Latest news with #Kamakhya
Hans India
2 days ago
- Entertainment
- Hans India
Abhinaya Krishna's directorial debut ‘Kamakhya' officially launched
The upcoming thriller Kamakhya, directed by Abhinaya Krishna, was officially launched in a grand ceremony today. Featuring Samaira, Samuthirakani, and Abhirami in lead roles, the film is being produced by Vaddepalli Sri Vaninath and Yashwanth Raj under My Film Productions Pvt. Ltd. Former MP Madhuyashki Goud graced the event as the chief guest, applauding the film's opening scene. The launch saw the enthusiastic participation of the entire cast and crew. Director Abhinaya Krishna has crafted a gripping narrative with intriguing thriller elements. The film also features Anand, Sharanya Pradeep, Vaishnav, Dhanraj, Raghava, and Aishwarya in pivotal roles. With music by Gyani and cinematography by Ramesh Kushender Reddy, the technical team looks promising. Bhupathi Yadagiri serves as the film's art director.
Hans India
4 days ago
- Entertainment
- Hans India
Abhinaya Krishna turns director with ‘Kamakhya'
Director Abhinaya Krishna's upcoming thriller has been officially titled Kamakhya, and the title poster, exuding a divine and mysterious aura, has already started creating buzz. Featuring acclaimed actor Samuthirakani and actress Abhirami in the lead roles, the film promises a gripping narrative set against a spiritual backdrop. Abhinaya Krishna, known for his versatility, has penned a unique and intriguing story laced with mystical and thriller elements, aiming to offer a never-before experience to audiences. The film is said to explore themes of faith, enigma, and human emotion, all wrapped in a suspenseful narrative. Alongside the lead pair, the film also stars Anand, Sharanya Pradeep, Vaishnav, Dhanraj, and Raghava in crucial roles, adding further depth to the ensemble. Kamakhya boasts a strong technical team, with music composed by Gyani, whose soundscape is expected to intensify the film's mystery. Ramesh Kushender Reddy is handling the cinematography, while Bhupathi Yadagiri is on board as the art director, ensuring a visually captivating experience. The powerful title Kamakhya hints at spiritual symbolism, potentially rooted in mythology or cultural depth, though the filmmakers are keeping the plot tightly under wraps for now. Produced with a strong focus on content and visual appeal, the film aims to offer a unique blend of divinity and suspense. More updates, including the release date and teaser launch, are expected soon as the makers gear up to reveal further details.
India.com
23-07-2025
- India.com
Planning A Trip To Northeast India? Don't Miss These 10 Incredible Heritage Sites
photoDetails english 2935564 Updated:Jul 23, 2025, 11:15 AM IST 1 / 12 Northeast India is a treasure trove of cultural richness, ancient traditions, and historical marvels waiting to be explored. Each state in the region offers a unique peek into its vibrant past through forts, temples, palaces, and sacred sites. Whether you're a history buff, spiritual seeker, or curious traveller, these heritage sites are bound to leave a lasting impression. Kamakhya Temple, Assam – A Powerful Shakti Peeth 2 / 12 Located atop Nilachal Hill in Guwahati, Kamakhya Temple is one of the most revered Shakti Peethas in India. Dedicated to Goddess Kamakhya, it draws millions of pilgrims, especially during the Ambubachi Mela. The temple's unique tantric rituals and ancient stone architecture reflect a mystical heritage. Rang Ghar, Assam – The Ancient Amphitheatre of Ahoms 3 / 12 Known as Asia's oldest amphitheatre, Rang Ghar was built by the Ahom kings in the 18th century. Located in Sivasagar, it was used as a royal pavilion for watching sports and cultural events. Its egg-shaped dome and Indo-Mughal architecture symbolize the grandeur of Ahom rule. Unakoti, Tripura – Rock Carvings Lost in Time 4 / 12 Unakoti is an archaeological and spiritual site dotted with thousands of rock-cut carvings and sculptures of Hindu deities. It is believed that the site is over a thousand years old, and the name "Unakoti" means "one less than a crore," referring to the number of carvings. Mawphlang Sacred Grove, Meghalaya – Forest of Legends 5 / 12 This ancient sacred forest near Shillong is deeply rooted in Khasi tribal traditions. Home to centuries-old trees and monoliths, the Mawphlang Sacred Grove is preserved by the local community and is considered spiritually inviolable. No object can be taken out from the forest, as per tribal belief. Tawang Monastery, Arunachal Pradesh – The Largest in India 6 / 12 Perched at 10,000 feet in the Himalayas, Tawang Monastery is a 17th-century Buddhist monastery that offers breathtaking views and deep spiritual energy. It houses valuable scriptures and a giant golden Buddha statue. The monastery plays a key role in the cultural identity of the Monpa people. Kangla Fort, Manipur – The Ancient Capital of Meitei Kings 7 / 12 Situated in Imphal, Kangla Fort once served as the royal palace of the Meitei kings. With sacred temples, royal shrines, and mythical structures, the fort is a symbol of Manipur's regal and spiritual history. It's a must-visit to understand the legacy of Manipuri culture. Dzongu, Sikkim – Preserving Lepcha Heritage 8 / 12 Dzongu is a heritage village area in North Sikkim, home to the indigenous Lepcha tribe. With traditional bamboo homes, ancestral practices, and untouched nature, Dzongu offers an authentic glimpse into tribal heritage and sustainable living. Ujjayanta Palace, Tripura – The Royal Heart of Agartala 9 / 12 Built in the early 20th century, Ujjayanta Palace is a grand structure that once housed the royal family of Tripura. Today, it serves as a state museum with exhibits on Northeast culture, tribal life, and royal artifacts. The Mughal-style gardens and regal halls are architectural highlights. Sibsagar Tank and Temples, Assam – Legacy of the Ahoms 10 / 12 Sibsagar, once the capital of the Ahom kingdom, is known for its massive water tank (Sibsagar Tank) and surrounding temples like Shivadol, Vishnudol, and Devidol. These structures showcase the Ahom dynasty's dedication to architecture, religion, and urban planning. Nartiang Monoliths, Meghalaya – Standing Stones of Strength 11 / 12 Nartiang, in the West Jaintia Hills, is home to one of the largest collections of monoliths in India. These megalithic stones were erected by the Jaintia kings as symbols of victory and respect. Walking among these stones is like stepping into a forgotten chapter of tribal valor. 12 / 12 Northeast India is more than just scenic beauty — it's a region steeped in history, mythology, and ancestral pride. These heritage sites reflect the cultural soul of their people and the enduring stories of kingdoms, communities, and faiths. Whether you're exploring majestic monasteries or sacred forests, every step uncovers a deeper connection to the past.
NDTV
22-07-2025
- Politics
- NDTV
Time Ripe For Chief Minister Devendra Fadnavis To Reshuffle Cabinet: Team Uddhav
Mumbai: Shiv Sena (UBT) on Tuesday said it was time for Chief Minister Devendra Fadnavis to reshuffle his cabinet and shunt out five to six ministers who have been linked to various controversies, including "playing rummy, taking bribes and getting caught in a honey trap". The Thackeray camp in the party's mouthpiece 'Saamana' editorial claimed that Union Home Minister Amit Shah is reportedly perturbed over these incidents, and has given clear instructions to take stern action in this regard. It further said that the time has come for Chief Minister Devendra Fadnavis to reshuffle his cabinet by dropping five to six ministers locked in various controversies. Shiv Sena (UBT) said, 'There are many different types of people in the Maharashtra cabinet. One minister is playing rummy in the Assembly, another is showing off bag full of cash and smoking cigarettes, a third minister is sitting next to Fadnavis after digesting the murder of his girlfriend, a fourth minister is trying to escape from the honey trap of Nashik and a fifth minister is himself caught in the honey trap while trapping others.' The editorial has raised questions over the ethics and morality of some ministers in the government due to their misconduct. The editorial takes a swipe at CM Fadnavis, saying that the government led by him is a strong advocate of Hindutva, and therefore, before coming to power, he must have taken a good look at the 'Panchang (Hindu almanack or calendar)'. 'Some people in the government even entered power by performing 'Aghori puja (rituals to invoke deities and make offerings)' at the Kamakhya temple in Assam, but all of them seem to have missed the right time. Looking at the way the ministers' actions, the cabinet will soon have to be reshuffled by kicking out five to six ministers, sending them home. Thackeray camp said the names of such ministers are being discussed in political circles. 'Ministers Sanjay Shirsat, Yogesh Kadam, Manik Kokate, Dada Bhuse, Sanjay Rathod and also some of the five other ministers trapped in the 'honey trap' of Nashik, will have to go. Home Minister Amit Shah has given such clear instructions in this regard,' added the editorial. Further, the editorial has alleged the involvement of some BJP ministers in the honey trap. The party chose to level these charges even after Chief Minister Devendra Fadnavis in the state Assembly last week said that there was no honey trap. He also asked the opposition not to target the government with weak arguments and loose evidence; instead, come out with solid information and proof. "The police are trying to find CDs and pen drives in the honey trap case as the secrets of the ministers in the current government are hidden in them," claimed the editorial.
The Hindu
16-07-2025
- The Hindu
Author Prajwal Parajuly goes in search of God and gets distracted by a rooster
The Kapaleeshwarar temple, which I refer to as Kapali because locals call it that, isn't the most beautiful temple in the world. But I feel more at peace here than I do at any other place of worship. Kapali is one of my stops on every trip to Chennai. I only have to step into traffic-clogged Mylapore, with its bylanes of chaos and colour, to be swept up in holy frenzy. I spot from the alleys, amidst a tangle of wires, the temple's multi-hued entrance-tower reach for the sky. Before I make my way in, I leave behind competing fragrances from oleander, chrysanthemum and jasmine garlands, and release my flip-flops into a sea of footwear. I know I don't frequent Kapali just for the carvings, intricate and bursting with stories, or for the offerings, to eat fistfuls of which I sometimes queue twice. There's something more. I was brought up in a Hindu family, next to a Protestant church and went to a Bahai school, followed by a school whose leanings were Buddhist. There was, therefore, some serious confusion growing up. At Sunday school, which we went to because the pastor was our closest neighbour in the Himalayan town of Gangtok, we were taught there was only one God. But then I'd go home to my cobweb-addled family altar with its many-limbed gods and goddesses and wonder if the Sunday school teacher was lying. How disapproving the family priest was when he discovered that my parents allowed — even encouraged — us to go to church. Added to this mix was a lot of Buddhist talk, simplistically distilled into something about life being suffering. When a plethora of religions is foisted on you as a kid, you become a lifelong spirituality enthusiast. So, yes, I walk the Camino de Santiago, the 900-kilometre Catholic pilgrimage across Spain, and hike up to the Paro Taksang in Bhutan. I regret not having done the Kumano Kodo while in Japan. I have contemplated fasting for Ramadan but am nervous it will be seen as gimmicky. I want to go on a Kailash-Mansarovar trip because it looks soul-cleansing. Do I attempt these pilgrimages for absolution? I still don't know. I understand that a majority of these spiritual experiences entail copious hiking and have often wondered if I crave them because there's walking involved. Unfortunately, I seldom find this quest for spirituality fulfilled in famous places of worship. It evaded me all three times at the Jagannath temple in Puri and in the crowds of the Somnath in Gujarat. I frantically hunted for it at the Santiago de Compostela as I did at the Vatican. I am envious of you if you feel a certain energy at dargahs and mosques. I want to be you when you claim a calm descends on you at the Pashupatinath temple in Kathmandu. I tried feeling at one with God at the Kamakhya in Guwahati but failed. Neither the Meenakshi temple at Madurai nor the Padmanabhaswamy temple in Thiruvananthapuram did much. When I didn't find spirituality, whatever that means, at the Golden Temple — what wretched human isn't moved by the Golden Temple? — I abandoned rustling up a relationship with God via man-made structures. That is why my being in thrall of Kapali from the get-go astounded me. I am certain I don't frequent the temple for the aesthetics. Like many houses of worship, it has history, but it's not history I am here for. Nor the quiet, which you will only find if your visit coincides with the sun being at its zenith on a working day. The temple is laidback. You can wear what you want. No priest solicits you for donations or looks at you with desperation. No one asks for your caste, your sub-caste, your sub-sub-sub-caste and your gotra. (Many proud South Indians are quick to point out the South-North dichotomy here and claim that this is normal at most South Indian temples, but I don't feel as positive in all these other temples as I do at Kapali, so Kapali wins). I like the hilarious rooster that catwalks down the stage at the most opportune moments. And the cat that tries to unsuccessfully bully the rooster. I like the white vibuthi a priest plasters on my forehead. I like the rose-and-vilva-leaf garland I am offered. I like the concerts even if I understand nothing. I like my circumambulations, if I can call shuffling from one bare foot to another on the temple's scorching floors that. Every time I come here, my mind stills. Every time I am here, I feel grateful. The older I get, the more jaded I become with organised religion — all organised religions. So much evil happens in the name of God, so much polarisation. I am happy (and stunned) that a temple — this bastion of organised religion — helps alleviate the cynicism somewhat. I have decided to embrace that for now and not allow any form of overthinking to get in the way of Kapali and me. Prajwal Parajuly is the author of The Gurkha's Daughter and Land Where I Flee. He loves idli, loathes naan, and is indifferent to coffee. He teaches Creative Writing at Krea University and oscillates between New York City and Sri City.
