Latest news with #KingstonPrize
Calgary Herald
7 hours ago
- Entertainment
- Calgary Herald
Pellerin: Portrait of a country — a new book captures these faces
Sometimes the best way to get to know who you are is to look in a mirror. Or at a portrait. The Kingston Prize, created in the Eastern Ontario city by husband and wife Kaaren and Julian Brown 20 years ago, offers a beautiful and collective way to do just that. Article content Jason Donville co-chairs the Kingston Prize and is passionate about making every Canadian aware of it. It is inspired by Australia's Archibald Prize, and it offers $25,000 to the winner, chosen by an independent jury, among entries by Canadian artists depicting Canadians in portraits based on real-life encounters. Article content Article content Article content The book published to celebrate the first two decades of the prize shows how portraits capture the essence and evolution of who we are as a country. (You can find the images contained in the book on the Kingston Prize website under 'Exhibitions,' which is a nice way to make art widely accessible.) Article content Article content What's interesting and special about the Kingston Prize, Donville explains, is that historically Canada has defined its artistic excellence through landscape, and not just because of the Group of Seven. 'We were a young country that didn't really know what we were about,' he says, 'so we've gone to the land as a way to express ourselves.' Article content And for sure we have spectacular landscapes. 'But the face of Canada is an important part of who we are and our identity,' he adds. One that is complex, diverse and sometimes a little challenging. Article content Article content Article content Looking at those portraits, I can't stop myself from imagining their stories. Families, soldiers, people who appear lonely, others whose hardship I can feel jumping off the page at me. Like the 2007 winner, Emily, by Etobicoke-based painter Joshua Choi. She is sitting on a simple chair, with no background to speak of. Everything is in her tired eyes and heavy lower lip. She seems so exhausted. What could have caused her to be this way? Article content Article content At the other end of the happiness spectrum, I found joy looking at Brian Michon's Lloyd and Elsie from 2009, and I was inspired by the defiance in Ian Stone's Moon-kissed from 2023. Article content I appreciate that the stories I imagine about the subjects of those portraits aren't obvious in the paintings. Anyone looking at this book would find other portraits striking and see some of their own stories reflected at them. That is the magic of art: every single person receiving it has their own way of interpreting it. There is no right or wrong way to appreciate a painting.
Ottawa Citizen
7 hours ago
- Entertainment
- Ottawa Citizen
Pellerin: Portrait of a country — a new book captures these faces
Article content Sometimes the best way to get to know who you are is to look in a mirror. Or at a portrait. The Kingston Prize, created in the Eastern Ontario city by husband and wife Kaaren and Julian Brown 20 years ago, offers a beautiful and collective way to do just that. Article content Jason Donville co-chairs the Kingston Prize and is passionate about making every Canadian aware of it. It is inspired by Australia's Archibald Prize, and it offers $25,000 to the winner, chosen by an independent jury, among entries by Canadian artists depicting Canadians in portraits based on real-life encounters. Article content Article content Article content The book published to celebrate the first two decades of the prize shows how portraits capture the essence and evolution of who we are as a country. (You can find the images contained in the book on the Kingston Prize website under 'Exhibitions,' which is a nice way to make art widely accessible.) Article content Tthe most beautiful part? We all bring our experiences and sensibilities to how we look at those gorgeous portraits and see ourselves reflected in them. Article content What's interesting and special about the Kingston Prize, Donville explains, is that historically Canada has defined its artistic excellence through landscape, and not just because of the Group of Seven. 'We were a young country that didn't really know what we were about,' he says, 'so we've gone to the land as a way to express ourselves.' Article content And for sure we have spectacular landscapes. 'But the face of Canada is an important part of who we are and our identity,' he adds. One that is complex, diverse and sometimes a little challenging. Article content Article content Article content Looking at those portraits, I can't stop myself from imagining their stories. Families, soldiers, people who appear lonely, others whose hardship I can feel jumping off the page at me. Like the 2007 winner, Emily, by Etobicoke-based painter Joshua Choi. She is sitting on a simple chair, with no background to speak of. Everything is in her tired eyes and heavy lower lip. She seems so exhausted. What could have caused her to be this way? Article content Article content At the other end of the happiness spectrum, I found joy looking at Brian Michon's Lloyd and Elsie from 2009, and I was inspired by the defiance in Ian Stone's Moon-kissed from 2023. Article content I appreciate that the stories I imagine about the subjects of those portraits aren't obvious in the paintings. Anyone looking at this book would find other portraits striking and see some of their own stories reflected at them. That is the magic of art: every single person receiving it has their own way of interpreting it. There is no right or wrong way to appreciate a painting.
CBC
18-07-2025
- Entertainment
- CBC
Canada's national portraiture prize is looking to gain mass appeal for its 2025 edition
Jason Donville was a fan of the Kingston Prize — Canada's national portraiture prize — long before he took over as the chair of its board. The former Canadian naval officer-turned-hedge fund manager had always been interested in art. Figurative art in particular "just really got to me," he says. Initially, he was drawn to the prize as a way of scouting out new Canadian artists. "As somebody who wanted to put figurative painting on the wall was how I originally got involved with it," he says. "I was using it as a way to say, 'How do I discover new painters that I've never heard of before?' And every two years, the list of 30 [nominees] was fabulous, and there are several paintings that have been on my walls for 20 years that came from me looking at the website of the Kingston Prize." The Kingston Prize was founded in 2005 by Queen's University professor Julian Brown and his wife, Kaaren. The Kingston has been awarded every other year since then (except in 2021, when it was skipped due to COVID). It was inspired by the Archibald Prize, the national portraiture prize in Brown's native Australia, which has been running since 1921. "They started up themselves from scratch and kind of begged, borrowed and whatever to get it going," Donville says of the Browns. By 2023, though, the prize had begun to "run out of steam," says Donville, as the Browns and the rest of their cohort aged. He asked what he could do to help. "And before you know it, I became the chairman of the Kingston Prize." His goal as chairman, he says, is to make the prize a bigger deal in the Canadian consciousness. The Kingston Prize may be well-known in art circles, but in Australia, the Archibald has crossover appeal to people who aren't necessarily art aficionados. The Kingston Prize has just over 1,300 followers on Instagram, the Archibald has 11,700. Donville says there's no reason the Kingston Prize couldn't have the same mass appeal. "The general public tends to really love [portrait prizes] because it's faces," he says. "It's the faces of a nation." In March, the prize released its first-ever book, a 20-year retrospective, as part of that effort to get in front of more people. One of the artists featured was 2023's winner, Shaun Downey. Downey is familiar with the world of portrait awards. In 2010, he was accepted into the United Kingdom's national portrait award — then called the BP Portrait Award — where his work was hung in the National Portrait Gallery in London. "They put my work on posters in the subway," he says. "It was on a huge banner on the front of the National Portrait Gallery.... And I really got my career sort of kicked into high gear. So I knew the possibility of that in Canada would be great." He submitted work for the 2015, 2017 and 2019 Kingston Prizes — earning an honourable mention in 2017 — before his eventual win in 2023. He says his work isn't necessarily what people imagine when they think of portraits. "I've often done portrait commissions where people say, 'I don't want it to be like a grandmother-over-the-fireplace-style portrait,'" he says. "So they've allowed me to add narrative elements, do something not quite so head and shoulders, sort of putting them more into a scene." Jim Bravo was a 2023 honourable mention and is also featured in the book. In addition to being a portrait artist, he's also a muralist, and he says he likes to keep working at scale when doing portraits, too. Most of his works are life-sized or close to it. But he's also influenced by photojournalism, and views portraits as a way of not only capturing people's likenesses, but their lives. His 2023 submission showed his mother and grandmother working at home as seamstresses. "She would go to work at, basically, a sweatshop in Chinatown during the day," he says. "Then, when she'd come home, she would be picking up orders … for her own little business. That really captures a moment in time back then for me in Toronto. That's my family, but [it] could have portrayed any number of my friends' parents that were doing the same thing.… We all came over as immigrants in the mid '70s and there's a lot of similar stories of that nature." For Donville, beyond its artistic value, the Kingston Prize is yet another way of defining Canadian identity, showing us who we are as a people and talking about the things that affect our everyday lives. "The country is continuously in evolution," he says. "And the mix of the population is in evolution. So the paintings are, in a sense, a reflection of us."
