Latest news with #NaraRohith
Hans India
01-08-2025
- Entertainment
- Hans India
Nara Rohith's ‘Sundarakanda' comes with a peppy new track
Nara Rohith's landmark 20th film Sundarakanda is all set to hit theatres on August 27, just in time for Ganesh Chaturthi. Directed by debutant Venkatesh Nimmalapudi and produced by Santhosh Chinnapolla, Gowtham Reddy, and Rakesh Mahankalli under the Sandeep Picture Palace banner, the film has already garnered attention with its feel-good promotions. Adding to the buzz, the makers recently unveiled a vibrant new song titled 'Please Ma'am'. A playful and quirky love track, the song features upbeat Indian rhythms and catchy lyrics penned by Sri Harsha Emani. Sung by a lively ensemble including Arjun Chandy, Deepak Blue, Aravind Srinivas, and others, the track is high on energy and charm. The video shows Rohith and his gang's spirited attempts to impress Sri Devi, the girl he admires. The chemistry between Nara Rohith and lead actress Vriti Vaghani is refreshingly light-hearted. Viswa Raghu's choreography keeps the visuals engaging with expressive moves and a clean, fun vibe. With Sundarakanda promising a mix of romance, humour, and celebration, the new track adds a youthful flavour to the soundtrack, raising anticipation for the film's festive release.
Hans India
26-07-2025
- Entertainment
- Hans India
Nara Rohith's ‘Sundarakanda' locks Ganesh Chaturthi release
Marking his 20th film milestone, Nara Rohith is all set to charm audiences with Sundarakanda, a breezy slice-of-life entertainer helmed by debutant director Venkatesh Nimmalapudi. The film, produced by Santhosh Chinnapolla, Gowtham Reddy, and Rakesh Mahankalli under the Sandeep Picture Palace (SPP) banner, is slated for release on August 27th, coinciding with Ganesh Chaturthi. The mid-week release offers a long weekend advantage, setting the stage for a festive theatrical run. The teaser, released earlier, offered a delightful glimpse into Rohith's character — a witty, middle-aged bachelor navigating the ups and downs of love and life. The light-hearted tone, humorous moments, and emotional depth promise a refreshing cinematic experience. The release date announcement was made today as a birthday treat to Nara Rohith's fans. The accompanying poster reveals two romantic phases of his character — one featuring Sridevi Vijaykumar, evoking the charm of first love, and the other with Vriti Vaghani, suggesting a mature, possibly second-chance romance. The dual timelines tease a layered narrative filled with emotion, nostalgia, and heartwarming moments. Musically, the film is already a hit with its first single Bahusa Bahusa, sung soulfully by Sid Sriram, becoming a chartbuster. Leon James has composed the film's soundtrack, while Pradeep M Varma handles cinematography. Rohan Chillale is the editor, and Rajesh Pentakota serves as art director. Sundeep is on board as the executive producer. With just over a month to go, the team is gearing up to ramp up promotional activities, ensuring Sundarakanda reaches audiences far and wide during the festive season.
Hans India
30-05-2025
- Entertainment
- Hans India
‘Bhairavam' Review: A Gritty Action Drama That Delivers in Parts
Movie Title: Bhairavam Language: Telugu Release Date: May 30, 2025 Cast: Bellamkonda Sai Sreenivas, Nara Rohith, Manchu Manoj, Aditi Shankar, Aanandi, Divya Pillai, Jayasudha, Vennela Kishore Director: Vijay Kanakamedala Producer: KK Radhamohan Music: Sricharan Pakala Cinematography: Hari K Vedantam Editor: Chota K Prasad Rating: ★★¾ (2.75/5) Overview Bhairavam is a Telugu action drama featuring an ensemble cast led by Bellamkonda Sai Sreenivas, Manchu Manoj, and Nara Rohith. With decent pre-release buzz and action-heavy promos, the film hit theatres today. While it delivers on some fronts, it doesn't quite fire on all cylinders. Plot Summary The story centers around childhood friends Gajapathi Varma (Manchu Manoj) and Varadha (Nara Rohith), whose bond is tested by the entry of Seenu (Bellamkonda Sai Sreenivas), an orphan drawn into their lives after a pivotal incident. Conflict brews when a powerful minister (Sharath Lohithaswa) schemes to seize sacred temple land, enlisting a corrupt cop (Sampath Raj) to assist. What follows is a gripping descent into betrayal, violence, and fractured loyalties. What Works Bellamkonda Sai Sreenivas delivers a surprisingly nuanced performance, showcasing emotional range and improved screen presence. Nara Rohith impresses with his composed portrayal, adding subtlety and gravitas. Manchu Manoj brings intensity and a menacing edge to his character, excelling in confrontational scenes. The action choreography—particularly in the interval block and transformation scenes—is a major highlight for mass cinema fans. Divya Pillai and supporting cast members like Sampath Raj deliver solid performances in well-defined roles. What Doesn't The plot is predictable, offering few surprises after the first act. A slow-paced second half hampers momentum, with scenes that drag and lack emotional heft. The central friendship is more told than shown, reducing emotional impact. Female leads like Aditi Shankar and Aanandi are underutilized, with Aditi's role limited to songs and filler scenes. The music lacks staying power, failing to elevate key moments. Technical Aspects Director Vijay Kanakamedala adapts the story from Garudan but struggles to fully realize its emotional and dramatic potential. A tighter screenplay and deeper character arcs might have strengthened the film's impact. Hari K Vedantam's cinematography complements the action well, while Sricharan Pakala's background score adds emotion in key moments. However, the editing could have been sharper, particularly in the latter half. Verdict Bhairavam offers enough for fans of action dramas, thanks to its lead performances and well-crafted action sequences. However, the film is weighed down by a formulaic narrative, underdeveloped characters, and pacing issues. It's a passable watch if you're in the mood for a mass entertainer—just keep expectations in check.
Time of India
30-05-2025
- Entertainment
- Time of India
Bhairavam Movie: Showtimes, Review, Songs, Trailer, Posters, News & Videos
Set in the village of Devipuram in Andhra Pradesh, Bhairavam follows the intertwined lives of three friends: Seenu (Bellamkonda Sai Sreenivas), Varadha (Nara Rohith), and Gajapathi (Manchu Manoj). Their bond, forged in childhood, is tested by the forces of greed, power, and Vijay Kanakamedala blends rustic action, emotional drama, and mystic symbolism in Bhairavam with varying success. While the film treads familiar ground, it is the performances and emotional core that keep it Sai Sreenivas sheds his usual larger-than-life image to deliver a performance that is restrained, honest, and emotionally rooted. Nara Rohith brings calm control to his role, portraying Varadha with understated strength. The true comeback, however, belongs to Manchu Manoj. Returning to the screen after a hiatus, he owns the role with a fiery presence. His deep baritone and brooding intensity add a sharp edge to the lends quiet dignity to her role, anchoring the emotional moments with grace. Aditi Shankar, Aanandhi, and Divya Pillai bring freshness and charm, though their roles remain underutilised. The supporting cast, including Ajay, Raja Ravindra, Sharath Lohithaswa, Sampath Raj, Sandeep Raj, and Vennela Kishore, complement the narrative well. While most have limited screen time, their presence adds weight and helps flesh out the world of Bhairavam, grounding it in familiar rural first half feels stretched, weighed down by predictable beats and song placements. Post-interval, the narrative gains momentum with a twist in the Mamidi Thota sequence that heightens the emotional the film stands strong. Hari K Vedantam's cinematography captures earthy tones and rural textures with finesse, while Sricharan Pakala's background score enhances the dramatic tension without overwhelming the narrative. The final act, steeped in ritual and rage, delivers an impactful climax that aligns well with the current wave of myth-inspired is a rustic action drama that weaves loyalty, betrayal, and spiritual symbolism into a layered narrative. While it falters in pacing, it finds redemption in its performances and emotionally charged finale. For those who enjoy rural dramas with a mythic touch, this one delivers just enough punch.
India Today
30-05-2025
- Entertainment
- India Today
Bhairavam review: A typical but good old-school Telugu commercial entertainer
Set against a rural backdrop of down-to-earth villagers, paddy fields and greenery all around, traditional houses, and a revered temple taken care of by the respected families of the village, an innocent love story begins to bloom—until a crooked politician's greedy eye spoils the broth. But the saviours rise to the occasion and save the day. How long has it been since a film following this beloved template hit theatres?Regardless of language, in South Indian cinema most heroes—especially those who have now reached veteran status—earned their fame and admiration by playing characters that resonated not only with city audiences but also with those in villages. Not just the legends who are no longer with us, but even actors like Chiranjeevi, Nandamuri Balakrishna, Rajinikanth, Shiva Rajkumar, Mohanlal, and their contemporaries shone in such roles, prompting cine-goers to flock to theatres from every corner of South Kanakamedala's 'Bhairavam' rediscovers the glory of this classic template by fully immersing its screenplay in a rustic rural setting. Starring Manoj Manchu, Bellamkonda Sai Srinivas, and Nara Rohith, the film brings all of the above and more to the table. But does it have the same impact as the classics once did? Let's find out!advertisement 'Bhairavam' follows the story of Varada (Nara Rohith) and Jagapathi (Manoj Manchu), inseparable friends since birth who carry on their fathers' legacy, who were also friends until death, quite literally. Seenu (Bellamkonda Sai Srinivas) is an orphan taken in by Jagapathi's grandmother, and he grows up as an integral part of both Jagapathi and Varada's happens when a minister's shadow falls over the village? Will the trio manage to fight off evil, or will the minister and his minions succeed in driving a wedge between the friends? The answer—and plenty more, with a dash of cinematic masala—forms the plot of the film. The biggest merit of the film lies in the way it connects with the audience through emotions. Friendship, family, loyalty, integrity, devotion, tradition, and nostalgia (at some level) play a key role in building a bridge between the story and the audience, evoking several emotionally charged Sai Srinivas shines brightest among the lead trio, delivering an outright entertaining performance with his screen presence, action, and dance. The pre-interval fight scene is a moment to witness—for the film and for Srinivas's performance—as it leaves one with goosebumps. Manoj Manchu and Nara Rohith have also delivered strong performances in their respective supporting cast, which includes Jayasudha, Aditi Shankar, Divya Pillai, Ajay, Sarath Lohitashwa, Sampath Raj, and Vennela Kishore, have done justice to their roles, elevating the impact of the lead characters' performances. Melodramatic acting is to be expected from a film like this, and the cast delivers it to the Vijay Kanakamedala revitalises a story that has been presented several times before—but with an interesting wardrobe change. The film is unabashedly over the top in its action and character traits. There are moments when the proceedings become so melodramatic that one might wonder whether they are in a theatre or suffering through the discomforts of their living room while watching a poorly-made daily soap on there are also moments when the film shines brightly, where the emotion supports the madness happening on screen. A key contributor to this is the background score by Sricharan Pakala. While at times it might remind viewers of watching Balayya's 'Veera Simha Reddy' in theatres—thanks to its sheer volume—the BGM mostly complements the onscreen proceedings chaotic nature of the film mirrors the contributions of the technical departments. Along with the background score mentioned above, the songs in the film also touch both ends of the spectrum. While a couple of tracks are genuinely catchy—especially the 'Dum Dumaare' song—others are so abrupt and flat that they offer viewers a four-minute break to check all their same applies to the cinematography, set design, and visual effects: some key moments are absolutely great, while others are merely mediocre at best. But it is due to these key moments that the film comes out as a surprisingly good entertainer. By placing these moments at regular intervals, the director has managed to render a final output that is certainly fun to one enjoys emotions, drama, action, song and dance—pure commercial entertainment—'Bhairavam' is certainly worth a watch. But beware: it defies logic, gravity, and sense whenever the opportunity presents itself.3 out 5 stars to 'Bhairavam'.
