Latest news with #LadyDior
Tatler Asia
2 days ago
- Entertainment
- Tatler Asia
6 times a luxury bag stole the show in a TV series
2. Bridget's Burberry Tote in 'Succession' When Tom Wambsgans derides Bridget's enormous Burberry tote as a 'ludicrously capacious bag' in Succession Season 4, it becomes one of the show's most quotable lines—and a cutting example of how fashion choices function as social litmus tests. The checkered Burberry design, once a hallmark of early-2000s aspirational style, is read here as dated and outsized. The bag's size and branding mark Bridget as someone new to wealth, unfamiliar with the codes of quiet luxury. In a show obsessed with class signals and status missteps, the bag becomes an efficient symbol of exclusion, its scale mocked not for utility but for its lack of subtlety. 3. Emily Cooper's Peter & James Atelier Butterfly Bag 'Emily in Paris' In Season 3 of Emily in Paris , Emily Cooper is seen carrying a sculptural Butterfly bag by Peter & James Atelier, a Paris-based brand known for its unconventional shapes and architectural designs. The bag, with its exaggerated curves and matte finish, stands out even among her often eccentric outfits. Unlike legacy fashion houses featured throughout the series, this piece reflects Emily's embrace of bold, visually arresting accessories over heritage classics. The bag serves less as a status symbol than a conversation starter—fitting for a character who thrives on visibility and disruption. 4. Rory Gilmore's Hermès Birkin in 'Gilmore Girls' In Season 6, Logan gives Rory a Hermès Birkin, a gesture that's both lavish and telling. At the time, the Birkin was already established as one of the most recognisable luxury bags in popular culture, known for its scarcity, high price tag and long waitlists. Rory's initial unfamiliarity with the bag highlights the social gap between her and Logan's world. Her acceptance of it marks a shift—from someone navigating privilege from the outside to someone beginning to benefit from it. The moment underscores the tension between her middle-class background and the elite circles she's starting to move in. 5. Blair Waldorf's Lady Dior in 'Gossip Girl' Blair's wardrobe in Gossip Girl was curated with precision, and her Lady Dior bag was no exception. The quilted cannage stitching and top-handle silhouette suited her preference for polished, traditional luxury. Unlike Serena's more bohemian, label-mixed looks, Blair's accessories were anchored in old-guard fashion houses, reinforcing her aspiration to uphold legacy, status and control. The Lady Dior became synonymous with her version of femininity—calculated, elevated and always aligned with the rules of the Upper East Side. Off-screen, its reappearance helped cement the bag's revival for a new generation of viewers. 6. Issa Dee's Telfar Shopping Bag in 'Insecure' In Season 4 of Insecure , Issa Dee carries a white Telfar Shopping Bag—a detail that didn't go unnoticed. At the time, the bag was surging in popularity for its accessibility, genderless design and status as a product of a Black-owned brand challenging traditional luxury norms. For a character navigating career pivots and self-reinvention, the choice felt intentional. Issa's use of the 'Bushwick Birkin' reflected her connection to a broader cultural shift: one that prioritised authenticity and community over gatekeeping. The bag's appearance contributed to its already viral momentum and solidified its relevance beyond fashion circles, including a prime spot on Beyoncé's Cowboy Carter tour.
Yahoo
13-05-2025
- Entertainment
- Yahoo
Tina Knowles Goes Sheer in Stella McCartney Dress for Her ‘Matriarch, a Memoir' Book Launch in New York City
Tina Knowles was joined by a string of supporters, high-profile stars and more for the launch of her book 'Matriarch, a Memoir' on Tuesday in New York City. The event was hosted by Lorraine Schwartz and featured such celebrities as Katie Holmes, among others. For the special occasion, Knowles opted for her own spin on sheer dressing with sleek little black dress inspiration. The mother of venerated artist and Grammy Award-winner Beyoncé Knowles-Carter styled a look courtesy of Stella McCartney's spring 2025 collection. More from WWD Tina Knowles' Fashion Moments Through the Years: From Runways to Red Carpets Kelly Rowland, Elaine Welteroth and Tina Knowles Attend The BirthFund Brunch in Los Angeles Kaitlan Collins Goes Classic in Strapless Little Black Dress for the 2025 White House Correspondents' Dinner The long-sleeve compact-knit dress featured a fitted silhouette and midi length. The look added a touch of one of the red carpet's most ubiquitous trends. On the long sleeves of the look, sheer fabric is juxtaposed with the knit base fabric of Knowles' look. Along with the formfitting knit dress, Knowles styled a pair of black heels to coordinate with her attire. As for accessories, Knowles wore statement jewelry pieces by Lorraine Schwartz, including three-row hoops with 60-carat pear-shaped drops and a 40-carat Colombian emerald drop pendant, surrounded by diamonds. She wore a 25-carat solitaire diamond ring and a Colombian emerald ring. While posing for photos at the New York City book launch event, Knowles was joined by Holmes. The actress and producer opted for springtime attire with her look at the event. The 'Dawson's Creek' alum wore a white top with thin straps and a pair of green, high-waisted capri trousers. Schwartz, who hosted the event on Knowles' behalf, also stepped in for a few photos, wearing an ornately designed flowing silk jacket. The event marked the release of Knowles' memoir, which was officially published on Tuesday. 'Matriarch, a Memoir' chronicles Knowles' life from her time growing up in Galveston, Texas, to raising her daughters Beyoncé Knowles-Carter and Solange Knowles and everything in between. View Gallery Launch Gallery: Stella McCartney Spring 2025 Ready-to-Wear Collection Best of WWD Savannah James' Style Through the Years: LeBron James' Wife's Fashion Evolution [PHOTOS] History of the Met Gala, How It Went From Fundraiser to 'Fashion's Biggest Night': Themes, Celebrities and Iconic Moments Lady Dior Bag Campaign Photos: Jisoo, Rosalía and More
The Star
04-05-2025
- The Star
Counterfeit Manolos and Birkins put Jakarta in crosshairs of US trade office
JAKARTA: A stroll through ITC Mangga Dua, one of Jakarta's largest wholesale markets, felt less like a shopping trip and more like a masterclass in counterfeit couture. Rows of 'Manolo Blahnik' and 'Jimmy Choo' heels glinted behind glass counters. Above them, gleaming 'Rolex' watches sat beside belts stamped with the 'Ferragamo' logo. Floor-to-ceiling shelves brimmed with designer handbags – inspired by brand names such as Louis Vuitton, Hermes, Dior and Balenciaga. Standing in stark contrast, the scruffy walls, cracked tiles and creaky escalators were a clear reminder that this was no luxury mall. A recent check by The Straits Times found a 'Ferragamo' belt selling for 1.5 million rupiah (S$118), a 'Cartier' watch for 6.5 million rupiah, and a pair of faux Chanel stud earrings priced the same as the belt. 'Hermes Birkin' handbags cost from just 600,000 rupiah for the PVC version, while cow leather replicas went for up to 2.5 million rupiah. Genuine Birkin bag prices vary significantly, from about US$10,000 (S$13,000) for an entry-level model to as much as US$2 million for exotic leathers and unusual colours, with a wait time of as long as six years as the bags are handmade and must be ordered in advance. Mangga Dua – which means two mangoes, a nod to the area's once-abundant mango trees – is a sprawling cluster of shopping centres, including ITC Mangga Dua, in North Jakarta. It has openly sold fake luxury goods for decades. Mangga Dua, Jakarta's famous shopping area, was named a global hot spot for fake goods in the US 2024 Review of Notorious Markets for Counterfeiting and Piracy, released in January. - ST PHOTO: ARLINA ARSHAD Some shops labelled the merchandise as 'original branded imports', but most made little attempt to disguise the truth. From low-grade knock-offs to so-called 'super' fakes that closely resembled genuine items, everything was on offer – at a fraction of the price of the real deal. At one stall, a vendor thrust two 'Goyard' totes into this reporter's hands. 'This one is KW1 – first grade. The canvas is softer and the straps are made of leather, like the real one, 2.5 million rupiah. The other, KW2, is 750,000 rupiah,' she explained, pointing to a version that felt stiffer and less pliant. KW, short for kwalitas or quality, refers to imitation goods that are graded by tiers based on how closely they resemble the originals. 'We shipped one bag to Singapore just last week. No problem with Customs. Just buy – nobody can tell it's fake,' she said. Other sellers offered tips on sourcing. South Korea-made 'Lady Dior' bags fetch several million rupiah, while cheaper China-made versions sell for a third of the price. According to the Global Organised Crime Index website, Indonesia has served as both a transit hub and a local market for fake goods, owing to its proximity to China and strong domestic demand. The rise of e-commerce has worsened the issue, with fake listings often slow to be taken down. A joint report by the Organisation for Economic Cooperation and Development and the European Union Intellectual Property Office ranked Indonesia among the world's top sources of counterfeit handbags, clothing, cosmetics, footwear, toys and jewellery between 2017 and 2019. While the counterfeit trade has long flourished, it recently came under renewed international scrutiny. In its 2024 Review of Notorious Markets for Counterfeiting and Piracy, released on Jan 8, the Office of the United States Trade Representative (USTR) named Mangga Dua among 71 global markets – 38 online and 33 physical – that facilitated large-scale trade in fake goods. Other South-East Asian markets flagged were Phnom Penh's Central Market, Kuala Lumpur's Petaling Street, Manila's Greenhills, Bangkok's MBK Centre and Ho Chi Minh City's Saigon Square. While online platforms are a growing concern, the USTR said physical markets remained key conduits, particularly in places with weak enforcement. Mangga Dua, it noted, was notorious for counterfeit handbags, toys, clothing and leather goods, but saw 'little to no enforcement'. Warning letters had proven ineffective, and stakeholders continued to raise concerns about the lack of criminal prosecutions. The report came as Washington escalated trade pressure, recently imposing a 32 per cent tariff on Indonesian exports. On April 29, the USTR placed Indonesia on its Priority Watch List for 'serious concerns over weak intellectual property protection or enforcement', noting that counterfeit production had shifted locally and sales were increasingly moving online. Trade Minister Budi Santoso pledged to investigate the USTR's claims. Moga Simatupang, director of consumer protection at the Trade Ministry, reportedly said enforcement efforts were often hampered by the requirement for formal complaints from trademark holders – many of which are based overseas. Still, Coordinating Minister for Economic Affairs Airlangga Hartarto said on April 23 that trademark violations at Mangga Dua had not been raised during his recent negotiations in Washington. Despite the illegality of selling counterfeit goods, demand for affordable luxury, coupled with lax regulation and a public often unaware of or indifferent to the legal risks, has allowed the trade to endure. Vendors at Mangga Dua appeared unfazed. Most, however, declined to give their names. 'Crackdowns do happen, but they don't last. This time, it's because of (US President) Donald Trump,' said one shopkeeper. 'If the US is so unhappy, they should go after China – they make the goods. We just sell them.' 'We don't pretend our goods are real,' said another vendor who gave her name as Ita. 'People know they're fakes – the difference is like the sky and the earth. Who can afford the real ones? They cost too much.' Sellers said their customers included tourists from Europe, the Middle East and South-East Asia, some of whom bought in bulk or asked for items to be shipped overseas. German tourist Jen Meier, 53, said she was curious to visit Mangga Dua after watching YouTube videos by other travellers and following recent debates on TikTok, where Chinese manufacturers claimed a lot of goods sold abroad were of similar quality to those made in China. 'I didn't come with the intention to shop, but I ended up buying a small purse as a souvenir. I want to bring one back to show my friends,' she told ST. Indonesian marketing executive Sari Fitri, 35, who bought a 'Prada' handbag, said that dressing well was important in her line of work, but her salary made it impossible to afford genuine designer goods. 'I'm a bargain hunter. It's easy to find fakes here and there's no penalty for buying them,' she told ST. 'My friends also buy counterfeit items – some of the designs are really cool. It's a guilty pleasure, finding something that looks premium for cheap.' - The Straits Times/ANN
Yahoo
29-04-2025
- Entertainment
- Yahoo
EXCLUSIVE: Dior Unveils First High Jewelry Campaign Fronted by Charlize Theron
DOUBLE FIRST: Charlize Theron is making her debut as the face for Dior's high jewelry collections. The campaign dropping in May is the first time the French house has an ambassador for its most exclusive jewels, designed by Victoire de Castellane, artistic director of Dior Joaillerie for the past 25 years. More from WWD Jisoo, Tomorrow X Together, Han So-Hee: Inside Dior's Star-studded Retrospective Opening in Seoul Princess Charlene of Monaco in Prada, Queen Rania of Jordan in Alaïa and More Royals in Somber Attire for Pope Francis' Funeral Ceremony in Vatican City The History of the Lady Dior Bag: How a Gift for Princess Diana Turned Into a Timeless Symbol of Luxury 'Working with Dior for so many years now, I have to say, it's our collaboration I have always valued and appreciated,' Theron said. 'Together, we felt that it was important for this high jewelry story to embody the essence of what it means to be bold and confident. Victoire De Castellane more than exceeded with her extraordinary vision and artistry.' In one of the campaign images shot by photographer Mario Sorrenti, the South African star sports the Dior Milly Dentelle Couture Fleurie and matching ring unveiled in January's high jewelry presentations. Imagined as a precious floral lace placed on the skin, its rose gold mesh serves as the background for a scattering of precious floral motifs executed in marquise and pear-cut diamonds. A 8-carat, cushion-cut Fancy Vivid Yellow diamond tops the design and is echoed in the sprinkling of smaller yellow diamonds among the lacework flowers. Another photo sees Theron don the Forêt Glacée Bleu set, from the 2024 Diorama collection. This wintery interpretation of the toile de Jouy print in platinum, rose gold and blue sapphires features foxes frolicking in gem-set foliage. The necklace features an 11-carat, oval-cut sapphire from Madagascar while blue and black lacquer touches give further depth. This comes a year after Theron was named to her dual role of jewelry and skin care ambassador for the LVMH Moët Hennessy Louis Vuitton-owned house, which also included its high jewelry collections. At the time, Delphine Arnault, chairman and chief executive officer of Christian Dior Couture, described the actress and producer as 'an icon and is the perfect representation of the alliance between arts, craftsmanship and dreams magnificently embodied by the jewelry created by Victoire de Castellane for the house of Dior.' Theron was subsequently revealed as the face of the relaunched Dior Capture antiaging line that broke in January. She was previously the face of Dior's J'Adore fragrance for two decades. In addition to numerous awards for her film career, which includes roles in 'Young Adult,' 'Prometheus,' 'Mad Max: Fury Road,' 'Atomic Blonde' and 'Fast X,' among many others, Theron is an activist and founder of the Charlize Theron Africa Outreach Project, or CTAOP. She was appointed a United Nations Messenger for Peace in 2008, with a focus on the prevention of HIV and the elimination of violence against women. This year, Theron will appear in 'The Old Guard 2,' where she reprises her role as immortal warrior Andromache of Scythia, to be released by Netflix on July 2. Dior's high jewelry campaign is set to break in May on the brand's website, social media channels as well as print and digital media globally. Best of WWD A Brief History of Cartier's 'Love' Fine Jewelry Collection A Look Back at Kate Middleton's Cartier Wedding Day Tiara on Her 13th Wedding Anniversary: A Brief History of the Royal Family's Tradition David Yurman Files Lawsuit Against Mejuri, Alleging 'Serial' Copying
Yahoo
22-04-2025
- Entertainment
- Yahoo
Dior's ‘Designer of Dreams' Retrospective Lands in Seoul
SEOUL — Dior's blockbuster retrospective may have traveled through several cities in the last nine years, but fans of the couture house can enjoy a whole new experience in the latest edition in Seoul. The exhibition, which debuted at Les Arts Décoratifs museum in Paris for the brand's 70th anniversary, encapsulates Dior's history of dressing women for special occasions, the craftsmanship of the studio and workshop, as well as the founder Christian Dior's love of gardens. More from WWD 2024 Top 100: How a Targeted Retail Strategy Buoyed LVMH Moët Hennessy Louis Vuitton's Beauty Business Anderson to Show First Dior Men's Collection in June Hermès Preps for Potential Price Rise in the U.S. in Face of Tariffs The 'Christian Dior: Designer of Dreams' exhibition at Dongdaemun Design Plaza, one of Seoul's landmark venues designed by Zaha Hadid, debuted on Friday and will be open to the public until July 13. 'Each time it's the same theme but with a different concept and different dresses,' said Olivier Bialobos, Dior's deputy managing director of global communication and image. Pieces are newly chosen for each city, from an ever-expanding archive collection that includes more than 15,000 dresses and 15,000 accessories. Visitors will be able to view some 250 dresses, ranging from never-before-seen pieces found through auctions to recognizable numbers worn on the red carpet by Jisoo of Blackpink and Natalie Portman. 'This company lasted so long because there is a consistency between the designers that have been the head of the house, and this exhibition tells the story,' said curator Florence Müller, who works with the patrimony team to go through Dior's expansive archive. In addition to featuring a new set of dresses, the exhibition unveiled works by artists of Korean origin, including new additions to the Dior Lady Art project. Lee Ufan, a pioneer of the Mono-ha movement, brought his signature gestural stroke to three wooly bags in black, mint and white. The bags were featured in a Lady Dior showcase alongside past projects by artists of Korean origin including Soo Sunny Park and Zadie Xa. The exhibition of the iconic handbags is a completely new feature introduced for Seoul. 'The glass cases of the Lady Dior corner were inspired by [Korean artist] Nam June Paik,' said the exhibit's scenographer Shohei Shigematsu, a partner at Dutch architect Rem Koolhaas' OMA agency. 'Dior is creating a platform where lots of different minds are converging, and it's a deep collaboration that is not cliched in terms of incorporating Asian aesthetics. It's a profound collaboration,' he said. Park, a Korean American artist, brought to the show her signature kinetic sculpture, an organic installation that constantly interacts with the light to shift the mood of the room. 'The artwork itself is not the object. I like to think about my work as a living assemblage of things,' Park said, adding it was wonderful to work with lighting designer François Roupinian for recreating a nocturnal ambience. Shigematsu noted that the venue, normally used for Seoul Fashion Week, presented exciting challenges. 'It's 2,000 square meters with 16-meter-high ceilings without columns. The ultimate freedom was so exciting, but sometimes freedom is scary,' he said, explaining that his team had to 'build our own building within a building' to create thematic rooms that converge into one overarching story. A highlight of the exhibition is an atmospheric room conceptualized as a giant 'dalhangari' moon jar, a traditional piece of Joseon-era porcelain. Christian Dior's love of gardens is brought to life anew through delicate paper art by Hyunju Kim. The artist has been working with 'hanji,' or Korean traditional mulberry-fiber paper, for more than a decade. Kim along with 20-plus assistants spent more than two months crafting tens of thousands of paper leaves, flowers and branches. Two weeks were then allocated to individually 'planting' the paper blooms without the use of glue. 'I really took sustainability into account. The New Look expressed femininity and post-war healing, and so, I think the organic quality of 'hanji' can also bring the wonders of nature to the modern world,' Kim said. 'I loved working with Dior because I really felt support and respect for whatever I wanted to do,' she added. Bialobos explained that the artists have 'carte blanche to do whatever they want,' which helps the brand push new limits in terms of technology. Past Lady Dior Art bags with the Korean artist Lee Bul, for example, featured pieces of rock that the brand was challenged to craft in a way so that it was ultimately thinner than leather. Lee's bag is also on display in the exhibit. Xa, a Korean Canadian artist, expanded her horizons as an artist when she was commissioned to do a portrait of Christian Dior for the show. 'I don't normally do portraits, so it was an interesting fun and challenging,' said Xa, who had many conversations with her husband, Benito Mayor Vellayo, who is known for more traditional European-style portraits. 'When we often think about portraits we think about the physical, but I wanted to do a more psychological exploration. This wasn't easy because there was so much mysticism surrounding this man. But through my research I saw Monsieur Dior in a more empathetic way and felt connected with who he was: a man who loved gardens and named a bag after his dog,' she said. Best of WWD Bottega Veneta Through the Years Chanel's Ambassadors Over The Years Ranking Fashion's Longest-serving Creative Directors
