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India Today
2 days ago
- Entertainment
- India Today
Hamraaz: A prophecy of Vimi's real-life tragedy
As part of our Retro Review series, we revisit 'Hamraaz', a film that mirrors the tragic life of its leading lady, the beautiful Hamraaz (1967)Cast: Sunil Dutt, Raaj Kumar, Vimi, Balraj Sahni, Mumtaz, Madan Puri, Manmohan KrishnaDirector: BR ChopraMusic/Lyrics: Ravi, Sahir LudhianviBox-Office Status: Super HitWhere to Watch: YouTubeWhy to Watch: For its breezy transition from a romance to a relationship triangle, and finally a whodunitMoral of the Story: Trust your spouse even if they are trying to hide secrets (because sometimes the past is complicated)advertisementActor Vimi was a mesmerising enigma. Her beauty was so striking it could have launched a thousand ships, yet her expressions were wooden, likely due to her inexperience as an 'Hamraaz', her debut film, Vimi was tasked with a complex role, portraying a whirlwind of emotions. Over the first two hours, her character Meena falls in love, elopes, loses her husband to war, mourns a stillborn child, remarries, discovers her child is alive, and almost reunites with her first husband, miraculously returned from the dead. Yet, through these trials, Vimi's performance remains restrained, relying on her graceful presence. Her sole achievement is her statuesque presence, standing with the frozen aura of a divine sculpture. If only Vimi had navigated life with similar stoicism, we might have seen more of her. Photo credit: IMDb advertisementIntroduced to BR Chopra through connections, including the film's composer Ravi, Vimi, a mother of two, and a part-time singer, was cast as the lead in 'Hamraaz' against prevailing Bollywood norms. The film became the highest-grossing movie of 1967, and Vimi emerged as a fashion and style icon. Bold and beautiful - she famously posed in a bikini - Vimi seemed destined for her life unraveled swiftly. Her next two films flopped, her husband, whom she married against her family's wishes, abandoned her, and Vimi spiraled into darkness, struggling with loneliness, failure, alcoholism and financial hardship. She died in 1977, alone in a hospital, leaving behind a tragic legacy.'Hamraaz' echoes a similar tale of love, loss and death, like a prophecy of Vimi's tragedy. It is an eerie foreshadowing of her own descent into heartbreak and PLOT'Hamraaz' opens as a breezy romance set against the lush meadows of Darjeeling, beneath a turquoise sky, immortalised by Mahendra Kapoor's 'Neele Gagan Ke Tale.' Meena (Vimi), falls for the dashing Captain Rajesh (Raaj Kumar), who slays it in stylish caps, goggles, and army her father's disapproval of an army officer as a son-in-law, Meena marries Rajesh in secret. But their bliss is short-lived; the next day, Rajesh is called to war. When his name appears on the list of the fallen, Meena collapses - a classic Bollywood cue for a doctor to announce the imminent arrival of a stork, miraculously after just a night of arrives with Kumar (Sunil Dutt), a stage artist leading a troupe to rally support for the Indian army. Smitten with Meena, he expresses his intent to fall in love and worship her, aptly conveyed by a rare Mahendra Kapoor song in low is hesitant but is softened by three breezy songs and her father's insistence. Meena weds Kumar, hiding her past to start anew in Bombay. For four years they live happily, without being bothered by storks. Alas, Vimi, thy destiny is secrets unravel with the appearance of a child thought dead and a mysterious figure in two-tone shoes. As Meena scrambles to protect her past, she meets a tragic end, with Kumar as the prime suspect. Who killed Meena? What's the secret behind the shoes? The film resolves these mysteries, ending with a hint of new romance for GOOD, BAD AND UGLYIn its first half, 'Hamraaz' glides like the Darjeeling toy train through picturesque locales, propelled by Ravi's timeless music, Sahir Ludhianvi's philosophical poetry, and Mahendra Kapoor's soaring voice. Sahir, ever the magician, casts his spell with profound words, especially 'Na Munh Chhupa Ke Jiyo,' a stirring anthem of resilience through life's trials. Set against the backdrop of the 1962 war, the song serves as a rallying call for Meena, and India, to discard setbacks and face life with Chopra brothers, BR and Yash, were masters of pace, ensuring sharp narrative transitions. After five songs in an hour, 'Hamraaz' shifts from a musical to a lost-and-found plot, then a mystery, and finally a its energy, the murder plot stumbles with glaring holes. Characters make illogical leaps, like assuming a death without evidence, and the police investigation, led by Balraj Sahni's gravitas, feels absurdly simplistic, as if the writer ignored basic investigative logic and relied on the credulity of the audience. Photo credit: IMDb Despite plot holes that could have accommodated Kumar's lavish sets, the film's chaotic pace, its music, and Dutt's dynamic energy keep audiences engaged. In the films of the '60s, it was almost customary to showcase a bare-chested Sunil Dutt (rewind to 'Waqt', another Chopra classic).advertisementIn 'Hamraaz', Dutt's shiny bod, its modesty preserved by a minimalist trunk, is on display for a full five minutes. To heighten the film's allure, BR Chopra skillfully weaves in a side plot. Mumtaz, with her captivating charm, romances Dutt on stage in figure-hugging black-and-white dresses, delivering a masterclass in fashion. However, this subplot falters slightly, veering into shrill and moralistic territory with sermons on spousal loyalty drawn from Shakespeare's soul of 'Hamraaz' is the debonair Raaj Kumar. His regal presence and scotch-soaked gravelly voice are straight up lit, radiating killer vibes. Tragically, his screen time is scant and scattered, with not a single line to showcase his iconic dialogue delivery. Only Chopra could have revealed the raaz (mystery) - spoiler alert - of obscuring Raaj Kumar's face for much of the second half, zooming in instead on his dual-tone shoes. This tired suspense tactic, already used in the horror mystery 'Bees Saal Baad', feels like a cheap trick at the cost of Raaj VERDICTDespite these flaws, 'Hamraaz' is a typical Bollywood beast, steered by Ravi's melodies, Sahir's poetry, and Chopra's pacey direction. Its genre shifts and a stellar cast make it a wild ride that could have been more fun if it were memory that haunts, though, is Vimi's life: a star who shone briefly in 'Hamraaz', only to be extinguished by flops, abandonment, and addiction. In the end, the film is a requiem for Vimi, a bitter reminder that sometimes, the reel tragedy pales next to the real one.
India.com
15-05-2025
- Entertainment
- India.com
This actress was once a star, suffered domestic violence from husband, was forced into prostitution by boyfriend, died alone, her body was pushed in…, name was…
This actress was once a star, suffered domestic violence from husband, was forced into prostitution by boyfriend, died alone, her body was pushed in..., name was... Many Bollywood celebrities, who once made a mark in the industry with their tremendous work, have become unfamiliar faces now. Actress Vimi is one such example. Though her Bollywood journey was short-lived, but she managed to garner recognition for her work in the industry. Renowned for films such as Aabroo, Hamraaz and Patanga , Vimi's life was full of highs and lows. When she stepped into the film industry, she was already married and had two children. She became an overnight sensation following her debut film Hamraaz. After this, she starred in several hits and became one of the highest-paid actresses in 90s, charging Rs 3 lakh per film. Vimi became one of the those few actresses who worked with several Bollywood stalwarts including Sunil Dutt, Raj Kumar, Shashi Kapoor and others. Everything was going hunky-dory until her husband, businessman Shiv Agarwal, left her. She got separated after enduring years of domestic violence, as stated by several reports. Following her separation from Shiv, the actress suffered another disastrous relationship with a small-time producer, Jolly. According to a report by News 18, Vimi was exploited and forced into prostitution by her boyfriend. Luckily, she managed to escape that toxic relationship, but her life continued to suffer. After few months, she tried her hands in a textile business in Calcutta, but it failed miserably, landing her into a massive debt. In her early 30s, Vimi was left bankrupt and her career got ruined completely. She was forced to spend rest of her life alone, eventually finding alcohol as her only escape. Gradually, her alcohol addiction got worse and she was admitted to a hospital. At the age of 34, the actress passed away due to liver complications. As per reports, Vimi was left alone at the time of her death, and her dead body was taken to the cremation ground on a handcart.
Indian Express
30-04-2025
- Entertainment
- Indian Express
Yash Chopra asked Mumtaz to marry him ‘1000 times', but she friend-zoned him: ‘Aye moti, I love you yaar, marry me'
Veteran actor Mumtaz admitted that the late filmmaker Yash Chopra, founder of the Yash Raj Films banner, was smitten by her back in the day. He was working as an assistant to his brother, BR Chopra, who produced a few films that Mumtaz starred in. She said in an interview that he would also show up at her house, and would propose marriage to her on a regular basis. But she was never romantically attracted towards him, she said, as she emotionally recalled his passing. Yash Chopra died in 2012, just before the release of his final film, Jab Tak Hai Jaan, starring Shah Rukh Khan. In an interview with journalist Vickey Lalwani, she was asked if the reports of Yash Chopra pursuing her were true. She said, 'Not once, he must've asked me 1000 times. But I was not in love with him, so how could I have married him? I'm exaggerating about 1000 times, but he told me several occasions, 'Aye moti, I love you yaar, marry me'. But, you see, to have such a close relationship with anybody, you have to fall in love with the person. You have to be close to the person, and for that, you have to have chemistry. If you don't have the chemistry, how can you live together as a married couple? I never had that chemistry with him.' Also read – Rajesh Khanna would've been alive had he married Anju Mahendru; sudden wedding with Dimple Kapadia was shocking, unexpected: Mumtaz She said that she liked him as 'a director and producer', but it never went beyond that. 'As a human being, he was one of the best people to be around. He would always make people laugh on set. I wept when he passed away. I was in London at the time. He'd called me a little while earlier and told me to watch his new film. He said to me, 'Promise you'll watch it'. I said yes. But he was gone. It was very sad, because he was a nice person.' Through tears, Mumtaz continued, 'He was such a wonderful person. I don't know why he died so young. I don't know what illness he had. I'm sure his family must've tried their best, but they couldn't save him. His daughter-in-law Rani met me at a party, and she was telling me, 'Yash ji wanted you to visit the studio. When will you come? I'll give you a round.' I really wanted to see it, because it was his last wish. But it would be inappropriate to call and ask for a tour now.' She said that Yash Chopra would show up at her house when she was out for work, and that her mother would say that he's a nice man. 'His wife was a nice person too. I've been to their house a few times. She entertained us very well. She was a very nice person,' Mumtaz said. She worked with Yash Chopra's brother, BR Chopra, on two films, Aadmi Aur Insaan (1969) and Hamraaz (1967). In the same interview, she admitted that she was very attracted to Rajesh Khanna and Shammi Kapoor, but she couldn't pursue relationships with them for different reasons.
