Latest news with #JADE
Daily Mirror
12 hours ago
- Entertainment
- Daily Mirror
Pixie Lott announces pregnancy live on stage at huge festival
Pixie Lott has announced she's pregnant with her second child. The chart topping star made the huge announcement while performing at Mighty Hoopla Festival at Brockwell Park, London. The singer, who is already a proud mum to son Albert, two, told fans: "I'm having another baby!" The musician joined the likes of JADE, Ciara, Mutya Buena and The Vengaboys on the line-up of the two day event. Pixie, who is married to model Oliver Cheshire, has recently been performing up and down the country at various festivals. Just one week ago, the blonde pop songstress chose to wear an oversized white t-shirt as she belted out some of her biggest hits at the Foodies Festival in London. This is a breaking showbiz news story. Join The Mirror's WhatsApp Community or follow us on Google News, Flipboard, Apple News, TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads - or visit The Mirror homepage.
Daily Mirror
3 days ago
- Entertainment
- Daily Mirror
Charli XCX, JADE and more sign open letter in solidarity with trans performers
Global stars Charli XCX, JADE, Shygirl and Florence Welch, sign an 'open letter' in solidarity with the trans community to pressure their industry to "ensure" the safety of trans collaborators Over 400 UK artists and music industry workers have signed an open letter pledging solidarity with the trans community, including Britain's biggest names, including Charli XCX and former Little Mix band member, JADE. Following the UK Supreme Court's ruling, the trans community and allies have stormed to socials to protest the exclusion of trans people from public spaces, specifically bathrooms. Titled the ' Open Letter of solidarity to the trans community from the UK Music Industry,' the letter highlights the impact made on the trans, non-binary, and intersex communities following the Supreme Court ruling. The collective wish to add their voices to "the growing chorus of concern", made up of well-known UK writers, film and television professionals and journalists. Amongst them are a list of household names, including Dua Lipa, Ellie Golding and Mabel. Additional signatures were given by Olly Alexander (Years and Years); Rina Sawayama; Florence Welch (Florence & the Machine); Mura Masa, Shygirl, and Little Mix's JADE, Perrie Edwards and Leigh-Anne Pinnock. The letter states: "The UK music industry is a vibrant, diverse landscape that thrives on creativity and inclusivity". It continues to recognise how Western society has "long celebrated a multitude of voices and identities," with the British music industry being one of the "most trailblazing and culturally vital assets - one which trans, intersex and non-binary people are woven into in every aspect of the industry, past, present and future". The letter urges influential business and trailblazers within the music field to "ensure that trans, non-binary, and intersex colleagues, collaborators, and audiences are protected from discrimination and harassment in all areas of the industry - whether in studios, at venues, in offices, or at festivals". The open letter declares that the Supreme court ruling "not only undermines the lived reality" of the UK's non-cis community (those who's gender identity aligns with their sex) "but also weakens legal protections at a time when trans people face rising hate crime, discrimination, and systemic barriers". The collective share that they stand in solidarity with those who have "condemned" the Equality Human Rights Commission (EHRC) guidance, which actually "exposes trans people to embarrassment and harassment, ultimately excluding and seeking to erase them from participation in public life". The letter concludes, saying: " Music has the power to unite, to inspire, and to reflect the richness of the human experience". In an effort to further draw people to the cause, they added: "This is our moment to amplify voices that need to be heard, to champion inclusivity and real justice, and to ensure that our industry remains a welcoming and trailblazing space for everyone. Let us stand on the side of truth, equality, and respect".
Daily Mirror
7 days ago
- Entertainment
- Daily Mirror
'I was at Radio 1's Big Weekend – one star was iconic as another left fuming'
It's one of the best weekends of the year for a music lover and journalist. BBC Radio 1's Big Weekend hit Liverpool over the weekend, and they didn't hold back. Some of the biggest names in music headed to Sefton Park to put on unmissable performances throughout the weekend, including JADE (Thirlwall), Sam Fender, Tom Grennan, Lola Young and even a surprise guest. And it couldn't have been a more perfect weekend, okay, we had a bit of rain (and a lot of wind), but the sun was shining and I'm currently more red than Anfield Stadium, but it was so worth it. So what was it really like? In the words of Liam Gallagher – biblical. Friday was a quiet start to the weekend, but it still delivered everything and more. I got there just in time to see Natasha Bedingfield perform, which I had been so excited for and can honestly say I felt like I was reliving my childhood again which was incredible. But the highlight for me on Friday was, of course, Tom Grennan. I've spoken about this countless times this weekend, but three years ago, I saw Tom play on the Future Sounds Stage at Big Weekend in Coventry. Now, three years later and over one billion UK streams later, he was headlining the Main Stage. He's one of those rare musicians who still appreciates every bit of success he gets and puts on an incredible show – and he did just that. I knew there would be something special coming during Tom's set, but I hadn't anticipated just how phenomenal it would be. Not only did he bring out Ella Henderson for their track, but he also brought out Melanie C to perform When You're Gone together. Although they were wearing Everton and Liverpool shirts, which I'll let them off with, the response was incredible from the crowd. Melanie is obviously a Scouse icon and one-fifth of the world's biggest girlband, which saw the whole crowd erupt into cheers. He was also joined by The Zutons to sing their 2006 hit, Valerie, which to me was the best. Between the music, I got to hang out in the BBC Guest Area, which allowed me to use a private bar, grab food without waiting in huge queues and most importantly, clean toilets. A must at a festival, given how many people use the main arena ones. It was here I bumped into Radio 1 star Conor Knight, who was overjoyed at being at the event. Conor is a regular on the network and has covered Radio 1 weekend breakfast and also the mid-morning show over Christmas – there's no denying he's one of the best at the station. Saturday, though – no words, apart from out of this world. Ed Sheeran had just been announced as the surprise special guest on the Radio 1 New Music Stage. I thought my days of sprinting across fields were over, but no, off I ran for my life to try and get into the stage. He was only scheduled for 45 minutes, but those 45 minutes were heavenly. Hearing tracks such as Perfect, Shape of You, The A Team and Bad Habits certainly kicked off the day in the best way. The tent was at full capacity with 5,000 people eager to see Ed perform. It proved just how talented he is as well. Just one man, a guitar and a loop pedal yet had the crowd in the palm of his hand. Although myself and 5,000 other people were happy, apparently Tom Odell wasn't best pleased and I can see why. Tom was performing on the Main Stage at the same time, and on my way out of Ed, I saw the crowd... It wasn't as packed as Tom probably would have liked. But who can really compete with Ed Sheeran? Now, one act who set the Main Stage alight... Sugababes. I've seen them several times and even worked with them (goals – Kiesha revealed to me they were playing Glastonbury last year). There's no denying they're the best female vocal group to come out of the UK, and I'll take that to my grave. Their set attracted one of the biggest crowds of the weekend, performing hits including About You Now, Round Round, Overload and Freak Like Me. It was the vibe we all needed in the sun and it was clear to see how much it meant to Keisha, Siobhán and Mutya. I also caught up with Siobhan backstage and she's the kindest soul you could ever meet, not to mention we both twinned with Vivienne Westwood glasses. But I needed to warm up before King Sam Fender headlined so off I went back to the Guest Area to make the most of the bar. This is where all the famous faces were hanging out conserving their energy for the weekend. One word for Sam in-sane. I can't think of another word. Like Tom Grennan, I've followed him from the start of his career, watched him play one of his first festivals, saw him headline his first (Tramlines), and he was also on the Future Sounds Stage three years ago. There's something about Sam's sets that captivates the audience. Around 100,000 were expected to attend, and somehow I got close to the front with a group of friends. Sam's set went off with a bang. It was just utterly brilliant. Famous faces were scattered around the crowd, and nobody was bothering them because we were all too focused on enjoying the Geordie King. Obviously, he had to open with Getting Started, I feel like that's a given with Sam. He delivered his best hits, such as Will We Talk?, People Watching, Seventeen Going Under before closing with Hypersonic Missiles. I refused to leave early and trying to get out with the whole crowd proved to be quite interesting. We left at 10pm, and although I live an hour away from Liverpool, I didn't get home until after midnight because of how many people were trying to get cabs and Ubers from Sefton Park. Sunday proved to be yet another incredible day with the likes of JADE, Lola Young, HAIM and Wet Leg performing. I wasn't too fussed on the majority of the line-up for Sunday, but I left the comfort of the backstage tent, which had been sheltering us and headed out into the rain to see HAIM with friends, and I wasn't disappointed. I'd never heard their music, but I was impressed and will definitely listen to them now. And around came the moment I'd been waiting all day for. Jade. I'd followed her since the early days of Rhythmix (if you know, you know) and recently saw her perform at the BRIT Awards, so I knew I was in for a treat. Since venturing out as a solo artist, Jade hasn't shied away from pushing the boundaries and experimenting with her sound. It's working, there's no denying that. Now, I completely understand that she's classed as a "new artist" given she's just gone solo, but she shouldn't have been on the New Music stage. She deserved the Main Stage headline slot. Belting out hits like FUFN (clean version), IT Girl, Midnight Cowboy and her debut single Angel of My Dreams (which by the way, INCREDIBLE), she also delivered a mix of Little Mix hits including Wasabi, Shout Out To My Ex and Sweet Melody, as well as a cover of N-Trance's 1995 anthem, Trance. It was her first-ever solo festival performance, and she drew in one of the biggest crowds. The tent had a maximum capacity of 5,000, and it was filled, with more people standing outside in the rain watching her perform. I can't describe the energy because it was so unique but it's clear to see that Jade has cemented herself as the one to watch in the industry and is a true force to be reckoned with. I didn't catch the Main Stage headline act, Mumford and Sons, because I left as soon as Jade finished – as did thousands of others. It would have been hard for any artist to top Jade's set so I feel like it was probably the best decision to leave while still buzzing (and singing, much to the dismay of my friends...)
Perth Now
7 days ago
- Entertainment
- Perth Now
JADE hints at Little Mix reunion as she wows at first solo concert at Radio 1's Big Weekend
Jade Thirlwall hinted at a Little Mix reunion while performing the girl group's 2018 hit 'Wasabi' at Radio 1's Big Weekend. The 'Angel of My Dreams' singer played her debut solo show at the youth radio station's annual gathering, which took place at Liverpool's Sefton Park this weekend. As well as doing a medley of their greatest hits - 'Shout Out to My Ex', 'Sweet Melody', 'Woman Like Me' and 'Touch' - earlier in the set on Sunday (25.05.25), while performing 2018's 'Wasabi', JADE switched the lyrics to: "I bet they gonna break up ... It's a hiatus!" The lyric swap suggests the girls - also including Perrie Edwards and Leigh-Anne Pinnock - have plans to get back together after going on an indefinite break in 2022. JADE - who has ditched her last name for her solo career - also thanked her bandmates for getting her where she is today. She said: "Guys do you remember I was in a girl band, oh gosh you're still going, I just want to say I love the Little Mix girls with all my heart. "I'm so so grateful to the girls. If it wasn't for them, I wouldn't be here today on my own. So shout out Little Mix!" The set saw JADE deliver the live debut of unreleased solo song 'Plastic Box'. JADE is set to release her debut solo album, 'That's Showbiz Baby!', on September 12. Despite their huge fame and earnings, Little Mix were rocked by Jesy Nelson's decision to quit the group in December 2020. Leigh-Anne previously said the remaining three members of the band secretly sought therapy after Jesy's abrupt exit. She said in her autobiography 'Believe': 'It was a complex and painful thing to come to terms with. We all felt it, that pain and sadness. 'The whole thing felt like a weird break-up, and I wasn't prepared for it."
Indian Express
23-05-2025
- Entertainment
- Indian Express
From Mughal courtyards to the French Riviera: How Kasab embroidery is keeping Indian grandeur alive
Seventeen-year-old Nitanshi Goel's Cannes red carpet debut not only turned heads, but her custom ensemble paid homage to her traditional roots. Her black gown by JADE by Monica and Karishma fused heritage with couture, featuring signature Kasab embroidery and delicate gold macrame detailing. 'It brought together heritage and whimsy in perfect harmony,' said designer Monica Shah. Goel wasn't the only one bringing Kasab embroidery to global spotlight. Content creator Masoom Minawala's Cannes 2025 look, a bespoke Arpita Mehta creation, showcased mirror work, gold Kasab, and fine cutdana in soft beige and gold tones — an ode to timeless, intricate, and globally-relevant Indian artistry. With Kasab embroidery enjoying a moment in the limelight, we trace its origins, evolution, and how modern Indian fashion is helping this age-old craft survive and thrive. 'Kasab embroidery, a distinguished form of metallic threadwork, has been a part of India's rich textile heritage,' said Mansee Khera, assistant professor at Alliance School of Design, Bengaluru, speaking to She explained that it originated in regions like Gujarat and Rajasthan, where gold or silver threads – called Kasab – were woven into luxurious fabrics like silk, velvet, and brocade. 'Traditionally associated with royalty and ceremonial wear, the embroidery is characterised by techniques such as couching, where threads are laid on the fabric surface and stitched down with fine thread. The resulting patterns, often floral or geometric, reflect both cultural influences and artistic expression,' said Khera. Apurva Shah, creative director and founder of Label Apurva, said, 'Its roots trace back to the Mughal era, where it was extensively used in zari work on royal garments, temple textiles, and ceremonial attire. Over time, Kasab found its way into regional embroidery styles like zardozi, gota patti, and aari work.' Shah explained that traditionally, Kasab was reserved for grandeur. 'It wasn't just decorative, it was symbolic. The gleam of Kasab on fabric often signified status, celebration, and sanctity. Brides wore it as blessings woven into their trousseau, dancers draped it to catch the light with every twirl, and royals commissioned it to express power and splendor,' she said. Describing the process as 'poetry in motion,' Shah said that Kasab threads are created by flattening metals like gold or silver (now often substituted with metallic polyester) and wrapping them around a silk or cotton core. 'These threads are then embroidered onto fabrics like silk, organza, velvet, or georgette using techniques such as zardozi, dabka, aari, or gota patti, depending on the region and design. The process is entirely done by hand, and every motif can take hours, sometimes days, of focused craftsmanship,' she said, adding that artisans generally inherit this skill from generations before them, and each piece carries their fingerprint. Kasab embroidery is far from uniform. According to Shah, it comes in various types, each with its own distinct personality: Gold Kasab (Sunehri Kasab) – Traditional and regal, used in bridal and festive wear. Silver Kasab (Chandi Kasab) – Cooler in tone, often paired with pastels and whites. Antique Kasab – A more muted gold or bronze tone, perfect for vintage-inspired pieces. Coloured Kasab – Modern variants using dyed metallic threads to add playful accents. Flat vs. Twisted Kasab – Flat threads for a sleeker look, twisted for texture and dimension. Mixing antique and matte Kasab in embroideries helps give it a contemporary yet timeless touch. 'The truth is, the art of Kasab is delicate, not just in execution but in existence,' said Shah. According to her, the craft faces numerous challenges: a drop in mass market demand due to cheaper machine embroidery, a lack of new artisans entering the field due to low economic returns, rising material costs, and dwindling patronage. 'The displacement of local artisan clusters post-pandemic has further compounded the issue,' she said. However, in an attempt to stay afloat against the rising tide, contemporary fashion designers are reinterpreting Kasab embroidery, and integrating it into modern silhouettes and ensembles. According to Khera, this fusion of traditional craftsmanship with current design sensibilities not only preserves the art form but also introduces it to new audiences, ensuring its relevance in today's fashion landscape.
