Latest news with #Epic
The Hindu
2 hours ago
- Business
- The Hindu
Apple cites U.S. Supreme Court's birthright ruling in fight over Epic Games injunction
Apple is hoping a new U.S. Supreme Court ruling curbing the power of federal judges to issue nationwide orders will help the technology giant win an appeal in a lawsuit requiring it to revamp its lucrative App Store. In a court filing on Tuesday, Apple told the San Francisco-based 9th U.S. Circuit Court of Appeals that the Supreme Court's June order in a case involving birthright citizenship bolsters the iPhone maker's arguments in a high-stakes standoff with 'Fortnite' game developer Epic Games. The Supreme Court limited when judges can issue so-called universal injunctions that apply broadly, and not just to the parties in a lawsuit. The justices did not rule on whether the Trump administration can legally terminate the right to citizenship for people born on U.S. soil, but the decision was a win for the administration, which had complained about individual lower courts blocking its policies nationwide. Even though the case at the high court had nothing to do with Apple, its appeal could test the scope of the justices' ruling. Apple and Epic did not immediately respond to requests for comment. Apple in its appeal is challenging a U.S. district judge's order in April that said the company must open its App Store to more competition, allowing all developers — not just Epic — more freedom to steer consumers to alternative payment options outside of an app. The appeal also challenges the judge's finding that Apple was in contempt for violating a prior injunction in the same case. Epic Games sued Apple in 2020 to loosen its control over transactions in applications that use its iOS operating system and how apps are distributed to consumers. U.S. District Judge Yvonne Gonzalez Rogers in 2021 said Apple must allow developers to more easily steer consumers to potentially cheaper non-Apple payment options. Apple defied that court order to maintain a revenue stream worth billions of dollars, Gonzalez Rogers ruled in April. Apple has denied any wrongdoing, and defended its compliance with the court's orders. Apple told the 9th Circuit that, after the Supreme Court's birthright citizenship decision, judges no longer have freestanding authority to issue universal injunctions. Apple also noted that Epic pursued its lawsuit on its own, not as a class action on behalf of a larger group. Epic told the appeals court in May that Apple's App Store changes will have wide-reaching benefits for the industry and consumers. 'The sky has not fallen. Instead, developers and consumers are finally beginning to see the long-awaited benefits of increased competition,' Epic said.
The Guardian
3 hours ago
- Entertainment
- The Guardian
Fiddle-laden fake trailer reignites debate about Hollywood's Irish stereotypes
A man in a bar with a flat cap, bloodied knuckles and a dreamy look lays down his whiskey and writes a letter. 'Dear Erin,' he begins, and a soundtrack of fiddles swells as he yearns for his lost love in the distant land of America. The trailer for the upcoming film – tagline: 'she was the Irish goodbye he never forgot' – ran in recent weeks in cinemas and online and was accompanied by a poster showing green mountains, shamrocks and a rainbow. For many, it was Hollywood's latest affront to Ireland. 'What did we Irish people ever do to you to deserve this?' said one social media post. 'Christ could they not find a leprechaun to complete cliche bingo,' said another. Some sought solace in sarcasm: 'I think they nailed it. I'm always in the pub in the 1910s writing love letters to American girls with my big dirty fingernails. Finally I feel seen.' Last week came the twist: Epic, the Irish emigration museum in Dublin, revealed it had made the trailer and that the film, titled Dear Erin, did not exist. The trailer was a stunt to lampoon the stereotyping of Ireland in Hollywood romcoms such as Wild Mountain Thyme, Irish Wish, Leap Year and PS I Love You. 'It was time to call it out,' the museum said in a statement. 'We created a trailer for a film that we hope never gets made, and filled it with all of the tired, cliched portrayals of Irish people often seen in Hollywood movies.' Colonial-era stereotypes of the Irish as fist-fighting drunks or hopeless romantics persisted in contemporary films, warping perceptions of a complex, multilayered society, Aileesh Carew, the museum's director and chief executive, said in an interview. 'If you don't know anyone from Ireland then these films may be your only reference point.' The trailer features the actor Peter Coonan sporting shamrocks on his lapel and surrounded by empty beer glasses as his voiceover reminisces about meeting Erin: 'I have played that night over in my head more times than the Finnegans fought the O'Malleys.' The goal was to mimic a studio publicity campaign while cramming in every conceivable cliche, said Carew, adding: 'Potatoes, we forgot the potatoes.' Hundreds of thousands of views on TikTok and LadBible, along with the response on Instagram, Reddit and other platforms, showed the campaign had hit a chord, said Carew. Before the reveal, some commenters guessed that the trailer was a spoof, while others begged that it be so. 'Must be a joke here somewhere,' said one. 'Sweet Jesus no please. This should be called Dear God No! not Dear Erin.' The Hollywood stereotypes dated from the 1930s when gangster films featured Irish characters who were menacing thugs or comic relief drunks, but invariably seedy, said Dr Sian Barber, a film studies lecturer at Queen's University Belfast. 'Irishness was something foreign but also comforting. It was not done with any malice but it quickly became embedded in Hollywood consciousness.' Sign up to This is Europe The most pressing stories and debates for Europeans – from identity to economics to the environment after newsletter promotion Irish people, and tourism authorities, at times colluded in this romanticisation, said Barber. 'It offers this beautiful image of unreality which is welcoming and friendly. It's playing to this tourist idea of what Ireland can offer – the landscape, the loveable rogue.' John Ford's 1952 film The Quiet Man set a template of sorts by sending John Wayne's character back to his homeland to find a wife, whom he ends up dragging through fields, but its rural setting reflected much of Irish life at that time, unlike more recent fare that suggests society still revolves around sheep, donkeys and Guinness. Irish critics howled – in mirth and agony – at the whimsy and dodgy accents in the likes of Wild Mountain Thyme, a 2020 romcom starring Jamie Dornan and Emily Blunt, and Irish Wish, a 2024 vehicle for Lindsay Lohan. The main problem was not inaccuracy but lack of context, said Paudie Holly, a storyteller at Dublin's National Leprechaun Museum. Folklore can and should be celebrated, and there was no reason to feel shame about Ireland's rural past, but modern Ireland was different, he said. 'It's ridiculous to suggest our culture has been frozen in place for a hundred years.' Lance Daly, the Dublin-based director of Black 47, said Ireland had aggravated the phenomenon by luring foreign productions for the jobs they would bring rather than the stories they would tell. 'What you have then is a director who is not Irish directing actors who are not Irish … We have a weird tolerance for it. We have to be careful that we're not sponsoring foreign film-makers to make fools of us.'
The Guardian
3 hours ago
- Entertainment
- The Guardian
Fiddle-laden fake trailer reignites debate about Hollywood's Irish stereotypes
A man in a bar with a flat cap, bloodied knuckles and a dreamy look lays down his whiskey and writes a letter. 'Dear Erin,' he begins, and a soundtrack of fiddles swells as he yearns for his lost love in the distant land of America. The trailer for the upcoming film – tagline: 'she was the Irish goodbye he never forgot' – ran in recent weeks in cinemas and online and was accompanied by a poster showing green mountains, shamrocks and a rainbow. For many, it was Hollywood's latest affront to Ireland. 'What did we Irish people ever do to you to deserve this?' said one social media post. 'Christ could they not find a leprechaun to complete cliche bingo,' said another. Some sought solace in sarcasm: 'I think they nailed it. I'm always in the pub in the 1910s writing love letters to American girls with my big dirty fingernails. Finally I feel seen.' Last week came the twist: Epic, the Irish emigration museum in Dublin, revealed it had made the trailer and that the film, titled Dear Erin, did not exist. The trailer was a stunt to lampoon the stereotyping of Ireland in Hollywood romcoms such as Wild Mountain Thyme, Irish Wish, Leap Year and PS I Love You. 'It was time to call it out,' the museum said in a statement. 'We created a trailer for a film that we hope never gets made, and filled it with all of the tired, cliched portrayals of Irish people often seen in Hollywood movies.' Colonial-era stereotypes of the Irish as fist-fighting drunks or hopeless romantics persisted in contemporary films, warping perceptions of a complex, multilayered society, Aileesh Carew, the museum's director and chief executive, said in an interview. 'If you don't know anyone from Ireland then these films may be your only reference point.' The trailer features the actor Peter Coonan sporting shamrocks on his lapel and surrounded by empty beer glasses as his voiceover reminisces about meeting Erin: 'I have played that night over in my head more times than the Finnegans fought the O'Malleys.' The goal was to mimic a studio publicity campaign while cramming in every conceivable cliche, said Carew, adding: 'Potatoes, we forgot the potatoes.' Hundreds of thousands of views on TikTok and LadBible, along with the response on Instagram, Reddit and other platforms, showed the campaign had hit a chord, said Carew. Before the reveal, some commenters guessed that the trailer was a spoof, while others begged that it be so. 'Must be a joke here somewhere,' said one. 'Sweet Jesus no please. This should be called Dear God No! not Dear Erin.' The Hollywood stereotypes dated from the 1930s when gangster films featured Irish characters who were menacing thugs or comic relief drunks, but invariably seedy, said Dr Sian Barber, a film studies lecturer at Queen's University Belfast. 'Irishness was something foreign but also comforting. It was not done with any malice but it quickly became embedded in Hollywood consciousness.' Sign up to This is Europe The most pressing stories and debates for Europeans – from identity to economics to the environment after newsletter promotion Irish people, and tourism authorities, at times colluded in this romanticisation, said Barber. 'It offers this beautiful image of unreality which is welcoming and friendly. It's playing to this tourist idea of what Ireland can offer – the landscape, the loveable rogue.' John Ford's 1952 film The Quiet Man set a template of sorts by sending John Wayne's character back to his homeland to find a wife, whom he ends up dragging through fields, but its rural setting reflected much of Irish life at that time, unlike more recent fare that suggests society still revolves around sheep, donkeys and Guinness. Irish critics howled – in mirth and agony – at the whimsy and dodgy accents in the likes of Wild Mountain Thyme, a 2020 romcom starring Jamie Dornan and Emily Blunt, and Irish Wish, a 2024 vehicle for Lindsay Lohan. The main problem was not inaccuracy but lack of context, said Paudie Holly, a storyteller at Dublin's National Leprechaun Museum. Folklore can and should be celebrated, and there was no reason to feel shame about Ireland's rural past, but modern Ireland was different, he said. 'It's ridiculous to suggest our culture has been frozen in place for a hundred years.' Lance Daly, the Dublin-based director of Black 47, said Ireland had aggravated the phenomenon by luring foreign productions for the jobs they would bring rather than the stories they would tell. 'What you have then is a director who is not Irish directing actors who are not Irish … We have a weird tolerance for it. We have to be careful that we're not sponsoring foreign film-makers to make fools of us.'
Gizmodo
3 days ago
- Entertainment
- Gizmodo
You'll Be Able to Shoot People as the MCU Fantastic Four in *Two* Games This Week
Everyone loves a movie collab these days, and with Marvel being big in not just its own video game shooter and pretty tight with one of the other biggest shooters on the planet, it's not too surprising that we're going to be seeing a battle of the collabs this Friday as both Marvel Rivals and Fortnite prepare to welcome the MCU Fantastic Four. Rivals, of course, has had the First Family around for a little longer, having introduced Reed, Sue, Johnny, and Ben over the course of its first season earlier this year. But the Fantastic Four have been in high demand for Fortnite for quite some time as Epic has leaned more and more into Marvel collaborations. The entire team was conspicuously absent from Fortnite's latest Marvel-themed season, 'Absolute Doom,' last year, which revolved around their archnemesis Dr. Doom invading the game's battle royale island setting. Well, for the most part: eagle-eyed gamers realized that they could find the defeated remnants of the Fantastic Four littered around the map on display, from Reed tied up into a compressed ball in a display cabinet to, uh, Johnny's flaming heart. So it's nice to see them finally arrive in MCU form. The four Fortnite skins, alongside emotes and other accessories, will be available to purchase this Friday, July 25, but can be earned for free by participating in a special squad-based Battle Royale Cup starting on Wednesday, July 23, where the top-earning squads will get to unlock all four skins for free. Meanwhile, over in NetEase's team-based hero shooter Marvel Rivals, things will be a little simpler: all four MCU variant skins for Mr. Fantastic, Invisible Woman, Human Torch, and the Thing will hit the game's store on July 25 as well, alongside a special in-game team-up inspired by the film between Human Torch and the Thing. Unlike Fortnite's offerings, which replicate the likenesses of the MCU stars, the First Steps skins in Rivals (revealed with the launch of the game's third season earlier this month) will give the MCU costumes to Rivals' interpretations of the Fantastic Four, rather than completely alter their looks. There are some fun cosmetic tweaks, like Rivals Reed trimming his beard to look a little more like Pedro Pascal, and Sue and Jonny matching their hairstyles to Vanessa Kirby and Joseph Quinn, respectively. But it's more like the Rivals versions of these characters getting to do a bit of movie cosplay rather than the MCU heroes jumping into Rival's multiversal scraps. Either way, if you need to shoot people in a cosmic-ray-induced manner this weekend? You've got options. Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what's next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.
India Today
3 days ago
- Entertainment
- India Today
Rishab Shetty calls Kantara divine force as he wraps up shoot. Glimpse out
Actor and director Rishab Shetty has wrapped the filming of his eagerly awaited project, 'Kantara Chapter 1', marking the end of a significant phase in the movie's production. The shoot, which extended over 250 days, has been described as a labour of dedication and resilience. In the making video, Shetty said, "This is not just a film, but a divine force," as he took us through the challenges he production house, Hombale Films, released a video teaser on their YouTube channel to announce the wrap-up. The movie is set against the backdrop of pre-colonial coastal Karnataka and explores the intriguing Bhuta Kola ritual and its associated mythology. In sharing this achievement, a message accompanied the video stating, "From the soil of our land to the screens of the world - that was always the dream. 3 years of relentless dedication, 250 days of shooting, driven by faith and hard work. The shooting of Kantara Chapter 1 wraps today. The journey doesn't end here... it's only just beginning. India's Divine Epic Releasing worldwide on October 2nd." The film's worldwide release is scheduled for October 2, aligning with Gandhi Jayanti. This strategic release date aims to attract a wide audience, capitalising on the public speaking about the film, producer Vijay Kiragandur says, ''Kantara: Chapter 1' is undoubtedly our most ambitious project to date - and there are several reasons why. The scale of effort, from the number of shoot days to the sheer volume of manpower, far surpasses anything we've undertaken before. But beyond logistics, this film holds a deeply personal place in our hearts. It's the kind of cinema we've always dreamed of creating. At Hombale, our vision has always been to bring Indian cultural roots to life through storytelling. We've long aspired to create something for this generation - and for generations to come - that makes them proud of India's rich heritage.''Kantara Chapter 1', a prequel to 'Kantara', promises a lush portrayal of Karnataka's cultural heritage, focusing on the folklore surrounding divine guardianship of the land. The dedication to authentic storytelling and attention to detail has been a hallmark of Shetty's filmmaking approach. This project, in particular, required extensive research and collaboration with local historians to ensure accuracy in its depiction of historical events and rituals.'Kantara' released in 2022 and ended up as one of the biggest blockbusters in India.- EndsMust Watch
