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32 Funny Tweets From The Week That Brought Back The Fun And Whimsy I Desperately Needed In My Life
32 Funny Tweets From The Week That Brought Back The Fun And Whimsy I Desperately Needed In My Life

Buzz Feed

time7 days ago

  • Entertainment
  • Buzz Feed

32 Funny Tweets From The Week That Brought Back The Fun And Whimsy I Desperately Needed In My Life

Editor's Note: BuzzFeed does not support discriminatory or hateful speech in any form. We recognize that X is no longer a safe platform. Despite this, it remains a discussion hub where reasonable, intelligent, and funny voices can still be found. And those are the ones we plan to highlight. Hello. I've been having one of these weeks. Anyone else want to zip back to no responsibilities, frolicking in the grass, and Saturday morning cartoons? I sure do, but I've been trying to find the small joys in this little adult life of mine that still bring me that childlike laughter and fun. And sometimes, all it takes is a good tweet: 1. 7. 8. How it feels to open a Google Doc and see someone else in there too — Mike 📺 (@michaelcollado) July 14, 2025 HBO / Via Twitter: @michaelcollado 11. 12. 14. 15. 17. 18. 20. my dentist appointment is at 2:30… two thirty… tooth hurty… the jokes write themselves — stinker. (@stinkerfelloff) July 14, 2025 Twitter: @stinkerfelloff 21. 23. 24. chris martin at the coldplay concert — Saint Hoax (@SaintHoax) July 17, 2025 NWY Movies / @SaintHoax / Via Twitter: @SaintHoax 26. @tayenaija / Via Twitter: @tayenaija 27. @doxie_gay / Via Twitter: @doxie_gay 28. @LeVeonBell / Via Twitter: @LeVeonBell 29. @f0lake / Via Twitter: @f0lake 30. @kathcor3 / Via Twitter: @kathcor3 31. @kylofone / Via Twitter: @kylofone 32. @jazzghost_pm / Via Twitter: @jazzghost_pm That's all I've got for this week — for more funny tweets, feel free to peruse our other recent roundups: 31 Funny Tweets To Escape To While Pretending Everything Else Is Not On Fire These 25 Tweets Made Me Laugh So Hard I Almost Forgot About All The Terrible Things Happening Right Now Ta-ta for now!

People are cheating on their partners by using iPhone Notes app as a secret chatting app: Here's how
People are cheating on their partners by using iPhone Notes app as a secret chatting app: Here's how

Mint

time7 days ago

  • Mint

People are cheating on their partners by using iPhone Notes app as a secret chatting app: Here's how

Did you know, beyond the basic Notes app functionalities, it can also be used as a secret chatting hub on iPhone? Yes, you can easily transform the app into a chat room with the app's collaboration feature. Similar to how we collaborate on the Google Doc, the iPhone's Notes app also lets users share a particular note with others. While it can be a good tool for brainstorming, making grocery lists, and others, users can also secretly chat using this hidden Notes app feature on iPhone, especially smart souls cheating on their partners. This will keep user privacy intact, as no one will suspect, since it will simply look like you're taking notes. If you also want to take advantage of this hidden feature, here's a step-by-step guide that you can follow. Step 1: Open the Notes app on iPhone, and create a new note. Step 2: Now type a short message so the note is saved on the app. Step 3: Click on the share button on the top right corner and then open the 'Collaborate' tab. Step 4: Simply select the contact name to make them a collaborator. Step 5: Send the note to the selected contact on iMessage. Step 6: As they join the note as a collaborator, users can easily conduct a secret conversation. This way, iPhone users do not have to rely on any instant messaging apps for their personal or private conversations. This also eliminates the 'send' icon, so users just have to type the message, and it will instantly start to show to the collaborator. Additionally, users can instantly delete the note or stop sharing the note once the conversation has ended. This way, there will be no evidence left for the conversation that took place on the iPhone's Notes app. This hidden Notes app feature can be used to plan surprises if you do want your friends and family to know, have a private conversation, or simply want to avoid spying eyes. This also limits others' attention to your phone since it looks like you're making notes.

Singer Ethel Cain admits she is 'not proud' of disturbing posts after backlash
Singer Ethel Cain admits she is 'not proud' of disturbing posts after backlash

Metro

time10-07-2025

  • Entertainment
  • Metro

Singer Ethel Cain admits she is 'not proud' of disturbing posts after backlash

Ethel Cain has posted a lengthy message after a slew of disturbing posts emerged, including her wearing a t-shirt which said 'legalise incest' on it. Screenshots began circulating, said to be shared by the 27-year-old singer in 2017 and 2018, featuring offensive language and alleged child pornography. Another image that Cain is accused of drawing and sharing on the site Curious Cats, parodied a missing persons poster for a nine-year-old girl who was murdered. Initially shared by X account Herweirdsilas, posting under the name 'Exposing', the questionable content quickly gained traction. After a few days of the images circulating Cain, whose real name is Hayden Silas Anhedönia, addressed the controversy via a Google Doc, admitting to the posts. She wrote that at 19 – during the time of the posts – she had 'fallen into a subculture online that prioritised garnering attention at all costs'. The American Teenager singer added: '[I] intended to be as inflammatory and controversial as possible. I would have said (and usually did say) anything, about anyone, to gain attention and ultimately just make my friends laugh.' Addressing her use of the N-word directly, Cain continued: 'At the end of the day I am white, so while I can take accountability for my actions, there's no way for me to fully understand the way it feels to be on the receiving end of them. 'All I can say is that I am truly sorry from the bottom of my heart, to anyone who read it then and to anyone reading it now. Any way you feel about me moving forward is valid.' In her statement – which can be found here – Cain directly addresses each post, including the incest t-shirt, which she clarifies was 'never sold as merch'. 'Regarding the topic of incest in my artwork, it's a layered experience,' she wrote. 'I have always been interested in creating art centered around the taboo. 'Rather, as a lonely and confused child I had my own complicated personal struggles with the concept during puberty (in a hypothetical manner, not involving anyone in my actual family). I have since untangled these feelings and I now understand their root. 'While sometimes the topic of incest may get intermingled on a song with my own experiences of sexual abuse or my own familial traumas, I have never and would never fetishise such a sensitive subject.' She said she was 'not proud of her actions' and has tried to 'bury' this past in order to move forward with her life. However, even if she looks back 'shamefully' at the time, Cain stated the resurfacing of her posts is 'not the actions of a well-meaning individual'. 'These are screenshots obtained through extensive digging, hacking and cooperative effort amongst a group of individuals who do not care who else is hurt by witnessing this media as long as I am ultimately hurt the worst in the end,' she accused. Cain, a transwoman, called this a 'targeted smear campaign' against her and urged fans to 'recognise the patterns of transphobia'. 'To try and sum everything up, no I am not a violent misogynist fetishising the 'female experience',' she wrote. 'No I am not the creator of child pornography, nor am I a pedophile, a zoophile, or a porn-addicted incest fetishist. More Trending 'This information was hoarded until the perfect moment arose to unleash it. In this case, a baseless attempt to assassinate my boyfriend's character became the catalyst. 'He will address these claims in his own time on his own terms and I support him wholeheartedly. This entire situation is negligent, sensationalised, and extremely dangerous, not only for myself but for all my loved ones.' Cain's posts were made around the time of her early EP releases. She has since gone on to release three studio recordings – the latest of which is due out in August. Her previous album Preacher's Daughter and January 2025 release Perverts both saw moderate chart success in the US and UK. Got a story? If you've got a celebrity story, video or pictures get in touch with the entertainment team by emailing us celebtips@ calling 020 3615 2145 or by visiting our Submit Stuff page – we'd love to hear from you. MORE: Grammy-winning star battling cancer fears 'cruel' deportation under new Trump law MORE: Rock frontman addresses 'deafening booing' at Black Sabbath's and Ozzy Osbourne's final concert MORE: Fall Out Boy icon steps away from band to 'avoid permanent damage' to hand

Scale AI used public Google Docs for confidential work with Meta, xAI in stunning revelation after $14B investment: report
Scale AI used public Google Docs for confidential work with Meta, xAI in stunning revelation after $14B investment: report

New York Post

time24-06-2025

  • Business
  • New York Post

Scale AI used public Google Docs for confidential work with Meta, xAI in stunning revelation after $14B investment: report

The artificial intelligence start-up that recently clinched a $14 billion investment from Meta has an 'incredibly janky' security system – using public Google Doc files to store confidential information on clients like Meta, Google and xAI, according to a report. It was reported earlier this month that Meta agreed to take a 49% stake in Scale AI for $14.8 billion and bring the startup's CEO Alexandr Wang over to lead a new 'superintelligence' lab. That shockingly steep price tag indicates that Meta believes Wang and his company are key to bringing the social media firm's AI division to the next level. Advertisement 3 Scale AI CEO Alexandr Wang will be leading Meta's 'superintelligence' lab as part of the deal. REUTERS But the company has been strangely relaxed when it comes to its work with high-profile clients, leaving top-secret projects and sensitive information like email addresses and pay details in Google Docs accessible to anyone with a link, according to Business Insider. 'We are conducting a thorough investigation and have disabled any user's ability to publicly share documents from Scale-managed systems,' a Scale AI spokesperson told BI. Advertisement 'We remain committed to robust technical and policy safeguards to protect confidential information and are always working to strengthen our practices.' While there is no indication the public files have led to a breach, they could leave the company susceptible to hacks, according to cybersecurity experts. Scale AI, Google and xAI did not immediately respond to The Post's requests for comment. Meta declined to comment. Five current and former Scale AI contractors told BI that the use of Google Docs was widespread across the company. Advertisement 3 Several 'confidential' documents for client Google were publicly available as Google Doc links, according to the report. REUTERS 'The whole Google Docs system always seemed incredibly janky,' one worker said. BI said it was able to view thousands of pages of project documents across 85 Google Docs detailing Scale AI's sensitive work with Big Tech clients, like how Google used OpenAI's ChatGPT to fine-tune its own chatbot. At least seven Google manuals marked 'confidential' including recommendations to improve the chatbot, then-called Bard, were left accessible to the public, according to the report. Advertisement Public Google Doc files included details on Elon Musk's 'Project Xylophone,' like training documents with 700 conversation prompts to improve an AI chatbot's conversation skills, the report said. So-called 'confidential' Meta training documents with audio clips of 'good' and 'bad' speech prompts to train its AI products were also left public. 3 Some 'confidential' documents related to Meta's training of AI products were also publicly available, the report said. REUTERS While these secret projects were often given codenames, several Scale AI contractors said it was still easy to figure out which client they were working for. Some documents tied to codenamed projects even mistakenly included the company's logo, like a presentation that included a Google logo, according to BI. When working with AI products, sometimes the chatbot would simply reveal the client when asked, the contractors said. There were also publicly available Google Doc spreadsheets that listed the names and private email addresses of thousands of workers, the news outlet found. Advertisement One spreadsheet was frankly titled 'Good and Bad Folks' and labelled dozens of workers as either 'high quality' or 'cheating,' BI said. Another document flagged workers with 'suspicious behavior.' Still more public documents laid out how much individual contractors were paid, and included detailed notes on pay disputes and discrepancies, according to the report.

An Appeal to My Alma Mater
An Appeal to My Alma Mater

Yahoo

time08-06-2025

  • Yahoo

An Appeal to My Alma Mater

The Atlantic Daily, a newsletter that guides you through the biggest stories of the day, helps you discover new ideas, and recommends the best in culture. Sign up for it here. When Maggie Li Zhang enrolled in a college class where students were told to take notes and read on paper rather than on a screen, she felt anxious and alienated. Zhang and her peers had spent part of high school distance learning during the pandemic. During her first year at Pomona College, in Southern California, she had felt most engaged in a philosophy course where the professor treated a shared Google Doc as the focus of every class, transcribing discussions in real time on-screen and enabling students to post comments. So the 'tech-free' class that she took the following semester disoriented her. 'When someone writes something you think: Should I be taking notes too?' she told me in an email. But gradually, she realized that exercising her own judgments about what to write down, and annotating course readings with ink, helped her think more deeply and connect with the most difficult material. 'I like to get my finger oil on the pages,' she told me. Only then does a text 'become ripe enough for me to enter.' Now, she said, she feels 'far more alienated' in classes that allow screens. Zhang, who will be a senior in the fall, is among a growing cohort of students at Pomona College who are trying to alter how technology affects campus life. I attended Pomona from 1998 to 2002; I wanted to learn more about these efforts and the students' outlook on technology, so I recently emailed or spoke with 10 of them. One student wrote an op-ed in the student newspaper calling for more classes where electronic devices are banned. Another co-founded a 'Luddite Club' that holds a weekly tech-free hangout. Another now carries a flip phone rather than a smartphone on campus. Some Pomona professors with similar concerns are limiting or banning electronic devices in their classes and trying to curtail student use of ChatGPT. It all adds up to more concern over technology than I have ever seen at the college. These Pomona students and professors are hardly unique in reacting to a new reality. A generation ago, the prevailing assumption among college-bound teenagers was that their undergraduate education would only benefit from cutting-edge technology. Campus tour guides touted high-speed internet in every dorm as a selling point. Now that cheap laptops, smartphones, Wi-Fi, and ChatGPT are all ubiquitous—and now that more people have come to see technology as detrimental to students' academic and social life—countermeasures are emerging on various campuses. The Wall Street Journal reported last month that sales of old-fashioned blue books for written exams had increased over the past year by more than 30 percent at Texas A&M University and nearly 50 percent at the University of Florida, while rising 80 percent at UC Berkeley over the past two years. And professors at schools such as the University of Virginia and the University of Maryland are banning laptops in class. The pervasiveness of technology on campuses poses a distinct threat to small residential liberal-arts colleges. Pomona, like its closest peer institutions, spends lots of time, money, and effort to house nearly 95 percent of 1,600 students on campus, feed them in dining halls, and teach them in tiny groups, with a student-to-faculty ratio of 8 to 1. That costly model is worth it, boosters insist, because young people are best educated in a closely knit community where everyone learns from one another in and outside the classroom. Such a model ceases to work if many of the people physically present in common spaces absent their minds to cyberspace (a topic that the psychologist Jonathan Haidt has explored in the high-school context). At the same time, Pomona is better suited than most institutions to scale back technology's place in campus life. With a $3 billion endowment, a small campus, and lots of administrators paid to shape campus culture, it has ample resources and a natural setting to formalize experiments as varied as, say, nudging students during orientation to get flip phones, forging a tech-free culture at one of its dining halls, creating tech-free dorms akin to its substance-free options––something that tiny St. John's College in Maryland is attempting––and publicizing and studying the tech-free classes of faculty members who choose that approach. Doing so would differentiate Pomona from competitors. Aside from outliers such as Deep Springs College and some small religious institutions—Wyoming Catholic College has banned phones since 2007, and Franciscan University of Steubenville in Ohio launched a scholarship for students who give up smartphones until they earn their degree—vanishingly few colleges have committed to thoughtful limits on technology. [Jonathan Haidt: Get phones out of schools now] My hope is that Pomona or another liberal-arts college recasts itself from a place that brags about how much tech its incoming students will be able to access––'there are over 160 technology enhanced learning spaces at Pomona,' the school website states––to a place that also brags about spaces that it has created as tech refuges. 'In a time of fierce competition for students, this might be something for a daring and visionary college president to propose,' Susan McWilliams Barndt, a Pomona politics professor, told me. McWilliams has never allowed laptops or other devices in her classes; she has also won Pomona's most prestigious teaching prize every time she's been eligible. 'There may not be a million college-bound teens across this country who want to attend such a school,' she said, 'but I bet there are enough to sustain a vibrant campus or two.' So far, Pomona's leadership has not aligned itself with the professors and students who see the status quo as worse than what came before it. 'I have done a little asking around today and I was not able to find any initiative around limiting technology,' the college's new chief communications officer, Katharine Laidlaw, wrote to me. 'But let's keep in touch. I could absolutely see how this could become a values-based experiment at Pomona.' Pomona would face a number of obstacles in trying to make itself less tech-dependent. The Americans With Disabilities Act requires allowing eligible students to use tools such as note-taking software, closed captioning, and other apps that live on devices. But Oona Eisenstadt, a religious-studies professor at Pomona who has taught tech-free classes for 21 years, told me that, although she is eager to follow the law (and even go beyond it) to accommodate her students, students who require devices in class are rare. If a student really needed a laptop to take notes, she added, she would consider banning the entire class from taking notes, rather than allowing the computer. 'That would feel tough at the beginning,' she said, but it 'might force us into even more presence.' Ensuring access to course materials is another concern. Amanda Hollis-Brusky, a professor of politics and law, told me that she is thinking of returning to in-class exams because of 'a distinct change' in the essays her students submit. 'It depressed me to see how often students went first to AI just to see what it spit out, and how so much of its logic and claims still made their way into their essays,' she said. She wants to ban laptops in class too––but her students use digital course materials, which she provides to spare them from spending money on pricey physical texts. 'I don't know how to balance equity and access with the benefits of a tech-free classroom,' she lamented. Subsidies for professors struggling with that trade-off is the sort of experiment the college could fund. Students will, of course, need to be conversant in recent technological advances to excel in many fields, and some courses will always require tech in the classroom. But just as my generation has made good use of technology, including the iPhone and ChatGPT, without having been exposed to it in college, today's students, if taught to think critically for four years, can surely teach themselves how to use chatbots and more on their own time. In fact, I expect that in the very near future, if not this coming fall, most students will arrive at Pomona already adept at using AI; they will benefit even more from the college teaching them how to think deeply without it. Perhaps the biggest challenge of all is that so many students who don't need tech in a given course want to use it. 'In any given class I can look around and see LinkedIn pages, emails, chess games,' Kaitlyn Ulalisa, a sophomore who grew up near Milwaukee, wrote to me. In high school, Ulalisa herself used to spend hours every day scrolling on Instagram, Snapchat, and TikTok. Without them, she felt that she 'had no idea what was going on' with her peers. At Pomona, a place small enough to walk around campus and see what's going on, she deleted the apps from her phone again. Inspired by a New York Times article about a Luddite Club started by a group of teens in Brooklyn, she and a friend created a campus chapter. They meet every Friday to socialize without technology. Still, she said, for many college students, going off TikTok and Instagram seems like social death, because their main source of social capital is online. [From the September 2017 issue: Have smartphones destroyed a generation?] Accounts like hers suggest that students might benefit from being forced off of their devices, at least in particular campus spaces. But Michael Steinberger, a Pomona economics professor, told me he worries that an overly heavy-handed approach might deprive students of the chance to learn for themselves. 'What I hope that we can teach our students is why they should choose not to open their phone in the dining hall,' he said. 'Why they might choose to forgo technology and write notes by hand. Why they should practice cutting off technology and lean in to in-person networking to support their own mental health, and why they should practice the discipline of choosing this for themselves. If we limit the tech, but don't teach the why, then we don't prepare our students as robustly as we might.' Philosophically, I usually prefer the sort of hands-off approach that Steinberger is advocating. But I wonder if, having never experienced what it's like to, say, break bread in a dining hall where no one is looking at a device, students possess enough data to make informed decisions. Perhaps heavy-handed limits on tech, at least early in college, would leave them better informed about trade-offs and better equipped to make their own choices in the future. What else would it mean for a college-wide experiment in limited tech to succeed? Administrators would ideally measure academic outcomes, effects on social life, even the standing of the college and its ability to attract excellent students. Improvements along all metrics would be ideal. But failures needn't mean wasted effort if the college publicly shares what works and what doesn't. A successful college-wide initiative should also take care to avoid undermining the academic freedom of professors, who must retain all the flexibility they currently enjoy to make their own decisions about how to teach their classes. Some will no doubt continue with tech-heavy teaching methods. Others will keep trying alternatives. Elijah Quetin, a visiting instructor in physics and astronomy at Pomona, told me about a creative low-tech experiment that he already has planned. Over the summer, Quetin and six students (three of them from the Luddite Club) will spend a few weeks on a ranch near the American River; during the day, they will perform physical labor—repairing fencing, laying irrigation pipes, tending to sheep and goats—and in the evening, they'll undertake an advanced course in applied mathematics inside a barn. 'We're trying to see if we can do a whole-semester course in just two weeks with no infrastructure,' he said. He called the trip 'an answer to a growing demand I'm hearing directly from students' to spend more time in the real world. It is also, he said, part of a larger challenge to 'the mass-production model of higher ed,' managed by digital tools 'instead of human labor and care.' Even in a best-case scenario, where administrators and professors discover new ways to offer students a better education, Pomona is just one tiny college. It could easily succeed as academia writ large keeps struggling. 'My fear,' Gary Smith, an economics professor, wrote to me, 'is that education will become even more skewed with some students at elite schools with small classes learning critical thinking and communication skills, while most students at schools with large classes will cheat themselves by using LLMs'—large language models—'to cheat their way through school.' But successful experiments at prominent liberal-arts colleges are better, for everyone, than nothing. While I, too, would lament a growing gap among college graduates, I fear a worse outcome: that all colleges will fail to teach critical thinking and communication as well as they once did, and that a decline in those skills will degrade society as a whole. If any school provides proof of concept for a better way, it might scale. Peer institutions might follow; the rest of academia might slowly adopt better practices. Some early beneficiaries of the better approach would meanwhile fulfill the charge long etched in Pomona's concrete gates: to bear their added riches in trust for mankind. Article originally published at The Atlantic

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