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Radiohead X Nosferatu: Why you should be excited about Silents Synced
Radiohead X Nosferatu: Why you should be excited about Silents Synced

Euronews

time4 days ago

  • Entertainment
  • Euronews

Radiohead X Nosferatu: Why you should be excited about Silents Synced

The original 1922 version of Nosferatu: A Symphony of Horror is set to get a new cinema release – with a brand new soundtrack, courtesy of Radiohead. F.W. Murnau's silent German Expressionist classic, which was based on Bram Stoker's "Dracula" and is widely regarded as an influential masterpiece of cinema and the horror genre, will be set to Radiohead's classic albums 'Kid A' (2000) and 'Amnesiac' (2001). This comes as part of a new series called Silents Synced. Created by Josh Frank, the series pairs iconic silent films with era-defining records. Kicking off in the UK this autumn, the series will begin with Nosferatu – which was recently remade by Robert Eggers. In our review of the remake, we said: 'While fans of Eggers may bemoan this pronounced reverence for the source material, especially since the director's unique sense of creativity has never felt restrained before, Nosferatu's bite will satisfy those wanting purist vampire folklore, more sexual overtones, and a lot of close-up shots of Lily-Rose Depp in states of both euphoria and agony.' Screenings in October coincide with the 25th anniversary of 'Kid A' - a critically acclaimed album widely regarded as one of Radiohead's most ambitious. In 2026, the second instalment of the Silents Synced series will see Buster Keaton's 1924 comedy Sherlock Jr. matched to R.E.M's albums 'Monster' (1994) and 'New Adventures in Hi-Fi' (1996). 'The question for independent cinemas all across the world has become: what can we do to not remain solely reliant on new tentpole Hollywood releases to get product and experiences people can—increasingly—often wait and get at home?' said Silents Synced creator Josh Frank. He added: 'This has led us to something brand new out of necessity, in the same way great outsider art has always been created. It's a whole new cinema experience that we feel both film obsessives and music fans will find something really unique in.' This is not the first time that Radiohead's music has been used to update a classic. Last year, we reported that Radiohead frontman Thom Yorke was adapting the band's 2003 album 'Hail To The Thief' for a new production of Shakespeare's play 'Hamlet'. The production, titled 'Hamlet Hail To The Thief', sees Yorke team up with Tony and Olivier Award-winning directors Steven Hoggett and Christine Jones to create a contemporary adaptation of Shakespeare's play, described as a 'feverish new live experience, fusing theatre, music and movement'. Yorke 'personally reworks' and orchestrates 'Hail To The Thief' for a cast of over 20 musicians and actors, and the music will be performed live during each show. 'Radiohead X Nosferatu: A Symphony of Horror' will be playing in cinemas from 2 October, while 'R.E.M X Buster Keaton's Sherlock Jr.' will be available from 5 February 2026. Visit here for more information. Donald Trump and Elon Musk's friendship is seemingly coming to an end after the tech billionaire pushed back against the US president's divisive One Big Beautiful Bill Act - which he called a "disgusting abomination". Despite public support for one another, Musk's role in Trump's election campaign and his previous (and incredibly controversial) position as head of the Department of Government Efficiency (DOGE), the bromance came crashing down due to the aforementioned bill, which proposes a range of tax cuts and changes to social programs that Musk claims would "burden American citizens with crushingly unsustainable debt". Trump publicly said that he was 'very disappointed with Elon', claiming the former DOGE head 'knew the inner workings' of the Big Beautiful Bill 'better than anybody' and had 'no problem with it' until he realised that the government was 'going to cut the (electric vehicle) mandate'. Musk responded: 'False, this bill was never shown to me even once and was passed in the dead of night so fast that almost no one in Congress could even read it!' The increasingly explosive fallout continued with Trump threatening to cut Elon's government contracts, including with Tesla and SpaceX, and claimed that the CEO was "crazy". "Elon was 'wearing thin,' I asked him to leave, I took away his EV Mandate that forced everyone to buy Electric Cars that nobody else wanted (that he knew for months I was going to do!), and he just went CRAZY!" Trump wrote on Truth Social. Musk promptly hit back, claiming that the President would have lost the election without his contributions to the campaign. He also agreed with an X user that Trump should be impeached. "Such ingratitude," he added. The came the bombshell X post on Thursday, in which Musk alleged that Trump had shared a long friendship with convicted abuser and sex trafficker Jeffrey Epstein. 'Time to drop the really big bomb: @realDonaldTrup is in the Epstein files. That is the real reason they have not been made public.' 'Mark this post for the future. The truth will come out,' Musk added in a follow-up post. White House press secretary Karoline Leavitt dismissed his claims in a statement, saying: "This is an unfortunate episode from Elon, who is unhappy with the One Big Beautiful Bill because it does not include the policies he wanted." As to be expected, the entertainment world has been reacting to this swiftly escalating public feud. Among the first people to react to the ongoing feud was Kanye 'Ye' West, who has publicly and controversially aligned himself with Trump and Musk countless times before. 'Broooos please nooooo We love you both so much,' he posted on X. Piers Morgan reacted to Musk's claims that Trump is in the Epstein File with a 'Holy Shit', before offering both men a platform to 'duke this out for a few hours'. 'BBB actually stands for Big Beautiful Breakup,' commented right-wing activist Laura Loomer, while conspiracy theorist Alex Jones wrote: 'God Help Us ALL….' after Musk's accusation. Steve Bannon, a right-wing activist who has opposed Musk's role in the government, took things up a notch by telling the New York Times that Musk should be 'deported' and that the government should 'initiate a formal investigation of his immigration status.' Elsewhere, popular politician Alexandria Ocasio-Cortez offered her take when asked about the feud: 'Oh man, the girls are fighting, aren't they?' Democratic Senator Adam Schiff joked on X: 'Going to need a Big Beautiful Bucket of popcorn for this ugly brawl.' Comedian, writer and TV host Jon Stewart wrote: 'Good thing Trump didn't willfully hand over the entirety of our country's operating system to Elon and his… oops.' As for celebrated musician Jack White, who has consistently been critical of both Trump and Musk – he wrote in response to Kanye West's post: '3 fucking nazi clowns collapsing under the weight of their own unchecked egos. More popcorn gruppenfuehrer! L to R: Joseph Noballs, Yedolf Hitler, and Herman Boring. Is America 'Great' yet boys?' Une publication partagée par Jack White (@officialjackwhite) Another notable reaction came from Vivian Jenna Wilson, Elon Musk's estranged transgender daughter. Wilson posted a short video of herself with the caption 'I love being proven right.' She also posted a photo on Threads with the song 'Job Application' by Chase Icon and the caption, 'Such beauty in life.'

Radiohead reimagined at Oxford's Christ Church Cathedral
Radiohead reimagined at Oxford's Christ Church Cathedral

BBC News

time28-04-2025

  • Entertainment
  • BBC News

Radiohead reimagined at Oxford's Christ Church Cathedral

A classical music ensemble's concert of Radiohead songs in the band's hometown of Oxford will feel extra special, its artistic director Concertante's Radiohead Reimagined show is touring cathedrals and abbeys across the UK, and arrives at Christ Church Cathedral on ensemble, used to performing the works of Bach, Vivaldi, and Vaughan Williams, will reinterpret songs from the band's entire Grist, who is also founder of the orchestra, tells the BBC: "The fact that Radiohead are from Oxford, for us to bring the show there feels like a real homecoming." It means reimagining both the guitar anthems and alternative rock from their breakthrough albums The Bends and OK Computer, through to their more experimental later releases, such as Kid A and In Rainbows. Grist says he spent an "awful lot of time listening to every single Radiohead album", and that whittling down the songs was difficult."It has been a really fun challenge and we've tried not to shy away from really musically-challenging situations," he cultural legacy has been expanding in recent years. Upcoming productions include an art exhibition at the prestigious Ashmolean Museum in Oxford, and a stage show at the Royal Shakespeare Theatre, Stratford Upon Avon that will combine the Bard's Hamlet with their Hail to the Thief album. Grist believes that a former "perceived snobbery" in the art and classical world is "evaporating", as the opportunities rock music can bring become evident."[This] can be a starting point for the listener to then explore further the world of classical music, and that's certainly our aim whilst we're creating this show," he says."There is such a line that goes through from the great masters to great rock music, and the way that we've approached it is to not dumb down anything about the music that we're presenting. "So for a Radiohead fan, they'll hear their favourite tunes in a slightly different way, but for a classical music audience who perhaps aren't familiar with the Radiohead repertoire, they'll hear a symphonic concert that happens to be music by Radiohead."It's our way of trying to bridge that gap." Radiohead's Jonny Greenwood is classically-trained and has written extensively for orchestras before, and both he and Thom Yorke have separately worked on soundtracks for filmmakers such as Paul Thomas Anderson, Jane Campion, Lynne Ramsay, and Luca says both are "immersed in that world" which makes their compositions so ideal to work on."You can tell from their writing and music that their musical brains are thoroughly engaged," he says."When you delve deep into what they've created, there is harmonic and rhythmic complexity, and even simple melodic lines are used so effectively." He adds: "There's an ethereal quality to their music, which is going to lend itself so well to the venues we're going to play, particularly Christ Church."It's such an iconic and beautiful venue to be in, and hopefully we'll convey that through the music."For an audience it's all about the partnership between the venue, the music, and the ambience of what they're seeing, and I think that's why live music is still so alive today because it's the only opportunity where listeners get to experience that full immersive element."Radiohead Reimagined tours throughout 2025. You can follow BBC Oxfordshire on Facebook, X (Twitter), or Instagram.

Escape Velocity
Escape Velocity

Vox

time21-04-2025

  • Automotive
  • Vox

Escape Velocity

President Donald Trump ran on a promise of more fossil fuels, fewer environmental regulations, and outright climate denial — and now he's following through. His administration is gutting clean energy policy, fast-tracking oil and gas projects, and reshaping environmental policy with sweeping consequences. At the same time, though, there's another force pulling hard in the opposite direction. A global clean tech revolution — one that powers our homes, our cars, and our lives without wrecking the climate — is already well underway. The new generation of wind and solar power, batteries, and electric vehicles are on the verge of, or have already achieved, escape velocity, breaking free from the gravity of political capriciousness. In a lot of places, especially in power generation, the cleanest option is also the fastest, the cheapest, and the one most likely to turn a profit. That's true whether or not you care about the climate. The world is building momentum around clean energy, unlocking ways to grow economies and raise living standards without cranking up the planet's temperature. And every fraction of a degree we avoid means more lives saved, fewer disasters, more stability, and more of the future left intact. It's 2025 — halfway between now and 2050, the year stamped on basically every major climate target. That puts us closer to those deadlines than we are to Gladiator, Kid A, iMacs, and frosted tips. So it's a good moment to pause and ask: How did we get here? Are we moving fast enough? And what's standing in the way? In this special project, Escape Velocity, Vox's climate team set out to answer those questions. We looked at the places where climate progress is still speeding up, the breakthroughs changing everything behind the scenes, and the moments where clean tech might overcome political resistance entirely. The US has played a key role in getting the world to this point. But now, other countries are eyeing the lead. Right now, we're holding a strong hand, but our government is actively sabotaging it. What's at stake isn't just a cleaner future — it's whether the US stays in the race at all. —Paige Vega, climate editor CREDITS: Editorial lead: Paige Vega Editors: Carla Javier, Miranda Kennedy, Naureen Khan, Paige Vega, Elbert Ventura, Bryan Walsh | Reporters: Avishay Artsy, Sam Delgado, Adam Clark Estes, Jonquilyn Hill, Melissa Hirsch, Umair Irfan, Benji Jones, Paige Vega | Copy editors and fact-checkers: Colleen Barrett, Esther Gim, Melissa Hirsch, Sarah Schweppe, Kim Slotterback | Art director: Paige Vickers | Data visualization: Gabrielle Merite | Photo illustration: Gabrielle Merite | Original photography: Annick Sjobakken | Data fact-checking: Melissa Hirsch | Podcast engineering: Matthew Billy | Audience: Bill Carey, Gabby Fernandez, Shira Tarlo | Editorial directors: Elbert Ventura and Bryan Walsh | Special thanks: Nisha Chittal and Lauren Katz

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