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Here Are All the Surprise Artists at Shakira's Las Mujeres Ya No Lloran World Tour (Updating)
Here Are All the Surprise Artists at Shakira's Las Mujeres Ya No Lloran World Tour (Updating)

Yahoo

time3 days ago

  • Entertainment
  • Yahoo

Here Are All the Surprise Artists at Shakira's Las Mujeres Ya No Lloran World Tour (Updating)

Since launching her Las Mujeres Ya No Lloran World Tour in Brazil earlier this year, Shakira has surprised attendees by inviting a number of fellow hitmakers to join her onstage. From Grupo Frontera, Carlos Vives and Maluma — all three joined her in Latin America — to Wyclef Jean, Alejandro Sanz, Ozuna and Rauw Alejandro in the U.S. leg of the tour. More from Billboard Karol G Enters a New Era With 'Latina Foreva': Stream It Now Maria Becerra, Paulo Londra & XRoss' 'Ramen Para Dos' Debuts at No. 1 on Billboard Argentina Hot 100 Alejandro Sanz On How He Recovered His Love For Making Music All of the aforementioned have collaborated with her in the past, and for each guest, Shakira has penned heartfelt messages on social media. 'Sharing the stage with a longtime friend will always be a highlight,' she wrote about Wyclef Jean on Instagram, who joined her in New Jersey to perform 'Hips Don't Lie,' which spent two weeks at No. 1 on the Billboard Hot 100 in 2006. With Las Mujeres Ya No Lloran Tour in full swing, Shakira was No. 1 on Billboard's Top Tours chart for March. She also led last February's list with $32.9 million but doubles her earnings on the newest update. According to figures reported to Billboard Boxscore, Las Mujeres Ya No Lloran World Tour earned $70.6 million from 11 reported shows. More than any act has grossed in any March since the charts launched in 2019. Shakira's Las Mujeres Ya No Lloran World Tour continues with upcoming stops in the U.S., including Chicago, Atlanta, Miami and Las Vegas. She'll then head back to Latin America for more concerts in Mexico and Peru. Here are all the surprise artists who have appeared at Shakira's Las Mujeres Ya No Lloran Tour, so far: The Mexican American tejano band joined Shakira at the top of her tour during a stop at Mexico City's Estadio GNP Seguros. 'Last night you guys made it epic!!! What a thrill when I welcomed Grupo Frontera on stage. I jumped up and down like a little girl! You guys rock,' Shakira wrote on Instagram. During the Las Mujeres Ya No Lloran stop in Medellín, Colombia, Shakira brought out local hero Maluma. Both rocked the stage singing their hit teamup 'Chantaje.' 'Thank you Maluma for singing with me this song that marked a milestone in the history of Latin music with three billion plays!!!! I would sing it with you one and a thousand times more!!!! I love you,' the Colombian star expressed on social media. Vives also joined Shakira during a stop in Medellín where the pair sang 'La Bicicleta.' 'Carlos Vives came to cheer me up even more with La Bicicleta!!!! Carlos you are a living legend!!! I love you my brother,' Shakira captioned a post on Instagram. Shakira launched the U.S. leg of Las Mujeres Ya No Lloran Tour with superstar Alejandro Sanz as surprise guest in Charlotte, N.C. where they sang their classic collab 'La Tortura.' 'Alejandro Sanz how they applauded you last night!!! A thousand years may pass with a thousand more but what happens to us on stage will continue to be unique,' Shakira wrote on Instagram. The Haitian rapper and singer joined Shakira to perform their 2005 smash 'Hips Don't Lie' during one of her shows at MetLife Stadium in New Jersey. About their reunion onstage, Shakira wrote, 'Sharing the stage with a longtime friend will always be a highlight! Thanks for coming once again Wyclef Jean.' Ozuna stopped by the MetLife Stadium to sing 'Monotonía.' 'What an unforgettable first night at MetLife!! What a crowd!! ¡And Ozuna , you are incredible! Thanks for making this night even more magical,' the '(Entre Paréntesis),' singer captioned a social media post. Rauw Alejandro, also on tour, joined Shakira to perform their electrifying collab 'Te Felicito.' 'Rauw! What a way to close out two insane nights at MetLife stadium,' Shakira posted. Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Janet Jackson's Biggest Billboard Hot 100 Hits H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart

Maluma's Willy Chavarria-Designed Zoot Suit Honored Pachuco Culture at the 2025 Met Gala
Maluma's Willy Chavarria-Designed Zoot Suit Honored Pachuco Culture at the 2025 Met Gala

Vogue

time08-05-2025

  • Entertainment
  • Vogue

Maluma's Willy Chavarria-Designed Zoot Suit Honored Pachuco Culture at the 2025 Met Gala

For the 2025 Met Gala, Maluma harnessed his moment on the steps of the Met to celebrate Colombian pride. It was a night of glamour, but also of reflection on how fashion has the power to directly influence social and cultural change. Speaking to the 'Superfine: Tailoring Black Style' exhibition and the honoring of Black dandyism, the best looks of the evening revelled in exquisite tailoring and personal storytelling. Under the 'Tailored For You' dress code, the figure of the dandy was honored in a multitude of ways—fellow Colombian J Balvin, for example, wore a brilliantly pink double-peak lapel suit. Maluma found his own dandy story in the mid-1940s, between the Chicano culture and the Pachucos who found their distinct sense of style as a way to occupy space. Maluma arrived dressed in a brocade, mightnight blue and emerald green zoot suit by Mexican-American designer Willy Chavarria, who accompanied the singer on the red carpet. (Chavarria also wore a creamy pastel pink suit with sculptural lapels. 'Willy is a genius, he knows how to take classic styles and make them feel brand new, and we knew he would capture this theme perfectly,' Stephanie Escobar, Maluma's stylist, tells Vogue. When they considered who could dress him, no one made more sense than Willy Chavarría. 'The look is inspired by the elegance of the pachuco style, which has deep roots in Chicano and Latinx fashion. It integrates naturally with the spirit of Black dandyism, where impeccable tailoring is a form of identity, resilience and pride. It was important that the styling honored both narratives.' Amid the Met Gala preparations, Maluma continued to dominate on his tour, and he stayed committed to collaborating with Chavarria and his team on a stellar look. 'Willy's details were impeccable, from the fabrics to the watch chain,' continues Escobar. She shares that she wanted to include a detail that honored Maluma's Colombian roots. 'Emeralds are Colombia's national stone, so we incorporated them into the jewelry, including an emerald watch from Jacob & Co. and custom emerald and diamond studs from Colombian brand Sileo. It was a subtle, yet meaningful way to tie it all together.'

8 details you might have missed from the 2025 Met Gala red carpet
8 details you might have missed from the 2025 Met Gala red carpet

Business Insider

time06-05-2025

  • Entertainment
  • Business Insider

8 details you might have missed from the 2025 Met Gala red carpet

Venus Williams looked glamorous in green, and her earrings subtly paid tribute to her career as an athlete. Williams looked cool and comfortable in her green Lacoste ensemble. It included a collared shirt, a pleated miniskirt, and an oversize coat with thick beading across its lapels and sleeves. So, you might have missed her small diamond earrings, which were shaped like tennis balls. Diana Ross wore an old Hollywood gown that paid tribute to her family members. Her custom white gown from Eleven Sixteen featured a massive 18-foot train that covered the Metropolitan Museum steps. It was glamorous, theatrical, and quietly meaningful. On the red carpet, she described it to Vogue as "a forever family" gown. "It has the names of all my children and my eight grandchildren," she said. "Everybody's name is embroidered." Colman Domingo's cape wasn't just regal. It was inspired by iconic figures of the past. Speaking with GQ while getting ready for the Met Gala, Domingo said he always imagined himself wearing blue at the 2025 event. Then Monica L. Miller, who helped curate this year's Costume Institute exhibit, told the actor that one of the first dandies was a freed slave who dreamed of dancing in "blue superfine wool." "I literally almost stumbled," Domingo told the publication. "I said, 'He named a color? That's the color I want to wear!'" He worked with Valentino to create his ensemble, which included a royal-blue cape with a bedazzled chest piece. André Leon Talley inspired its draping, while its sparkling details represented the jewelry and architecture of the Moors and other North African people. Teyana Taylor's dramatic jacket had song lyrics pressed into its velvet. The statement piece of her custom Marc Jacobs ensemble was a thick red coat with sharp shoulder pads, pleated draping, and rose embellishments. Less flashy were its nods to her song "Rose in Harlem." The phrases "Harlem rose" and "rose out of the concrete" were stamped into velvet pieces that flowed on each side of the jacket. Priyanka Chopra Jonas made jewelry history. Chopra Jonas is a Bvlgari ambassador, so she had the privilege of unveiling a new piece — a diamond necklace with a massive emerald charm — from the jewelry brand at the 2025 Met Gala. In doing so, she also made history as the first to wear this rare gem, which weighs 241.06 carats and is the largest faceted stone ever set by Bvlgari. Maluma wore a green watch that was equally flashy and expensive. Maluma sported an emerald-encrusted watch called the Emerald Billionaire III to complement his blue and green suit from Willy Chavarria. The timepiece's design was eye-catching, and it was also highly valuable. Jacob & Co., the brand behind the accessory, said it retails for $5 million. Kerry Washington's ensemble was more daring than you might have realized. Not only was her custom Simkhai skirt see-through, revealing her undergarments, but its blazer top was also backless. The cream-colored piece had a circle cutout that was only visible when she turned around. It was also enhanced with a diamond necklace that draped down her back. Zendaya and Anna Sawai wore white outfits that were extremely similar. Zendaya hit the red carpet first in a white ensemble from Louis Vuitton. It was tailored perfectly, from its blazer to its bell-bottom pants, and accessorized just as well with a tie and hat. So, it was a little surprising to see Anna Sawai show up later in a nearly identical outfit. The main difference was that the Japanese actor's suit was more cream-colored and tailored with a looser fit.

Colombian court rules Karol G and J Balvin song violated rights of children
Colombian court rules Karol G and J Balvin song violated rights of children

Yahoo

time09-04-2025

  • Entertainment
  • Yahoo

Colombian court rules Karol G and J Balvin song violated rights of children

A high court in Colombia has ruled that the reggaeton song '+57' by urban music stars J Balvin and Karol G violated the rights of children because its lyrics 'sexualized' minors. In a 14-page ruling, the court ordered Karol G, J Balvin and several other reggaeton singers – including Feid, DFZM and Maluma - who helped to record the song last year to refrain from publishing music that violates the rights of children and teenagers. 'Sexualizing minors reduces them to becoming objects of desire, and exposes them to risks that can affect their development,' the court said. The song generated controversy in Colombia when it was released in November, with organizations that defend the rights of children quickly calling for its removal. '+57' is named after Colombia's telephone country code and talks about a young woman who goes partying "despite having an owner.' The woman, 'who has been a hot mama since she was 14' ("Mamacita desde los fourteen") enters a disco and begins to do shots. The song also refers to weed 'starting to work', passing 'the drinks mouth to mouth' and 'no room for your butt in the car.' Karol G, whose real name is Carolina Giraldo, apologized for the song on her Instagram account last year, saying that the lyrics had been 'taken out of context' but also adding that she realized she had 'a lot to learn.' 'As artists, we are exposed to public opinion, and to the individual interpretations of people who like us and people who differ with what we do,' read her apology. 'I feel a lot of frustration for the misinformation that has been given, about the false posts that I have supposedly made and deleted from twitter, an account that I have not used for more than six months. In this case, unfortunately, the lyrics of a song, with which I sought to celebrate the union between artists and put to shine my people … were taken out of context." She added: 'None of the things said in the song have the direction they have been given, nor was it said from that perspective but I listen, I take responsibility and I realize that I still have a lot to learn. I feel very affected and I apologize from the bottom of my heart.' Following the backlash and pressure from the Columbian Congree and the Colombian Institute of Family Welfare (ICBF), the lyric was changed to: "Mamacita desde los eighteen". The song was recorded in Karol G's hometown of Medellin, Colombia's main tourist destination and a city that has become famous for nurturing several famous reggaeton singers. However, Medellin has also struggled to protect minors from sexual predators, who visit the city in search of young women.

Colombian court rules Karol G and J Balvin song violated rights of children
Colombian court rules Karol G and J Balvin song violated rights of children

Euronews

time09-04-2025

  • Entertainment
  • Euronews

Colombian court rules Karol G and J Balvin song violated rights of children

ADVERTISEMENT A high court in Colombia has ruled that the reggaeton song '+57' by urban music stars J Balvin and Karol G violated the rights of children because its lyrics 'sexualized' minors. In a 14-page ruling, the court ordered Karol G, J Balvin and several other reggaeton singers – including Feid, DFZM and Maluma - who helped to record the song last year to refrain from publishing music that violates the rights of children and teenagers. 'Sexualizing minors reduces them to becoming objects of desire, and exposes them to risks that can affect their development,' the court said. The song generated controversy in Colombia when it was released in November, with organizations that defend the rights of children quickly calling for its removal. '+57' is named after Colombia's telephone country code and talks about a young woman who goes partying "despite having an owner.' The woman, 'who has been a hot mama since she was 14' ("Mamacita desde los fourteen") enters a disco and begins to do shots. The song also refers to weed 'starting to work', passing 'the drinks mouth to mouth' and 'no room for your butt in the car.' Karol G, whose real name is Carolina Giraldo, apologized for the song on her Instagram account last year, saying that the lyrics had been 'taken out of context' but also adding that she realized she had 'a lot to learn.' 'As artists, we are exposed to public opinion, and to the individual interpretations of people who like us and people who differ with what we do,' read her apology. 'I feel a lot of frustration for the misinformation that has been given, about the false posts that I have supposedly made and deleted from twitter, an account that I have not used for more than six months. In this case, unfortunately, the lyrics of a song, with which I sought to celebrate the union between artists and put to shine my people … were taken out of context." She added: 'None of the things said in the song have the direction they have been given, nor was it said from that perspective but I listen, I take responsibility and I realize that I still have a lot to learn. I feel very affected and I apologize from the bottom of my heart.' Following the backlash and pressure from the Columbian Congree and the Colombian Institute of Family Welfare (ICBF), the lyric was changed to: "Mamacita desde los eighteen". The song was recorded in Karol G's hometown of Medellin, Colombia's main tourist destination and a city that has become famous for nurturing several famous reggaeton singers. However, Medellin has also struggled to protect minors from sexual predators, who visit the city in search of young women.

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