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Refinery29
6 days ago
- Entertainment
- Refinery29
What Copenhagen Fashion Week Taught Me About Getting Dressed
All linked products are independently selected by our editors. If you purchase any of these products, we may earn a commission. Copenhagen Fashion Week opened with a dinner in the Nikolaj Art Gallery — a former church dating back to the 13th century. This season, it played host not only to the opening dinner but also to several shows, panels, and brand activations, including one from Instamax. That first night in the church set the tone for the week in more ways than one. The main course was pasta made from reclaimed bread — created using stale or leftover loaves — a nod to the council's commitment to sustainability, carrying a deeper symbol of the communal act of breaking bread. That sense of togetherness continued through the shows and the showgoers, who brought an energy that was impossible to miss. Each show drew its own eager crowd. At Sunflower, held in the courtyard of their offices, a burned-out car sat on a square platform that models weaved around. Outside, the crowd pressed in so tightly it was nearly impossible to see the clothes — which, in theory, defeats the purpose of a fashion show. But here, the draw was as much about soaking in the atmosphere as it was about spotting a fetching fireman jacket or sharply tailored, strong-shoulder suit. At Marimekko, which was staged outdoors with only a thin rope marking the perimeter, the crowd was equally lively — phones out, and ready to catch every moment. Copenhagen as a fashion week can feel like the odd child out. It lands about four weeks before the marathon that is Fashion Month, which kicks off on September 11 with NYFW — a little too early to define overarching themes. A few emerged, though whether they carry through to the rest of the season remains to be seen. For me, the word trend doesn't quite sum up the week. Yes, there were recurring details — like the shoe of the summer, flip-flops — spotted at CMMN SWDN, Deadwood, and most notably Opera Sport, which sent out not only regular Havaianas but also 3D-printed versions that looked like they had been plucked from another dimension. More broadly, the week felt defined by brands leaning into what they do best. Cecilie Bahnsen celebrated her 10-year anniversary with a show in an airplane hangar, where models drifted down the runway in white, cloudlike dresses as if they, too, were about to take flight. Nicklas Skovgaard continued his run of editorial, '80s-tinged silhouettes that struck the perfect balance between theatrical and wearable. These were pieces you wanted to own — not because they aligned with a trend, but because they looked irresistibly cool. Think an airy, voluminous Cecilie Bahnsen number, a lipstick-red Skall coat, or Sunflower's fireman jacket. Again, overarching trends weren't exactly easy to pinpoint. Though a few major themes felt substantial and may gain momentum as we move through the rest of Fashion Month. Among the standouts: Pajamas styled for day, chemise-inspired dresses that go far beyond countryside frolics, and perhaps most exciting, a modern reimagining of '80s elements that felt decidedly innovative. But the shoppable moments weren't confined to the runway. Outside the shows, the street style was just as much a feast for the eyes. Much has been written about the Scandi girl aesthetic and women's ability to look both laid-back and effervescent, which Copenhagen proved yet again. Styling touches like a pop of orange to brighten a look or unexpected finishes, like with a skull cap, felt instantly appealing and attainable. From the runway to the streets, I left the week feeling inspired — and admittedly, with a case of the shoppies. Ahead, my breakdown of the top fashion takeaways, along with an edit worth adding to your cart to channel the best of Copenhagen. On The Runway & Streets: Flip-flops The shoe of the summer isn't going anywhere. On the runway, flip flops brought ease to elevated looks. On the streets, they lent a nonchalance to showgoers' outfits — your most effortless finish with slip dresses, linen pants, and beyond. On the Streets: Skull Caps What balaclavas and bonnets were to winter, skull caps are to spring and summer. This compact accessory made a major impact, appearing daily at CPHFW and giving looks a distinctive finishing touch. On the Runways: Pastoral dresses Designers leaned into loose, chemise-style dresses that evoked a European countryside sensibility (cue the daydream of wandering through a field of lilacs). Less TikTok milkmaid, more vintage cotton nightgown you'd stumble upon in a vintage shop. Delicate, nostalgic, and surprisingly wearable. On the Runways: Cotton Poplin PJs Designers gave pajama sets daytime credibility by pairing them with bomber jackets and structured outerwear for a street-ready edge. The key to pulling it off? Embracing the art of the matching set or coordinating cotton poplins, then finishing with sporty trainers or sleek loafers to ground the vibe and keep it from feeling too precious. On the Runways: 80s-Influenced Designs The '70s boho influence is giving way to the excesses of the '80s. Bold, sometimes clashing prints, electric colors, and sculptural shoulder pads all appeared on the runways — reworked into fresh, wearable takes that made the decade's more over-the-top elements feel exciting again. On the Streets: Polka Dots The playful pattern that resurfaces season after season made its way onto the streets of Copenhagen, where showgoers embraced it for an added dose of flair. From statement dresses to playful accessories, polka dots proved they're still a favorite for anyone looking to punch up an outfit. On the Runways: Fireman Jacket At first glance, this outerwear shape recalls barn-style jackets we've seen in recent seasons. But it's the signature metal clasp closures that give the fireman jacket its distinctive, namesake appeal. Prepare for plenty of iterations to start popping up in new arrivals sections. On the Street: Pops of Orange Photo:. For a few seasons, pops of red have been the go-to accent for injecting drama into an outfit. This time, orange took center stage. Whether as a small detail — like a shoe to brighten a neutral look — or a blouse to invigoirate an entire ensemble, this color trend added energy and vibrance to the week's street style.
Cosmopolitan
11-08-2025
- Entertainment
- Cosmopolitan
8 of the biggest trends from Copenhagen Fashion Week to wear now, from dresses over trousers to polka dots
Another Copenhagen Fashion Week has come and gone, and although the event itself might be over, the inspiration it provided will live on (hello to pouring over street style pics). While the catwalks were dedicated to displaying the Spring/Summer 2026 collections, there were plenty of outfit ideas and styling hacks that can easily be put to the test right now — and likely with pieces already in your wardrobe. Allow me to take you through the biggest trends I spotted from the shows... Bright and bold colours have become synonymous with CPHFW, but this season it was dialled up a notch. Patterns and textures were clashed together, for mash-up looks that somehow managed to still look cohesive. Zalando Visionary Award winner Iamisigo is a "experimental wearable art" label, with all pieces being traditionally handcrafted in Africa. A multitude of fabrics including glass, metal and cotton created dynamic, eye-catching looks that honoured heritage techniques while still feeling modern. Finnish brand Marimekko styled candy-colour stripes with clashing, graphic florals and knee-high ribbed socks. Danish label Caro Editions was founded in 2022, and upcycles luxury deadstock fabrics into new designs. Lace, gingham, tartan and satin were all worn together (and also seen on one-of-a-kind bags made in collaboration with Mulberry) for stylish yet surprising looks. We won't quote the infamous Devil Wears Prada line makes sense that floral dresses took centre stage at CPHFW this season. Cecilie Bahnsen, whose eponymous label usually shows in Paris, returned to her native Copenhagen for a special 10th anniversary presentation, much to the excitement of many (myself included). Sculptural flower and petal appliqué shapes are somewhat of the brand's signature, appearing on whimsical dresses, structural skirts and Asics trainers. Nicklas Skovgaard has become one of the most exciting designers to watch from Copenhagen, and his show was filled with voluminous, tulle-stuffed, floral-printed dresses (all worn with Scholl clogs, my personal shoe of the summer). Rave Review, another Danish label focussed on upcycling and re-purposing vintage fabrics, made use of floral bed linens by creating dresses, skirts and jackets. BRB, cutting up my old quilt as we speak... Silk scarves and bandanas have been trending in a big way this summer, and the effects of such could be seen across the Copenhagen runways. Baum und Pferdgarten went down the traditional route for its equestrian inspired show, with printed scarves knotted on top of blazers. Co-founder Helle Hestehave told Cosmopolitan UK: "We had long wanted to explore a theme centred around horses. During a walk through the old stables north of Copenhagen, the location of our show, we instantly knew we wanted to create a collection and presentation inspired by everything that unfolds at a horse race: from the guests attending, to the highly skilled jockeys, and the raw, authentic surroundings." MDKT Studio styled almost every look in its show with matching scarves that stuck out behind the wearer's heads, as if a gust of wind was permanently lifting them. And at The Garment, models wore triangle bandanas around their necks with ruffled romantic dresses and riding boots, creating a Western-inspired look. Yes, you have read this correctly. Millennials like myself are old enough to remember this trend the first time around, but it appears to be back in a big way. CMMN SWDN styled knee-length knitted and chiffon sleeveless dresses over tailored trousers, giving a more grown-up and polished take. Stel presented asymmetrical pleated skirts over technical and tartan trousers for a more grungy feel, and Skall Studio paired wide-leg jeans with a striped mini shift dress — basically, there's a way to wear a dress over trousers that suits everyone's style, so no excuses. Tartan and plaid are wardrobe staples — it almost feels redundant to refer to them as a trend they're such classics. However, you couldn't ignore just how much the pattern dominated CPHFW. Alis's Oasis soundtracked show gave big 90s vibes, alongside its plaid football shirts, skirts and bikinis. Newcomer Martin Quad's gothic monochromatic collection was punctuated by bursts of hot pink tartan, and Rolf Ekroth's majestic woodland presentation was brimming with clashing colours and patterns, all stitched together to create unique outerwear. You can't beat a bit of fringe for adding drama to an outfit. Anne Sofie Madsen had one of the buzziest shows of the season, largely thanks to her giant, metallic, rat-shaped handbags, but her statement fringed dress and hat were equally exciting. Stem, an innovative zero-waste production brand, hosted a weaving workshop which served as its fashion show. The raw hems of every garment created an un-done, rough-and-ready fringed effect. Herskind went for a more polished approach, with long leather fringed dresses and skirts being worn with giant fold-over clutch bags and sharp jackets. You might call it the pattern of the summer, but hell, I'm calling it the pattern of the year. You simply couldn't move in Copenhagen without hitting a polka dot, whether it was on the catwalks or the cobbled streets of the city itself. Caro Editions used the print throughout its collection, often doubling up with clashing colours and spot sizes. At Rotate, the final show of the week, polka dots were small and dainty, on sheer halterneck tops, jumpsuits and micro-shorts. Creative directors Thora Valdimars and Jeanette Madsen told Cosmopolitan UK: "This collection was created with the feeling of a sun-soaked summer getaway in mind. We got a lot of inspiration from the 70s, all reimagined with that Rotate twist. It's all about softness, fluidity, and elegant draping." At Rolf Ekroth, giant dots were painted onto T-shirts, jeans, jumpers, skirts and even model's faces. Multi-coloured beads featured heavily throughout Iamisigo's collection, creating bags, vests and even floor-length dresses. Creative director Bubu Ogisi said of her brand's ethos: "Heritage isn't backwards-looking — it's the past, the present and the future." At CMMN SWDN, models carried cross-body, tote and pouch style bead bags with their soft, tailored outfits. And at Gestuz, a beaded bra top had fringing right down to the wearer's knees, ticking off two trends in one. Rebecca Jane Hill is the Senior Fashion Editor at Cosmopolitan UK. She has previously contributed to publications including Vogue, Elle, Marie Claire, Harper's Bazaar, Refinery29, The Face, Glamour and Stylist. She started her own magazine, Sister, in 2012 whilst at university. Focused around feminism, fashion and culture, it went on to produce 12 globally stocked print issues, as well as countless events and partnerships. She closed the magazine in 2023. Rebecca has been an associate lecturer at London College of Fashion since 2018, where she teaches on the Fashion Journalism course. She is a passionate second-hand shopper and is constantly on the lookout for new design talent.
