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Per Norgard, daring symphonic composer, dies at 92
Per Norgard, daring symphonic composer, dies at 92

Boston Globe

time2 days ago

  • Entertainment
  • Boston Globe

Per Norgard, daring symphonic composer, dies at 92

Mr. Norgard's musical evolution encompassed the mid-20th century's leading styles, including neoclassicism, expressionism ,and his own brand of serialism, and it incorporated a wide range of influences, including Javanese gamelan music, Indian philosophy, astrology, and the works of schizophrenic Swiss artist Adolf Wölfli. Advertisement But he considered himself a distinctively Nordic composer, influenced by Finnish symphonist Jean Sibelius, and that was how newcomers to his music often approached him. The infinite, brooding landscapes of Sibelius -- along with the intensifying repetitions in the work of Mr. Norgard's Danish compatriot Carl Nielsen and the obsessive, short-phrase focus of Norwegian Edvard Grieg -- have echoes in Mr. Norgard's fragmented sound world. Get Starting Point A guide through the most important stories of the morning, delivered Monday through Friday. Enter Email Sign Up The delirious percussive expressions of his composition 'Terrains Vagues' (2000), the plinking raindrops of the two-piano, four-metronome 'Unendlicher Empfang' (1997), and the vast, discontinuous fresco of the Eighth Symphony (2011) all evoke the black-and-white northern vistas of Sibelius, with their intense play of light and shadow. As a young student at the Royal Danish Academy of Music in Copenhagen in the early 1950s, he was immersed in the music of Sibelius, writing to the older composer and receiving encouragement in return. 'When I discovered there was a kind of unity in his music, I was obsessed with the idea of meeting him,' he said in an interview. 'And to let him know that I didn't consider him out of date.' Advertisement The two never did manage to meet. But Sibelius, who died in 1957, was a lifelong inspiration and mentor from afar. 'From the moment I discovered the music of Sibelius, I felt in much more of a relationship with his music' than with that of fellow Danish composers, Mr. Norgard said in a 2012 interview. 'There are the long horizons. And a feeling, maybe, of a kind of nostalgia,' he added. Mr. Norgard developed a unique compositional technique he called the 'infinity series,' a slightly repeated, but constantly shifting, sequence of notes, which the British critic Richard Whitehouse described as 'a way of creating layers of melodies that move simultaneously at different speeds across the texture.' That technique recalls what Mr. Norgard called the 'symmetric turning around' of Sibelius. Mr. Norgard himself aspired to a music in which 'everything came out of a single note,' he said, 'like the big bang.' Both composers are credited with renewing, and prolonging the life of, the imperiled symphony. Whitehouse called Mr. Norgard's Fifth Symphony (1990) 'arguably the most significant reappraisal of symphonic form in the past half-century.' Sibelius' own Fifth Symphony, composed in 1919, had been characterized the same way in its day; Mr. Norgard was inspired by what he called its 'growth, where different motifs are more and more connected, to a great vision of unity.' Advertisement Mr. Norgard had a brief brush with popular consciousness with his hauntingly simple music for the film 'Babette's Feast' (1987), an adaptation of the 1958 story by Karen Blixen, writing under the pen name Isak Dinesen. Despite his stature in Europe -- there were frequent recordings, some with major orchestras such as the Vienna Philharmonic -- Mr. Norgard found a muted reception in the United States. In 2014, he was awarded the Marie-Josée Kravis Prize for New Music by the New York Philharmonic, although the orchestra had 'never played a note of his music,' New York Times critic Alan Kozinn observed at the time. A 2016 concert series, 'Norgard in New York,' went some ways toward remedying the neglect. David Allen wrote in The New York Times that 'at its strongest, Mr. Norgard's music has an unbridled organic power, bursting with overlapping lines inspired by mathematical patterns like the golden ratio or natural forces like the rush of an ocean or the dwindling bounce of a ball.' Mr. Norgard, for his part, described his award from the New York orchestra, two years earlier, as 'quite mysterious.' Per Norgard was born July 13, 1932, in Gentofte, Denmark, north of Copenhagen, the younger son of Erhardt Norgard, a tailor who owned a wedding-dress shop, and Emmely Johanne Nicoline (Christensen) Norgard. He was composing piano sonatas by the age of 10. At 17, he began studying with the leading Danish composer Vagn Holmboe, and in 1952, he entered the Royal Danish Academy of Music, where he continued his composition studies. From 1956 to 1957, he studied in Paris with Nadia Boulanger, who taught many of the 20th century's leading composers, a period that led him to write at least one Neo-Classical work in the Stravinsky mold. Advertisement Under the tutelage of Boulanger, he rebelled somewhat against her hyper-French, Neo-Classical universe, advocating, in an article, engagement with 'the universe of the Nordic mind.' Teaching at Danish conservatories in Odense, Copenhagen, and Aarhus followed, along with music criticism for the daily Politiken newspaper. By the early 1960s, Mr. Norgard had developed the 'infinity series' concept, which began with experiments with simple piano pieces. A steady stream of large-scale choral, symphonic, and chamber works resulted, culminating in his last major composition, the Eighth Symphony, which Mellor likened to the works of Mahler, the 'idea that the symphony strives absolutely to contain the world -- that the composer is offering us a glimpse of the universe.' Mr. Norgard's wife, Helle Rahbek, died in 2022. He leaves a daughter, Ditte, and a son, Jeppe, from an earlier marriage, to Anelise Brix Thomsen, that ended in divorce. In an interview with the New York Philharmonic in 2014, after being awarded the Kravis prize, Mr. Norgard described his compositional technique, and discussed the 'infinity series.' It was 'a kind of homage to the mystery of life,' he said, 'which has always been a guiding line for my music.' This article originally appeared in

Make your Yogyakarta visit unforgettable by unwinding at these 3 luxe hotels
Make your Yogyakarta visit unforgettable by unwinding at these 3 luxe hotels

Sinar Daily

time3 days ago

  • Business
  • Sinar Daily

Make your Yogyakarta visit unforgettable by unwinding at these 3 luxe hotels

These three distinguished hotels promise an exceptional stay in this enchanting city. By SHAH SHAMSHIRI 24 May 2025 01:30pm Garrya Bianti Yogyakarta is one of Yogyakarta's luxury hotel that embodies minimalist luxury amidst nature's embrace. Yogyakarta is a city renowned for its rich cultural heritage and vibrant arts scene. Considered the gateway to the famous, majestic Borobudur Temple in Magelang, the city offers a plethora of attractions for those seeking adventure and a nice dose of culture. Apart from that, Yogyakarta also boasts some impressive luxurious accommodations that seamlessly blend modern comforts with traditional Javanese charm. Here are three distinguished hotels that promise an exceptional stay in this enchanting city: 1. ARTOTEL SUITES BIANTI YOGYAKARTA More than just a luxury hotel, ARTOTEL Suites is also equipped with versatile event spaces. Strategically located in the heart of Yogyakarta on Jalan Urip Sumoharjo No. 37, ARTOTEL Suites Bianti offers guests unparalleled access to the city's primary attractions, including Tugu Monument, Malioboro Street, and The Sultan's Palace. The hotel boasts 141 art-infused rooms across various categories, such as Artsy Studio, Artsy Executive, Artsy Suites, and the opulent Presidential Suite. Each room is thoughtfully designed with modern amenities and unique artistic touches, ensuring a comfortable and inspiring stay. ARTOTEL Suites Bianti's swimming pool area. Culinary delights await at TERA All Day Dining, which offers a diverse menu featuring local and international cuisines. For a more relaxed atmosphere, guests can unwind at Barley & Barrel, known for its extensive selection of drinks and live jazz performances that enhance the dining experience. Indulge in local and international cuisines at the TERA All Day Dining restaurant. ARTOTEL Suites Bianti is also equipped with versatile event spaces, including the Lotus Ballroom, capable of hosting up to 250 guests. Whether planning a conference, wedding, or corporate event, the hotel's modern facilities and elegant décor provide the perfect setting. 2. SUWATU VILLAS Suwatu Villas treats guests to sweeping vistas of the stunning natural surroundings. Perched atop the serene hills of Yogyakarta, Suwatu Villas offers breathtaking panoramic views of the surrounding landscapes, providing an idyllic retreat away from the bustling city center. The villas are meticulously designed to reflect traditional Javanese architecture, featuring open-air living spaces, private pools, and interiors adorned with local artisanal crafts. This harmonious blend of authenticity and luxury ensures a unique and comfortable highlight of the property would be the amazing backdrop view from each villa's private pools and the hotel's restaurant. It features the magnanimous Mount Merapi and the historic Prambanan Temple which can be seen clearly as the sun rises. Inspired by the timeless charm of Javanese architecture, the villas are a masterclass in cultural design. Dining at Suwatu is a gastronomic journey, with an emphasis on farm-to-table experiences. Guests can savour dishes crafted from locally sourced ingredients while enjoying the tranquil ambiance of the hills. For those seeking to commemorate special occasions, Suwatu Villas provides bespoke event planning services. The picturesque setting serves as a stunning backdrop for weddings, anniversaries, and intimate gatherings. 3. GARRYA BIANTI YOGYAKARTA All 24 villas feature private plunge pools and a seamless mix of modern design and timeless Javanese influence. Nestled along the tranquil banks of the Denggung River in Gabugan Village, Garrya Bianti Yogyakarta embodies minimalist luxury amidst nature's embrace. With great focus on the concept of wellness and relaxation for visiting guests, the resort features 24 modern villas, each equipped with private plunge pools and designed with clean lines that seamlessly blend Javanese heritage with contemporary aesthetics. The Wellbeing Sanctuary Villa offers an enhanced rejuvenation experience for guests seeking holistic relaxation. Sustainability is woven into the resort's very foundation, with eco-conscious architecture that incorporates terracotta bricks and reclaimed teakwood. Currently dubbed as Yogyakarta's most luxurious hotel property, central to Garrya Bianti's offerings is the 8lements Spa, specializing in indigenous wellness therapies rooted in Asian traditions. The spa provides a serene environment for guests to unwind and reconnect with themselves. Garrya Bianti's 8lements Spa. The resort's commitment to sustainability is evident in its architecture, utilising eco-friendly materials like terracotta bricks and recycled teakwood, reflecting a dedication to environmental harmony. There is even a designated space by the river, specifically made for various outdoor activities like Yoga and other fitness classes. Each of these establishments offers a distinctive experience, combining luxury with cultural authenticity, ensuring a memorable stay in the heart of Yogyakarta.

Will politicians listen to Agong's good advice?
Will politicians listen to Agong's good advice?

Malaysiakini

time4 days ago

  • Politics
  • Malaysiakini

Will politicians listen to Agong's good advice?

YOURSAY | 'PKR, known for infighting, also spreading 'virus' (of division).' Agong warns against too many parties, factions Mario T: This is good advice from our Agong, but will the politicians put service to the rakyat above money or power? I am afraid not. The avaricious craving for money by whatever means will continue to plague the nation like an incurable disease. Once you have let loose a bull, it is going to be almost impossible to catch it and place it under reins. Corruption in every stratum of society has reached a point of no return. What is presently being investigated by the MACC or police and prosecuted is just a small visible tip of an iceberg. Traveloka Winning: This is a timely reminder for PKR because PKR is always the source of infighting. Not only is it known for infighting, but it also spreads the 'virus' (of division) to virtually everyone. This 'virus' has resulted in our winning PAS splitting, leading to the formation of Amanah, then Umno splitting further into Bersatu, and Bersatu splitting into Muda and Pejuang. Worse still, PKR continues to generate infighting among the various factions in the party. I am not even talking about factions within the party that everyone knows about. I'm talking about how Prime Minister Anwar Ibrahim, who is also PKR president, poached Senator Tengku Zafrul Abdul Aziz to join PKR. This is humiliating for Deputy Prime Minister and Umno president Ahmad Zahid Hamidi, creating tension in the (dis)unity government. To rehabilitate the political landscape, PKR and specifically Anwar's dynasty (his wife, former deputy prime minister Dr Wan Azizah Wan Ismail and daughter Nurul Izzah) must be forever barred from participating in elections. Only then can our country hope to have unity. Mazhilamani: The most divided community appears to be just one. The way it keeps creating new parties, it is only a matter of time before each state will have its own party or parties broken down to Jati Malays, Javanese, Acehnese, Sundanese, Banjarese, Minangkabau, Bugis, among others. Eventually, the majority Malay group will attempt to lead the country with the minority brought under their mercy. Malayans of different races started as equals, but after 68 years, see how divided we have become and with some communities treated as minorities. It is now the responsibility of the Registrar of Societies to ensure that the registration and approval of race-based parties are immediately rejected, including applications from the Chinese and Indian communities. Please take the advice of the Agong, his concern may become a reality. IndigoTrout2522: In a democracy, people are free to vote for any candidates or political parties. If politicians or parties lose the trust and confidence of the voters and therefore their votes, they won't survive politically. Evidence has shown that once powerful or popular politicians, as well as political parties, have become irrelevant when voters lose confidence in them, regardless of whether they are old or new parties. The voters will decide, come the 16th general election. WhitePony9855: Daulat Tuanku, thank you for the timely reminder, but knowing our politicians, they won't listen. The 3Rs (race, religion and royalty) are the main divisive subjects played up by most politicians. Some of them seemed to be insulated against our laws. They play up the 3R, yet the authorities won't act against them. The above is a selection of comments posted by Malaysiakini subscribers. Only paying subscribers can post comments. In the past year, Malaysiakinians have posted over 100,000 comments. Join the Malaysiakini community and help set the news agenda. Subscribe now. These comments are compiled to reflect the views of Malaysiakini subscribers on matters of public interest. Malaysiakini does not intend to represent these views as fact.

The strange burial customs of Trunyan Village
The strange burial customs of Trunyan Village

Time of India

time5 days ago

  • Time of India

The strange burial customs of Trunyan Village

Hidden along the quiet eastern shore of Lake Batur in Bali lies Trunyan Village, a place unlike anywhere else on the earth. This peaceful village sits between the sparkling lake and the towering Mount Batur volcano. But what truly makes Trunyan special isn't just its beautiful surroundings, it's the ancient culture and traditions that live on here. Trunyan is home to the Bali Aga people, the island's original inhabitants. The people of Trunyan continue to follow customs that are over a thousand years old. These traditions, passed down through generations, are deeply spiritual, mysterious, and deeply connected to nature. Reaching Trunyan is an adventure in itself. The journey starts on a beautiful drive up to the Kintamani highlands. From Ubud, Seminyak, or Kuta, popular towns, it is a two-hour drive by car. The last leg is by boat to ride across Lake Batur from a village named Songan in order to arrive at Trunyan. A Cemetery Unlike Any Other What really distinguishes Trunyan from other Balinese communities is its special funeral practice, which is called Mepasah. Rather than burying or cremating dead bodies as other people do, the Bali Aga place their deceased on the earth smoothly at a holy location commonly referred to as "Skull Island." by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Czas na przygodę online (Dołącz) Gra Przygodowa Zagraj teraz Undo Each corpse is swathed in white cloth and covered by a simple bamboo basket to shield it from wildlife. What's amazing is that the corpses are not buried but there is no foul odor. That's due to the Taru Menyan tree, an ancient, revered tree with a natural odor absorbing quality. Indeed, the name "Taru Menyan" literally translates as "fragrant tree" in the local tongue. There are 11 bodies in the cemetery at a time, and they can only accept married adults or children who have lost all their baby teeth. When they need to add a new body, they take out the oldest one and put its skull on a stone platform. Local legend claims that the village was established when a Javanese prince tracked a weird, sweet odor all the way to Bali. That aroma belonged to the mystical Taru Menyan tree, which he discovered beside the lake. So smitten was the prince with the location that he made it his home and became Trunyan's first king. Trunyan also possesses a special caste system, and certain young men swear to poverty. Such men live humbly as beggars in lowland villages prior to returning home to marry and raise a family. This strange custom is intended to instill humility and respect for tradition. One of the most interesting cultural festivals is the Brutuk Dance, which is danced only by unmarried men. They have to undergo spiritual purification and wear banana-leaf skirts and sacred masks before they can dance. Now, Trunyan receives visitors as curiosity invites travel. You can stroll through the village, study about the ancient customs of the Bali Aga, and even go to Skull Island. Women are permitted to enter the cemetery except during funerals. Local guides exist and are highly beneficial. They will tell you what you are seeing, recount tales handed down over generations. Trunyan is not a tourist hub with beach clubs or Instagram cafes. Trunyan presents a glimpse of a Bali that most visitors never get to experience. If you want to experience the ancient soul of Bali, a visit to Trunyan Village is an experience you will never forget. It's peaceful, it's holy, and it's like entering a page of history. One step to a healthier you—join Times Health+ Yoga and feel the change

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