Latest news with #LaBiennalediVenezia
GMA Network
4 days ago
- Entertainment
- GMA Network
Philippine Pavilion unveils 'Soil-beings (Lamanlupa)' at Venice Architecture Biennale in Italy
The Philippine Pavilion has opened its doors to the public at the 19th International Architecture Exhibition – La Biennale di Venezia in Italy with an exhibition titled 'Soil-beings (Lamánlupa).' The exhibition curated by Renan Laru-an and featuring the work of German-Filipino artist Christian Tenefrancia Illi aims to challenge traditional architectural perspectives by presenting soil not as a mere material, but as a dynamic, living entity. It reimagines the foundational relationship between architecture and soil, shifting focus from structure to the underlying substrate. The exhibition also aims to foster more reciprocal and ethical relationships with the earth, inviting architects, designers, and the public to engage with soil as an active participant in shaping the built environment. At the heart of the exhibition is 'Terrarium,' an installation by Illi, which is composed of nearly 1,000 soil tiles gathered from various Philippine landscapes. According to a press release, Terrarium is the culmination of Illi's months of research, collaboration, and site-specific experimentation across the Philippines and beyond. Co-founder of Studio KIM/ILLI, Illi works between Berlin and Bacolod. —Carby Rose Basina/JCB, GMA Integrated News
Broadcast Pro
20-07-2025
- Entertainment
- Broadcast Pro
Final Cut in Venice selects eight work-in-progress films for 13th edition
The Final Cut in Venice programme consists in three days of activities from August 31 to September 2, 2025. The 13th edition of Final Cut in Venice, the Venice Film Festival's dedicated support programme for films from Africa and select Middle Eastern countries, has selected eight work-in-progress films for its 2025 lineup. Launched in 2013, Final Cut in Venice offers vital support for the completion of films from all African countries and six nations in the Middle East—Iraq, Jordan, Lebanon, Palestine, Syria and Yemen. Taking place under the banner of the Venice Production Bridge during the 82nd Venice International Film Festival (August 27 – September 6, 2025), Final Cut in Venice provides a platform for these unfinished films to connect with international producers, distributors, post-production firms and festival programmers. The initiative, directed by Alberto Barbera and organised by La Biennale di Venezia, aims to help filmmakers access the resources needed to bring their projects to completion and secure wider exposure. This year's Final Cut in Venice will be held from August 31 to September 2, 2025, at the Venice Lido. Over three days, the selected films will be presented in working copy format to key industry professionals. The event will also include one-to-one meetings between project teams and invited guests, with an awards ceremony scheduled for September 2 at Hotel Excelsior's Spazio Incontri. Among the eight selected films, two are featured as part of this year's VPB Focus initiatives, highlighting the United Kingdom and Morocco. The selected fiction films include House of the Wind (La Maison du Vent) by Kouemo Yanghu Auguste Bernard; My Semba (Meu Semba) by Hugo Salvaterra; Standing at the Ruins (Al Woqoof Ala El Atlal) by Saeed Taji Farouky; The Station (Al Mahattah) by Sara Ishaq; and Yesterday the Eye Didn't Sleep by Rakan Mayasi. In the documentary section, the lineup features Legacy (Soleil, Lune, Étoiles) by Mamadou Dia; an Untitled Project from Yemen by Mariam Al-Dhubhani; and Out of School (La Cour des Grands) by Hind Bensari (Denmark, Morocco), part of the VPB Focus on Morocco. The programme will culminate in the awarding of several post-production prizes, both in cash and in kind. These include €5,000 from La Biennale di Venezia for the best film in post-production, with the winner selected by a three-member jury. Other prizes, determined by the Festival Director and supporting organisations, aim to support colour correction, sound mixing, music services, visual effects, subtitling and more, with contributions from entities such as Laser Film, Studio A Fabrica, Oticons, MAD Solutions, Titra Film, 196-MEDIA, M74 srl, Mnemonica, Sub-Ti Ltd. and Sub-Ti Access Srl. Additional cash prizes will be offered by the Red Sea Fund, Rai Cinema, El Gouna Film Festival, Organisation Internationale de la Francophonie, Cinémathèque Afrique of the Institut Français, and both the Festival International du Film d'Amiens and the Festival International du Film de Fribourg, which will contribute towards DCP production costs. This marks the fourth consecutive year of support from the Red Sea International Film Festival. Industry professionals attending the Venice Production Bridge will be able to request one-on-one meetings with project teams via the dedicated Final Cut section on the Venice Production Bridge website.
Straits Times
14-07-2025
- Entertainment
- Straits Times
Pioneer performance artist Amanda Heng to represent Singapore at 2026 Venice Biennale
Sign up now: Get ST's newsletters delivered to your inbox Amanda Heng will be the most senior artist to stage a solo at the Singapore Pavilion at the Venice Biennale. SINGAPORE – Pioneer performance artist Amanda Heng, 73, is Singapore's pick for the prestigious Venice Biennale in 2026, the Singapore Art Museum (SAM) announced in a statement on July 14. She will be the most senior artist to stage a solo at the Singapore Pavilion in Venice, and only the second woman artist to do so, after Shubigi Rao in 2022. Heng will collaborate with curator Selene Yap for her presentation at the 61st International Art Exhibition of La Biennale di Venezia, which will take place from May 9 to Nov 22. Dr Eugene Tan, co-chair of the commissioning panel and director of SAM, said of the panel's choice of Heng: 'Her sustained and evolving practice offers compelling ways of engaging the world through the body, performance and lived experience. Her work resonates with the urgencies of our time while being grounded in personal truth and poetic clarity.' Singaporean artist Amanda Heng (right) will collaborate with curator Selene Yap for her presentation at the 2026 Venice Biennale. PHOTO: SINGAPORE ART MUSEUM Heng left her job as an income tax officer in 1986 to pursue art. She co-founded The Artists Village – Singapore's first art colony, in a converted chicken farm – in 1988 and Singapore's first artist-run women collective Women In The Arts in 1999. She was conferred the Cultural Medallion in 2010. She is best known for her long-running performance works dealing with sociopolitical issues through everyday acts such as walking and conversing. In Walking The Stool (1999), Heng took her studio stool for a walk in public as a way of questioning Singapore's decade-long restrictions on performance art. That same year, she performed Let's Walk, leading participants in walking backwards with a high-heeled shoe in their mouth, as a comment on women's progress in society. Her participatory performance Let's Chat (1996) – presented in malls, markets and museums – offered an intimate space for the public to talk while peeling bean sprouts over tea. Another long-running project, Singirl, invited women to submit images of their bare bottoms as a comment on the demure image of the Singapore Girl. Top stories Swipe. Select. Stay informed. Singapore Singapore to train more aviation and maritime officials from around the world Singapore Special edition SG60 Nets card now on sale for $10 Singapore Same person, but different S'porean Chinese names? How have such naming practices evolved? Business Singapore's economy sees surprise expansion in Q2 despite US tariff uncertainty: Advance estimate Singapore Jail for woman who opened bank accounts that received over $640.7m, including scam proceeds Sport After Olympic heartbreak, Singaporean swimmer Chantal Liew turns pain into inspiration Business From wellness zone to neurodivergent room: How companies are creating inviting, inclusive offices Singapore Swift action needed to stop vaping's slide from health risk to drug epidemic Performance artist Amanda Heng in a video footage capturing her walking backwards, barefoot, with a high-heeled shoe in her mouth. Let's Walk (1999) was a statement on how women are constrained by having to conform to a certain ideal of how they should look. PHOTO: AMANDA HENG This will be the 12th year Singapore is participating at the prestigious event in Venice which showcases contemporary art from all over the world. The Singapore Pavilion has spotlighted artists such as Robert Zhao Renhui (2024) and Charles Lim (2015). It is commissioned by the National Arts Council and supported by the Ministry of Culture, Community and Youth. The 2026 theme is In Minor Keys.
The Star
14-07-2025
- Business
- The Star
PRINCIPLES OF SUSTAINABILITY
Purposeful and visually striking, well-designed buildings have the capacity to create emotional connections between people and communities. Rolex, partnering some of the world's most talented artists and leading cultural institutions for more than half a century, champions architectural achievement at the highest level. Architecture responds to our human and environmental challenges, and profoundly influences our experience of public and private spaces. Akin to creating timeless watches, architectural masterpieces require meticulous attention to detail, from planning to execution, ensuring structural integrity and aesthetic harmony. Rolex Pavilion, 19th International Architecture Exhibition – La Biennale di Venezia. Partnership with the Biennale Architettura Since 2014, Rolex has served as Exclusive Partner and Official Timepiece of the Biennale Architettura, the world's leading forum for architectural ideas and debate. The Biennale Architettura 2025 exhibition, held in Venice, Italy, was launched on May 10, 2025 and runs until Nov 23, 2025. The exhibition titled Intelligens. Natural. Artificial. Collective is curated by acclaimed Italian architect and engineer Carlo Ratti. Ratti has asked for ideas on how the built environment can be adapted sustainably in the face of a warming world, with some 60 countries mounting a national pavilion in the exhibition, each of which chooses its own curator and exhibitors. Anne Lacaton (left) and Arine Aprahamian, Architects. Made to last Replacing the previous structure built in 2018, the Rolex Pavilion has been reimagined along principles of sustainability, using local craftspeople, traditional building methods and recycled materials. Talented international architect Mariam Issoufou was invited by Rolex to design the pavilion to reflect the brand's identity and its philosophy of sustainability that stems from creating watches that are made to last. Issoufou, an academic and architectural leader who puts intersectional sustainability at the heart of all projects, runs a practice that extends from Niamey to Zurich and New York. Mariam Issoufou, Architect. She founded Mariam Issoufou Architects in 2014, with one of her completed projects named the Hikma Community Complex, a library and mosque complex in Niger, which won two global LafargeHolcim Awards for sustainable architecture. In 2020, she was named as one of 15 Creative Women Of Our Time by The New York Times. The ecological vulnerability of Venice, as well as Rolex's commitment to craft, was her inspiration for the pavilion. Her approach to sustainability is one that extends beyond environmental factors, ensuring that the pavilion promotes the social fabric, cultural history and economic conditions of crafters in Italy, and more specifically in Venice itself. The pavilion features a wooden facade, crafted locally from recycled wood beams and fashioned to evoke the fluted bezel of many of Rolex's iconic watches. Inside, the translucent coloured ceiling – made by Murano glassmakers – produces a range of shades and hues that morph throughout the day. The terrazzo flooring is made of an aggregate that includes recycled 'Cottisso' crushed glass. Variety of displays Alongside models showing the evolution of its design, a film about the construction of the pavilion will be on display. Images of work carried out by Italian craftspeople who live in or near Venice, and who supplied artisanal materials, will also be included. Reclaiming space in Beirut, an exhibition by French architect Anne Lacaton, espouses building renewal over demolition. Named a Laureate of the 2021 Pritzker Architecture Prize along with her partner Jean-Philippe Vassal, Lacaton is recognised internationally for designs that maximise the discipline's human and environmental potential and make sustainable use of what already exists. In 2025, she received the Jane Drew Prize for Architecture awarded for raising the profile of women in architecture. Rolex Boutique, Milan. Through Rolex, in 2023 and 2024, she mentored young Lebanese-Armenian architect Arine Aprahamian. In a documentary Aprahamian directed, Bourj Hammoud: The Value Of The Existing , she presents her two-year research project under the guidance of Lacaton. The project explores how small and strategic interventions can improve daily life in Bourj Hammoud, a dense neighbourhood of Beirut where she grew up. The architect, designer and researcher champions an innovative, affordable and sustainable vision of the future through architecture, drawing inspiration from science fiction and the qualities of existing sites. She founded architecture and design studio Muller Aprahamian with partner Adrian Muller in 2018, working on cutting-edge buildings and proposals, as well as on forward-thinking projects with notable designers, artists and institutions. They recently launched Terraforma, an in-house R&D project working with local industry to explore the traditional, ancient building material of clay and produce innovative, domestic alternatives for architectural materials. Noteworthy enhancements Rolex's tradition of exquisite craftsmanship is revealed in the refurbishment of two boutiques, through samples of materials and two films displayed in the pavilion. In Milan, an extensive restoration of a Rolex boutique in the world-renowned Galleria Vittorio Emanuele II, offers a new language for retail space design. This is based on the enhancement for traditional Italian craftsmanship and a selection of refined materials and custom furniture. ACPV Architects Antonio Citterio Patricia Viel's design was inspired by the original architectural details of the gallery, reviving its Milanese atmosphere in a contemporary key, while preserving the historic value of the location. Rolex Boutique,Tokyo. The boutique extends across three floors, and the restoration concept was designed to create a seamless continuity between the Galleria and the retail space, integrating patterns, geometry and Venetian terrazzo flooring to maintain a strong connection with its surroundings. In Tokyo, the new Rolex flagship store features a facade that shimmers with a unique double bezel pattern thanks to metal mesh produced in Kyoto and embedded in the glass. In a kinetic effect, the pattern changes depending on the viewer's angle. Occupying four floors of the Rolex Tower, the facade and store were designed by Gwenael Nicolas of Tokyo-based design studio Curiosity, who worked with local artisans and artists. Delicate aesthetics are created by the subtle palette of carefully selected materials: travertine, Sen wood and frosted glass. Traditional Nishijin-ori fabric and deep green furniture with a lacquer-like texture provide a distinctly Japanese feel. Perpetual Arts Initiative Rolex celebrates achievement, recognising how the journey is marked by milestones, culminating in moments of success – defined by a path followed, not just an award. Through the Rolex Perpetual Arts Initiative, a broad portfolio of arts that extends through architecture, cinema, dance, literature, music, theatre and visual arts, the brand confirms its long-term commitment to global culture. In all these endeavours, Rolex supports excellence in the arts and the passing of knowledge to future generations, who in turn pass on the world's cultural legacy.
Hi Dubai
19-06-2025
- General
- Hi Dubai
National Pavilion UAE Invites Curators to Shape 2027 Venice Architecture Biennale Showcase
The National Pavilion UAE has opened applications for curators to lead the country's exhibition at the 20th International Architecture Exhibition at La Biennale di Venezia, running from May to November 2027. The open call invites architects, designers, artists, historians, and researchers with ties to the UAE or the broader MENASA region to submit concept proposals that uncover untold stories in the UAE's architectural landscape. Submissions should offer a strong curatorial vision that reflects both local narratives and broader global discourse. Applicants may be UAE citizens, residents, or international professionals with relevant regional experience. Team entries are welcome, provided at least one member is UAE-based. The initiative encourages critical reflection, creative research, and engagement with past National Pavilion UAE exhibitions. Angela Migally, Executive Director of the Salama bint Hamdan Al Nahyan Foundation, described the Biennale as 'a space for rigorous thought' and emphasized the opportunity to anchor global conversations in UAE-specific contexts. Laila Binbrek, Director of the National Pavilion UAE, highlighted the Pavilion's continued role as a platform for culturally significant research and dialogue. Information sessions will be held in Abu Dhabi and Dubai, with dates to be announced. Applications close at midnight UAE time on 30 September 2025. News Source: Emirates News Agency
