
Dior unveils the Dior Lucky capsule featuring charms, bags and accessories
Created by Maria Grazia Chiuri, the capsule features a series of charms, such as stars, bees, and four-leaf clovers, that can be used to personalise wallets, bags, Mitzah, sneakers, and accessories.
Image courtesy of Dior.
Image courtesy of Dior.
Image courtesy of Dior.
Image courtesy of Dior.
Image courtesy of Dior.
For a resolutely Dior style, the Dior Lucky necklace and bracelet also showcases unique pendants, while the D-Dice leather bracelets can be customised with a variety of codes and dice letters.
Lady Dior. Image courtesy of Dior.
Dior Toujours Vertical. Image courtesy of Dior.
Dior Groove. Image courtesy of Dior.
The essential Lady Dior, Dior Toujours Vertical, and Dior Groove bags are also notably embellished with audacious bag charms.
Image courtesy of Dior.
Image courtesy of Dior.
Paying homage to the founding-couturier's passion for nature and divination, the Dior Lucky capsule includes exclusive spring prints featuring the entitled Dior Astral Flowers and Dior Flowers Calendar Allover in a palette of pastel shades.
Image courtesy of Dior.
Image courtesy of Dior.
Image courtesy of Dior.
Image courtesy of Dior.
Image courtesy of Dior.
Image courtesy of Dior.
Image courtesy of Dior.
Image courtesy of Dior.
Image courtesy of Dior.
Image courtesy of Dior.
Image courtesy of Dior.
Image courtesy of Dior.
You'll find an idyllic garden named Dior Zodiac Flowers too, which comes in twelve seasonal versions for each sign of the zodiac, sketched on travel tags that can be attached to bags.
Image courtesy of Dior.
Image courtesy of Dior.
Image courtesy of Dior.
Image courtesy of Dior.
The cannage of the Mini Lady Dior undergoes reinvention as well, in Star, Clover, and Heart variations paired with a matching chain for an extra touch of refinement.
Rounding up the capsule selection is the Dior Book Tote and silk scarf with a Dior Star motif.
The Dior Lucky capsule selection will be available in Dior boutiques from 17 July 2025.
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Vogue Singapore
a day ago
- Vogue Singapore
Korean artist Woo Kukwon on his first solo exhibition in Singapore
There lies a certain magic in stepping into a world that is made entirely from its own fabric. At Tang Contemporary Art, Woo Kukwon's first solo exhibition in Singapore, Universe's Universe , allows visitors to do just that. Distinct and whimsical, his art provides a glimpse into a cosmos shaped by mythology, literature and the quiet wonder of everyday life. The title of this exhibition carries dual meaning. For one, it calls to mind the endless imagination and wonder that the concept of the universe evokes. But more profoundly, Universe's Universe is a world inspired by Woo's young daughter Woojoo—whose name translates to 'universe' in Korean—and the way she views and experiences life. The Lady and the Unicorn is a series of six paintings that explores the symbolism of the senses and the emotional resonance of the inner self. Courtesy of Tang Contemporary Art Woo's signature style is unmistakable: vibrant colours, thick textures and a playfulness that reveals his vast imagination. His works bring together the magic of fairytales with visual storytelling that feels alive, open-ended and emotionally resonant. Over the course of his career, collaborations with brands like Dior, Valentino and BMW have transformed his paintings into wearable art and immersive experiences, drawing a global collector base that includes the likes of BTS's V, Blackpink's Jisoo and actress Son Ye-jin. Working closely with Yonni Park and Sue Oh, the directors of Tang Contemporary Art Seoul and Singapore respectively, Woo shaped the exhibition to highlight both his technical mastery and the intimate storytelling at the heart of his practice. Through 24 works, visitors encounter a parallel reality that boasts child-like wonder as well as a deep understanding of the human experience—a vision of the world seen through the eyes of artist, father and daughter all at once. 'Waterfall (Kirifuri)' by Woo Kukwon. Courtesy of Tang Contemporary Art Take us back to the start of your career as an artist. What were your earliest inspirations for making art? Art has been woven into my life from the very beginning. My father, a lifelong literati painter, filled our home with the quiet hum of artistic discipline. In his studio, the scent of ink, the rhythm of brushstrokes, and the ever-present images became the texture of my childhood. But it wasn't all romantic. From close up, I saw how gruelling an artist's life could be. Creativity often came wrapped in solitude. To live as an artist was to grapple endlessly with oneself. There was even a time I swore I'd never follow that path. But the impulse to draw never left me. After years of emotional searching, I found myself returning to art—not with resistance, but with clarity. Looking back, I don't think I ever had another option. Art wasn't a career choice. It was already inscribed in the way I lived and understood the world. You have a very whimsical, vibrant and distinct art style. What drew you to this and how has it evolved over the years? I've always felt ill at ease with rigid structures. The conventional, the orderly—these felt more foreign than freeing. So my work began much like spontaneous mark-making, almost like doodling. To this day, I try to maintain that sense of openness. I don't set rules when it comes to colour, texture, image or text. I experiment freely, sometimes painting with sticks or coloured pencils instead of brushes to achieve more visceral, expressive surfaces. The thick textures that now define my work weren't part of some master plan. They began as small gestures to amplify parts of the canvas, and gradually, they took on a life of their own. I see my process not as completing a form, but as exploring the possibilities that lie beyond it. There is no fixed destination—only the continuous act of searching. 'I hope to recover something forgotten—a clarity only visible when seen without the interference of adulthood' Can you tell us more about the motifs that appear in your art? My motifs often emerge from the space where personal experience intersects with impressions left by literature, philosophy, music, and religion. As a child, I was immersed in books. I was captivated by the moral ambiguities, the symbolic layers, and the profound questions about good and evil, love and sacrifice. Rather than quoting these sources, I deconstruct and reimagine them. They become part of a new fable—one told through my own visual language. Each painting builds a narrative of its own, not from what was, but from what could be. 'The Old Man and The Sea' is inspired by Ernest Hemingway's novel of the same name. Courtesy of Tang Contemporary Art Tell us about the thought process behind this exhibition. What inspired the pieces, and what was the process of creating them like? The exhibition title, Universe's Universe , holds many meanings—but for me, it is most intimately tied to my daughter, Woojoo. Her name also means 'universe.' Her birth was a big emotional shift and made me reconsider everything I thought I knew. That transformative energy lives in these works. Since her birth, the image of a child has appeared again and again in my paintings—not just as a portrait of Woojoo, but as a vessel for a purity I've long yearned to rediscover. Through Universe's Universe, I hope to recover something forgotten—a clarity only visible when seen without the interference of adulthood. This is your first solo exhibition in Singapore. How do you feel about bringing your art to a Singapore audience? I'm deeply grateful for the warm welcome I've received here, especially as a first-time visitor and exhibiting artist. This city left such a positive impression on me—clean, calm, kind. I already know I want to return, next time with my family. I look forward to continuing this connection and plan to take part in the next art fair in Singapore. This is not a farewell—it's a beginning. 'The Lady and the Unicorn' by Woo Kukwon. Courtesy of Tang Contemporary Art Having worked with fashion brands like Dior and Valentino, what do you think is the relationship between fashion and art? When I first collaborated with fashion, I was both excited and apprehensive. How would the emotional texture of my paintings translate into something wearable? The process of adapting painterly elements into tactile materials was challenging, but also deeply inspiring. What struck me most was the brand's commitment to evolving their identity without losing its essence. I was moved by their energy—how fashion, like art, can expand meaning while preserving core integrity. To me, fashion is a wearable sculpture. It's not just a commodity; it's an aesthetic language that brings art into daily life. Like a painting, it speaks of its time. What do you hope people take away from your art? There's no fixed message in my work, and I never hide secret meanings. I want viewers to construct their own stories, shaped by their own eyes and lives. The imagery may seem familiar, but its significance isn't universal. Some might feel joy; others might find irony or melancholy in a small detail. I want to leave that ambiguity intact. Some elements may clarify a theme, while others invite metaphor. Ultimately, I hope people see the work as it is, and feel it as they wish—unfiltered, unprescribed. If it leaves a personal impression, however faint or fleeting, then it has done its part. Universe's Universe runs from 26 July to 30 August 2025 at Tang Contemporary Art Singapore.
Business Times
4 days ago
- Business Times
From Gucci to Rolex: The rise and fall of luxury in music
'YOU know my style and I love Christian Dior.' If you've heard these lyrics at a party recently, you're not alone. The infectious dance track, titled simply, Dior, has become a summer anthem, topping the charts in the UK and gaining traction in the US. The timing could not be more perfect for the fashion brand itself. Bernard Arnault, chief executive officer of LVMH Moet Hennessy Louis Vuitton, has been on a mission to revive Christian Dior, and head designer Jonathan Anderson is starting to unveil his new creative vision. Do such pop culture moments matter for companies? We'd say yes. Analysis by Bloomberg Opinion of songs in the Billboard Hot 100 and Hot Hip-Hop/R&B charts suggests that music offers an insightful way to map the fortunes of the luxury industry. It's a useful complement to more traditional measures of brand buzz, such as Google searches and social media conversations. The data shows that name-checks in song lyrics skyrocketed during the luxury boom from late 2020 to early 2023, cementing fashion houses such as Louis Vuitton and Gucci as cultural phenomena. Since then, mentions have slumped, underscoring the crisis facing the industry, with sales down across the sector, many young people turning away from conspicuous consumption, and the share prices of LVMH and Gucci-owner Kering at multi-year lows. The rise and fall of some individual brands, as seen through music, is even more striking. Many are now wondering when the worst will be over. Well, it is worth paying attention to songs. A rapper mentioning the name of a luxury brand on a hot track is not something that can be factored into company sales projections or plugged into a financial model – but it can capture the cultural zeitgeist. A NEWSLETTER FOR YOU Friday, 2 pm Lifestyle Our picks of the latest dining, travel and leisure options to treat yourself. Sign Up Sign Up Our analysis focused primarily on hip-hop and R&B because these genres had the highest mention of luxury brands. But dance and electronica also feature luxury labels, such as Prada and now Dior, as do pop songs in the Billboard Hot 100, such as Meghan Trainor's 2022 hit Made You Look, which shouted out Gucci, Louis Vuitton and Versace. There is a particular reason why hip-hop has come to encapsulate the luxury boom and bust. The rap community has long aspired to own top-end goods, and yet many European houses were famously reluctant to embrace streetwear. That changed a decade ago when LVMH appointed the late Virgil Abloh, the founder of influential label Off-White, as creative director of Louis Vuitton menswear in March 2018. The designer introduced the industry to a younger, more diverse audience that was passionate about music. The late Virgil Abloh, appointed by LVMH as creative director of Louis Vuitton menswear in March 2018, introduced the industry to a younger, more diverse audience that was passionate about music. PHOTO: AFP Between 2017 and 2022, sales of personal luxury goods rose by more than US$100 billion, according to Bain & Co. In the US, much of this was driven by younger spenders who were affluent but not super wealthy. It fits that luxury aesthetics were in a 'loud' phase characterised by bold colors and ostentatious logos. At the same time, hip-hop and R&B were becoming more mainstream, accounting for a higher percentage of the Billboard Hot 100 and so amplifying its influence. Flashy, coveted items – think Rolex watches and Hermes handbags – were touted in popular songs. Indeed, Arnault said in early 2022 that Louis Vuitton wasn't just a fashion business, it was a 'cultural brand' too. But as inflation and interest rates began soaring post-Covid, many of the new luxury customers came under pressure. Big bling retrenched and refocused its attention on older, wealthier shoppers, offering plainer styles and fewer logos. Streetwear faded from fashion and 'quiet luxury' was born. With the old money aesthetic came old-money price tags, further alienating younger buyers. This correlated with fewer high-end brand names, Gucci and Dior for example, appearing in lyrics in 2022 and 2023. (A broader range of labels, such as Goyard, with some price points below the megabrands, was included by hip hop and R&B stars.) This helps explain why companies' communications strategies, led by LVMH, are now coalescing around sport. For example, soccer star Kylian Mbappe was the face of Jonathan Anderson's first collection for Dior, rather than a musician, such as A$AP Rocky, with whom the label previously collaborated. But our analysis suggests that forfeiting music for sport would be a mistake. Brands want to reconnect with many of the customers they have priced out. The right reference at an opportune moment could enhance their efforts. Who's still feeling Gucci? When it comes to individual brands, the most startling story is Gucci. Name-checks in lyrics started to take off in 2016, as designer Alessandro Michele's maximalist style filtered through to fashion. This corresponded with a period of phenomenal sales growth. Boosted by a shoutout in Lil Nas X's Old Town Road, featuring Bill Ray Cyrus, mentions reached their zenith in 2018 and 2019, a clear correlation with peak Gucci. Perhaps this could have been a warning that Gucci was becoming over-exposed – and a chance to think about how to evolve Michele's opulent aesthetic. Indeed, the label has struggled to redefine itself since Michele's departure in late 2022, and in tandem, mentions in songs have languished. Given that at its peak, Gucci accounted for more than 60 per cent of Kering's sales, this is reflected in the parent's performance. Yet Gucci's previous cultural cachet from songs is a base on which new creative director Demna Gvasalia can build, particularly as it has been so low-profile for three years. With LVMH focusing more on sport, for example, through its US$1 billion sponsorship of Formula 1 motor racing, new Kering CEO Luca de Meo should prioritise music. Then he would have a decent shot at getting shoppers once more Feeling Gucci, as the 2018 song by Savage Ga$p puts it. In contrast, Hermes has outperformed. This is consistent with mentions of the Birkin and Kelly bag maker in lyrics. It was the most referenced brand in 2021 and 2022, appearing in Cardi B's number one hit Up among others. Hermes was the most referenced brand in 2021 and 2022. This is consistent with mentions of the Birkin and Kelly bag maker in lyrics. PHOTO: ST After a dip in 2023, in line with many rivals, its mentions have bounced back, perhaps helped by the Birkin being featured in Shaboozey's A Bar Song (Tipsy), which spent 19 weeks atop the Hot 100 last year. It seems that whatever the bag touches turns to gold. Meanwhile, industry giant LVMH is facing its toughest year yet. Dior rode both the reinvention of the historic house and the rise of streetwear to almost quadruple sales to more than nine billion euros (S$13.5 billion) between 2018 and 2023, according to HSBC Research. It is now underperforming. Notwithstanding the release of the MK and Chrystal dance track in June, Dior's mentions in hip-hop and R&B have slumped since peaking in 2020. Given that it is LVMH's second-biggest brand by sales (excluding beauty retailer Sephora), this appears in LVMH's performance. Reassuringly for Arnault and LVMH investors, however, aside from a dip in 2023, mentions of Louis Vuitton have remained solid, including a name-check in Tyler, The Creator's 2024 hit song Sticky. This reflects the fact that while embracing sport, Louis Vuitton still strengthened its connection to music through the appointment of Pharrell Williams as creative director of menswear in February 2023. The relationship between music and luxury goes beyond the conglomerates, too. Gripes about excessive price rises from some consumers and a creative hiatus following the death of Karl Lagerfeld in 2019 precipitated a 4 per cent decline in sales at privately held Chanel Ltd last year. Yet in welcome news for Chanel's billionaire owners, the Wertheimer family, the brand was mentioned more frequently than its competitors in hip-hop and R&B music in 2023 — thanks in part to multiple hits by Nicki Minaj. It was quite a smart move when the house named Kendrick Lamar as a brand ambassador earlier this year, fresh off his Super Bowl half-time performance that sent searches for bootcut jeans soaring. (It'll be even more so if the house ever expands into menswear.) Chanel named Kendrick Lamar as a brand ambassador earlier this year, fresh off his Super Bowl half-time performance that sent searches for bootcut jeans soaring. PHOTO: REUTERS Prada's embrace by hip-hop and R&B stars has been more modest compared with other houses, but the brand appeared in several other chart-topping songs between 2020 and 2023. Ferrari Horses by D-Block Europe and Raye, which featured the house prominently, reached No 14 on the UK Singles Chart in 2021. In September 2022, Prada got another jolt, from Sam Smith and Kim Petras' No 1 Billboard Hot 100 smash Unholy, and also from Raye's Escapism, her breakout hit released the following month. In 2023, Ferrari Horses was remixed and simply renamed Prada, which reached No 5 on Billboard's Hot Dance/Electronica chart. In September 2022, Prada got a jolt from Sam Smith and Kim Petras' No 1 Billboard Hot 100 smash Unholy. But mentions of the brand in hip-hop and R&B have been negligible since 2023. IMAGE: CAPITOL/EMI During this period, Prada's sales growth was comparable to that of LVMH's fashion and leather goods business, with the Italian label outperforming its bigger rival in 2022 and 2024. But our analysis showed that Prada's mentions in hip-hop and R&B have been negligible since 2023. Given its embrace by artists a few years ago, Prada, which typically leans on art and food in its communications, might also consider enhancing its cultural relevance through music. 'Rollies that don't tick tock' It is not just handbags that have endured a boom and bust in music over the past five years. Pricey timepieces have also been on a rollercoaster ride. Think iced-out bling, and Rolex immediately springs to mind. It is an instantly recognisable shorthand for success. Yet our analysis shows that its inclusion in lyrics peaked in 2014. As mentions of Rolex declined, those of two other privately held manufacturers, Audemars Piguet and Patek Philippe, took off. This can be traced back to the appointment of Francois-Henry Bennahmias as CEO of Audemars Piguet in 2013. A former professional golfer, he recognised the power of celebrity and enlisted a roster of stars to promote the brand. In the years that followed, Audemars Piguet popped up in lyrics alongside Patek Philippe. (Audemars Piguet and Patek Philippe watches are more expensive and exclusive than many Rolexes.) Future, who name-checks luxury brands in more top-50 hip-hop and R&B songs than any other artist, mentions Audemars or Patek in more than 50 songs. Both brands get a nod in Life is Good, featuring Drake, which spent six months on the hip-hop and R&B chart in 2020. According to experts at secondary watch platform A Collected Man, Drake's mention of Patek is believed to reference a Nautilus 5726 – one of the watchmaker's flagship models – customised to a design by Abloh. Future, who name-checks luxury brands in more top-50 hip-hop and R&B songs than any other artist, mentions Audemars or Patek in more than 50 songs. IMAGE: FREEBANDZ/EPIC Yet demand for even Audemars and Patek as well as Richard Mille (at times condensed to 'Millie') has weakened. Another brand, Cartier, is not referenced as frequently as Rolex, Audemars Piguet and Patek Philippe, but its inclusion in lyrics remained steady until this year. Tyler, the Creator is arguably the best-known collector of Cartier timepieces, encouraging a style shift from chunky sports models to more delicate pieces. As he says in Hot Wind Blows from 2021: 'The Cartier so light on my body, thought I floated here.' Such a move wasn't an accident. Former Cartier CEO Cyrille Vigneron, astutely capitalised on Gen Z's adoption of the jeweller, initially through its Love bangles. He relaunched some of its iconic watches, such as the Panthere, augmented with sometimes racy advertising. His foresight paid off, helping Cartier become one of the few brands to defy the downturn in the secondary watch market. Its popularity has also enabled parent Cie Financiere Richemont to outperform LVMH in both sales and share price over the past year. The lessons here? It pays to recognise when a brand is taking off and leaning into Gen-Z tastes. But houses must also know when to ease back, as Gucci learned the hard way. Richemont doesn't want Cartier and sister-brand Van Cleef & Arpels, famed for its lucky clover bracelets, becoming too ubiquitous. Cartier is not referenced as frequently as Rolex, Audemars Piguet and Patek Philippe, but its inclusion in lyrics remained steady until this year. PHOTO: BLOOMBERG 'The new Bottega, my baby only wears couture' Our analysis underlines how badly luxury needs to reassert itself among younger consumers who draw inspiration from music. It's true that inflation in top-end goods is moderating, and that companies are also introducing more affordable products, such as beauty and fragrance. Labels are also finally shaking things up with a cadre of new talent: As well as Anderson at Dior and Demna at Gucci, Chanel has appointed Matthieu Blazy as its creative director. Kering houses Balenciaga and Bottega Veneta both have new designers, as do LVMH labels Loewe, Givenchy and Celine. But more must be done to win over disenfranchised shoppers and make owning top-end goods desirable again. The popularity of hit song Dior shows that the luxury fatigue that has weighed on sales may be reaching its nadir. With carefully crafted strategies, brands can seep into popular culture once more. If the track turns out to be the catalyst for the house's renaissance, that would be a strong signal for Arnault and the rest of the industry to turn the music up. BLOOMBERG


Vogue Singapore
04-08-2025
- Vogue Singapore
The ultimate style guide for fashion-savvy kids
Courtesy of Burberry I'm sure we've all seen the image of fashion-savvy kids Riot and RZA accompanying mummy Rihanna at the Smurfs premiere by now (and collectively gotten baby fever from it) . Riot, dressed in a pint-sized Dior Homme ensemble by Jonathan Anderson, wore a custom mini version of Look 1 from his debut spring/summer 2026 collection: a forest-green single-breasted wool blazer, flared white Bermuda shorts, and a neat little bun perched on top of his head, all finished off with black oxfords—just two weeks after the runway reveal in Paris. His older brother matched the energy in head-to-toe Dior too: a pastel button-up, pink tie, dark green cargo pants, and even a tiny silver chain to boot. Together, they stepped onto the blue carpet as unexpected style stars—naturally, in the footsteps of their ever-sartorial mother. Riot and RZA accompanying mummy Riri at the Smurfs premiere, both cutely decked in mini Dior ensembles. Ah, the myriad styling possibilities. Of course, we all know kids care way less about what they wear and way more about how easily they can move—or maybe how much they can get away with dirtying their outfits during a cheeky snack break. But comfort doesn't mean sacrificing style codes. So whether it's a fun day out with the family, a cosy camping trip, or a visit to a cold country where the puffers have to come out of the wardrobe, or every kid's favourite activity—a playdate with their best friend, no matter what, the cute factor always helps. Kidswear styling is a world all its own, vast and growing. So to help sieve out the prospects, see Vogue Singapore's curation of five kid-friendly styles to inspire your little ones' next look. Courtesy of Gucci 1 / 27 Très chic Mini tulle moments? Tiny tuxes? These polished picks are made for birthday bashes, wedding invites, or any occasion that calls for just a little extra glamour. Courtesy of Farfetch 2 / 27 MM6 Maison Margiela Kids blouse, $130 Available at Farfetch. Courtesy of Dior 3 / 27 Dior skirt, $1,050 Available at Dior. Courtesy of 4 / 27 shoes, $129 Available at Courtesy of Farfetch 5 / 27 Self-Portrait Kids bag, $1,056 Available at Farfetch. Courtesy of Etro 6 / 27 Playdate-ready Snacks? Check. Giggles? Double check. Think casual, easy-to-move outfits ideal for mini adventures and snack breaks alike, playground-to-picnic approved. Courtesy of Chloé 7 / 27 Chloé hoodie, $303 Available at Chloé. Courtesy of Farfetch 8 / 27 Bonpoint cargo jeans, $135 Available at Farfetch. Courtesy of Ssense 9 / 27 Diesel Kids sneakers, $128 Available at Ssense. Courtesy of Farfetch 10 / 27 Etro Kids headband, $76 Available at Farfetch. Courtesy of Emporio Armani 11 / 27 Make it camp Whether it's a cosy cabin snuggle or campfire s'mores under the stars, these outdoorsy looks keep things comfy while turning up the style factor. Camping chic? We're so here for it. Courtesy of Burberry 12 / 27 Burberry coat, $1,250 Available at Burberry. Courtesy of Gucci 13 / 27 Gucci t-shirt, $336 Available at Gucci. Courtesy of Farfetch 14 / 27 Fendi Kids denim shorts, $603 Available at Farfetch. Courtesy of Timberland 15 / 27 Timberland Kids waterproof boots, $98 Available at Farfetch. Courtesy of Farfetch 16 / 27 Emporio Armani Kids backpack, $334 Available at Farfetch. Courtesy of Chloé 17 / 27 Family day out For a simple brunch with the family or a casual outing—opt for causal looks that are also picture-perfect for the little ones who need to stay stylish regardless of the activity. Courtesy of Ralph Lauren 18 / 27 Ralph Lauren cardigan, $149 Available at Ralph Lauren. Courtesy of Cettire 19 / 27 Monnalisa puffball skirt, $117 Available at Cettire. Courtesy of Christian Louboutin 20 / 27 Christian Louboutin flats, $490 Available at Christian Louboutin. Courtesy of Farfetch 21 / 27 Karl Lagerfeld Kids bag, $199 Available at Farfetch. Courtesy of Moncler 22 / 27 Cool kids only From frosty city breaks to snow-filled holidays, layered ensembles are designed to keep your little one snug and serving: puffers and pint-sized panache incoming. Courtesy of Farfetch 23 / 27 Moncler Enfant jacket, $693 Available at Farfetch. Courtesy of Kids21 24 / 27 Off-White Kids cargo hoodie, $260 Available at Kids21. 25 / 27 Versace pants, $288 Available at Versace. Courtesy of Farfetch 26 / 27 Moon Boot Kids snow boots, $223 Available at Farfetch. Courtesy of Farfetch 27 / 27 Moschino Kids bucket hat, $90 Available at Farfetch.