemed publications such as Vogue Russia and Harper's Bazaar Arabia. Beyond fashion, Waad has ventured into interior design, contributing to projects like the prestigious Al Hazm Mall and the 'Teeb Al Hazam' perfume exhibition. As part of its ongoing mission to empower and inspire young creatives, W Doha extended the runway to two rising fashion stars: Tlida and ENC. These young designers brought a fresh narrative to the evening, each presenting unique collections that celebrated cultural identity with a modern twist. Tlidaby Shahad Alkahlout captivated the audience with bold silhouettes and innovative fabric choices, reflecting a youthful yet sophisticated flair. Based in Qatar, Tlida aims to become the premier destination for modern fashion enthusiasts, offering designs that blend contemporary trends with a distinctive edge. ENC by Noora Alkhayarin impressed the audience with minimalist elegance and clean lines, emphasising craftsmanship and artistic storytelling. Operating under the umbrella of The Label Qatar, ENC focuses on essential, contemporary pieces that highlight quality and simplicity, catering to those who appreciate refined, understated fashion. Their inclusion reflected W Doha's commitment to championing creativity and offering a platform for promising local talent to thrive alongside established names in the industry. The 'Masayef' fashion show, hosted at W Doha, offered guests an immersive experience into the world of fashion. Attendees were treated to a visual journey that highlighted the hotels and the brands on board their commitment to quality, innovation, and cultural heritage.
Business Standard
22-05-2025
- Business
- Business Standard
Breaking the Mold: How Tripat Girdhar is Innovating from the Inside Out
NewsVoir Chandigarh [India], May 22: In the world of architecture and design, few names reflect the spirit of innovation quite like Tripat Girdhar, the founder and principal architect of Arete Design Studio. With over 15 years of experience and a bold, future-forward vision, Tripat has built more than just a design firm, he's created a movement. Established in 2009, Arete Design Studio was born out of a simple but radical belief: architecture should inspire, not imitate. Right from the outset, Tripat sought to break away from convention, embedding purpose, sustainability, and emotional intelligence into every project. His work, which spans six Indian states and reaches into Australia and New Zealand, is a testament to that philosophy. "Good design is more than form and function--it's an emotion, a mindset, and a promise to build responsibly for the future," says Tripat Girdhar, Founder at Arete Design Studio. "At Arete, we don't just draw buildings--we shape experiences, solve problems, and imagine how people will feel, move, and live inside those spaces. Every line we sketch is a step toward smarter cities, greener communities, and more meaningful interactions between people and their environments. Design should respond to the needs of tomorrow without losing the soul of today." But Tripat's journey wasn't shaped by ease or entitlement. Coming from humble beginnings, Tripat carved his path with nothing but determination and a clear vision. He earned his degree in architecture and immediately began applying a cross-disciplinary, research-driven approach that set him apart in an industry often stuck in repetition. His portfolio today includes over 70 completed projects, more than 300,000 sq. ft. under development, and celebrated landmarks like Marbella Grand, Escon Primera, Jubilee Vallum View, and the towering Fashion Tower, a 32-story architectural feat that has redefined Chandigarh's skyline. Under Tripat's leadership, Arete Design Studio has become synonymous with design that dares to lead, blending art, technology, and environmental responsibility in ways that resonate with both urban lifestyles and cultural context. His work has not gone unnoticed. In 2025, Arete was honored as the "Leading & Futuristic Architecture & Design Firm of the Year" for North India, and Tripat himself received the "Visionary & Innovative Architect & Designer of the Year" award--recognition of his role in reshaping the architectural narrative. Tripat's vision for Arete is as expansive as his designs, "We're not here to follow trends. We're here to define the next era of living and working spaces," adds Girdhar. "Innovation is in our DNA--not just in what we build, but how we think. Our goal is to create spaces that are intelligent, sustainable, and deeply human. Whether we're designing a high-rise or a home, we always ask: Will this improve how people live? Will this inspire pride and purpose? That's the standard we hold ourselves to." With innovation at its core and legacy on the horizon, Arete Design Studio continues to break the mold--not just in Chandigarh, but across continents. (ADVERTORIAL DISCLAIMER: The above press release has been provided by NewsVoir. ANI will not be responsible in any way for the content of the same)
Yahoo
06-05-2025
- Entertainment
- Yahoo
JOHN IMAH IN SERGIO HUDSON WHILE ATTENDING THE 2025 MET GALA
NEW YORK, May 5, 2025 /PRNewswire/ -- SpreeAI is pleased to announce John Imah wore a Custom Double Breasted Lavender Suit with a Hand Embroidered Overcoat inspired by his background in technology and his Nigerian heritage by Sergio Hudson while attending The 2025 Met Gala Celebrating "Superfine: Tailoring Black Style" at the Metropolitan Museum of Art on May 5th, 2025 in New York City, New York. ***IMAGE AVAILABLE FOR DISTRIBUTION*** LINK TO HIGH-RES IMAGERYImagery Courtesy of: Johanna Korsh / BFA LINK TO HIGH-RES IMAGERYImagery Courtesy of: Dimitrios Kambouris / GettyImagery Courtesy of: Kevin Mazur / Getty LINK TO SERGIO HUDSON ASSETSImagery Courtesy of: Sergio Hudson FOR MORE INFORMATION:Savannah EngelT: 972.955.1501E: savannah@ Cooper YoungT: 864.398.2791E: cooper@ ABOUT JOHN IMAH: John Imah is the Co-founder and CEO of SpreeAI. A veteran of the tech industry and a member of the CFDA, Imah's experience spans some of the world's leading technology and media companies. He is a passionate advocate for inclusive innovation, youth mentorship, and purpose-driven leadership. At SpreeAI, he combines his deep expertise in AI and consumer technology with a lifelong love of design and culture. @iamjohnimah ABOUT SERGIO HUDSON: Sergio Hudson launched his eponymous label Sergio Hudson in 2014. Hudson's breakout moment came during the U.S. Presidential Inauguration in 2021 where he dressed both former first lady Michelle Obama and the Vice President. Throughout Hudson's career he's dressed big names like Blake Lively, Kerry Washington, Jessica Chastain, Megan Thee Stallion, Priyanka Chopra, and Tracee Ellis Ross. His most noted moments are his custom designs for names like Beyoncé, Issa Rae, and Savannah James, along with his custom Met Gala moments for Audra McDonald, Lala Anthony, Megan Rapinoe, Rachel Brosnahan, and Keke Palmer. The brand has been recognised by the fashion industry numerous times. In 2022, Hudson received Designer of the Year at Harlem's Fashion Row x LVMH Style Awards and was honored again with Designer of the Year in 2023 at Essence's Best In Black Fashion Awards. In February 2023, Hudson received an Achievement Award Grant at The Fifteen Percent Pledge Gala. @sergiohudson View original content to download multimedia: SOURCE SpreeAI Error in retrieving data Sign in to access your portfolio Error in retrieving data Error in retrieving data Error in retrieving data Error in retrieving data
Telegraph
08-03-2025
- Entertainment
- Telegraph
Fashion's glass ceiling is shatterproof – why are so many brands targeted at women designed by men?
Fashion brands are swapping monogamy for short-term flings. The rate of creative director turnover is making everyone feel dizzy – but for all the break-ups and make-ups, one constant remains: male domination. With International Women's Day today, this should feel like a triumphant week for our sex. Yesterday, Sarah Burton debuted her long-awaited first collection for Givenchy, last week Silvia Fendi designed the women's line at her namesake house to huge praise, while the influence of female-run brands like The Row and Khaite is shaping global trends. And yet these can feel like bright spots in an industry that still bows down to male genius. I can't be the only one who finds it depressing that three-quarters of the intake at Central Saint Martins is female while nearly 90 per cent of top designers are men, according to a study done by creative platform 1 Granary. And it's not getting any better: across the nine new creative director appointments at the big houses lined up so far for 2025, only three are women: Sarah Burton at Givenchy, Veronica Leoni at Calvin Klein, and Louise Trotter at Bottega Veneta, while Matthieu Blazy replaced Virginie Viard at Chanel. Last year Chemena Kamali – who got the Chloe job – was one of very few women appointed to a heritage brand amid a string of male replacements. Worse, in 2023, when Seán McGirr was announced as Burton's replacement for Alexander McQueen, every major creative director at Kering – so the head designers for McQueen, Gucci, Saint Laurent, Brioni, Bottega Veneta and Balenciaga – was a white man. It even became a meme on social media (one that can't have struck a lot of hope into the hearts of young female fashion design students). LVMH's line-up looked only marginally less like a wall of prefects at an all-boys school, thanks to Dior's Maria Grazia Chiuri. Now, she is joined by Burton, who replaces Matthew M. Williams at Givenchy – but Bernard Arnault's inner circle still remains overwhelmingly male. Similarly, if you look at the winners of the British Fashion Awards over the past 10 years, it's easy to see a pattern – and it's not a pretty one if you happen to be female. Although women do often win various prizes, the coveted Designer of the Year gong remains fashion's version of the Oscars' Best Director (AKA you'd-better-be-a-man-if-you-want-this). As evidenced by the fact that the last time a woman took to the stage was in 2012, when Stella McCartney (who started her own brand) won. All the most recent recipients have been white men. The glass ceiling in fashion is clearly shatterproof at the major conglomerates – but why is this happening in an industry where women dominate everywhere but at the top? Female-focused clothing lines bring in the majority of sales, women's ready-to-wear collections garner far more press than menswear, women run nearly all the publicity, marketing and communications departments of major brands, and female models and influencers are infinitely more famous than their male counterparts. 'Misogyny is rife in this industry,' said Jeanie Annan-Lewin, creative director of Perfect magazine, in an interview. 'We're marketing clothes to women but they normally all come through the male gaze.' Part of it is, I think, a perception problem. Fashion still isn't seen as high art in the same way as some other creative industries, but the industry yearns to be taken seriously – and one way, depressingly, to project an aura of importance is by appointing a man to the top job. Then there is the issue of children. The modern fashion schedule – with its ready-to-wear, cruise and couture collections – is brutal, and women in their thirties are often passed over for promotions in favour of male counterparts. As a last resort, they tend to launch their own brands – and thereby prove how successful they can be with nobody standing in their way. Tory Burch, for example, has spoken about starting her multi-million dollar label 'out of the necessity of having a place to work that had flexibility and understood the challenges that women faced in managing being a mom and having a career.' 'Childcare is the single largest hurdle to women achieving career, pay and pension equity,' agrees Tamara Cincik, chair of lobbying group Fashion Roundtable. 'Women and girls are now doing better than men at university and dominate the industry for years after graduation. This is massive. But we aren't reaching the C-suite in the numbers we need to because of years taken out to raise children.' The irony is that many of fashion's most beloved collections have been made by women. Phoebe Philo's designs for Celine filled every editor's wardrobe for years, and even now the hashtag #oldceline remains a constant on Instagram. Hedi Slimane, who replaced her, made beautiful clothes, of course, but customers never fell in love with them in quite the same way, describing them quite simply, as less wearable. With her eponymous line, Philo has thus far refused to throw her hat in the fashion show circuit, even though the debut collection for her new line sold out in hours. And it's not just on the design side of things that men dominate. Last year, the inaugural Fashion Diversity, Equality and Inclusion report found that only 39 per cent of executive team members and 24 per cent of power posts were occupied by women. This then continues the cycle, as men are more likely to appoint other men to senior roles. 'Honestly, the best chance you have of getting the CEO job as a woman is having a dad who runs the show,' says biographer Amy Odell, in a nod not only to Delphine Arnault – Bernard's daughter, who is now CEO of Dior – but also Marta Ortega, 41, who took the reins of Zara at just 38 when her father, who founded the company, retired. 'It's so short sighted of these brands,' says Peter Robinson, who has worked as head of PR at New Look and Harvey Nichols, among others, and cites his most recent post at The White Company as an example of how a female founder and CEO, and a board that is 50 per cent women, can be a huge asset. 'The White Company was an anomaly, which is ridiculous as having female executives who are interested in the minutiae of the products – the cut, say, of a pair of jeans – makes a really big difference. I don't understand why so many brands targeting women are still run by men over 50.'
Yahoo
07-03-2025
- General
- Yahoo
Thank you for being part of our journey and here's to another year of impactful Big C journalism
Let's be honest. These days, small local newspapers – the true backbone of print journalism – are an endangered species. Across the country, I've seen way too many small-town papers shut down, leaving communities without a reliable source of news. That's why it means so much to me – and my staff – that the Herald-Banner hasn't just survived but managed to sometimes even thrive. This week, we were honored as Division II Newspaper of the Year in the 2024 Best of CNHI journalism awards, standing out among scores of CNHI newspapers of all sizes spread across 19 states. That's a big deal. Not just for us but for everyone who values real, community-focused journalism. For those of us who live and breathe local news, this recognition is more than a plaque on the wall. It's proof that what we do matters. Big media outlets might cover national headlines but who's going to tell the stories of our city council meetings, high school sports and the people who shape our town? That's where we come in at the Herald-Banner and others of our ilk. Community newspapers capture the moments that define a place and the people who call it home. This award is a testament to the hard work of our tiny newsroom. Our editorial team was recognized for delivering sharp, thought-provoking local commentary with myself named as Editorial Writer of the Year. Warren Morrison's solid eye-catching designs earned him Designer of the Year – his second win in a row. And if you saw David Claybourn's stunning front page solar eclipse photo last spring, you won't be surprised to hear he was named Photographer of the Year. Winning four CNHI awards in one year was a jaw-dropping moment for me but the real victory is what it represents—the importance of local journalism. The 'Big C' – as in community – and that's what we're all about. But here's the thing: passion alone doesn't keep a newspaper running. We need readers. We need subscribers. We need businesses to advertise with us. Without that support, local papers disappear. And when they do, communities lose more than just headlines. They lose a trusted source of information, a watchdog for local government and a way to stay connected with their neighbors. When a town loses its newspaper, it doesn't just leave a blank space on a newsstand. It leaves a hole in the community. Misinformation spreads faster, fewer people engage in local issues and stories that deserve to be told simply vanish. That's why it's so important to support local journalism. A subscription isn't just about getting the news. It's about making sure there's someone here to tell your stories long after I've moved on. Right now, we're seeing too many small towns become news deserts. Hopefully, that won't happen in Greenville. As long as we have your support, we'll keep shining a light on what matters – your schools, your businesses, your local government and your community's successes and struggles. At least we'll try. This award belongs to all of you – our readers, our subscribers, our supporters. Without you, none of this would be possible. So, if you believe in local journalism, help keep it alive. Subscribe. Encourage your neighbors to subscribe. Advertise with us. Engage with us. Because without you, there is no us. Thank you for being part of our journey. Here's to another year of impactful Big C journalism. --- Kent Miller is the editor of Herald-Banner Publications.
