Latest news with #DiegoDellaValle
South China Morning Post
7 days ago
- Entertainment
- South China Morning Post
Paris Haute Couture Week 2025: Chanel, Schiaparelli and Armani Privé shine
The Chanel Creation Studio delivered its last collection before Matthieu Blazy's debut in October, at Paris Haute Couture Week 2025. Photo: Reuters Paris Fashion Week: Haute Couture The autumn/winter 2026 haute couture shows are under way in Paris. While this season is a bit lacking in excitement due to the absence of big names such as Dior and Valentino, haute couture is still the pinnacle of fashion – the ultimate embodiment of the savoir faire of centuries-old ateliers in Paris and beyond. Here's a look at three of the biggest shows of the week so far. Schiaparelli: Back to the Future A sequinned leopard-print look at the Schiaparelli haute couture 2025-26 show. Photo: Handout During a recent conversation in Hong Kong, Schiaparelli owner Diego Della Valle , also chairman of Tod's Group, talked about the importance of sticking to a brand's codes while constantly updating them in order to stay relevant. This is even more important, Della Valle explained, when dealing with previously dormant houses like Schiaparelli, which he single-handedly revived after acquiring it in 2007. His advice has not fallen on deaf ears. Since taking over as creative director in 2019, American Daniel Roseberry has been building on the rich visual vocabulary and surrealist tropes of Schiaparelli without, however, staying stuck in the past. A matador-inspired outfit at the Schiaparelli haute couture 2025-26 show. Photo: Handout For the autumn/winter 2025-26 show, Roseberry wanted to go 'back to the future'. The starting point was 1940, the year founder Elsa Schiaparelli left Paris for New York. That pivotal change in the life of the designer made Roseberry reflect on those fraught times – the early days of World War II – and the tension between past, present and future at the heart of every creative endeavour.
South China Morning Post
7 days ago
- Entertainment
- South China Morning Post
Paris Haute Couture Week 2025: Chanel pays homage to house codes ahead of Matthieu Blazy's debut, Schiaparelli draws star power from Cardi B and Dua Lipa, and Armani Privé delivers midnight glamour
The autumn/winter 2026 haute couture shows are under way in Paris. While this season is a bit lacking in excitement due to the absence of big names such as Dior and Valentino, haute couture is still the pinnacle of fashion – the ultimate embodiment of the savoir faire of centuries-old ateliers in Paris and beyond. Here's a look at three of the biggest shows of the week so far. Schiaparelli: Back to the Future A sequinned leopard-print look at the Schiaparelli haute couture 2025-26 show. Photo: Handout Advertisement During a recent conversation in Hong Kong, Schiaparelli owner Diego Della Valle , also chairman of Tod's Group, talked about the importance of sticking to a brand's codes while constantly updating them in order to stay relevant. This is even more important, Della Valle explained, when dealing with previously dormant houses like Schiaparelli, which he single-handedly revived after acquiring it in 2007. His advice has not fallen on deaf ears. Since taking over as creative director in 2019, American Daniel Roseberry has been building on the rich visual vocabulary and surrealist tropes of Schiaparelli without, however, staying stuck in the past. A matador-inspired outfit at the Schiaparelli haute couture 2025-26 show. Photo: Handout For the autumn/winter 2025-26 show, Roseberry wanted to go 'back to the future'. The predominantly black line-up had plenty of the whimsical touches Schiaparelli is known for – eye motifs, dramatic silhouettes, trompe l'oeil effects – but reinterpreted through a futurist, sci-fi lens. The starting point was 1940, the year founder Elsa Schiaparelli left Paris for New York. That pivotal change in the life of the designer made Roseberry reflect on those fraught times – the early days of World War II – and the tension between past, present and future at the heart of every creative endeavour.
South China Morning Post
07-07-2025
- Business
- South China Morning Post
Tod's and Schiaparelli owner Diego Della Valle on the impact of Trump's tariffs on the EU, AI's inability to replace a true ‘Made in Italy' artisan, and why the shoemaker doesn't chase trends
Italian luxury tycoon Diego Della Valle has been extolling the virtues of 'Made in Italy' since he joined his family company back in 1975, when it was an anonymous firm making quality footwear for luxury brands. He eventually turned it into one of the most respected names in luxury: Tod's. His global ambitions were clear from day one. After fully taking the reins in 1984, Della Valle named the company J.P. Tod's (later changed to the simpler Tod's), believing that the English-sounding name would resonate around the world. Back then, the Marche region of Italy, where Della Valle was born in 1953, was already the epicentre of shoe manufacturing in the country. From leather goods in Tuscany to silk fabrics in Lake Como and gold jewellery in Veneto, Italy is still where most creations from luxury groups such as LVMH and Kering come to life. Advertisement 'Made in Italy' has become a byword for this precious know-how, often romanticised by brands trying to capitalise on the allure associated with Italian craftsmanship and culture. Given his background and family history, it's no surprise that Della Valle has become a de facto ambassador for 'Made in Italy' and a defender of all it represents. Tod's Gommino shoes are a timeless design. Photo: Handout Last year, however, the prestige of that label came into question after the Italian government probed some factories making goods for high-end Italian and French brands over worker exploitation and safety. Tod's is one of the few vertically integrated Italian companies fully in control of its supply chains – it owns its own factories and does not have to rely on large numbers of external suppliers that are not always easy to monitor. 'You have to be careful not to demonise a brand just because it's famous and say things that are not true just for [the sake of] headlines,' says Della Valle. 'But [at the same time] when a brand is important and has a strong reputation, it's not worth making little short cuts that from a financial point of view don't really help, but from an image point of view can be disastrous. You also have to be careful because this affects the whole concept of 'Made in Italy' and its reputation, and journalists end up believing all this and then it becomes more dangerous when it spreads via social media because you can't control it. Before talking about these things you need to actually visit these companies and not talk from an ivory tower.' While Della Valle is first and foremost known for Tod's, he is one of Italy's most celebrated – and wealthiest – industrialists. Parisian shoemaker Roger Vivier and casual footwear brand Hogan are also part of Tod's Group, while he personally owns French couture house Schiaparelli , which he single-handedly revived. He is also on the board of LVMH – the largest luxury group in the world – and was one of the founders of Italo, a successful high-speed railway company. He's seen it all, which is why he is very pragmatic about the current crisis gripping the luxury industry, especially in China, where reduced consumer confidence has impacted spending after the success brands experienced during and after the coronavirus pandemic.
