Latest news with #LCI
Yahoo
7 hours ago
- Entertainment
- Yahoo
British Netflix series Adolescence to be shown in French schools, says minister of education
Following UK Prime Minister Keir Starmer welcoming plans to air Netflix's hit show Adolescence in secondary schools, France is following suit, with French Minister of Education Élisabeth Borne stating yesterday that the mini-series will be screened from secondary school level upwards. In an interview for LCI news channel, Borne explained that the producer of the series 'gave us the rights' and that the Ministry of Education was therefore going to 'offer five educational sequences for young people based on this series'.These extracts from Adolescence, which have already been shown in British schools to stimulate debate and try to 'prevent young boys from being dragged into a whirlpool of hatred and misogyny,' are 'very representative of the violence that can exist among young people', according to Borne. The aim is to help raise awareness of the problem of 'overexposure to screens and the trivialisation of violence on these social networks,' as well as the spread of masculinist theories and misogyny, argues Borne. The four-part series follows how a father deals with the fallout of his 13-year-old son being suspected of stabbing one of his classmates to death. Beyond the spot-on acting, the show has felt like a cultural wake-up call, as it has prompted a wider discussion about toxic masculinity and the devastating influence of the so-called 'manosphere' on young minds who are faced with websites and online forums promoting misogyny and ultra-conservative models of masculinity that flirt with far-right ideologies. When it was confirmed that Netflix would be making the series available to all UK secondary schools, former British Prime Minister Boris Johnson wrote a column for the Daily Mail saying that he didn't see the good in the initiative, calling the show 'tosh'. He wrote: 'In making this announcement with full prime ministerial authority amid the ancient solemnity of the cabinet room, Keir Starmer has perfectly encapsulated the fundamental flatulence of the government, and its emetic finger-wagging mixture of humbug and wokery.' Johnson went on to say that he believes the move to show the series in school time demonstrates the government's 'cruel indifference to the real educational needs of children today,' adding: 'In case you haven't watched Adolescence I can save you the bother. It's tosh - well-acted tosh.' Predictably, Johnson also introduced race to his argument, saying that 'unlike the teenage couple in this drama, the victims and perpetrators are disproportionately young black males.' The show's co-creator Jack Thorne has already spoken out on this theory, saying, 'It's absurd to say that (knife crime) is only committed by black boys. It's not true and history shows a lot of cases of kids from all races committing these crimes.' Thorne also stated that the goal of the show was not about 'making a point about race' but to make a point 'about masculinity.' 'We're trying to get inside a problem,' he added. 'We're not saying this is one thing or another, we're saying that this is about boys.' The decision to show the series in French schools comes after Laëtitia Curetti, who has a 13-year-old son, wrote to Borne and launched an online petition to have the series shown in secondary schools across France. Curetti stated she believes the series could be an 'excellent educational tool' to raise awareness of the dangers of social networking, sexism, bullying and violence in schools. The discussion surrounding knife crime has increased since the success of the series in France. It has been further amplified after a 16-year-old stabbed a high school student to death and injured three other fellow students at the lycée Notre-Dame de Toutes Aides in Nantes on 24 April. "My thoughts go out first to the teenager who lost her life, to the three students who were injured, and I want to express all my support and solidarity to these victims, their families and their loved ones," declared Borne at the school, before paying tribute to the "establishment staff who intervened and neutralized the attacker." French Interior Minister Bruno Retailleau spoke of "a tragedy that rocks us." He said he was "appalled" and "shocked" by "the violence that has been unleashed," before adding that the tragic incident was "not a mere news item but a societal issue."
Yahoo
9 hours ago
- Politics
- Yahoo
'Not even capable of defeating Ukraine' — Orban questions Russia's ability to attack NATO
Hungarian Prime Minister Viktor Orban has questioned Russia's ability to attack NATO countries, as it is not "even capable of defeating Ukraine," he said in an interview with French TV channel LCI on June 8. "The Russians are too weak for that," Orban said. "They're not even capable of defeating Ukraine, so they're incapable of really attacking NATO." Over three years into its full-scale war, Russia has failed to achieve Ukraine's surrender or at least the complete occupation of Donetsk and Luhansk oblasts, which was reportedly among the Kremlin's demands in Russia's first peace proposal in 2022. Russian troops have recently intensified their offensive, moving deeper into Sumy Oblast, as well as closing in on Dnipropetrovsk Oblast. Russian propaganda has for years insisted that NATO and its further expansion pose a threat to Moscow. The Kremlin has also claimed that Ukraine's ambition to join NATO was a major trigger for its invasion, although in 2014, when Moscow annexed Crimea and started the war in the Donbas region, Ukraine's chances and desires of joining the alliance were low. Orban, widely regarded as the European Union's most pro-Russian leader, said that it is not in the interests of the EU, including Hungary, to have "a direct conflict with Russia" or "a threat of war," so Ukraine must not join NATO. "Europe must be strengthened in the long term, and there must be a strategic agreement with Russia," Orban said, adding that sanctions against Russia are "destroying Hungary and the whole of Europe." Under the Orban regime, Hungary has become widely regarded as the most Kremlin-friendly state in the EU. Budapest has been blocking the opening of EU accession negotiation clusters with Kyiv and signaled further obstruction in recent weeks after Ukraine's Security Service (SBU) said it had uncovered a Hungarian spy network in western Ukraine. Orban also encouraged Hungarians to vote in a non-binding national poll on Ukraine's EU bid that the government launched in early March. The poll has garnered criticism for low turnout and manipulative questions, written to encourage citizens to reject Ukraine's accession. Read also: Key to Russia's potential defeat lies in its economy We've been working hard to bring you independent, locally-sourced news from Ukraine. Consider supporting the Kyiv Independent.
Euronews
12 hours ago
- Entertainment
- Euronews
Adolescence to be shown in French schools, says minister of education
Following UK Prime Minister Keir Starmer welcoming plans to air Netflix's hit show Adolescence in secondary schools, France is following suit, with French Minister of Education Élisabeth Borne stating yesterday that the mini-series will be screened from secondary school level upwards. In an interview for LCI news channel, Borne explained that the producer of the series 'gave us the rights' and that the Ministry of Education was therefore going to 'offer five educational sequences for young people based on this series'. These extracts from Adolescence, which have already been shown in British schools to stimulate debate and try to 'prevent young boys from being dragged into a whirlpool of hatred and misogyny,' are 'very representative of the violence that can exist among young people', according to Borne. The aim is to help raise awareness of the problem of 'overexposure to screens and the trivialisation of violence on these social networks,' as well as the spread of masculinist theories and misogyny, argues Borne. The four-part series follows how a father deals with the fallout of his 13-year-old son being suspected of stabbing one of his classmates to death. Beyond the spot-on acting, the show has felt like a cultural wake-up call, as it has prompted a wider discussion about toxic masculinity and the devastating influence of the so-called 'manosphere' on young minds who are faced with websites and online forums promoting misogyny and ultra-conservative models of masculinity that flirt with far-right ideologies. When it was confirmed that Netflix would be making the series available to all UK secondary schools, former British Prime Minister Boris Johnson wrote a column for the Daily Mail saying that he didn't see the good in the initiative, calling the show 'tosh'. He wrote: 'In making this announcement with full prime ministerial authority amid the ancient solemnity of the cabinet room, Keir Starmer has perfectly encapsulated the fundamental flatulence of the government, and its emetic finger-wagging mixture of humbug and wokery.' Johnson went on to say that he believes the move to show the series in school time demonstrates the government's 'cruel indifference to the real educational needs of children today,' adding: 'In case you haven't watched Adolescence I can save you the bother. It's tosh - well-acted tosh.' Predictably, Johnson also introduced race to his argument, saying that 'unlike the teenage couple in this drama, the victims and perpetrators are disproportionately young black males.' The show's co-creator Jack Thorne has already spoken out on this theory, saying, 'It's absurd to say that (knife crime) is only committed by black boys. It's not true and history shows a lot of cases of kids from all races committing these crimes.' Thorne also stated that the goal of the show was not about 'making a point about race' but to make a point 'about masculinity.' 'We're trying to get inside a problem,' he added. 'We're not saying this is one thing or another, we're saying that this is about boys.' The decision to show the series in French schools comes after Laëtitia Curetti, who has a 13-year-old son, wrote to Borne and launched an online petition to have the series shown in secondary schools across France. Curetti stated she believes the series could be an 'excellent educational tool' to raise awareness of the dangers of social networking, sexism, bullying and violence in schools. The discussion surrounding knife crime has increased since the success of the series in France. It has been further amplified after a 16-year-old stabbed a high school student to death and injured three other fellow students at the lycée Notre-Dame de Toutes Aides in Nantes on 24 April. "My thoughts go out first to the teenager who lost her life, to the three students who were injured, and I want to express all my support and solidarity to these victims, their families and their loved ones," declared Borne at the school, before paying tribute to the "establishment staff who intervened and neutralized the attacker." French Interior Minister Bruno Retailleau spoke of "a tragedy that rocks us." He said he was "appalled" and "shocked" by "the violence that has been unleashed," before adding that the tragic incident was "not a mere news item but a societal issue."
Yahoo
13 hours ago
- Entertainment
- Yahoo
British Netflix series Adolescence to be shown in French schools, says minister of education
Following UK Prime Minister Keir Starmer welcoming plans to air Netflix's hit show Adolescence in secondary schools, France is following suit, with French Minister of Education Élisabeth Borne stating yesterday that the mini-series will be screened from secondary school level upwards. In an interview for LCI news channel, Borne explained that the producer of the series 'gave us the rights' and that the Ministry of Education was therefore going to 'offer five educational sequences for young people based on this series'. These extracts from Adolescence, which have already been shown in British schools to stimulate debate and try to 'prevent young boys from being dragged into a whirlpool of hatred and misogyny,' are 'very representative of the violence that can exist among young people', according to Borne. The aim is to help raise awareness of the problem of 'overexposure to screens and the trivialisation of violence on these social networks,' as well as the spread of masculinist theories and misogyny, argues Borne. The four-part series follows how a father deals with the fallout of his 13-year-old son being suspected of stabbing one of his classmates to death. Beyond the spot-on acting, the show has felt like a cultural wake-up call, as it has prompted a wider discussion about toxic masculinity and the devastating influence of the so-called 'manosphere' on young minds who are faced with websites and online forums promoting misogyny and ultra-conservative models of masculinity that flirt with far-right ideologies. When it was confirmed that Netflix would be making the series available to all UK secondary schools, former British Prime Minister Boris Johnson wrote a column for the Daily Mail saying that he didn't see the good in the initiative, calling the show 'tosh'. He wrote: 'In making this announcement with full prime ministerial authority amid the ancient solemnity of the cabinet room, Keir Starmer has perfectly encapsulated the fundamental flatulence of the government, and its emetic finger-wagging mixture of humbug and wokery.' Johnson went on to say that he believes the move to show the series in school time demonstrates the government's 'cruel indifference to the real educational needs of children today,' adding: 'In case you haven't watched Adolescence I can save you the bother. It's tosh - well-acted tosh.' Predictably, Johnson also introduced race to his argument, saying that 'unlike the teenage couple in this drama, the victims and perpetrators are disproportionately young black males.' The show's co-creator Jack Thorne has already spoken out on this theory, saying, 'It's absurd to say that (knife crime) is only committed by black boys. It's not true and history shows a lot of cases of kids from all races committing these crimes.' Thorne also stated that the goal of the show was not about 'making a point about race' but to make a point 'about masculinity.' 'We're trying to get inside a problem,' he added. 'We're not saying this is one thing or another, we're saying that this is about boys.' The decision to show the series in French schools comes after Laëtitia Curetti, who has a 13-year-old son, wrote to Borne and launched an online petition to have the series shown in secondary schools across France. Curetti stated she believes the series could be an 'excellent educational tool' to raise awareness of the dangers of social networking, sexism, bullying and violence in schools. The discussion surrounding knife crime has increased since the success of the series in France. It has been further amplified after a 16-year-old stabbed a high school student to death and injured three other fellow students at the lycée Notre-Dame de Toutes Aides in Nantes on 24 April. "My thoughts go out first to the teenager who lost her life, to the three students who were injured, and I want to express all my support and solidarity to these victims, their families and their loved ones," declared Borne at the school, before paying tribute to the "establishment staff who intervened and neutralized the attacker." French Interior Minister Bruno Retailleau spoke of "a tragedy that rocks us." He said he was "appalled" and "shocked" by "the violence that has been unleashed," before adding that the tragic incident was "not a mere news item but a societal issue."
Euronews
14 hours ago
- Entertainment
- Euronews
'Adolescence' to be shown in French schools says Minister of Education
Following UK Prime Minister Keir Starmer welcoming plans to air Netflix's hit show Adolescence in secondary schools, France is following suit, with French Minister of Education Élisabeth Borne stating yesterday that the mini-series will be screened from secondary school level upwards Interviewed on LCI, she explained that the producer of the series 'gave us the rights' and that the Ministry of Education was therefore going to 'offer five educational sequences for young people based on this series'. These extracts from Adolescence, which have already been shown in British schools to stimulate debate and try to 'prevent young boys from being dragged into a whirlpool of hatred and misogyny,' are 'very representative of the violence that can exist among young people', according to Borne. The aim is to help raise awareness of the problem of 'overexposure to screens and the trivialisation of violence on these social networks,' as well as the spread of masculinist theories and misogyny, argues Borne. The four-part series follows how a father deals with the fallout of his 13-year-old son being suspected of stabbing one of his classmates to death. Beyond the spot-on acting, the show has felt like a cultural wake-up call, as it has prompted a wider discussion about toxic masculinity and the devastating influence of the so-called 'manosphere' on young minds who are faced with websites and online forums promoting misogyny and ultra-conservative models of masculinity that flirt with far-right ideologies. When it was confirmed that Netflix would be making the series available to all UK secondary schools, former British prime minister Boris Johnson wrote a column for the Daily Mail saying that he didn't see the good in the initiative, calling the show 'tosh'. He wrote: 'In making this announcement with full prime ministerial authority amid the ancient solemnity of the Cabinet Room, Keir Starmer has perfectly encapsulated the fundamental flatulence of the Government, and its emetic finger-wagging mixture of humbug and wokery.' Johnson went on to say that he believes the move to show the series in school time demonstrates the government's 'cruel indifference to the real educational needs of children today,' adding: 'In case you haven't watched Adolescence I can save you the bother. It's tosh - well-acted tosh.' Predictably, Johnson also introduced race to his argument, saying that 'unlike the teenage couple in this drama, the victims and perpetrators are disproportionately young black males.' The show's co-creator Jack Thorne has already spoken out on this theory, saying: 'It's absurd to say that (knife crime) is only committed by Black boys. It's not true and history shows a lot of cases of kids from all races committing these crimes.' Thorne also stated that the goal of the show was not about 'making a point about race' but to make a point 'about masculinity.' 'We're trying to get inside a problem,' he added. 'We're not saying this is one thing or another, we're saying that this is about boys.' The decision to show the series in French schools comes after Laëtitia Curetti, who has a 13-year-old son, wrote to Élisabeth Borne and launched an online petition to have the series shown in secondary schools across France. Curetti stated she believes the series could be an 'excellent educational tool' to raise awareness of the dangers of social networking, sexism, bullying and violence in schools. The discussion surrounding knife crime has increased since the success of the series in France. It has been further amplified after a 16-year-old stabbed a high school student to death and injured three other fellow students at the lycée Notre-Dame de Toutes Aides in Nantes on 24 April. "My thoughts go out first to the teenager who lost her life, to the three students who were injured, and I want to express all my support and solidarity to these victims, their families and their loved ones," declared Borne at the school, before paying tribute to the "establishment staff who intervened and neutralized the attacker." Interior Minister Bruno Retailleau spoke of "a tragedy that rocks us." He said he was "appalled" and "shocked" by "the violence that has been unleashed," before adding that the tragic incident was "not a mere news item but a societal issue." He's hung off planes during flight, performed a real HALO jump out of a plane at 25,000 feet, scaled and run across the Burj Khalifa building and found new ways of cheating death throughout the Mission: Impossible franchise. Now, Tom Cruise has bagged himself a Guinness World Record thanks to his performance in this year's Mission: Impossible – The Final Reckoning. Cruise, aged 62 and known for conducting his own stunts, has set the record for 'most burning parachute jumps by an individual' after jumping out of a helicopter 16 times with a fuel-soaked chute. 'Tom doesn't just play action heroes – he is an action hero!' said Craig Glenday, Guinness World Records editor-in-chief in a statement. 'A large part of his success can be chalked up to his absolute focus on authenticity and pushing the boundaries of what a leading man can do. It's an honour to be able to recognize his utter fearlessness with this new Guinness World Records title.' The sequence was filmed in Drakensberg, South Africa. Cruise and the stunt team ascended more than 7,500 feet before the action star jumped out of a helicopter with the flaming parachute, cutting himself free to deploy a backup parachute. 16 times. The first parachute would burn for between 2.5 to 3 seconds before completely disintegrating, and for several of the takes, Cruise even had a 50 lb. snorri camera rig attached to his body for a closer shot of the stunt. Check out some of the prep for the stunt below. This is not Cruise's first Guinness World Record. The leading man also holds the record for the actor with the most consecutive $100-million-grossing movies. In total, the Top Gun star has been credited in over 30 films that have broken the $100 million mark at the box office. The last 11 of those have been consecutive, starting with Jack Reacher in 2012 – followed by Oblivion, Edge of Tomorrow, Mission: Impossible – Rogue Nation, Jack Reacher: Never Go Back, The Mummy, American Made, Mission: Impossible – Fallout, Top Gun: Maverick, Mission: Impossible – Dead Reckoning and Mission: Impossible – The Final Reckoning. 'Tom is no stranger to record breaking,' explains Glenday. 'Over his impressively long and consistent career, he's proved himself to be the most powerful actor in Hollywood and the most bankable star, and he's still the actor with the most consecutive $100 million movies on their resume and the most successful leading action hero at the worldwide box office.' Combined, the Mission: Impossible franchise has brought in nearly $5 billion since Cruise starred in (and produced) the first film adaptation of the classic television series in 1996. The eighth installment of the series premiered in Cannes and hit theatres last month. In our review, we said: 'It's with a heavy heart, especially considering the impressive run of tightly wound and thrilling adventures the M:I franchise has delivered, that this legacy-obsessed victory-lap feels like this series' Die Another Day. If the long-running franchise isn't dead yet, what's needed is a Casino Royale–shaped, ground-level spycraft reboot.' Read our full review of Mission: Impossible – The Final Reckoning and check out our Special Mission: Impossible Culture Catch-Up.
