Latest news with #FujifilmX-E4
Tom's Guide
2 days ago
- Tom's Guide
I flew to Europe to test the new Fujifilm X-E5 — it took my photography to a whole new level
Taking pictures has been one of my favorite hobbies since I was young. Getting out and about with a camera to capture what I see is my idea of a great day. So when Fujifilm invited me to test out the newly announced X-E5 camera in Valencia, Spain (famed for its architecture) how could I say no? The X-E5 is the new and improved iteration of the Fujifilm X-E4 which was discontinued over two years ago. It was a fan favorite but had its drawbacks including lack of image stabilization and weather sealing, and the ageing X-Processor 4, which lacked advanced AF algorithms. But with the X-E5 Fujifilm has listened to the community and given fans everything they've been asking for… apart from weather proofing, but I'll let it slide. Oh, and there's the little matter of price (it's hella steep), but more on that later. Admittedly, I am new to Fujifilm cameras. While I know they're some of the best mirrorless cameras, and I have always admired the film reproduction and ease of use Fujifilms offer, my trusty Sony a6100 never lets me down… but I think the X-E5 might just take its place. Fujifilm X-T50: $1,399 @ AmazonCant wait until August? I'd recommend the Fujifilm X-T50. It features the same 40.2MP sensor and processor as the X-E5, plus a film simulation dial. It has more ergonmic handling than the X-E5, but still has bags of retro charm. I am pretty new to street photography. Being from a town surrounded by beaches and lakes, landscape photography has always been my go-to. But the Fujifilm X-E5 camera made the whole experience so easy. The combination of five-axis image stabilization and the latest AF algorithms from Fuji's X-Processor 5 meant that I was almost guaranteed a perfect shot regardless of the scenario or lighting conditions. Whether it was getting quick snaps of tourists meandering the tall city walls or of the cascading architecture, the X-E5 made it easy to capture stills without worrying about shake or out of focus images. The X-E5 features subject detection for humans and lots of other subjects, so it was super easy to nail focus. Get instant access to breaking news, the hottest reviews, great deals and helpful tips. Fujifilm is known for its cameras being super user friendly and tactile. But the X-E5 takes it to a whole new level. Fuji has loaded the X-E5 with new features to improve the experience of using the camera and bring focus to the enjoyment of photography. My favourite new feature is the Surround View function, which allowed me to alter the aspect ratio of the image and have a semi-transparent framing on the peripheries of the EVF so I could see what was happening outside of the frame — simulating one of the key benefits of an optical viewfinder. This meant I was able to position my shot according to what was happening around my frame — like when I took this still of a motorcyclist, I was able to time the shot perfectly as I could see them coming into frame. It's a Fuji, so we can't ignore the film simulations, and the X-E5 now houses a handy dial above the LCD screen for quick effect selection, similar to the dial on the Fujifilm X-T50. There are plenty of settings to choose from and even an option to save three preset recipes that best suit your style, or even the vibe of the place you are shooting. By simply turning the dial I was able to cycle through the presets to get the best one really quickly, but I could also use the LCD touch screen to select the effects. My favorites for the bright sunlight of Valencia were Velvia and Classic Chrome, but I spent a lot of time in Acros, which complemented the bright sunlight and strong contrast. The easy-to-use nature of the camera and the film simulation options makes the X-E5 perfect for anyone interested in the retro style of film photography — Let's be honest, film photography is a commitment in both time and money, so Fujifilm's profiles are always a good place to start. The Fujifilm X-100VI was loved by Instagram users everywhere, but its lack of interchangeable lenses might not be for everyone — it can prove quite limiting if you want to expand your creative options. That's where the X-E5 comes in. It has the 40.2MP X-Trans CMOS 5 HR sensor and X-processor 5 image processor, just like the X-100VI, plus an extra stop of IBIS, taking it to 7 stops. It handles very similarly, and is ideal for people who love the Fuji street camera style and handling, but want to switch lenses. And on the topic of lenses, for the launch of this new camera, Fujifilm is also releasing a new pancake kit lens: the XF 23mm F2.8 R WR, which replaces the 27mm pancake kit lens available with the X-E4. Super compact, but beautifully sharp, the 23mm is nice and wide for scenic shots, but has a minimum focal distance of 20mm making it perfect for detailed shots as well. The lens will be available for purchase as part of the camera kit in early August, but won't be available for purchase on its own until November. The Fujifilm X-E5 is the camera perfect for street photographers who want the look of film but the freedom of digital — especially those who value handling and purity of shooting experience. It's also great for newcomers to photography, who are aiming for a retro film look but don't want to fork out a ton of cash on rolls of film before getting the technique and framing down. That being said, it is quite the investment. $1,899 (with the lens, but if you're a newbie you'll need it) is a big ask. Considering the previous models of the X-E series have been somewhat affordable, it does feel like a bit of a jump. But unfortunately, like with most things, the pricing has been affected by the U.S. tariffs. If you want to conserve cash you can spring for the X-T50 instead which, internally, is effectively the same camera. Personally, I love the X-E5. It is one of the easiest I have used and with all of the film simulation options I was able to get creative in any setting. It is of course a very different style of camera to my usual Sony a6100, but I do think it will have me switching over to Fuji for all of my travel photography in the future.
Tom's Guide
3 days ago
- Tom's Guide
I spent two days shooting street with the new Fujifilm X-E5 — here's what I think of it so far
Taking pictures has been one of my favorite hobbies since I was young. Getting out and about with a camera to capture what I see is my idea of a great day. So when Fujifilm invited me to test out the newly announced X-E5 camera in Valencia, Spain (famed for its architecture) how could I say no? The X-E5 is the new and improved iteration of the Fujifilm X-E4 which was discontinued over two years ago. It was a fan favorite but had its drawbacks including lack of image stabilization and weather sealing, and the ageing X-Processor 4, which lacked advanced AF algorithms. But with the X-E5 Fujifilm has listened to the community and given fans everything they've been asking for… apart from weather proofing, but I'll let it slide. Oh, and there's the little matter of price (it's hella steep), but more on that later. Admittedly, I am new to Fujifilm cameras. While I know they're some of the best mirrorless cameras, and I have always admired the film reproduction and ease of use Fujifilms offer, my trusty Sony a6100 never lets me down… but I think the X-E5 might just take its place. I am pretty new to street photography. Being from a town surrounded by beaches and lakes, landscape photography has always been my go-to. But the Fujifilm X-E5 camera made the whole experience so easy. The combination of five-axis image stabilization and the latest AF algorithms from Fuji's X-Processor 5 meant that I was almost guaranteed a perfect shot regardless of the scenario or lighting conditions. Whether it was getting quick snaps of tourists meandering the tall city walls or of the cascading architecture, the X-E5 made it easy to capture stills without worrying about shake or out of focus images. The X-E5 features subject detection for humans and lots of other subjects, so it was super easy to nail focus. Get instant access to breaking news, the hottest reviews, great deals and helpful tips. Fujifilm is known for its cameras being super user friendly and tactile. But the X-E5 takes it to a whole new level. Fuji has loaded the X-E5 with new features to improve the experience of using the camera and bring focus to the enjoyment of photography. My favourite new feature is the Surround View function, which allowed me to alter the aspect ratio of the image and have a semi-transparent framing on the peripheries of the EVF so I could see what was happening outside of the frame — simulating one of the key benefits of an optical viewfinder. This meant I was able to position my shot according to what was happening around my frame — like when I took this still of a motorcyclist, I was able to time the shot perfectly as I could see them coming into frame. It's a Fuji, so we can't ignore the film simulations, and the X-E5 now houses a handy dial above the LCD screen for quick effect selection, similar to the dial on the Fujifilm X-T50. There are plenty of settings to choose from and even an option to save three preset recipes that best suit your style, or even the vibe of the place you are shooting. By simply turning the dial I was able to cycle through the presets to get the best one really quickly, but I could also use the LCD touch screen to select the effects. My favorites for the bright sunlight of Valencia were Velvia and Classic Chrome, but I spent a lot of time in Acros, which complemented the bright sunlight and strong contrast. The easy-to-use nature of the camera and the film simulation options makes the X-E5 perfect for anyone interested in the retro style of film photography — Let's be honest, film photography is a commitment in both time and money, so Fujifilm's profiles are always a good place to start. The Fujifilm X-100VI was loved by Instagram users everywhere, but its lack of interchangeable lenses might not be for everyone — it can provide quite limiting if you want to expand your creative options. That's where the X-E5 comes in. It has the 40.2MP X-Trans CMOS 5 HR sensor and X-processor 5 image processor, just like the X-100VI, plus an extra stop of IBIS, taking it to 7 stops. It handles very similarly, and is ideal for people who love the Fuji street camera style and handling, but want to switch lenses. And on the topic of lenses, for the launch of this new camera, Fujifilm is also releasing a new pancake kit lens: the XF 23mm F2.8 R WR, which replaces the 27mm pancake kit lens available with the X-E4. Super compact, but beautifully sharp, the 23mm is nice and wide for scenic shots, but has a minimum focal distance of 20mm making it perfect for detailed shots as well. The lens will be available for purchase as part of the camera kit in early August, but won't be available for purchase on its own until November. The Fujifilm X-E5 is the camera perfect for street photographers who want the look of film but the freedom of digital — especially those who value handling and purity of shooting experience. It's also great for newcomers to photography, who are aiming for a retro film look but don't want to fork out a ton of cash on rolls of film before getting the technique and framing down. That being said, it is quite the investment. $1,899 (with the lens, but if you're a newbie you'll need it) is a big ask. Considering the previous models of the X-E series have been somewhat affordable, it does feel like a bit of a jump. But unfortunately, like with most things, the pricing has been affected by the U.S. tariffs. If you want to conserve cash you can spring for the X-T50 instead which, internally, is effectively the same camera. Personally, I love the X-E5. It is one of the easiest I have used and with all of the film simulation options I was able to get creative in any setting. It is of course a very different style of camera to my usual Sony a6100, but I do think it will have me switching over to Fuji for all of my travel photography in the future.
Tom's Guide
3 days ago
- Tom's Guide
Fujifilm finally just announced the X-E5 — here's everything that matters
Fujifilm has just announced the X-E5: the long awaited and much anticipated upgrade from the discontinued Fujifilm X-E4. More compact than the Fujifilm X-T line (some of the best mirrorless cameras you can buy), the X-E line is back with Fuji's 40.2MP sensor, plus a new film simulation dial, viewing modes and an OVF simulator. While it shares most of its internals with the Fujifilm X100VI, with interchangeable lenses, the X-E5 is pitched at anyone who wants the form of the X100VI, but more creative freedom, or who has so far missed out on that in-demand camera altogether. I got to test the X-E5 on some of the most beautiful architecture in Valencia and I'll be sharing my detailed thoughts in a separate article. We'll also be reviewing the camera fully very soon. But for now, here is everything you need to know about the Fujifilm X-E5. Unsurprisingly, the X-E5 has received significant upgrades from the X-E4. The most notable difference is Fuji's X-Trans CMOS 5 HR 40.2MP sensor and X-Processor 5 combo as we've already seen in the Fujifilm X-100VI and Fujifilm X-T50, where the X-E4 only had a 26MP sensor. The X-E5 also has in-body stabilization which is new to the X-E range. IBIS, new features and an improved build (such as the aluminium top plate and a better grip) make it 81 grams heavier than the X-E4 at 445 grams — not so ideal in a street camera but maybe worth it for the increased usability brought by IBIS. The X-E5 has a 0.39-inch OLED viewfinder with a 3-inch, 1.04 million dot LCD screen at the rear. The LCD screen of the X-E4 was actually 1.62 million dots, so we've lost some quality here, but the size and touch screen capabilities remain the same. That being said, neither of these are as crisp as the 1.84 million dot LCD screen of the X-T50. Get instant access to breaking news, the hottest reviews, great deals and helpful tips. The X-E5 does have a few tricks up its sleeve though, with its EVF and display, which I will get into later. The rear monitor extends and tilts 180° like the X-E4 to help achieve perfect angles without getting on the floor. It even flips up so you can get selfie-style shots too. The controls are, as with most Fujifilm cameras, tactile and about as user friendly as you can get. There are the typical retro dials on the top panel, with the addition of a new film simulation dial, that I'll cover below. The X-E5 uses Fuji's NP-W125 battery, the same as the X-E4. It has a battery life rating of 400 shots (CIPA), and I got 398 before the camera died on me. This slimmer battery allows the the profile of the grip to remain small. Unfortunately, like the X-E4, the X-E5 is not weather sealed, so while it's great in the sunshine and dry weather, it's not one to take out on rainy days. Most importantly, as I mentioned earlier, the X-E5 is the first in the X-E series to get IBIS, which is big news — if you've spent time dwelling on camera forums, this is something the community has been pining for. The X-E5 uses the same five-axis IBIS mechanism we've seen in other recent Fuji cameras like the Fujifilm X-S20, X-T50 and X100VI, for up to 7 stops. It was a solid system to begin with, allowing sharp results at low shutter speeds as low as 2-secs in the X-S20. However, in the X-E5, the detection accuracy of the gyro sensor has been improved over previous models to enhance responsiveness to shake, according to Fujifilm. Continuing Fuji's trend of adding simulation dials to everything, the X-E5 has (you guessed it) a film simulation dial with a display window on top, and three of these can be programmed with your own recipe presets. There is now a toggle on the front of the camera that allows you to alter the aspect ratio visible through the EVF and in SOOC (straight out of camera) JPEGs. This operates the Surround View Function, too, which allows you to see outside the boundaries of your chosen frame/aspect ratio, to simulate an Optical Viewfinder (OVF). There's also a Classic Display mode, which tidies up the image's information at the bottom of the frame to provide a stripped back and more engaging experience. Could these features be a death knell for the X-Pro line, with its hybrid EVF/OVF and emphasis on purity of experience? Just like the Fujifilm GFX100 RF, the X-E5 comes with a rope strap included that is padded around the neck. So while it is a little heavier than the X-E4, it is still super comfortable. The X-E5 launch comes with the news of an interchangeable pancake lens — the XF 23mm F2.8 R WR. At 23mm focal length, this lens offers a slightly wider field of view than the 27mm pancake kit lens of the X-E4, making it a little better for wider street scenes or architecture. The minimum focal distance of the lens is a relatively short 20cm so I was able to get some great detail shots in my time with it. Following on from the X-E4 and its 27mm kit lens, the X-E5 camera body isn't weather resistant, but the lens is. The lens won't be available for purchase separately until November 2025. While the camera is certainly suitable for casual shooters who want a sleek street camera with film simulations, it's quite the investment, and is priced for enthusiasts, just like the X100VI. Available in all black or with silver accents, the camera is priced at $1,699 / £1,299 for the body only and $1,899 / £1,549 for the kit. The kit includes the camera body and the new pancake lens. The prices have been pretty significantly affected by the tariffs in America. This puts the X-E5 on the more expensive side of the X series cameras, with the X-E4 originally being priced at $849 for body only, so even without the effect of the tariffs, this is a stark price jump.
